Top 45 How To Become A Cinephile 16213 People Liked This Answer

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One way to develop an appreciation for cinema is to watch a lot of different ones. For example, IMDB has compiled a list of moves that all cinephiles should watch. Set up a weekly schedule to make sure you watch this many movies the next 12 months.They Watch EVERYTHING

It doesn’t matter if the movie is an artistic film or studio blockbuster; it also doesn’t matter if the film is comedy, drama, romance, sci fi, legal or experimental. As long as it’s a good film, a cinephile is watching it.A person with a passionate interest in cinema is called a cinephile (/ˈsɪnɪfaɪl/), cinemaphile, filmophile, or, informally, a film buff (also movie buff). To a cinephile, a movie is not just a form of entertainment as they see films from a more critical point of view.

How To Best Watch A Movie

Step 1: Get rid of distractions. …
Step 2: Get comfortable. …
Step 3: Don’t try too hard to understand confusing plots on your first viewing. …
Step 4: Think about what you’ve just watched, then watch it again! …
Step 5: Show off the film to others!

Contents

How do you know if you’re a cinephile?

They Watch EVERYTHING

How do you become a movie freak?

How To Best Watch A Movie

Step 1: Get rid of distractions. …
Step 2: Get comfortable. …
Step 3: Don’t try too hard to understand confusing plots on your first viewing. …
Step 4: Think about what you’ve just watched, then watch it again! …
Step 5: Show off the film to others!

What is a movie addict called?

A person with a passionate interest in cinema is called a cinephile (/ˈsɪnɪfaɪl/), cinemaphile, filmophile, or, informally, a film buff (also movie buff). To a cinephile, a movie is not just a form of entertainment as they see films from a more critical point of view.

How many movies make a cinephile?

Six Degrees. Cinephile (Expert) The object of the game is to connect two actors through the films in which they’ve appeared. Players must connect the two actors in six films or less, but the lower the number of degrees the better.

What causes cinephile?

A cinephile is someone who is passionate about movies and knows a lot about them. A cinephile should be an educated film consumer with the tool kit to distinguish average films from outstanding ones.

What makes someone a movie buff?

You use buff to describe someone who knows a lot about a particular subject. For example, if you describe someone as a film buff, you mean that they know a lot about films. […]

What is the meaning of Cinephilia?

Definition of cinephile

: a devotee of motion pictures.

What is Freaks on Netflix?

A bold girl discovers a bizarre, threatening, and mysterious new world beyond her front door after she escapes her father’s protective and paranoid control.

What are the Freaks in the movie Freaks?

Much like in the real world, the labels put on a group of people shape how society feels about them as a whole. Referring to powered people as “freaks” allows citizens to de-humanize them and suspend empathy for their struggles. It’s a fitting allegory for marginalized segments of society.

What is a better word for drug addict?

In this page you can discover 15 synonyms, antonyms, idiomatic expressions, and related words for drug-addict, like: burnout, drug fiend, hophead, drug abuser, junkie, narcotics addict, user, addict, dopehead, doper and drug user.

What’s the opposite of addiction?

connection. When the addict finds that they are not alone and no longer have to fight their dependence on their own, their lives become open to a world of possibilities. Most importantly, the addict is encouraged by the support that they receive from others that are also in recovery.

Is movie watching a hobby?

Among all, the most common hobby that everyone will say that you will find is Watching Movie and Listening to Music. Among all, the most common hobby you will find folks say is Watching Movie and Listening to Music.

Is watching movies an addiction?

When binge watching your favorite show, your brain is continually producing dopamine, and your body experiences a drug-like high. You experience a pseudo-addiction to the show because you develop cravings for dopamine.” According to Dr.

What do you call someone who loves watching TV?

synonyms for TV-viewer

bystander. drone. goof-off. idler.

What does movie freak mean?

film-freak|film freak in English. person who loves the movies.

Why do people bleed from their eyes in the movie Freaks?

Henry’s eyes bleed, which is a telltale sign of abnormally powered people derogatorily referred to as “freaks.” Believing her birth mother Mary to be dead, Chloe longs for a maternal figure.

What is the movie Freaks about?

How did Freaks end?

At the end of the film as originally cut, Hercules is seen singing falsetto after being castrated, while Cleopatra—now tarred and feathered, minus her tongue and legs, with her hands deformed—is shown squawking and performing in her new role as a “chicken woman.” In subsequent cuts the castration scene was removed.

How to become a cinephile (in 5 easy steps)

How to Be a Cinephile (with Pictures) – wikiHow

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Cinephile: Five Simple Ways To Identify A Certified Movie Lover

Cinephiles and movie lovers will run the world one day. Yes, we know the world might be skedaddling towards climate catastrophe, but don’t argue, just accept it as fact. Movies provide escapism and they engage imagination – no wonder cinephiles are so attached. Just in case you were wondering, a cinephile is not a dirty word, it’s just a fancy way of saying ‘movie addict’. You probably have one or two in your friend circle but if you’re in doubt, here are five ways to identify a cinephile.

