Top 43 How To Hold A Fiddle The 81 Correct Answer

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Stay facing straight ahead – don’t move your head up or down or to left or right. Lift the violin/viola into position against your neck; put your left hand under the body of the violin/viola to support it.Fiddle music is usually easier. Violin performance takes more strength and concentration than fiddle music. Fiddle music is usually improvised in part. Violin music is rarely improvisational.

Contents

Is the fiddle easier than violin?

Fiddle music is usually easier. Violin performance takes more strength and concentration than fiddle music. Fiddle music is usually improvised in part. Violin music is rarely improvisational.

Should holding the violin HURT?

Holding your violin or viola in a tight, tense grip will eventually lead to pain in your neck, shoulder, arm, and back. The quality of your playing will also suffer as the physical strain impairs your dexterity, deflates your tone, and reduces mobility.

Can I teach myself fiddle?

LEARN TO FIDDLE AT ANY AGE!

The course is based on the Brainjo Method of instruction, the first neuroscience-based system of musical instruction that’s designed specifically for the adult beginner. So no matter your age or prior musical experience, you can learn to play. And anyone can learn how to play the fiddle!

Do you strum a fiddle?

You call that “strumming” technique pizzicato when playing violin and other stringed instruments. The abbreviation for pizzicato is “pizz”, but violinists don’t often use this word for some reasons. Some use “fiddling” to refer to violin playing, especially for self-taught violinists that play solely folk music.

Is a fiddle hard to learn to play?

In general, each string has a particular sound, which gives each musician a unique style when playing this instrument. The fiddle is one of the most difficult instruments to learn to play. Getting to have the right tone with a fiddle is a whole process.

Why is it called a fiddle?

Etymology. The etymology of fiddle is uncertain: it probably derives from the Latin fidula, which is the early word for violin, or it may be natively Germanic. The name appears to be related to Icelandic Fiðla and also Old English fiðele.

What is the easiest instrument to learn?

The piano is arguably the easiest musical instrument for kids to learn and there’s a ton of easy songs to learn. It’s a great way to introduce children to music, mostly thanks to the simple, logical layout of the keys.

How long does it take to learn the fiddle?

One year to get the right notes in the right order almost all of the time, three years to make them sound a lot like music much of the time.

What is the correct violin posture?

Sitting up straight, turn your head enough that your nose lines up with the left foot. Drop your chin and place the violin so that it’s also aligned with your left foot. Hold your spine straight and relax into this position; you should be able to keep the violin steady using only your chin.

What angle should you hold a violin?

The best way to find the correct angle for your violin on your shoulder is the “zip and step” method: put your feet together, open (or zip) them to roughly a 60° angle, and then make a small step forward with your left foot. Your left elbow should be over your left foot while holding the violin. 5.

What angle do you hold a violin?

Do you have to hold a violin under your chin?

It’s true that if you are holding the violin correctly, you should be able to support it comfortably between your collar bone and your chin without putting your hand on it. However you must not “squeeze” the instrument in any way, either by pushing down with your head, or hunching up your shoulder.

Beginner’s guide to holding the fiddle and bow.

Your Fiddle and How to Hold It. : 4 Steps – Instructables

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Table of Contents:

What Is the Difference Between a Violin & a Fiddle

Are the Violin & the Fiddle the Same Instrument

Is It Okay to Call a Violin a Fiddle or Is that a Gross Insult

Etymology of “Fiddle” & “Violin”

What Is the Difference in the Structure of a Violin & a Fiddle

Playing the Violin & the Fiddle

Style of Music for Both the Violin & Fiddle

Different Sounds & Aesthetic Values

Historical Origins Dance Music vs the Concert Hall

Violinists & Fiddlers Come Together!

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Sitting versus standing

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Your Fiddle and How to Hold It.

Turn your head left and right. It should be completely free to move. Keep facing forward. Don’t turn to look at your left hand, or tilt your head to the left (you see this a LOT! Try it without the violin and feel what it does to your neck muscles!).

