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you can’t move a light, like it is the case in Substance Designer. You only can rotate the Environment around the Obejct with the shift key. Pres. and Hold shift + Left Mouse Button and Pan around.Rotating the environment should be Shift + Right click, make sure in the preferences that the shortcut hasn’t been changed.Rotating the Stencil can be done by pressing the S key and click and dragging with the Left Mouse button. Additionally , pressing the Shift key allows to snap the rotation every 90 degrees .
Contents
How do you rotate environment in substance painter?
Rotating the environment should be Shift + Right click, make sure in the preferences that the shortcut hasn’t been changed.
How do you rotate a brush in substance?
Rotating the Stencil can be done by pressing the S key and click and dragging with the Left Mouse button. Additionally , pressing the Shift key allows to snap the rotation every 90 degrees .
How do you add light to a substance painter?
Substance Painter 1. x
You can’t create lights, but you can add an Emissive channel, in the document settings window and paint emissive on this maps to create glowing elements. You will have to activate the post processes to see the glow.
How do you rotate an object in a substance?
To rotate the lighting in the 3D view, use Ctrl + Shift + Right Mouse Button drag from left to right. To set precise rotation, use Environment > Edit in the top 3D View toolbar and change the Rotation Angle slider in the properties window.
Where can I find a substance painter Hdri?
The first thing you need to do is open up Substance Painter. Under the Shelf section navigate to environment and then drag your file into the area with the thumbnails. In this example I’m going to use the Royale Esplanade HDRI I downloaded from HDRI Haven. Once you do this you will be presented with the below screen.
How do models move in substance painters?
Left Alt + Left Mouse Button. Also, to move the camera it is Left Control + Left Alt + Left Mouse Button.
How do I reset my view in substance painter?
You can press F to recenter the view, and then rotate the camera while pressing “SHIFT” which will snap it.
What does B do in substance painter?
| Action | Shortcut (Windows) | Shortcut (MacOS) |
|---|---|---|
| Display material | M | M |
| Display next mesh map | B | B |
| Display previous mesh map | Shift+B | Shift+B |
| Toggle animation | Space | Space |
How do you invert a brush in substance painter?
You can invert the current grayscale value when painting on a mask by pressing X. This shortcut was added with Substance Painter 1.5. 0.
How do you rotate a smart material in a substance painter?
Add an empty Paint layer above your smart material, then under every channel you want to see the blend mode to passthrough. 1. Add a filter -> Transform and use the rotate to that Paint Layer and adjust your rotation.
How to move light in the viewport?
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Rotate Lighting?
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Rotate Mask node Tutorial (Allegorithmic Substance Designer 5) – YouTube
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Paint brush | Substance 3D Painter
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Substance 3D Painter
Substance 3D Painter
How do I/Can I create light in Substance Painter? :: Substance Painter 1.x 3D Painting
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Can’t rotate and move the light? :: Substance B2M 3 General Discussions
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- Summary of article content: Articles about Can’t rotate and move the light? :: Substance B2M 3 General Discussions They all sa press the Shift Key and drag left mouse buttom to rotate and move the light. But I just d it ,and nothing happened. …
- Most searched keywords: Whether you are looking for Can’t rotate and move the light? :: Substance B2M 3 General Discussions They all sa press the Shift Key and drag left mouse buttom to rotate and move the light. But I just d it ,and nothing happened. I have read the User’s Guide and watch some youtube Tutorial. They all said press the Shift Key and drag left mouse buttom to rotate and move the light. But I just did it ,and nothing happened. I clicked the Display-Light, so i can see the light line in the cube bottom, but it dark and never moved. I installed B2M to another computer, and it is worked. but back to the first computer ,it is not. I don’t know why.
