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What is an industry plant?
The term ‘industry plant’ is a musical term derived colloquially from hip-hop which is understood to mean, “an artist who has a major/indie label backing their movement but presents themselves as a ‘homegrown start-up’ to create the illusion of an organic following”.
Is Billie Eilish an industry plant?
This Article Shows Evidence She Is. The music industry is such an interesting business. Yes, the quality of the music is important, but the image of the artist is also so important.
Who is actually an industry plant?
‘Industry Plant’ is often used as a catch-all term for young artists signed to major labels who appear to have tapped into a dominant trend. For some, a Plant is someone who has signed to a major label at such an early age that they haven’t had a chance to establish their own artistic identity.
Is Cardi B an industry plant?
When another fan noted that Banks’ appraisal of Cardi was indicative of the “Up” rapper being an “industry plant,” the “212” rapper agreed with the notion, albeit in the past tense, crediting Cardi for the continued hustle and vision she’s displayed during her rise. “She was an industry plant lmao,” Banks replied.
Is Megan Thee Stallion an industry plant?
Referring to her as ‘overhyped’ and ‘an industry plant’ at points during the recording, the 30-year-old asserted her success is the direct result of public sympathy from allegedly being shot by fellow rapper Tory Lanez. “She just dropped it’s called ‘Good News. ‘ It’s mid. It’s mid.
Is Taylor Swift an industry plant?
One person who was not an industry plant and has experienced success is iconic singer-songwriter Taylor Swift. She had no previous associations with the industry; however, her family was wealthy enough to move from Pennsylvania to Tennessee to help Swift pursue a country music career.
What celebrities are industry plants?
Musicians targeted as industry plants include Billie Eillish, Clairo, Lil Nas X, Chance the Rapper and Cardi B. The term mainly targets minority and female musicians, which indicates how the term carries bouts of misogyny and racism. As of last year, a band targeted as the industry plant was Tramp Stamps.
Is 1d an industry plant?
One Direction was THE industry plant, they were basically machine-made for our consumption, but we ate it up. It was perfect, but you can’t manufacture that kind of product anymore.
Is Travis Scott an industry?
…
| Travis Scott | |
|---|---|
| Awards | Full list |
| Musical career | |
| Genres | Hip hop trap southern hip hop pop rap |
| Labels | Grand Hustle Epic Very Good Beats Cactus Jack |
Is Wet leg an industry plant?
There’s a variety of opinions, and the band itself has even cheekily chimed in. But, for the time being, Wet Leg are tethered to the term “industry plant.”
What is a industry plant Reddit?
(the top definition): “An industry plant is an artist who has Major/Indie Label backing their movement but presents themselves as a “home grown start up” label to create a pseudo organic following.
Is Billie Eilish an industry plant Quora?
People seem to think Billie Eilish is some kind of “overnight success” and therefore some kind of an “industry plant”. But just because you hadn’t heard of her before now, does NOT mean that she wasn’t around. For the past FIVE YEARS, she was there and working harder than most musicians.
Is Gracie Abrams an industry plant?
It might be tempting to dismiss Gracie as some kind of industry plant and her recording career as a vanity project (and some internet cynics have). But there’s zero sense of Hollywood elitism to her music, which abounds in the extreme feelings and romantic turmoil that every twenty-something experiences.
Is Paramore an industry plant?
So, one of the biggest arguments levied against Paramore is that they are a manufactured industry plant, because technically Hayley Williams was the only person whose name was on the contract when it was signed, with Atlantic Records’ initial plan being to market her as a solo pop act, along the lines of Avril Lavigne.
Is Taylor Swift an industry plant?
One person who was not an industry plant and has experienced success is iconic singer-songwriter Taylor Swift. She had no previous associations with the industry; however, her family was wealthy enough to move from Pennsylvania to Tennessee to help Swift pursue a country music career.
What is the difference between a plant and industry?
AN INDUSTRY: is defined as the combination of two or more firms coming together to produce broadly similar commodities with the motive of maximizing profits. A PLANT: is defined as an establishment for the production of goods and services.
What is another word for industrial plant?
Hypernym for Industrial plant:
distillery, smelter, packinghouse, packing plant, wine maker, mill, manufacturing plant, bottling plant, factory, mint, still, brewery, refinery, winery, disposal plant, manufactory, sewage disposal plant, smeltery, recycling plant, saltworks.
