Top 35 How To Record Bass On Phone The 61 Correct Answer

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Contents

How do you record good bass?

Recording Electric Bass: 10 Quick Tips & Techniques For Capturing The Low End

Tune up! …
Break in new strings ahead of time. …
Record Amp and DI. …
Use an appropriate mic for bass. …
Adjust phase of combined DI and miked-up bass tracks. …
Limit and/or compress. …
Don’t over-compress/limit.

How do you record a subwoofer?

Usually with a subwoofer, you’ve got a line-level signal (somewhere) that you can record directly. Most mics can record bass. If it’s “loud” you might want to use a dynamic mic like the SM57/58 or a kick-drum mic.

How do I record audio quality on my phone?

Recording Great Audio on Android Devices

Go to the Google Play store and download Smart Voice Recorder (free).
Install and launch the application.
Touch the bottom left Android menu button to open Settings.
Select Sample rate (quality)
Select 44.1kHz (CD)
Go back to the menu and select Microphone adjustment.

How loud should you record bass?

How loud should my original DI be? You should aim for peaks of -12dbfs and you should change your strings. If you want “brightness” and “attack” new strings are your friend. Also the output of a di is mic level, not instrument or line level, you can plug your bass straight into the instrument level jack without the di.

How do I record bass without bass?

5 Ways to Record Bass Without a Bass Guitar

Bass plug-ins.
Use a hardware bass synth.
Downtuning a live guitar.
Add a harmonic generaton.
Record a Guitar and Downtune using MIDI Conversion or Transposition.

Can I play my bass through my phone?

So what about a phone—can you use it as an amp? You can use your smartphone or tablet, Android or Apple iOS, as an amplifier for your electric guitar or bass. You will need an interface to connect the guitar, an amplifier app to process the signal, and headphones or speakers to listen to the sound.

Can you plug bass into phone?

Samsung users can now connect their guitar or bass to their Android device and play with the sound of the most sought-after amplifiers and effects from their smartphone thanks to the first professional guitar processing app and digital interface from IK Multimedia.

Record Bass To Your iPhone The Easy Way (Plus It’s Cheap-As-Chips)

Record Bass To Your iPhone The Easy Way (Plus It’s Cheap-As-Chips) – YouTube

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The Easiest Way To Record Your Bass Guitar | Reverb - YouTube — The Easiest Way To Record Your Bass Guitar | Reverb – YouTube

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Most searched keywords: Whether you are looking for Recording Electric Bass: 10 Quick Tips & Techniques For Capturing The : Ask.Audio Updating Recording electric bass can be more straightforward than drums or guitar, but there are still potential issues that can trip you up. Here’s 10 tips & techniquesrecording bass, electric bass recording tips, how to record bass guitar, studio recording techniques, tips for recording bass, upright bass, production bass, how to produce bass guitar, compress bass guitar, bass guitar effects, learn studio production,
Table of Contents:

1 Tune up!

2 Break in new strings ahead of time

3 Record Amp and DI

4 Use an appropriate mic for bass

5 Adjust phase of combined DI and miked-up bass tracks

6 Limit andor compress

7 Don’t over-compresslimit

8 Don’t Print effects without a dry version as well

9 Use Plug-Ins to Enhance Recording

10 Don’t Fear the Upright

Discussion

Recording Electric Bass: 10 Quick Tips & Techniques For Capturing The : Ask.Audio

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Summary of article content: Articles about How To Record Bass Guitar On A Phone – (3 Easy Methods) Run the Amplitube software on your phone. This software comes with a set of default proprietary amps, or you can buy dozens of amps based on real models. It has … …
Most searched keywords: Whether you are looking for How To Record Bass Guitar On A Phone – (3 Easy Methods) Run the Amplitube software on your phone. This software comes with a set of default proprietary amps, or you can buy dozens of amps based on real models. It has … Whether it’s an Android device or an iPhone, we’ll share 3 simple ways you can use your phone to record bass guitar without spending a fortune.
Table of Contents:

Method 1 Recording Bass Guitar On Your Phone Using Direct Input (DI) And An Audio Interface