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Right-Click Select —
Blender Community
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Blender Community
Also another hotkey to adjust HDRI rotation as well. these are basic functions in other software like Zbrush, Substance painter etc. Untitled.png. … - Most searched keywords: Whether you are looking for Right-Click Select —
Blender Community
Also another hotkey to adjust HDRI rotation as well. these are basic functions in other software like Zbrush, Substance painter etc. Untitled.png. It will be very handy if blender implement a hotkey based slider to adjust the …
animation,animate,2d,3d,2danimation,cg,motiongraphics,blender,greasepencil,toonboom,tvpaint,flash - Table of Contents:
Blender Community
Substance Painter – Rotate model or free enviroment rotation? — polycount
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- Summary of article content: Articles about Substance Painter – Rotate model or free enviroment rotation? — polycount Enviroment rotation is limited to one axis which means i cannot … no way to check how its “bottom” is going to look in proper lighting. …
- Most searched keywords: Whether you are looking for Substance Painter – Rotate model or free enviroment rotation? — polycount Enviroment rotation is limited to one axis which means i cannot … no way to check how its “bottom” is going to look in proper lighting. Enviroment rotation is limited to one axis which means i cannot change what’s up and what’s down. And i haven’t found any way to rotate the model itself.
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Creating Games with Unreal Engine, Substance Painter, & Maya: Models … – Kassandra Arevalo, Matthew Tovar, Jingtian Li – Google Sách
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- Most searched keywords: Whether you are looking for Creating Games with Unreal Engine, Substance Painter, & Maya: Models … – Kassandra Arevalo, Matthew Tovar, Jingtian Li – Google Sách Updating Description: This tutorial-based book allows readers to create a first-person game from start to finish using industry-standard (and free to student) tools of Maya, Substance Painter, and Unreal Engine. The first half of the book lays out the basics of using Maya and Substance Painter to create game-ready assets. This includes polygonal modeling, UV layout, and custom texture painting. Then, the book covers rigging and animation solutions to create assets to be placed in the game including animated first-person assets and motion-captured NPC animations. Finally, readers can put it all together and build interactivity that allows the player to create a finished game using the assets built and animated earlier in the book. • Written by industry professionals with real-world experience in building assets and games. • Build a complete game from start to finish. • Learn what the pros use: construct all assets using the tools used at industries across the world. • All software used are free to students. • When complete, students will have a playable version of an FPS game. Jing Tian Li is a graduate of China’s Central Academy of Fine Arts and New York’s School of Visual Arts, where he earned an MFA in Computer Art. He currently is an Assistant Professor of 3D Animation & Game Design at the University of the Incarnate Word in San Antonio, Texas. Kassandra Arevalo is an instructor of 3D Animation & Game Design at the University of the Incarnate Word in San Antonio, Texas. She previously worked as an animator at Immersed Games. Matt Tovar is an industry veteran animator. He has worked at Naughty Dog, Infinity Ward, and Sony Interactive on such games as The Last of Us, Call of Duty: Modern Warfare, and most recently Marvel’s Avengers with Crystal Dynamics. He is an Assistant Professor of 3D Animation at the University of the Incarnate Word in San Antonio, Texas.
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Navigating the views – Substance Painter Video Tutorial | LinkedIn Learning, formerly Lynda.com
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- Summary of article content: Articles about Navigating the views – Substance Painter Video Tutorial | LinkedIn Learning, formerly Lynda.com If I hold down the ALT key and use my left mouse button, I can rotate the view, and the pivot point for the rotation is going to be placed … …
- Most searched keywords: Whether you are looking for Navigating the views – Substance Painter Video Tutorial | LinkedIn Learning, formerly Lynda.com If I hold down the ALT key and use my left mouse button, I can rotate the view, and the pivot point for the rotation is going to be placed … Learn how to navigate the 3D and 2D viewports.
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From the course Substance Painter 2018 Essential Training
Navigating the views
Practice while you learn with exercise files
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Contents
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Substance 3D Painter
The Paint tool is the default tool of Substance 3D Painter to apply colors and material properties on a 3D mesh. It has specific parameters which can be edited via the Properties .
The Paint tool simulates brush strokes via various behavior and settings to give the feeling of painting onto the 3D mesh.
Toolbar
The Toolbars will display the following shortcuts (see their explanation in next sections) :
Size
Flow
Stroke Opacity
Spacing
Additional shortcuts are available which are common across some other tools :
Preview
At the top of the Properties are the brush and material previews. They can be used to quickly glance at how the current tool is setup.