They Watch EVERYTHING

Here’s an easy way to identify a cinephile – they’re not picky about what they watch when it comes to genres. It doesn’t matter if the movie is an artistic film or studio blockbuster; it also doesn’t matter if the film is comedy, drama, romance, sci fi, legal or experimental. As long as it’s a good film, a cinephile is watching it.

Don’t Mind Going to the Cinema Alone

Generally, going to the cinema is a social activity people do with friends and for most people, it feels awkward going to the cinema alone. However, for a certified movie addict, they don’t mind it. In fact, they might even prefer it. It’s exponentially better than going with someone who talks over the movie or someone who nitpicks every detail of the movie.

Abeg, it’s better to go alone than go with someone who will end up ruining the movie experience for you – that’s a fact of life.

Can Talk About Movies For Hours

If your friend is seemingly quiet but can go on for hours and hours about movies, that’s definitely a cinephile. There’s certainly a lot to appreciate about films in general but a true movie lover can spend hours, dissecting the plot of a film, the artistry in the cinematography, all the Easter eggs in a shared universe…the best part about this, the passion that emits off them as they talk about movies. Once you hear wanting to talk about how the sound and geography connotations in No Country for Old Men are, you’ve met a cinephile.

They Have A Massive Collection

First rule of cinephilia, a large catalogue. A movie addict will definitely, without a doubt, have a massive collection of movies on his/her laptop, hard-drives, and even hard copies.

Cinephiles will have everything from old movies like Gone With The Wind to the latest releases and even obscure movies you’ve never heard of but will probably love.

Never Gets Tired

Have you ever spent a whole day watching movies and then thinking you need a break? Then you proceed not to watch another movie for a few days, maybe even longer, because you had ‘enough’. That could never happen to a cinephile. A movie addict will never get tired of watching movies – all day, all night, bring it on.

How to Be a Film Buff – Your Guide to Becoming a Movie Nerd

Skeptic, cinephile, bookworm, gamer, history buff, armchair scientist, occasional YouTuber, habitual cringe inducer, reluctant realist.

Movies are one of the best forms of media, and they are fun to watch! Photo by Evert F. Baumgardner [Public domain]
Embrace Your Inner Cinephilia With Just A Few Helpful Steps…

If you love movies and are just itching for a way to know more about them, then you’ve come to the right place, film fanatics! Today we’re going to get down to the nitty-gritty of just exactly what it takes to start you on the road to becoming a true-blue movie aficionado. Don’t worry, it’s easier than it sounds.

Remember, though, this is only meant to be a beginner’s guide, guys; I can’t watch the movies for you and I certainly can’t force you to enjoy them. You’re on your own there. But what I can do is lead you in the right direction of what you need to learn, tips on how you can learn it, and maybe point you to a few particularly great movies, books, and websites that may help you get the ball rolling on your way to becoming the ultimate movie nerd.

And, boy, is it worth it! Perhaps the greatest art form of the modern age, movies embody all that’s great in the world of media. All rolled into one, we get beautiful visuals, gorgeous music, thought-provoking stories, parables on morality, commentaries on society, insights into history, and so much more. Not to mention, they’re just really friggin’ fun to watch; so why wouldn’t you want to learn more about them?

How To Best Watch A Movie

Step 1: Get rid of distractions

Whether you’re watching them at home or at the theater, the first and most important thing to remember when watching a movie is to void yourself of all those pesky, everyday distractions. I know it’s hard, guys, but it’s a must if you want to get the most out of your movie-going experience. Movies are meant to act as a means of escapism; so allow them to do just that. Lay aside your smartphone, turn off the ringer, closeout Twitter and Facebook, and just focus, focus, focus. This is key. If you don’t allow yourself to get lost in the world the film presents to you, then you won’t be capable of growing an emotional connection with the story and the characters involved; thus you won’t be fully appreciating the film itself. When you turn off the movie, it should feel like you’re getting off a roller coaster ride and reentering the real world after a long vacation from reality.

Personally, I’d even recommend seeing the movie alone for the first time, as it can make for a more intimate and personal viewing experience.

Step 2: Get comfortable

Now that you’ve freed yourself from the shackles of society and reality, make sure your environment is comfy enough to sit in throughout the duration of the film you’re about to watch. Go to the bathroom first, grab some food, if needed, turn down the lights, and you should be good to go.

Step 3: Don’t try too hard to understand confusing plots on your first viewing

The first time you watch a movie, try not to worry yourself about too many technical issues if it’s a particularly confusing picture. Just sit back and experience what you’re being shown. You can always go back and rewatch the movie again later on.

Step 4: Think about what you’ve just watched, then watch it again!

After the movie is over, if you really liked it or are unsure if you liked it, now is the time to ruminate on what you’ve seen. If you’re so inclined, you can also even go as far as to read more about it online or discuss it with others in order to gain a better insight into it. When you’ve had time to do this, and you’re no longer worried about what’s going to happen next, try watching the movie again and focusing more on understanding the more technical aspects, metaphors, and messages of the film. Your new knowledge of the film may make this second viewing a new and unique experience.