Method 2 Recording Bass On Your Phone With A Recording Pedal

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Most searched keywords: Whether you are looking for How To Record Bass Guitar To A Computer And Phone? It’s very easy to record bass with a DI box– you hook up your bass to the DI box and hook up the DI box to the audio interface input. di box for … As musicians, we need to not only play our parts and practice diligently but sometimes, we all need to record ourselves. Whether it’s to check our mistakes,
Table of Contents:

Recording Bass Guitar On PC And Phone

Why You Should Record Yourself Playing Bass

Do I Really Need An Interface To Record Myself

Final Thoughts

Frequently Asked Questions

Pages

Recording Electric Bass: 10 Quick Tips & Techniques For Capturing The

1. Tune up!

Slightly out-of-tune strings on a bass may not jump out as much as on guitar (especially in chords), but when that bass line is sitting under other parts in the mix, even slightly off-pitch notes will make their presence known, and sometimes be harder to track down (why does this song sound a little “off”?). I’d use a tuner (h/w or s/w), but I’d also always verify by ear, before hitting record, and I’d check tuning periodically as the session progresses—just as with drums, hard players can easily put the instrument out after a few energetic takes.

Fig 1 Use a tuner but always let your ears have the final word.

2. Break in new strings ahead of time

Aside from tuning issues, new bass strings, especially roundwounds, can be very bright, and this may result in a lot of finger noise and fret buzz. If they’re changed a day or two before the session, and the bass is played a bit to break them in, there may be less likelihood of problematic noise. In fact, while many players think of them as old-school, flatwounds can sometimes be the best choice, when a fat deep bass sound is called for—it’s worth a thought.

3. Record Amp and DI

The easiest way to record bass is to just plug it straight into the console/interface—of course, using the correct instrument-level input or dedicated DI box, and not a standard line input. This will provide a nice, clean, deep tone, but it will likely lack the growl and grit that’s often desired—for that, you’ll want the sound of an amp. While you can always use a bass amp sim plug-in later, in the mix (see below), there’s nothing like the pants-flapping wall of low-end sound coming out of a real bass amp, if one is available. But most engineers will record both—a DI’d signal, and a miked-up amp. They can be combined later on, for the best of both worlds—the clean, round, depth from the DI, with the edge and midrange punch of the amp (but see below, for a caveat).

Audio Example 1 A bass part recorded with a DI; through an amp; and both combined:

4. Use an appropriate mic for bass.

If you are recording the output of a bass amp, try to use a mic that will capture more of the low-end than a typical stage mic. An SM57/58 will work, but a mic with a more extended low-frequency response would be a better choice. The Sennheiser 421 is often used, as is the classic kick drum mic, the AKG D112, which has a bumped-up response tuned specifically for low-pitched instruments. I prefer the Electro-Voice RE-20 (you know, the “announcer’s mic”)—it’s more neutral, and it has an extended low-end response, so you’ll get not just boom, but real depth.

Fig 2 Some mics suitable for bass: L-to-R: Electro-Voice RE-20; AKG D112; Sennheiser 421.

5. Adjust phase of combined DI and miked-up bass tracks

If you do record the bass both via a DI and a miked-up cab, and combine them later, as suggested above, you’ll want to pay attention to the relative phase of the two tracks. Even if the mic is placed very close (an inch or so) to the amp’s speaker, that track will still be slightly delayed (on the order of milliseconds), due to that small distance, relative to the DI track. Small delays like this can cause comb-filtering when the tracks are combined (at close to equal levels), which produces cancellations and reinforcements in the frequency spectrum that can impart a nasal, hollow, or slightly “flangey” sound, weakening the tone. You can see the time difference if you line up the waves in the DAW and zoom way in. You can either advance the amp track (via editing) or delay the DI track (via editing or a plug-in) until the two line up—the resulting tone should be fuller, and ultimately sit better, with a more solid low end, in the mix.

Fig 3 The waveforms of a DI’d and a miked-up bass track.

6. Limit and/or compress

If ever there was a candidate for compression, bass is it. This instrument has a wide dynamic range (even more so when slap techniques are employed), but it usually needs to sit at a very steady level in the mix. But should compression be applied during recording, to control the levels going down, or later, during the mix, to insure the best blend in the track? Well, the answer is probably both, but with potentially different approaches to squashing the signal. During recording, a Limiter might be the ticket, to control transient peaks that might overload ADCs, producing pops and spikes that can ruin a take. A classic fast VCA compressor/limiter (like the dbx 160) could be employed to handle peaks, without really reducing the player’s dynamics at this early stage. Then when mixdown rolls around, more gentle compression can be introduced (like the smooth squash of an optical compressor like the LA-2A), to tighten up the dynamics, as needed for that particular mix. Applying the right kind, and amount, of compression/limiting at all stages will assure you get nice clean recordings, that can be properly squeezed into the mix when the time comes.