If you have the correct chin rest/shoulder rest setup (every person is different) you should now be able to tilt your head slightly forward so that the violin balances on your shoulder with a little support from the left hand. DO NOT CLAMP DOWN with your chin.

You need only grip with your chin – if ever – when sliding from a higher position to a lower one. Make sure you relax again after.

Difference Between Fiddle & Violin

by Peter Zaret

What Is the Difference Between a Violin & a Fiddle?

I’d say that roughly 80-90% of violinists refer to their instrument as a fiddle. Fiddle can be a noun or a verb, whereas “violin” is just a noun. (He plays the fiddle; he fiddles. He plays the violin; he violins?)

“One typically uses the term violin for orchestral and classical settings and fiddle in mostly country or pop music,” said Doug Droste, director of orchestral studies for the music department of Ohio State University. “The terms are really interchangeable,” he said. “Fiddle is just a little more slang than the violin, which is actually the real name of the instrument.”

The fiddle is a violin played as a folk instrument. It is also the colloquial term for the instrument used by players in all genres, including classical music. Fiddle playing, or fiddling, is a style of music.

Are the Violin & the Fiddle the Same Instrument?

Well, yes and no. It depends on who’s playing it and in what cultural context. Aside from some small details, however, the instrument is pretty much the same; there is no fiddle that is not also a violin.

When I was growing up, I felt uncomfortable using the term fiddle. “Fiddle” meant “country and western” and I wanted no part of that. However, you hear violinists of the highest caliber, like Stern and Perlman, referring to the violin as a fiddle. But their cultural context is Eastern European, which included gypsy-like so-called “fiddle” music, which is not the same at all as the American genre.

The instrument itself may be the same, though folk players of violin (and other players who are playing something besides art music) may take more liberties with respect to the way the instrument is held, its fittings, and so on.

Is It Okay to Call a Violin a Fiddle, or Is that a Gross Insult?

Yes, it is okay to call a violin a fiddle. Though it seems that when one calls a violin a fiddle they have implied that the particular instrument is not a violin of quality. Some think that fiddles are simply cheap violins. At one time this could have been true, as poorer or rural folks usually played home-made fiddles, not Strads. They were less likely to afford private lessons or attend the symphony, but learned traditional tunes at jams and ceilidhs (kay-lees).

Itzhak Perlman calls his Strad a fiddle. And concert violinists sometimes refer to their colleagues as “fiddlers.” But this is just a loose way of speaking. Itzhak Perlman said it’s a compliment to tell another violinist: “That’s a pretty nice fiddle.

Etymology of “Fiddle” & “Violin”

A violin is sometimes informally called a fiddle, regardless of the kind of music being played with it. The words “violin” and “fiddle” come from the same Latin root, but “violin” came through the Romance languages and “fiddle” through the Germanic languages.

Historically, the word “fiddle” also referred to a predecessor of today’s “violin.” Like the violin, it tended to have four strings, but came in a variety of shapes and sizes.

Way back in the medieval days, any instrument that was played with a bow was called a fiddle, depending on one’s native language:

In English: “fedylle, fiele, ffythele, phidil, vithele”

In French: “viele, vielle, viula”

In German: “fiedel, videl, vigel”

In Latin: “viella, vidula, viola”

In Norwegian: “fele”

In Spanish: “vihuela de arco”

Colloquially, “fiddle” is the term most often used for a member of the violin family or for the “kit,” the dance master’s fiddle.

You can see from sounding out the words above that fiddle is probably the term that would have most easily evolved if the English and the Germans had perfected the instrument that we know today as the Violin. But it came into its own in Italy. And the Italian words for “fiddle” sound more like “violin.”

What Is the Difference in the Structure of a Violin & a Fiddle?

Not much. In construction of the actual instrument, fiddles and violins are exactly the same. There is no difference in the instrument itself, only in the way that it is played.