Step 5: Show off the film to others!

Now that you’ve got a good understanding of the film — or have at least gained your own perspective on it — try showing it to others who’ve never seen it before. This is actually one of my favorite steps because you get to almost relive your first viewing of the film over again through their eyes. After it’s over, maybe you can even have a discussion about the movie to see if their perspective on it is the same as yours.

Know Your Directors!

Just like a book, it’s always useful to know the author…

Many people hear the words Director, Producer, Cinematographer, Editor, and Writer being tossed around so willy-nilly that it makes their heads spin. And ya know what? That’s okay; it happens. But it also makes it incredibly difficult to know exactly who the heck really is the head honcho responsible for the quality of the films you’re watching. So if there’s only one piece of advice you aspiring film aficionados need to take from this list, it should be this: Learn your film directors! The importance of this advice cannot be stressed enough if you ever want to be a true movie buff.

What IS a film director?

To help put things in perspective, let’s think of the director of a movie in the same way we would the author of a book. With the knowledge of who this author is, you typically know what you’re in for when you delve into their library of work; you know their style, you know whether or not they typically produce quality work, and you know from your enjoyment (or lack thereof) of that work, what to expect of their upcoming projects.

Unlike an author, though, not every director actually writes their own scripts. But for the medium of film that’s not really a biggie. They’re still the ones who call most of the shots when the film is being made. They’re the artists who take the words from the page and bring them to life by using cinematography and music, telling the actors what to do, and giving the film a unique look and feel.

While it’s fine and dandy to know your writers and actors, they’re really just a few of the many tools used by the director to make the film into what it becomes.

How knowing your directors can help you

It helps you find the movies right for you. If you enjoy one Spielberg movie, you’re that much more likely to enjoy another. In knowing your directors, you will be able to better narrow down which films and film styles that you want to watch.

It helps you mentally organize and categorize movies in your head. When you know your directors, you no longer have to think about all movies as individual films you need to remember. Instead of saying you love Taxi Driver, Goodfellas, Mean Streets, Raging Bull, The Departed, Casino, and The Color of Money, you can just say you love Martin Scorsese movies; as each one is made by that director.

It lets you know what upcoming movies to look forward to. If you hear about a new film starring your favorite actor, you’re likely to be more excited about that film than you would others. Well, the same goes for directors. If you enjoyed their style in previous films, you may enjoy it again.

It helps you to recognize the many different styles of filmmaking. All you have to do is watch a handful of Woody Allen movies, Wes Anderson movies, or Kevin Smith movies to be able to recognize their style from then on out. For each film they make, filmmakers will typically reuse their favorite styles repeatedly. After watching their films and knowing who they are, you should soon be able to easily recognize some of those various styles whenever you see them.

How to learn more about directors

Don’t worry, it’s not as difficult as it sounds. In fact, you’re probably already faithful fans of a few directors without even knowing it!

Have you ever watched a movie and noticed that stylistically, from the type of music used, to the type of humor, to even the cast of actors involved, it seems uncannily similar to a few other movies you’ve watched? If so, then those movies were likely made by the same director. While all of a filmmaker’s movies may be different from each other, the director’s familiar style usually shines through, almost as if it’s a unique personality. And once you’re familiar with that personality, you should then be able to spot that filmmaker’s work almost every time you come across it.

Know who directed your favorite movies. Think of some of your favorite movies (a top 10 or top 20) and then take a look at who directed each one of them. Chances are that some of those movies will probably have been made by the same director. If so, then that filmmaker’s style is right for you. Try looking up the director’s filmography online and watching some more of his or her films.

Make it a habit to notice who directs everything you watch. Whenever you watch new movies, simply pay attention to who directed them in the same way you would pay attention to what actors star in them. If it’s a film that particularly knocks your socks off, check out some more of that director’s work.

Look up the greats. Try looking up who people consider to be some of the greatest directors of all time. Not all of them will be for you (and you’ll probably downright loathe many of them) but you will eventually come across many you enjoy. To better narrow down the ones you think you’ll like the best, check out their filmographies and see if you’ve already seen and enjoyed any of their past work.

See what directors other directors enjoy and have been influenced by. If you already have a few favorite directors, try doing a search for what directors have influenced them. Many filmmakers have gone on record about some of their own favorite directors and favorite movies, so this shouldn’t be too difficult to find.

Know Your Cult Films!

With cult-like followings, there must be SOMETHING special about them, right?

Ah, the incomparable cult film! Is there anything more appealing?

These are the elusive pictures that, while typically failing to achieve media hype or box-office success, have since gone on to become classics in their own right after growing large “cult” followings due simply to their merit alone. Which is all the more reason why these hidden jewels deserve your attention! Because if a film’s content and substance are good enough to transcend failure and anonymity, you know it’s got to be at least worth a look.