Fig 4 A fast comp/limiter (dbx 160), good for recording; a more gentle opto compressor (LA-2A), good for mixing.

7. Don’t over-compress/limit

On the same topic, if you do apply some compression during recording, be careful not to overdo it. At this stage, you don’t need to hear any effect, it should just transparently control peaks. If you apply the amount of squeeze that may be needed for the mix as the part is going down, it might cramp the player’s style—better to leave that for later. Plus, if the signal is over-compressed here, it may bring out the normal squeaks and finger & fret noises so much that it becomes difficult to eliminate them later—this is especially true if the player is really a guitarist who also moonlights on bass. Guitarists who try their hand at bass parts often haven’t mastered an experienced bassist’s technique for damping the strings, and the little playing noises I referred to, as well as distracting undamped harmonics, can end up overpowering the recording if heavy limiting/compression brings them up (I recently struggled mightily to deal with a bass track that suffered from this flaw).

Audio Example 2 A bass that was over-compressed during recording, with accentuated finger & fret noise:

8. Don’t Print effects without a dry version as well

This is sort of a corollary to the DI+Amp suggestion. While effects on bass aren’t as common as with guitar parts, some bassists will come in with these big rigs of effect boxes, and want to record “their sound”, which often is clearly overprocessed for the song. Rather than argue the point, let the player hear the sound he’s used to during tracking, but be sure to also grab a nice clean signal, prior to all the effects, usually straight off the bass via a DI. That way, if your concerns prove all too true come mixdown, you can turn to the dry track, and recreate those favored effects to a more appropriate degree, with studio tools. Even if the effected bass sounds good to you, many pedals and MI effect boxes are noisy, and you might have to recreate the sound anyway, to avoid problematic buzz or hiss from the player’s cool-but-dirty toys.

9. Use Plug-Ins to Enhance Recording

Even when the bass track(s) are well-recorded, and sound good, you may want to enhance the bass tone for mixdown with your favorite bass-friendly plug-in processors. Besides the obvious EQs and compressors, there are many distortion processors and amp sims out there suitable for bass. Sometimes a simple tube-warming effect is all you need to add a little subtle fatness, like the many plug-ins that simulate slight tube drive or tape saturation. I always liked the Tech 21 SansAmp on bass, and Pro Tools includes a well-modeled plug-in version of that unit. Most of the popular guitar amp modelers also include options that can add some nice grit & girth to clean bass tracks, including Softube’s Bass Amp Room and Logic’s built-in B.A.D.—Bass Amp Designer—which, like most bass amp sims, includes models of classic bass amps like the Ampeg SVT and Fliptop, along with modern bass amp & cabinet emulations. Any of these can add that finishing touch to a good bass part, and there are many freeware options as well, for those on a tight budget.

Fig 5 Some plug-ins for bass: Pro Tools’ SansAmp emulation; Logic’s B.A.D.; Softube’s Bass Amp Room.

10. Don’t Fear the Upright

For the last tip/technique, I’m going to shift gears and talk about recording acoustic—upright—bass. This may seem more daunting, but many of the same techniques apply—I’ll mention a few quick items that would be specific to the big box. While the dynamic mics I mentioned above might work fine (especially on stage), a good large-diaphragm condenser would be appropriate in the studio, to capture the high end and air of the acoustic instrument as well as the lows. On stage, the relatively low acoustic volume of the instrument may preclude more distant mic positioning, but you can wedge a small (pencil-type) mic into the bridge, with appropriate foam padding, and this, surprisingly, can often provide excellent sound and much better isolation.

Fig 6 An upright bass with a mic wedged into the bridge, for better isolation in noisy environments (courtesy of DPA Microphones).

Most upright players (at least the ones who gig regularly) will also have a pickup installed, and once, again, the combination of mic (depth, air) and pickup (midrange punch and growl) can be a winning combination.