What are the 4 types of plants?
Types of Plants-Herbs, Shrubs, Trees, Climbers, and Creepers.
Industry plants and what they mean – Bubblegum Club
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Is Billie Eilish an “Industry Plant”? This Article Shows Evidence She Is | 101.3 KDWB | Dave Ryan
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Are Industry Plants Real? | Genius News – YouTube
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What is an ‘industry plant’?
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How to Become An Industry Plant – Nile Flame
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What is an ‘industry plant’?
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how to become an industry plant
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What Is an Industry Plant? | Complex
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Industry plants and what they mean – Bubblegum Club
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Industry plants and what they mean
The first time I actively looked up the term ‘industry plant’ was in 2018 when I heard the song Ocean Eyes by the artist Billie Eilish. I had heard the phrase in passing before, years prior, but my active fascination with it grew more and more once I started researching who this artist is.
The term ‘industry plant’ is a musical term derived colloquially from hip-hop which is understood to mean, “an artist who has a major/indie label backing their movement but presents themselves as a ‘homegrown start-up’ to create the illusion of an organic following”.
This is in line with artists or record labels that chase fame and commercial success—backhanding the artist’s own individuality and creative freedom.
Being called an industry plant is all but flattering and there are definitely negative connotations attached to it. The idea of authenticity is very important in music, particularly when its artistry relies heavily on personal experience, whether through song-writing or performance. It’s very common for the term ‘industry plant’ to be linked to Eilish.
Her background is that of growing up in Los Angeles as the daughter of musical parents as well as having a brother that produces and co-writes almost all of her music with her. Eilish is someone who seemingly “blew up out of nowhere” and went on to win Grammys with just her debut album.
This is not to take away her talent and hard work. The definition of an industry plant doesn’t negate any prior work an artist has done in the past before their label, however, it just questions the legitimacy of one’s growth and establishment in the industry.
The Grammys have been losing their sense of credibility for decades now so this is not to say that success is only defined by awards, however, they are a well-established measure of merit in the broader music industry.
There are many popular artists, such as Eilish, who have been accused of being industry plants for the last couple of years, including Khalid, Lizzo, Chance the Rapper, Lil Nas X, Travis Scott, Elaine, Drake and recently Olivia Rodrigo.
Once you go down the rabbit hole, you realise that any artist signed or backed by a label could be described as an industry plant, one way or another. That’s not a very definitive, insightful or progressive way to approach the music business now, is it?
What is particularly interesting about this phenomenon is that it lets us into the window of how powerful record labels still can be, even post-internet and the digital age.
While the idea of manufacturing a pop star is not new, it has become increasingly difficult to dissect whose story is as authentic as presented, truly a ‘started from the bottom’ tale of struggle and trying to make it on your own up until your work gets recognised by the populous and eventually a record label.
It’s no secret that narratives push the music business, storytelling is important and a majority of music listeners gravitate towards somebody relatable that they can identify with. Music labels have been creating narratives for their stars since their dawn of operation.
But what is the difference between someone starting out on their own, getting noticed then signing onto a label and ‘blowing up” as opposed to someone regarded as an industry plant? These two ideas share a lot of similarities and are the primary reason why it is very difficult to actually define and directly point at an artist we can all unanimously say is an industry plant.
We speak a lot about longevity in determining the credibility of an artist and this might also be the key difference here. Very vaguely, all of the artists I’ve mentioned before fit the industry plant narrative but parallel to that they’ve also proven that they can stand on their own musically and come into their own authenticity if they had not done so before.
There’s no doubt that Billie Eilish has enough merit to be a Grammy-award winning artist. Perhaps the label jumped the gun there and went overboard with those record-breaking awards, if you know what I mean. However, as an artist, she is more than capable of creating a solid body of work, one that lives up to our expectations.
It is artists that continue to fight even after releasing their very heavily label-influenced work that break the mould of being an industry plant.
To be quite honest, in this capitalistic world we live in, unless we completely get rid of record labels I don’t think it’s inherently bad that artists lean on business strategies to push them and get them going. It was the direct push from Spotify in 2013 that gave us the quintessential alternative-pop Queen Lorde and her debut.