It must be remembered, though, that you certainly won’t enjoy every single cult film you come across. With their tendencies of straying from the norm and the eccentricities which made them stand out in the first place, they’re all pretty niche by their very definition. Suffice it to say, everyone is going to be an acquired taste. Nevertheless, when you start watching through them, you’re bound to not only find one that meets your unique taste, but meets it unlike any other ever has before.

Learn More About Your Favorite Movies

Learn about the film world by reading about the movies you already love!

Alright, this is an easy one. Simply think of the movies you enjoy the most and then study more about them. Voila! That’s it!

In reading about the movies you already enjoy, you’ll be learning more and having fun all at the same time. For instance, if you’re a big fan of the 1980 film The Shining, you’d be surprised at how gratifying it is to do a quick Wikipedia search of that film online. In studying it, you allow yourself to almost relive the picture that you already enjoyed while simultaneously finding more insights into its story. For this particular example, you’ll come across the director’s name (Stanley Kubrick) being repeatedly mentioned and alluded to, you’ll learn about his part in pioneering the Steadicam (you’ll also learn what that is), and you’ll see many references explaining his style of filmmaking and references to the past films he’s made. After this, you may even start thinking, “They sure did mention 2001: A Space Odyssey a lot,” and the next thing you know, you’ll be hunting that flick down to watch it as well.

In the example above, just by doing something as simple as a quick Wikipedia search, you’ve gained new insights into a movie you already adored, learned more about what styles of filmmaking were involved in the production of the film, found out a little more about the movies director (and what’s involved with a directors job), and discovered a new movie that looks like it may interest you. It’s little things like this that culminate into a much larger knowledge of movies in general. And the best part about it is that you don’t even really have to try to learn; it’s just a natural offset of reading about a movie that interests you.

A few places to read more about your favorite films include:

The Internet Movie Database – Read movie trivia, see movie news, watch trailers, get involved in message board discussions, and more here!

Wikipedia – With extremely comprehensive articles about every movie, actor, director, and writer you can think of, Wikipedia is a one-stop-shop for everything you need to know about everything to do with the film world.

Rotten Tomatoes – See if your favorite movies are rated fresh or rotten by both critics and fans at Rotten Tomatoes.

IGN – IGN isn’t just about games, they’ve got plenty of film reviews and Top Lists for movie fans too.

RogerEbert.com – Gone but not forgotten, Roger Ebert lives on through his writings about movies. On RogerEbert.com you can find all of his film reviews plus current reviews from other top critics!

Watch Movies About The History Of Movies

Using movies to learn about movies…

One fantastic way to introduce yourself to classic tales of Hollywood and the film industry is to try checking out movies showing dramatized accounts of real-life stories about actors, directors, and the films they made.

For instance, one of my own personal favorite films as a youngster was Tim Burton’s 1994 biopic, Ed Wood, about the life of cult filmmaker Edward D. Wood, Jr. Whenever I watched this movie (and I watched it a lot) I wasn’t doing so in order to learn about the man it was about or the actors and characters he surrounded himself with; but that’s precisely what happened. Due to my enjoyment of the film, I inadvertently got my first introduction not only to Ed Wood and his classic B (or should I say D?) movies, but also to such classic figures of Hollywood’s past as Bela Lugosi, Vampira, and Orson Welles. Granted, the film didn’t teach me everything about these people or their movies, but it did put their names in my vocabulary and sparked my first interest in them and their stories. And that’s all we’re looking to do here.

However, these movies about movies have a tendency to throw in a hefty dose of fiction along with their “true stories.” So take a lot of what you see and hear with a grain of salt. Their educational value is primarily in their ability to introduce you to the basics of who people are, what they’re known for, and some of the more pivotal moments in the history of film.

Watch Documentaries About Hollywood And The Film Industry

Sometimes the most interesting Hollywood stories are the true ones…

Speaking of watching movies about movies, we mustn’t forget about the documentaries which show us the most real side of Hollywood and the film industry that you’re going to find. There are tons of these documentaries available; some were theatrical releases, others were TV originals, and they all focus on either the history of film, the behind-the-scenes juiciness, or the lives of the actors and filmmakers involved with the movies.

Fascinating, entertaining, and educational, there are many benefits that come with watching these documentaries about movies that may greatly assist in helping you to better understand and appreciate film:

New exposure to different movies

Oftentimes documentaries about movies and the film industry will (unsurprisingly) reference and speak at length about movies of the past that have some connection with the subject of the documentary you’re watching. Through showing clips from those movies, having interviewees speak passionately about them, and/or being told of the impact and contribution they have given, these documentaries are not only exposing you to films you may have not seen, but they are also making strong cases for why you should see them.

(An example of this could be the 2003 documentary, Easy Riders, Raging Bulls, which focuses on 1970s Hollywood and all the changes happening to film during that time. When you watch the documentary, you will see many clips from these groundbreaking pictures, hear behind the scenes stories about them, and discover much about each ones impact on both American cinema and popular culture. Many of the films mentioned will no doubt be familiar to you, but many won’t. And it’s those films that you may find yourself interested in.)