Name Description Brush Preview
The brush preview displays how the brush will behave based on the brush parameters. It is possible to click in the preview to draw a custom stroke. The Brush preview doesn’t support Pen pressure. Material Preview
The material preview shows the properties of the material currently used to paint. It is possible to click in the preview to rotate the lighting and see better how the material will behave before painting.
Brush
The Brush parameters are what defines the look and feel of the brush stroke when performed on the 3D mesh.
Some parameters may be controlled by Pen Pressure when using a graphic tablet. This information can also be saved in Presets .
Click on the dedicated button to enable or disable the pressure :
Name Description Size Controls how big the stamps inside a brush stroke will be. The brush size is relative can changed depending of the relative space is defined in (see the Alignment Size Space parameter below). This parameter can be controlled by Pen Pressure. Flow Intensity or opacity of the individual stamps inside the brush stroke. This parameter can be controlled by Pen Pressure. Stroke Opacity Maximum global opacity of a brush stroke. Contrary to the Flow parameter, the Stroke Opacity cannot be controlled via Pen Pressure because it is applied at the end of the stroke drawing process. Difference between Flow and Stroke Opacity : Left : Flow at 50%, Stroke Opacity at 100%
: Flow at 50%, Stroke Opacity at 100% Right : Flow at 100%, Stroke Opacity 50% It is possible to continue a previous stroke like in the animation above by pressing the shortcut “A”. Spacing Distance between the individuals stamps of a brush stroke. Small values allow to create continuous lines but are more expansive to compute as they draw much more stamps in total. High values allow to create gap between the stamp which may be more suited for specific patterns (like Nails on wood). Angle Orientation of the stamps inside the brush stroke. Useful to rotate the Alpha if not properly aligned. Can be combined with the Follow Path. Follow Path Orients the stamps inside the brush stroke to follow the painting direction. To compute the stroke direction Substance 3D Painter compares the previous stamp with the current one, which is why when Follow Path is enabled a single click to paint will not produce any results. At least a minimum of two stamps are required to paint a brush stroke with this feature enabled. Size Jitter Apply a random size value per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness. Flow Jitter Apply a random flow value per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness.
Angle Jitter Apply a random additional rotation angle per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness.
Position Jitter Apply a random position offset per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness.
Alignment Determines how the stamps inside the brush stroke will be projected / oriented on the surface of the 3D mesh. The following values are available : Camera : Orient the stamp toward the viewport point of view
: Orient the stamp toward the viewport point of view Tangent | Wrap (default) : Orient the stamp to align with the 3D mesh surface. The stamp will also be deformed to conform to the surface.
: Orient the stamp to align with the 3D mesh surface. The stamp will also be deformed to conform to the surface. Tangent | Planar : Orient the stamp to align with the 3D mesh surface. The stamp will fade its border are too far from the 3D mesh surface.
: UV : Orient the stamp based on the 3D mesh UVs. Backface Culling Allows to ignore surfaces on the 3D mesh that are not aligned with the stamp. To compute which parts of the 3D mesh should be ignored, the painting engine looks at the normal at the surface of the 3D mesh and compares its angle against the value defined. Size Space Controls in which relative space the brush size is computed. Possible values are : Object (default) : The brush size is synced with the 3D mesh size. Moving the camera in the viewport will affect the size to keep it relative to the 3D mesh.
: The brush size is synced with the 3D mesh size. Moving the camera in the viewport will affect the size to keep it relative to the 3D mesh. Viewport : The brush size is linked to the viewport. Resizing the interface will affect the brush size. Moving the camera won’t have any effect.
: The brush size is linked to the viewport. Resizing the interface will affect the brush size. Moving the camera won’t have any effect. Texture : The brush size is linked to the 2D viewport level of zoom.
Alpha
The Alpha is the grayscale mask that is applied over each stamp inside the brush stroke. It can be a Substance file or a bitmap.