One very slight difference between fiddles and ordinary violins may be seen in American bluegrass and old-time fiddling. In these styles, the top of the bridge may be cut so that it is slightly less curved. This reduces the range of right-arm motion required for the rapid string-crossings found in some styles, and is said to make it easier to play double stops and shuffles, or to make triple stops possible, allowing one to play chords.

Most classical violinists prefer a more rounded curve to the top of the bridge that allows them to articulate each note more easily and clearly. In practice, most instruments are fitted with a rounded bridge to better accommodate the shape of the fingerboard. The difference between “round” and “flat” is not great; about a quarter or half a millimeter variation in the height of one or two strings.

A fiddle strung with steel will work best with a bridge, which is as much as a millimeter lower overall. For gut, nylon, or other synthetic-core strings, the action may be set suitably higher. As a violin’s bridge is relatively easy to replace, modifying the bridge does not permanently make a violin into a fiddle.

Different Strings & Tuners

Gut strings possess a rich and full quality ideal for orchestral playing. They weren’t perfect for the bank account, however, and fiddlers resorted to the cheaper alternative: steel. Steel strings have a “bright” timber (tone) and carry well in a solo situation.

Steel strings are very difficult to tune with the violin’s clumsy wooden pegs. Many steel strings were broken until the invention of fine-tuners, the tiny little metal mechanisms on the tailpiece that makes tuning a piece of cake. Violinists adopted this technology for use on their steel E strings, which are nearly impossible to tune with the peg.

The use of fine tuners on all four strings has unfortunately become associated with less skilled musicians since fiddlers used them. This is absolutely not true. There is also evidence that fine tuners alter the quality of harmonics (higher frequencies), but this it’s to be debated too. Thus a ridiculous stereotype was invented: violinists use the pegs, and fiddlers use the fine tuners.

Playing the Violin & the Fiddle

Some people believe it is easier to learn how to fiddle than how to play violin. In the beginning stage of learning, there is little, if any, difference between violin and fiddle. That comes later in the intermediate stage. The paths diverge then.

Creating the Sound

If you are learning the violin, you will put a lot of effort into mastering vibrato. That’s the primary left hand technique for attaining constancy and ravishing tonal beauty. In the right hand there is controlled pressure and smoothness.

For fiddling, your left hand will be learning slides, fourth finger drones and Irish cuts, rolls, and graces. Your right hand will produce repeating bow patterns of light rhythmic accents.

Same Instrument, Different Technique

Since many fiddlers never had formal lessons, most couldn’t read music and played everything by ear, whereas violinists could read music usually but could not improvise. Another stereotype was invented.

Holding a violin with one’s jaw makes it nearly impossible to talk and play simultaneously (similar to walking around with your pants around your ankles, but perhaps not as taboo). Square dancing fiddlers dealt with this difficulty by holding the violin down on their arm rather than under the chin, freeing up their jaws to “call” the dance moves. This technique is a big no-no in classical playing (realm of the shoulder rest) and it created yet another rift between violin and fiddle.

Style of Music for Both the Violin & Fiddle

For the most part, “fiddle” is a style of music, such as Celtic, bluegrass, or Old Time. Nevertheless, there are a few differences between fiddle and violin music:

The goal of violin music is beauty and power. The goal of fiddling is danceability.

Violin music is often harder to play than it sounds. Fiddle music is usually easier.

Violin performance takes more strength and concentration than fiddle music.

Fiddle music is usually improvised in part. Violin music is rarely improvisational. (One of the last vestiges of improvisation in violin music is in the cadenzas that are sometimes written by the performer.)

“Serious violin music” by the violin has a higher purpose than having a good time. And so it leaves many people standing out in the cold. Only so much room in the Church, in the castle, in the merchant’s concert hall. In any culture dominated by the priest class, the military class, the merchant class, or any combination, music will serve the purpose of the rulers of that society, seen or unseen. Only in the remaining class, the workers, is music free to be spontaneous and interactive.