And on that (low) note, I’ll wrap up. While many bass parts nowadays are probably laid down with samples and synths, by keyboard players and guitarists, what you’ll get from a real bassist is more than just his sound, it’s the magic in his fingers, and his bass-players’ sense of just what to play to perfectly complement the song—it’s certainly worth a little extra effect to take advantage of what the true masters of the low-end have to offer.

Learn about producing bass lines in this video course HERE.

How To Record Bass Guitar To A Computer And Phone?

As musicians, we need to not only play our parts and practice diligently but sometimes, we all need to record ourselves. Whether it’s to check our mistakes, make a track to send to other bandmates, or work on a bandmate, recording bass guitar is a super important skill to anybody in the music industry.

I’ve included many ways to record the bass guitar in this post, and while some are super easy to follow along with- some ways can get tricky. I hope you can find one that suits your needs best, and your recording sounds great!

Recording bass on your computer or phone is super easy, but you may want to look into the available options you have. Let’s get right into the ways you can record bass guitar on a pc or smartphone, shall we?

Recording Bass Guitar On PC And Phone

DI Box

Personally, I think recording with a DI box like the Radial Pro DI direct box is the best way to do it. What I like most about this approach is that you can mix the signals any way you see fit. You can also re-amp the tone if you feel like it’s too thin.

It’s very easy to record bass with a DI box– you hook up your bass to the DI box and hook up the DI box to the audio interface input.

Then, notice the thru output on the box? You connect that to the second audio interface input, which then connects to the computer. This approach is flexible as you not only get to experience the sound of the mic signal but also the recorded DI signal.

Using The Recorder App On Your Smartphone

I will admit that this method won’t be ideal in a studio setting or if you want clean bass tones but if you want to check how you sound, and whether you’re on time with the rest of the band, a simple sound recorder app on your smartphone can go a long way.

You just hit record- and play the grooves you want, then stop recording- and analyze your playing. If you’re focused and determined to improve your playing, you can tweak up your technique and sound by paying attention to the more subtle areas of your playing.

The best part? It costs nothing if you’ve already got a smartphone.

iRig2 HD

IK Multimedia iRig2 HD is the best way to record bass parts if you are on a tight budget.

The best thing about this gadget is- it’s super portable, just a tiny box that you can plug into your pc with a USB cable. It also hooks into smartphones which is great.

Bass amplifiers can get expensive, and these costs can add up pretty quickly, so if you don’t want to get a bass amp any time soon, the iRig2 HD is a good piece of gear to invest in. There is also an amp/pedal sim that works like a charm.

If you are using a smartphone to record your bass, you can open the Amplitube app and you don’t need to worry about anything. You can even edit and experiment with different effects from the app.

You are probably already familiar with DAWs- the Reaper or Logic Pro would be great if you can afford them- the FL Studio is a free alternative if you don’t have the commitment to invest in a DAW.

The iRig2 is good on a budget but if you need something that delivers higher quality sounds, you might want to invest in a good microphone and digital interface setup. It does cost a bit more but it’s certainly worth it if you need studio-quality audio output.

Bass to Interface

The best way to get good sounds out of bass is to first hook it up to an interface before feeding the signal into a DAW. A DAW or a digital audio workstation is simply a device that has a couple of inputs- usually two or four and feeds a high-quality audio signal with little to no latency.

A DAW with more features and inputs would probably cost more, but you should be able to get good quality out of the Presonus Studio 26 without spending much.

If you are looking for good options, Focusrite Scarlet also comes highly recommended but I find the Presonus more intuitive to use. It also comes with a DAW which saves you the time and money you would have spent looking for a decent DAQ in the market. The Presonus Studio One is easy to use and has tons of features that are great.

If you don’t have an amp, you can simulate a fat tone with the Amplitude app very easily.

Getting an interface can also be very handy if you need to record some other instrument later.

Bass To Multi-FX Pedal

If you have some budget to spare, the Boss ME-80 would be a great investment to make.

Making it work is pretty simple – hook up your guitar to it, play with the controls till you find a tone you like, then use the provided cable to hook it up to your pc or Mac. This provides a good quality sound- and you can also use this unprocessed signal to make changes you would like.

The Boss ME Multi-Effects Pedal is easy to carry around and supports headphone output so you can practice without disturbing anybody.