Lorde signed with the record label Universal Music Group at the age of 13 in 2009. After several unsuccessful sessions with songwriters, she was then paired with Joel Little by A&R representative Scott Maclachlan and they created her critically-acclaimed album, Pure Herione.
This is a great example of how being an industry plant doesn’t necessarily mean lacking in artistry or even authenticity. Lorde took charge of her own writing and production but also let the label work its magic by giving her the resources to extend her own artistry and reach.
There’s a difference between someone like Lorde and someone like ilovemakonnen, Designer or any other artist whose one popular dance song spent a week on the charts and then disappeared into obscurity. We feel energised by an artist’s backstory no matter the level of depth it reaches or does not.
I don’t think one particular struggle is the only way an artist can be inspired to make great music. Industry plants are here to stay because record labels are here to stay but I am glad the aim is authenticity because that affords everyone a chance of at least trying to get their music out there and reaching an audience.
Is Billie Eilish an “Industry Plant”? This Article Shows Evidence She Is
The music industry is such an interesting business. Yes, the quality of the music is important, but the image of the artist is also so important. Let’s look back at some artist images that were such a part of their whole package, that there’s no denying it helped them become mega-stars.
-The Rolling Stones. They were badass. They were tough. They were kinda dirtbags with a lot of talent and grit. Back in the day, they stood out from the pretty and melodic bands of the 60s as guys who made music that almost didn’t seem to care if it was good or not.
-The Bee Gees. They were slick, polished, perfect with beautiful harmonies and at least one of them had beautiful hair. They were perfect for their era and no other band of their period was anything like the Bee Gees.
-Micheal Jackson. He was handsome (at least when he was young) Ridiculously talented. And his videos (Thriller, Beat It, Black or White, Etc.) were the best in the world. He was so big that all-white MTV couldn’t deny him anymore and he became the first black artist to be played on the channel. Did his glove, pet monkey and sequined costumes have anything to do with his music? No, but they somehow made him more surreal and incredible.
-Madonna. The first woman to overtly use sex to boost her image. You may be too young to remember but before Madonna, there were artists who were sexy, but none were as sexual as Madonna. That image along with her catchy-as-f**k songs put her on top in the 80s. NOTE: Once Madonna got older and couldn’t pull of the “sexual” persona anymore, she very quickly lost a huge part of her appeal and pretty much went away.
Backstreet Boys: Well, let’s see. They had a boy for every girl’s taste. Nick was the cute one. Kevin was the mature one. Howie was the accessible one. AJ was the “Bad Boy.” And Brian was the sweetheart. Were they really that way? Probably not, cuz I think Nick was way more of a bad-ass than AJ but hey, whatever works, right?
Britney vs Avril. Britney was Madonna reinvented 15 years later. Sexual, but so young that it broke new barriers. Avril appealed to girls who didn’t want to be sexual, they wanted to be real and tough. (I’ve met Avril a few times and she is about the furthest thing from “tough” that you can imagine)
Miley: She’s making a mistake by just being odd. Odd is only attractive and relatable for so long, then it just becomes annoying. I think Miley sticking out her tongue, smoking weed on stage to show how edgy she is, and riding plastic penises on stage has backfired for her because, well, where can a smart, safe woman (and I think she is) go after that?
Now we have Ariana Grande, Camilla Cabello and Dua Lipa. All very attractive and sexy.
The music world had an opening for someone like Billie Eilish and she’s filled it so well. She’s not happy, she’s moody and her songs and lyrics are dark. She doesn’t dress to impress anyone but herself. Fans love this departure from the Ariana, Camilla, etc. (Oh, and they love Olivia Rodrigo too, cuz she seems so normal!)
But is it just too coincidental that the music industry found an unknown, inexperienced artist who had basically one song and turned her into a mega-star so quickly? Or maybe another way to put it, if there had been no real Billie Eilish, would the industry have created her?
Check out this article for a deeper dive into why Billie Eilish is very likely a contrived artist who’s really nothing like the character she plays.
And thanks for reading! Let me know your thoughts at [email protected].
What is an ‘industry plant’?