The fiddle, as we can plainly see, makes music of the people, by the people, and for the people. This means that the authentic choice of populist musical expression, free of coercive restraint, or blatant payoffs, is fiddling, not violin playing.

Different Sounds & Aesthetic Values

Here is the aesthetic analysis of the violin and fiddle: the goal of violin playing is beauty, power, and mystery. For fiddling, the dominant aesthetic is rhythmic energy and mystery. Energy could be just a different way of looking at power. For fiddlers, beauty is not a big value.

This distinction of aesthetic value leads to a huge difference in the sound. You recognize that concert violin sound the moment you hear it. Just as you know that danceable fiddle sound when you hear it.

Another difference between the instruments are the techniques used to play them, said Laura Talbott, assistant professor for violin and viola for the Ohio State University Music Department. “Fiddle playing is a little more folk based, and it doesn’t emphasize one proper way of doing things over another,” she said.

Historical Origins: Dance Music vs. the Concert Hall

Supposing the main difference is in the sound, where did this distinction come from? What’s the historical lineage of the fiddle and the violin?

For serious violin music, the historical origin is the church. Sacred music was the only music that paid the bills for serious composers like Palestrina. Using instruments from the string family was well established by the time of Bach.

Fiddle music, historically, is dance music. We’re talking about generations and generations of people moving their feet rhythmically to the sound of a few easily portable musical instruments. A bowed string instrument has been popular in most cultures, just as a plucked string instrument or a flute or a reed horn of some kind.

Fiddle music tends to come from the folk-dance tradition, with a strict rhythm for the dancers, and melodic improvisation to add color. Classical music, particularly in the age of Vivaldi and Bach, also followed these trends. A gigue is a jig. But since that time, the two branches of music have diverged.

Want to have a good time? Get a fiddler.

Violinists & Fiddlers, Come Together!

Luckily it seems that the violin/fiddle gap has narrowed considerably in the past few years. Most players use new hybrid strings that possess a full and rich, yet clear, tone and respond well to both classical and fiddle playing. Most modern violinists aren’t so sticky about fine tuners anymore as they are seen as an advantage over using stubborn old pegs.

The resurgence of fiddle music in pop culture has created an opportunity for fiddlers to aspire to a higher level of playing ability and for violin students to branch out and try other genres of music. Hence, fiddlers and violinists alike have finer instruments and a formal music education.

Fiddle technique is being abandoned by many fiddlers who have discovered the benefits, such as greater speed and fewer backaches, of the classical technique. New programs in music education have produced fiddlers who can read music and violinists who can improvise.

As more musicians branch out musically and develop new ways of playing there will be little difference between “violin” and “fiddle.” Musicians will feel much more comfortable playing with each other and the stereotypes will fade away, both violin and fiddle will be valid.

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Peter Zaret & Sons Violins both sells and rents out violins. This includes student violins, professional contemporary violins, and rare and vintage violins. Shop online for violins and other stringed instruments or order an instrument rental today. Feel free to contact us with any questions!

How to Hold the Fiddle Article

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You’d think that holding a fiddle is as simple as taking your left hand and supporting it, just like you’d hold up anything else in your hand. However, you actually want to hold the fiddle with your chin and shoulder and not rely on your left hand to support it. Why? Supporting the fiddle with your left hand can

Restrict what your fingers can do

Promote an improper wrist

Make progressing into advanced techniques (like shifting or vibrato) harder

Holding the fiddle with the chin and shoulder allows you to build proper fundamentals to do more advanced techniques. Because your hand actually has to move up and down on the fiddle in various songs, relying on your hand to hold it just doesn’t work.

Applying proper fundamentals

Here are a few steps to hold the fiddle properly:

Make sure your shoulder rest is put on properly.

Square your shoulders to a standard-sized music stand.

Pick up your fiddle and take a look at the side of the Kun that has the thicker-sized pad.

Place the shoulder rest side with the thicker pad directly on top of your left shoulder, making sure this part isn’t too low on your collarbone.