You will gain a new appreciation for movies after learning more about the behind the scenes world of them

Watching a movie and knowing nothing about the history of the medium is fine. There’s no denying that; the movies are still going to be an enjoyable and engaging experience, regardless. But when you actually do learn more about their behind the scenes history, the work gone into them and the drama, scandals and personal stories that occurred during their making, it can add a whole new level of enjoyment to the process.

Finding comfort in knowing that you’re not alone in your passion for film

One of the most gratifying things about watching a documentary about movies, filmmakers and celebrities, is getting to hear other movie buffs talk as passionately about them as you feel. Just like with anything you feel strongly about, the sense of knowing you’re not alone is a pretty great feeling.

Learning The Classics

Try not to neglect the golden oldies that started it all…

For many who have grown up loving movies but only being exposed to primarily modern, color films, it can be understandably difficult to take that first leap into the world of older black and white movies, silent pictures and other pre-1970s films. Without recognizing any of the actors, being incapable of relating to the time-period, and being unaccustomed to that particular style of movie in general, it can most certainly be a daunting task not only to know where to start when taking your first steps toward these silver screen classics, but to get yourself into the correct mindset of enjoying a style of filmmaking and acting that is so far from what you’re used to.

But don’t fret! This is far from a lost cause. And you know what? It’s pretty darn normal too. So don’t let anyone make you feel stupid if you happen to have some trouble getting into these gems of the past. Sometimes you just have to ease yourself into new things, that’s all. Here’s a few tips to help make the process easier for you:

Try starting with innovative films that were “before their time”

While they’re all old, some actually look and feel like they could have been made today as far as their style, acting, and stories go. Starting off with these types of films, which are so close in style to those made today, may be a great place to begin easing your way into the oldies of cinema. A few good examples I’d recommend starting with include:

On The Waterfront (1954) – Gritty and real, this crime drama directed by Elia Kazan foreshadowed the new style of filmmaking that was to come along in the 1970s by such directors as Martin Scorsese. But what really makes the film stick out is the low-key acting by Marlon Brando and Rod Steiger, which has since become the norm of all movies today.

Sunset Boulevard (1950) – A kind-of-dark comedy as well as a film noir, Sunset Boulevard had a certain wit and cynicism to it that really makes it stick out among its contemporaries, and would fit right in with the films of today. The movie also has some great camera angles, including one of the coolest opening shots you’ll ever find. In fact, that opening shot (of a dead body floating in a pool) should really be all it takes to grab the attention of any new viewer of old films.

The Defiant Ones (1958) – We’ve got two escaped prisoners, one black and one white, shackled together, and having to find a way to deal with their racial prejudices if they want to survive and evade the police hunting them down. As you can tell from the subject matter alone, this film dealt with some pretty serious issues and it did it in a completely non-hammy way.

Citizen Kane (1941) – Hailed as one of the greatest films ever made, this movie brought with it a whole new visual style of filmmaking that still looks stunning to this day. From its reputation alone, you already know the story is going to be well-worth viewing, but it’s this visual style that should really attract the eye of new viewers.

Try finding genres of the time that strike a cord with you

Sometimes you just need a style that’s attractive to you. Two that really drug me in when I was young were the styles of film noir and old horror and science fiction films. The film noirs are typically darker, both visually and in their stories, than most films of the day. They typically deal with the lives of criminals, they have cool voice-over narrations, and include quick, sharp dialogue between the characters. Modern movies such as Sin City, Miller’s Crossing, Se7en, and LA Confidential have fed heavily off from this style. A few classic film noirs include The Maltese Falcon (1941), Double Indemnity (1944), D.O.A. (1950), Dark Passage (1947), and the aforementioned Sunset Boulevard (1950).

If you’re more of a Twilight Zone and Outer Limits fan, you may want to go for the science fiction, fantasy, and horror genre of the time. Some of the greats here include, Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), and The Incredible Shrinking Man (1957). For the horror genre, the safe bet would be to start off with classic monster flicks by Universal, The Mummy (1932), Dracula (1931), The Wolf Man (1941), Frankenstein (1931), and Bride of Frankenstein (1935).

Give the more provocative, infamous, and notorious pictures a shot

What better way to draw your attention to a film than hearing about how scandalous it was?! Some prominent films known for their controversy, as well as their substance, include Freaks (1932), which used actual side-show freaks for its cast (as legend has it, the film made F. Scott Fitzgerald blow chunks) and The Birth of a Nation (1915), which while revolutionizing the way films were made also happened to be a racist, pro-Ku Klux Klan picture.

View and judge the films on the context of their time

While many classic films of this “simpler time” are undeniably ageless, most really wouldn’t work if they were released today (sorry, but it’s true). The scripts may be strong, but the movies themselves were restricted by an overabundance of censorship, they used embarrassingly poor CGI (for today’s standards, at least), and the acting could be over the top and unrealistic. For these particular movies (especially ones from the silent era) it’s very important you judge them by the context of the time they were made. Comparing them to films of today is like comparing apples to oranges.