Amp to Interface to a DAW

If you’ve already got a bass amplifier, it would make more sense for you to hook your bass to an amp before connecting that to an interface and then to a DAW of your choice.

The reason this would be great is that you can actually add effects to the sound output from the amp, and you can also adjust the EQ controls before feeding that sound to the interface.

You can also use a DI if you have the budget, but if you don’t, this setup sounds pretty good too.

Mic To Interface To DAW

If you would like to try a hassle-free way to get the sounds of your bass guitar into your computer, you can also try using a microphone in front of your bass cabinet. This method is easy to execute but the sound quality may not be as good as using an interface.

Well, the upside is that it won’t cost you as much since you won’t be needing a good interface.

As for what mic I would suggest, the Shure Beta 52A has lots of reviews online and it offers good value for the budget, so you should certainly take a look at that.

It would be best if you also kept in mind that the sound you get also depends on where you position your mic in front of the bass cabinet. Personally, I like to keep my mic near the left edge of the bass cabinet, but I guess it would vary based on your tastes.

Just play your bass guitar like you normally would, and record the output that’s coming out of the bass cabinet. The mic can also be fed into an interface, then into the pc so you can tweak the sound as much as you would like.

Why You Should Record Yourself Playing Bass?

As a beginner, you may have wanted to master the bass guitar and all of the techniques you need to be an impressive pro. Things like tapping, harmonics, and vibrato are certainly on your list of skills to conjure.

But if you want to play well, play fast, and improve tremendously, you need to self-reflect. This applies to all aspects of life- bass guitar as well, and if you are always recording what you are playing and wait a moment to listen to it and think about what you could do better, you will certainly find more ways to improve.

The problem with most intermediates is that they think they’re amazing when in fact they could do with a bit more practice. If there are any problems with the intonation or you could improvise some rhythmic sections, it will be even more apparent if you keep a habit of recording things you learn.

It’s great to show your progress to somebody or to show your bandmates how your idea looks like on the bass- or you could even use your recordings as a backing track and play along to that. Guitar players do this all the time, and it can help you practice scales and arpeggios and come up with original stuff very easily.

Do I Really Need An Interface To Record Myself?

Well, if you are somebody who wants to learn more about the bass guitar and doesn’t plan on getting into the recording and mixing side of things any time soon, you can absolutely do it without getting an interface. The truth is- interfaces can sometimes cost a lot of money, and for a beginner, that time is much better spent practicing on songs and techniques than getting gear that won’t be of much use too soon.

If you want to hear your mistakes, you can simply use a smartphone and use a sound recorder app to get a decent recording. Don’t expect to hear details too fine, but it should be good enough to figure out where you could do better. By recording yourself and comparing your playing to a reference track, you can also think of ways to improve your playing.

Not everybody has access to expensive gear, so even if you don’t have an interface, and want to record with a smartphone, you can still get started with recording bass guitars. You can absolutely learn to mix and master tracks but if the equipment is better quality, it certainly helps with the quality of recordings, and finally- the quality of the final track.

Final Thoughts

Recording bass parts for a track can be fun but if you need to have quality sounds for mixing and editing, taking a look at the more expensive options can be great for you.

If you are a beginner and don’t care much about the complexities of mixing, you can try the iRig2 HD as it’s a hassle-free way to get started with recording the bass parts. It also comes with the Amplitube software which works like a charm.

However, if the quality is of essence to you and you could do with some high-quality sounds, going with an interface before connecting to the DAW is a great idea.

If you’ve already got a bass amp, just getting an interface and a mic would be great. I think the DI box sounds great, but feel free to do whatever sounds best to you.

I hope this post has been helpful to you in some way. Recording bass parts can be tricky at times, and you may get lost while mixing tracks. Just stay calm and if you need to take breaks, do so- and with some time and practice, you will have learned to do it like a pro!

Frequently Asked Questions

Can you plug bass guitars into guitar amps?

It’s not advised to use bass guitars with guitar amps but if you are in a pinch, you can try doing that at a lower volume and with the bass levels turned down.

What level should I record bass?

Peaks of about -12dbfs work well recording for bass guitars. You should also get some fresh new strings if you don’t want a dull sound from your bass guitar.

How do I record myself playing bass?

You can try hooking your bass guitar to an interface and connect that to your computer, or you could directly record from the bass amp. Just make sure you are playing along to a metronome so you can layer tracks on top of that easily.