If done properly, the thinner side of the pad will rest perfectly on top of your collarbone.

$\"[Credit:$

Credit: By Rashell Smith

Use your left hand to help support the fiddle while you’re making adjustments.

This is just for now; you’ll learn not to rely on this in the next few steps.

Make sure your chin is on the chin rest.

It’s okay for your chin to be on the right edge of the chin rest.

Regarding your neck, leave a little breathing room, as the fiddle doesn’t have to make direct contact with it.

Point the scroll of the fiddle toward the left side of the music stand.

The fiddle should be pointing to your left (about 45 degrees).

Verify that your fiddle is slightly tilted down toward the right but is still level to the ground.

$\"[Credit:$

Credit: By Rashell Smith

Keep your back and head straight and pinch the fiddle between the chin rest and the shoulder rest.

This should allow you to hold the fiddle with no hands. Don’t do this unless you know for sure you aren’t going to drop it!

$\"[Credit:$

Credit: By Rashell Smith

This process is uncomfortable for most beginners (especially having to hold the fiddle comfortably with no hands). You have to play around with the shoulder rest setup and your chin placement on the chin rest and practice these steps a few times before feeling comfortable. Don’t allow yourself to stray from these steps, because holding the fiddle improperly can lead to bad habits that are very hard to fix later.

Developing muscles in your neck to help support the fiddle takes time. Work on holding it with no hands for a few minutes each day until you get the hang of it. Try walking across the room and back a few times while holding the fiddle, but be careful not to drop it!

This process is especially important for kids because they take the longest time to develop the neck muscles to hold the fiddle properly. Many kids cheat by using their left arm to hold the fiddle instead of the proper way of relying on the chin and shoulder to hold it.

Sitting versus standing

Have you ever gone to an orchestra concert and seen all the musicians sitting in chairs? Doing this yourself is fine as long as you exercise proper fundamentals.

Youngsters should be encouraged to stand at their lessons while practicing. This promotes good posture and freer movement in the bow arm. Older folks or those with bad backs or leg problems will be more comfortable in a seated position. However, sitting in a chair can promote slouchiness, so it’s important to sit with your back totally straight, your legs uncrossed, and your feet flat on the floor.

Think about how you’d sit if you had a job interview and you were trying to impress your potential new boss. You wouldn’t slouch back in your chair, would you? This is the same way you should sit in a chair while playing the fiddle.

Try sitting on the front of a chair if you plan to play in a sitting position. This promotes good posture and technique.

While playing the fiddle standing up, everything applies the same regarding holding the instrument properly. Many times standing up is preferable while practicing and sitting down is appropriate while playing in groups. This is just the general rule of thumb.

To play the fiddle properly, it’s essential to have a music stand whether you’re standing up or sitting down. When you actually start playing music, applying proper technique if your music is on the ground is difficult. You want the music stand to be face level, as this promotes keeping your instrument level.

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You’d think that holding a fiddle is as simple as taking your left hand and supporting it, just like you’d hold up anything else in your hand. However, you actually want to hold the fiddle with your chin and shoulder and not rely on your left hand to support it. Why? Supporting the fiddle with your left hand can

Restrict what your fingers can do

Promote an improper wrist

Make progressing into advanced techniques (like shifting or vibrato) harder

Holding the fiddle with the chin and shoulder allows you to build proper fundamentals to do more advanced techniques. Because your hand actually has to move up and down on the fiddle in various songs, relying on your hand to hold it just doesn’t work.

Applying proper fundamentals

Here are a few steps to hold the fiddle properly:

Make sure your shoulder rest is put on properly.

Square your shoulders to a standard-sized music stand.

Pick up your fiddle and take a look at the side of the Kun that has the thicker-sized pad.

Place the shoulder rest side with the thicker pad directly on top of your left shoulder, making sure this part isn’t too low on your collarbone.

If done properly, the thinner side of the pad will rest perfectly on top of your collarbone.