Have Movie Marathons

Whenever you get some time on your hands, try making a list (or using someone else’s list) of types, genres, or other categories of movies that you’re wanting to watch. Then simply grab a seat and have yourself a nice, long movie marathon. A few marathon ideas include:

Directors You got your favorite directors down now? Good. Now grab their filmography, get your DVD’s in order, and watch one after another. Watch them in order of their release and maybe you can spot the evolution of their style.

Actors The same drill as above, only we’re going to stick with actors this time. Pay attention to the directors too, though, especially with the movies that stick out to you the most.

Top Movie Lists Try using the movie lists made by fans (I have a few myself on this very site!). Use recommendations you trust and watch them all in order.

Movies by Year Try picking a year or a decade and only watch films from that time. Perhaps a 1960s Friday or 1994 Saturday — make an event out of it!

Niche Genres and Subjects These can go from holiday-themed films, to movies about dogs, to anything else. Pick an odd or unique subject, find movies that match it, then commence the viewing!

Public Domain

Parting Tips To Keep In Mind

A few final helpful hints to remember…

Start with what you know! You already love movies, so start with what you already know you like and build from there. Note the directors, note the actors, and use that information (along with the information of this page, if you think it helps) to help you find more movies.

Don’t force it! A passion for movies or anything else should never feel like work. If it does, then you’re doing it wrong. Remember, this information is just to help you find better movies to watch and to perhaps assist you in gaining a better understanding of film in general. No one’s expecting you to be an expert, so just learn what you can and enjoy what you see. Don’t stress yourself!

Experiment! While golden age classics, cult-films, and other “essential” films are great, try to stay open to everything. Give any movie a chance if you have the time. You’d be surprised at the hidden gems you’ll find.

Don’t be afraid to go foreign! A movie is a movie and greatness and quality isn’t just limited to what’s available in your language. So try not to neglect your foreign pictures. Whether they’re subtitled or dubbed, it’s not that big of a deal. Just watch them.

Don’t get a big head! After you’re oozing with movie knowledge, try not to get a superiority complex. You’ll only be harming yourself and coming off as pretentious to others. Remember what Uncle Ben said: With great power comes great responsibility. Stay humble and try not to become a snob!

Mika on February 15, 2018:

Hi there! Very useful article, btw :), thanks!

Very important to me is to make a list or to plan somehow a day by day schedule on movies a will watch, based on genre.. like monday is film.noir night/day, depending the time available, tuesday is comedy night Etc. Do you have any advice? 🙂

Abde samad Nouad on January 06, 2017:

thank you sir .i really enjoyed reading it

Asif on December 22, 2016:

Very informative! : )

thebookhill on December 13, 2013:

I think that the silent era Robin Hood films are amongst the best movies. But, I must admit that the other movies you mention (that I haven’t watched yet) are now on my list of movies to watch.

Great lens!

Tolovaj Publishing House from Ljubljana on May 28, 2013:

Learning about mistakes made in movies can be very useful if we want to impress somebody. And it can be very funny hobby too. There are many sites devoted to movie mistakes out there, so there is obviously a lot of interest. I think serious film buff should explore this area too:)

Lorelei Cohen from Canada on May 26, 2013:

Fabulous job on recommendations for those who really do want to curl up in front of those old classic films (or not so classic). Truly a fabulous path to follow if one wants to become a film buff.

goldenrulecomics from New Jersey on May 25, 2013:

Very nicely done!

Cinephilia

Passionate interest in films, film theory, and film criticism

Not to be confused with Sinophile

Cinephilia ( ; also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love.[1] A person with a passionate interest in cinema is called a cinephile ( ), cinemaphile, filmophile, or, informally, a film buff (also movie buff). To a cinephile, a movie is not just a form of entertainment as they see films from a more critical point of view.

In English, “cinephile” is sometimes used interchangeably with the word cineaste ( ), though in the original French the term cinéaste ( [sineast]) refers to a cinephile who is also a filmmaker.

Definition [ edit ]
In a review of a book on the history of cinephilia, Mas Generis writes: “Cinephilia, is the condition of a sexual attraction to movies.”[2] Generis also introduces a quote from film scholar Annette Michelson that states that there is, “No one such thing as cinephilia, but rather forms and periods of cinephilia.”[2] As described by Antoine de Baecque and Thierry Frémaux, “The definitive essence of cinephilia is a culture of the discarded that prefers to find intellectual coherence where none is evident and to eulogize the non-standard and the minor.”[3]
Film historian Thomas Elsaesser writes that it “reverberates with nostalgia and dedication… more than a passion of going to the movies and only a little less than an entire attitude towards life”.[4]
History [ edit ]
Pre-war cinephilia [ edit ]
Since the beginning of the silent era, there have been film clubs and publications in which people who felt passionately about cinema could discuss their interests and see rare and older works. At the beginning of the sound era, there were more and more people interested in seeing older films, which led to the establishment of organizations such as the Cinémathèque Française, the first major archive devoted to film preservation.[5][6]
Post-war French cinephilia [ edit ]
A notable cinephilic community of the 20th century was the one that developed in Paris in the decades following World War II. An influx of foreign films that had been withheld during the Occupation, as well as the screening programs of local film clubs and the Cinémathèque Française, generated interest in world cinema amongst the city’s intellectual youth culture. In general, the cinephiles of the period set a template for future like-minded groups by having keen enthusiasm for both older and contemporary films.[7]
Influential film clubs of the period included Objectif 49, whose members included Robert Bresson and Jean Cocteau, and the Ciné-Club du Quartier Latin (Cinema Club of the Latin Quarter). Revue du Cinéma, a magazine published by members of the two clubs, later evolved into the influential film magazine Cahiers du cinéma.