Is acoustic bass good for recording?

Acoustic bass won’t be loud enough for live performances but for recording, it’s probably fine. You need to boost the signals in the mix but it’s doable. You might need to double the track to get a powerful low-end, and making sure the bass is audible is a good idea too.

Record Bass At Home

Bass players can develop super valuable skills outside of, well – just playing bass. One of those skills is being able to record bass at home.

This means being able to make an audio and/or video recording of your bass performance with decent sound quality.

Technology we have available today makes it super simple to do the home recording with excellent audio quality, something just a few decades back musicians could have only dreamt of.

If you’re a beginner on bass, I suggest you learn at least one way to capture bass playing, as it is the number one way to track your progress, plus it’s useful when taking part in online bass courses (for getting feedback on your playing!).

Let’s get started!

#1 Quick Setup: Record Bass At Home With iPhone

This is a setup I recommend to beginners and intermediate players in a situation where you don’t have to capture a high-quality audio recording of your playing.

Situations in which you would go for this setup:

Shooting a bass video clip for feedback on your playing as part of online course attendance

Capturing a draft bass line composition idea

You want to track your progress on bass and make a recording

My suggestion in these situations is to just do a quick, draft recording of your playing on your iPhone.

This would be a video recording using the built-in app on the phone.

I know the sound quality will not be excellent, but you should consider if you need a high-quality recording in this situation.

For example, when students are going through my Bass Guitar 101 course, they need to submit a video of their performance as part of assignments.

For this situation, you just need to shoot a quick video of your playing on your iPhone so that I can check it out and send you feedback.

There is really no need to spend extra time with the setup and production needed to capture higher quality sound.

Microphones in our smartphones are more than enough to capture quick draft ideas like this.

Steps to record a bass video on your iPhone:

Step 1: Phone placement

Make sure to place the phone in a spot where it can capture your bass as well as any backing track you might be playing over.

This is a strategic spot, so don’t place your phone right next to your bass amp, for example.

You also need to work out the best sounding position considering the video angle you need to capture.

When shooting a bass video for instructional feedback, you need to have your full bass and both hands visible in the frame.

Step 2: Start a video recording

Go into the Camera app on the phone, and choose a video recording option.

Start the recording and place your phone in a pre-planned position when ready.

If you have a phone tripod, that will work the best, but if not – you can just prop it up with books or other items on your table.

Step 3: Record your performance

Once you’re happy with the performance, save the video file.

That’s it – you now have a quick and easy recording of your performance that will serve most purposes.

You can easily share this file from your phone with others or upload it to Youtube.

But, if you need to record higher quality audio with a bass solo track, this method will not work.

#2 Higher audio quality: Record Bass At Home With Computer + Audio Interface

This is a method you can use to record your bass with high audio quality.

Gear you’ll need for this:

Computer (Hardware)

Audio interface (Hardware)

DAW (Software)

This will be a purely audio-only recording, and the end result is the isolated high-quality bass track.

Computer (Hardware)

A computer that you can use for recording can be a PC or a Mac.

Use the one you have handy, it doesn’t need to be very powerful for this kind of usage, but it needs to have ports that you can plug your audio interface into.

Usually, USB 2.0 or 3.0 ports are needed.

Audio interface (Hardware)

This is the heart of your home bass recording studio.

An audio interface is a hardware device that converts the instrument (or microphone) signal into a digital format so that you can record it on your computer.

You’ll plug your bass into this audio interface using the instrument port on it.

You can also plug your speakers, monitors, and other audio devices you have into the interface.

When recording bass at home, you’ll only need 1 input on the audio interface.

Usually, the audio interface will come with 2 or more input ports built-in, but there are 1 port interface options available.

To keep it within the budget and go for an optimized setup, 1 or 2 input ports audio interface will do just fine for recording bass at home.

Plug your bass into the instrument port on the interface and set the gain level so that you have a strong signal.

Look out for the red clipping indicators on the interface.

If you see them blinking red when playing bass, you need to turn down the gain on the audio interface and/or lower the volume on the bass controls.

So, now you have an audio interface connected to your computer.

You have plugged your bass in and set a decent signal strength level.

At this point, you should have a way to hear your playing through the speakers and/or headphones connected to your audio interface. This option is called: direct monitoring.