With success comes scrutiny: that’s a given. There’s something about suddenly seeing a previously unknown artist on every single magazine cover, radio playlist, and late-night talk show going that feels a little, I don’t know, untrustworthy. It’s as though the music industry were a great big game of Snakes and Ladders and certain artists have brought weighted dice to the table. Such musicians are often labelled ‘Industry Plants’, a term that entered popular usage through hip hop message board culture in the 2010s in reference to the likes of Lizzo, Chance the Rapper and Travis Scott.
Even in the early days, there was some debate about how best to define an Industry Plant. On a fundamental level, it is an artist whose development takes place away from the public eye. While the major label downplays its influence, it quietly hones the artist into a star. While their rise to fame might appear to be organic, it’s actually been meticulously planned by a major label. As a result, Industry Plants are usually regarded as lacking authenticity. In the eyes of genuinely DIY artists, the Plant is merely a puppet whose success results from someone high up in the music industry ensuring they have the best connections. The key element here is deception. New Zealand-born artist Lorde is frequently accused of being an Industry Plant, but Universal Music always made sure to be upfront about its role in her career. Lorde is little more than an example of a major label doing its job. It might be a little sickly but it’s not deceitful.
Industry Plants are usually artists who have only just started out in the industry, established a small fanbase in the depths of SoundCloud or Bandcamp and are then picked up by a major label and groomed to be a star. A Plant, therefore, can also be defined as an artist who doesn’t appear to have earned the guest features, lucrative sponsorships and big-budget producers from which they benefit. This too can lead to confusion. Countless musicians have been accused of being Industry Plants simply because their rise to fame looked a little unorthodox from the outside. In a Reddit thread titled ‘Wet Leg: the band with millions of streams and just two songs’, some users have questioned how the duo managed to earn millions of streams with just a couple of tracks on Spotify. “They’re industry plants or from a wealthy background (seems likely considering how posh they are),” one user wrote.
It’s true that Wet Leg’s debut single seemed to – as countless publications noted – ‘come out of nowhere’, but the people who wrote it didn’t. Rhian Teasdale started out as a ballad-singing solo artist but found the experience of touring so lonely that she ended up asking her friend Hester Chambers to join her onstage. Teasdale’s piano balladry quickly died a death, but the partnership continued. Wet Leg may well have cottoned on to the post-punk trend and already formed the connections necessary to make a name for themselves. Still, it’s probably a bit strong to label them an industry plant without substantial evidence. After all, people have all kinds of reasons to belittle an artist’s value, especially when the artist are women making a name for themselves in a genre historically dominated by men. Chance The Rapper was also accused of being an Industry Plant after his modest grassroots following exploded overnight. Now the hype around him isn’t so intense, the accusations have rather, unsurprisingly, almost entirely disappeared.
‘Industry Plant’ is often used as a catch-all term for young artists signed to major labels who appear to have tapped into a dominant trend. For some, a Plant is someone who has signed to a major label at such an early age that they haven’t had a chance to establish their own artistic identity. Billie Eilish would be the obvious example, an artist who was signed to Interscope shortly after releasing ‘Ocean Eyes’, only her third song on Soundcloud and essentially a Lana Del Rey knock-off. But is that proof of being an Industry Plant, or is it just evidence of an artist who hasn’t found their voice yet?
It seems that when we talk about Industry Plants what we’re actually talking about is the lack of transparency among major labels. Scour the web, and for every person outing Olivia Rodrigo or Phoebe Bridgers as an Industry Plant you’ll find someone else who regards them as having worked hard for their success. As such, the term is pretty devoid of meaning, especially when you consider just how subjective the concept of authenticity really is.
Billie Eilish’s parents are embedded in Hollywood’s film and television industry and may well have had the connections to give their daughter the best possible in her career. For some, that’s evidence enough. For others, the fact that Eilish’s brother Finneas writes all of her songs suggests her creative agency is secured. Some more cynical music fans assert that UGM kept Finneas onboard, yes for his talent as a songwriter, but also because his presence gave off the impression that Eilish’s success was the product of a wholesome family business rather than the intervention of a major record deal. Equally, there’s every possibility that Billie Eilish’s generation-defining success really is a family affair. The problem here might be that the music industry has become such a complex machine that we are bound to view anything that emerges from it with some degree of suspicion, which begs the question: why are we blaming the artists?
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