Many of the people who attended the screenings became film critics and later filmmakers, founding the film movement known as the French New Wave. André Bazin, François Truffaut, Jacques Doniol-Valcroze, Claude Chabrol, Jean-Luc Godard, Alexandre Astruc, Jacques Rivette, Luc Moullet and others were regulars, and several, most notably Truffaut, maintained their ties to the community after they had achieved fame.

The community fostered an interest in directors and films that had been neglected, forgotten or simply unknown in the West, and led to the development of the auteur theory. The directors the French cinephiles of the period had strong interests in included F. W. Murnau, Robert Flaherty, Sergei Eisenstein, Jean Renoir, Jean Vigo, Orson Welles, Anthony Mann, Louis Feuillade, D. W. Griffith, the Lumière brothers, Alfred Hitchcock and Georges Méliès, whose films would be screened from nitrate prints on special occasions.[7]
Filmgoing in the 1960s and 1970s [ edit ]
The Italian director Federico Fellini , a fashionable figure in the United States during the 1960s and 1970s, owed part of his popularity to the support of film critics and the distribution of foreign films in order to accommodate the increasingly sophisticated public.

With the popular success of the French New Wave, film-going became fashionable in Europe and America.[1] Revival screenings and independently run cinemas specializing in foreign films became increasingly common. In the United States, New York City was often seen as the center of cinephile culture,[1] due to the wide variety of films available to see at any given time. This culture was also helped by the popularity in America of figures such like Pauline Kael, Andrew Sarris and Susan Sontag.[3] Certain writers and critics, including Sontag, would later come to view this as the “Golden Age” of film-going in the US.[1][3] Directors such as Ingmar Bergman, Akira Kurosawa, Michelangelo Antonioni and Federico Fellini enjoyed a great deal of popularity in the US and influenced the young generation of film enthusiasts who would become the New Hollywood, including Martin Scorsese, Peter Bogdanovich, Francis Ford Coppola and Woody Allen. Due to growing public interest in films from other countries, specialty distributors such as Janus Films and New Yorker Films began importing and subtitling foreign movies.

The era also saw the growth of college film societies. Though some, like Doc Films at the University of Chicago, had existed since the 1930s, the 1960s saw directors of all generations regularly make appearances at college campuses, whether to revisit their old films or to discuss new ones. The Melbourne Cinematheque, founded in 1948 in Melbourne, Australia, began as the Melbourne University Film Society (MUFS), and was renamed Cinémathèque in 1984.[8]
At the same time, the Parisian cinephilic culture became increasingly politicized. Critics, and by extension the cinephiles who followed their work, began to emphasize political aspects of films and directors. Though many of the major figures of the post-war community has been originally aligned with the political right—including most of the Cahiers du cinéma group—by the late 1960s Cahiers and the young cinephile public in general had aligned with various forms of the Left, with some figures, such as Jean-Luc Godard, aligning with Maoism. In this very politicized climate, cinema was often seen as directly connected to Marxism. Many members of this new generation of cinephiles would become critics[9] and directors, including Serge Daney, Philippe Garrel, and André Téchiné.

Though most of the world’s major film festivals had existed for decades by this point—including the Berlin International Film Festival, the Cannes Film Festival and the Venice Film Festival—the period saw the establishment of festivals in nearly every major city. The New York Film Festival, the Karlovy Vary International Film Festival and the Chicago International Film Festival were all started during this time. The Toronto International Film Festival, often seen as second only to the Cannes Film Festival in terms of importance, was founded towards the end of this period, in 1976.

Home video and the late 20th century [ edit ]
As VHS tapes,[10][11] DVDs[12][13] and later digital access[14] became more common, cinephilia became less associated with filmgoing in theatres (much to the dismay of some cinephiles like Sontag).[15][1]
While Japanese films have enjoyed worldwide distribution in the mid 20th century, the late 20th century saw an increase in interest amongst cinephiles in cinema from other Asian countries, especially China, Hong Kong, Taiwan and, later, Thailand.