Your bass should sound clean, and the signal should be without noticeable noises.

Go on to the next step to learn how to record your bass at home.

DAW (Software)

The final piece of the puzzle for recording bass at home with good audio quality is the software you’ll use to make a recording.

This software is called DAW, which is short for Digital Audio Workstation

This software can record, edit and play audio recordings or files.

Here are some DAWs that I would recommend starting with:

Reaper (Paid)

This is my number one choice. It has a free trial so that you can check it out and see if it works for your setup.

Licenses are affordable for home use, and there are versions of the software for Windows, Mac OS, and Linux operating systems.

This is a very powerful DAW that can do even advanced stuff.

Click on this link to check out out.

Audacity (Free)

This audio software is the number one choice for most recording needs on your computer.

The software is free, open-source, and can perform complicated tasks.

I would suggest starting here and then moving on to other paid options if you really need to.

Personally, I find the interface of Reaper slightly more user-friendly, but Audacity can do what is needed to record bass lines at home.

You can download it here.

Make a recording

At this point, you’re ready to make a recording.

Plug your bass into the audio interface.

Start the DAW software of your choice.

Adjust the input levels and arm the recording track.

Hit the record button and play the bass line.

Listen back to the audio recording, and if it sounds good – hit the save button, and you’re done.

You can export the high-quality bass audio recording from the software and use it for further production.

For example, you might want to add the high-quality backing track in the DAW, record your bass over it and then mix the tracks together.

Export this audio where backing track and bass are mixed together and import it into a video editing software where you can perhaps stitch it with a video recording from your iPhone.

That is how those Youtubers make high-quality bass-playing videos. They separately record audio in DAW and video on camera.

Video from a camera will have poor audio quality. Still, you can use the high-quality DAW audio and replace the camera one in the video editing software to get a great-sounding video clip of your playing.

This part covered how to record direct bass signals, going straight to the interface.

The next level would be to record your amp.

#3 Advanced: Dual Setup – DI + Mic’ed Amp for Recording Bass At Home

This setup requires the same gear as in the previous one with some additions:

Computer (Hardware)

Audio interface (Hardware)

DAW (Software)

Mic

Bass Amp

Optional: Bass DI-Box/Splitter

For this setup, which will give you the best sounding bass recording, you need to record both direct bass signal and sound from your bass amp.

To record a bass amp, you need to place a microphone in front of it.

Connect the microphone to 1 channel of your audio interface.

Connect the bass to channel 2 of your audio interface.

You need to have a DI box that splits the signal.

Connect your bass to the DI-Box. You now have two outputs from the box – one goes to the bass amp, and the other goes straight to the audio interface.

Once you have this all hooked up, start the recording software and arm 2 tracks and select correct inputs from the audio interface.

You end up with these audio tracks:

Track 1: dry bass sound

Track 2: colored bass sound from an amp

This gives you many options for producing your bass sound as you have two different tracks.

Mix them together, and experiment with production options such as adding effects.

When you’re happy with the sound, export the tracks to share a high-quality audio bass recording made at home.

Use this recording for online projects, collaborations, or making videos by importing the audio track into video editing software and syncing it to the performance video.

This is an advanced way to record bass at home, and I don’t recommend it to beginners.

It takes more time to setup and capture these recordings, plus it is more complicated to mix those bass tracks well.

You would do this in case you need to:

Record home bass tracks for an album or a demo

Produce high-quality bass performance videos

Do online sessions work

Collaborate with other musicians on joint song projects

Conclusion

Keep in mind that getting too hung up with the bass recording process at home can derail you from what’s essential – practicing bass.

If you’re simply recording an assignment for one of my online bass courses, please just make a quick recording with your iPhone.

It will be good enough for me to give you constructive feedback. No need really for pro-level recording for this kind of use.

But then again, I get it if you want to make “produced” bass videos that sound amazing.

In that case, I hope this post has been helpful to give you some pointers on how you can record bass at home with good audio quality.

If you’re a beginner bass player, you should learn at least one way to record your bass playing.

Enrolling in my Bass Road Academy can be an excellent excuse to level up your bass chops and recording skills as you’ll need to submit assignments (video) throughout your study.

Click on the button below to learn more about the Bass Road Core Learning Path and how you can join us and become a member:

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