$\"[Credit:$

Credit: By Rashell Smith

Use your left hand to help support the fiddle while you’re making adjustments.

This is just for now; you’ll learn not to rely on this in the next few steps.

Make sure your chin is on the chin rest.

It’s okay for your chin to be on the right edge of the chin rest.

Regarding your neck, leave a little breathing room, as the fiddle doesn’t have to make direct contact with it.

Point the scroll of the fiddle toward the left side of the music stand.

The fiddle should be pointing to your left (about 45 degrees).

Verify that your fiddle is slightly tilted down toward the right but is still level to the ground.

$\"[Credit:$

Credit: By Rashell Smith

Keep your back and head straight and pinch the fiddle between the chin rest and the shoulder rest.

This should allow you to hold the fiddle with no hands. Don’t do this unless you know for sure you aren’t going to drop it!

$\"[Credit:$

Credit: By Rashell Smith

This process is uncomfortable for most beginners (especially having to hold the fiddle comfortably with no hands). You have to play around with the shoulder rest setup and your chin placement on the chin rest and practice these steps a few times before feeling comfortable. Don’t allow yourself to stray from these steps, because holding the fiddle improperly can lead to bad habits that are very hard to fix later.

Developing muscles in your neck to help support the fiddle takes time. Work on holding it with no hands for a few minutes each day until you get the hang of it. Try walking across the room and back a few times while holding the fiddle, but be careful not to drop it!

This process is especially important for kids because they take the longest time to develop the neck muscles to hold the fiddle properly. Many kids cheat by using their left arm to hold the fiddle instead of the proper way of relying on the chin and shoulder to hold it.

Sitting versus standing

Have you ever gone to an orchestra concert and seen all the musicians sitting in chairs? Doing this yourself is fine as long as you exercise proper fundamentals.

Youngsters should be encouraged to stand at their lessons while practicing. This promotes good posture and freer movement in the bow arm. Older folks or those with bad backs or leg problems will be more comfortable in a seated position. However, sitting in a chair can promote slouchiness, so it’s important to sit with your back totally straight, your legs uncrossed, and your feet flat on the floor.

Think about how you’d sit if you had a job interview and you were trying to impress your potential new boss. You wouldn’t slouch back in your chair, would you? This is the same way you should sit in a chair while playing the fiddle.

Try sitting on the front of a chair if you plan to play in a sitting position. This promotes good posture and technique.

While playing the fiddle standing up, everything applies the same regarding holding the instrument properly. Many times standing up is preferable while practicing and sitting down is appropriate while playing in groups. This is just the general rule of thumb.

To play the fiddle properly, it’s essential to have a music stand whether you’re standing up or sitting down. When you actually start playing music, applying proper technique if your music is on the ground is difficult. You want the music stand to be face level, as this promotes keeping your instrument level.

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Michael Sanchez has played fiddle in many country music bands, as well as playing fiddle for the Medora Musical, a well-known and popular show held each year in North Dakota. He is CEO and creator of Violin Tutor Pro (www.violintutorpro.com) and is CEO of Superior Violins (www.superiorviolins.com).

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Michael Sanchez has played fiddle in many country music bands, as well as playing fiddle for the Medora Musical, a well-known and popular show held each year in North Dakota. He is CEO and creator of Violin Tutor Pro (www.violintutorpro.com) and is CEO of Superior Violins (www.superiorviolins.com).

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Michael Sanchez has played fiddle in many country music bands, as well as playing fiddle for the Medora Musical, a well-known and popular show held each year in North Dakota. He is CEO and creator of Violin Tutor Pro (www.violintutorpro.com) and is CEO of Superior Violins (www.superiorviolins.com).

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So you have finished reading the how to hold a fiddle topic article, if you find this article useful, please share it. Thank you very much. See more: how to hold a fiddle vs violin, how to hold a violin, fiddle vs violin sound, why are violins called fiddles, How to hold violin bow, hold up play the fiddle song

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