Contemporary cinephilia [ edit ]
Since the beginning of the 21st century, blogging has become a large part of cinephile culture. In the English-speaking world, established critics and theorists like Dave Kehr, David Bordwell, Jonathan Rosenbaum, Glenn Kenny, Wheeler Winston Dixon and Adrian Martin, as well as non-professional cinephiles like Girish Shambu played key roles in building interest in films or theories amongst cinephiles by writing and communicating through blogs.[18] Forums and podcasts have become popular ways to stir discussion, allowing cinephiles from different countries and cultures to discuss ideas about film. The social networking and video streaming service MUBI caters specifically to cinephiles, allowing its members access to films that sometimes haven’t been distributed theatrically or on video in their home countries. Home video distribution labels and distributors such as The Criterion Collection, Masters of Cinema, Facets, Vinegar Syndrome and Kino cater to cinephiles, often including large amounts of supplemental and critical material with their releases.

As was the case with the French cinephilia of the post-war era, the international cinephilic community that has developed on the Internet often emphasizes films and figures that do not have strong critical or popular recognition, including many directors who work within genre film, in what is sometimes dubbed vulgar auteurism. These include Justin Lin,[19] Abel Ferrara,[20] Michael Mann,[21] Roland Emmerich,[22][23][24] The Farrelly Brothers,[25] Michael Bay,[26] John Carpenter,[21] Kathryn Bigelow,[21] James Gray,[20] David Fincher,[20] M. Night Shyamalan,[20] Brian De Palma[20] and Tony Scott.[27][28]
In popular culture [ edit ]
Adnan Virk was the host of the podcast Cinephile that used to broadcast on ESPN until his leave in 2019.[29]
Films about cinephilia [ edit ] [30][31][32]
Cinephilia and filmmaking [ edit ]
American director and cinephile Quentin Tarantino often makes references in his work to movies and directors he admires.

Throughout the history of cinema, there have been numerous directors who developed their understanding of cinema through filmgoing and participation in cinephile communities and organizations instead of within the formal settings of either a film school or a film studio.

The directors of the French New Wave, who learned about filmmaking by attending screenings at film clubs and discussing movies amongst themselves, are often seen as models for cinephiles. Their intellectual omnivorousness, which equated an interest in cinema with strong understandings of literature, art and sometimes philosophy, has continued to have influence on cinephiles.[33]
On the other hand, many directors emphasize their lack of cinephilia or interest in movies as in the cases of Abbas Kiarostami and Peter Greenaway, while acclaimed by cinephiles,[34][35] often emphasized their disinterests in cinema when interviewed.[36][37]
Cinephobia [ edit ]
There have also been different forms of cinephobia (fear or hatred of cinema)[38] from the fear of “losing” celluloid film in the digital age through anxieties about moral values on the big screen to the point of censorship.[39][40]
Telephilia [ edit ]
Telephilia is the term used to refer to a passionate interest in television.[41]
Coined by The New York Times critic Frank Rich as a pejorative term, telephilia was defined as “the pathological longing of Americans, no matter how talentless, to be on television”.[42] This early definition is reflective of the negative attitude contemporary critics had toward television, which was frowned upon as inferior to film until the advent of quality television in the 1980s and 1990s.[43][44][45][46][47] With the rise of quality television, anti-heroic series like The Sopranos and The Wire were cited as improving television content thus earning critical praise.[48][49]
Telephilia is also said to rival cinephilia for relevance, as production values are higher than ever before on shows such as Mad Men, Breaking Bad and Homeland.[50] Despite this development, there are still intellectuals [51] who consider telephilia as inferior to cinephilia, particularly in cases of obsessions for modern television programs belonging to genres such as melodrama and soap opera.[52] This is also explained by the view that highlighted the unattainable nature of the cinema, which makes it more desirable and extraordinary since it features a regime of presence-yet-absence filmic image, allowing a form of cinematic stardom capable of triggering a series of psychic mechanisms.[53] This is contrasted with television, which is perceived to be more present and immediate—with its stars “famous only in so far as he or she makes frequent television appearances.”[53] Some observers, however, note that there is now a destabilization of traditional notions of what constitutes cinephilic tendency due to the availability of film on home media technology.[54]
List of cinephiles [ edit ]
Film directors [ edit ]
Other cinephiles [ edit ]
See also [ edit ]

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How to Be a Cinephile (with Pictures) – wikiHow

How to Be a Film Buff – Your Guide to Becoming a Movie Nerd – ReelRundown

Cinephilia – Wikipedia

Cinephile — Cinephile

How can an individual become a cinephile? – Quora

Becoming a Cinephile: films allegedly essential to add to the ‘Watched’ list – Movies List on MUBI

Streams of Unconsciousness: 12 Steps To Becoming a Cinephile

How to Be a Film Buff – Your Guide to Becoming a Movie Nerd – ReelRundown

Anyone Can Be a Cinephile

Becoming a Cinephile During Quarantine

The Well-Rounded Cinephile #0: The Introduction

Cinephile: Five Simple Ways To Identify A Certified Movie Lover

How to Be a Film Buff – Your Guide to Becoming a Movie Nerd

Cinephilia

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