If a Substance graph has a parameter “hardness” (identifier) exposed, it can be controlled with the Hardness Shortcuts.
Physics
The Physics properties allow to control the particles that are projected when painting.
By default the Physics properties are not available but can be enabled by two means :
By switching the tool to “Physical” in the Toolbars (or via the keyboard shortcut).
By clicking on a Particle brush preset in the Assets window.
Stencil
The Stencil is an additional grayscale mask for the brush stroke. Contrary to the alpha which is applied for each individual stamps, the Stencil is a global mask applied from the Viewport point of view.
It is possible to reset the Stencil transformation by pressing the S key and then clicking on the ” Reset ” button at the top right of the viewport :
Mode Viewport No resource loaded When no resource is loaded, the stencil has no effect. It is possible to disable temporarily the Stencil mask without removing the resource by pressing and maintaining the Shortcuts “N”. Move Stencil Moving the Stencil can be done by pressing the S key and click and dragging with the Middle Mouse button. Rotate Stencil Rotating the Stencil can be done by pressing the S key and click and dragging with the Left Mouse button. Additionally , pressing the Shift key allows to snap the rotation every 90 degrees . Resize Stencil Resizing the Stencil can be done by pressing the S key and click and dragging with the Right Mouse button.
The tiling mode setting controls how the Stencil mask is repeated over the viewport (this setting affects the texturing as well) :
Tiling Mode Description No Tiling (default) The Stencil mask is not repeated.
Horizontal Tiling Repeat the Stencil mask only on the horizontal axis.
Vertical Tiling Repeat the Stencil mask only on the vertical axis.
H and V Tiling Repeat the Stencil mask on both the horizontal and vertical axis.
Material
A Material is composed of multiple channels where each retain specific properties. The list of channels is dependent of those defined in Texture Set settings .
The Material mode button is an easy way to load a Substance files or a preset to quickly assign and edit multiple channels at once.
Clicking on a channel button will select or deselect it. When deselected the channel property cannot be modified and won’t be used during the painting process.
Navigating the views – Substance Painter Video Tutorial
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– [Presenter] In this video, we’re gonna take a look at how we can navigate the view port. Now, here I’m using the default UI within Substance Painter, and if we go to Window, Reset UI, that’s going to bring us to the default view port. Now, what I’m gonna do is just disable all of the views that we see, so I’m gonna come over here to these different views and just close them out. And what we’re gonna do throughout this course is we’re gonna open and use these views as we need them. So this will allow us to have a really nice, big, open canvas that we can work with in our project and, also, it will introduce parts of the UI when we need to use them. Alright, so here we have the 3D view, and we’d like to be able to navigate this, and this works by default like Maya Navigation. So for example, if I need to rotate the 3D view, I can simply hold the ALT key and the left mouse button to rotate the 3D view. Now, if I want to zoom in, I can hold the ALT key and the right mouse button, and move the mouse forward and backward to zoom in and out. Now to pan the view, I can hold the ALT key and the middle mouse button and drag to pan the view. We also have a 2D view that we can work with. So here at the top of the toolbar, you’ll see that we have the flag set to 3D Only. I’m gonna click this drop down, and I’m gonna switch this here to the 3D/2D Split. So here you’ll see that I have my 3D view and my 2D view, and the 2D view can be navigated similar to the 3D view. So for example, if I hold down my ALT key and right mouse button and move up and down, I can zoom the 2D view. If I hold down the ALT key and use my left mouse button, I can rotate the view, and the pivot point for the rotation is going to be placed exactly where my mouse cursor is. And then, finally, if I want to pan the 2D view, I can use the ALT key and the middle mouse button to pan. Now one last thing I will bring your attention to: If I hold down the ALT key and I left mouse and then I hold down SHIFT, I can snap the rotation of the 2D view. Okay, so, that’s how we use the 3D and the 2D view for navigation. Again, here at the top of the toolbar, I can toggle these views to be 3D Only, 3D/2D Split, and here are the keyboard shortcuts associated with these different view port modes. Now we also have this Swap 3D/2D option, so if I choose this, it just swaps the 2D and the 3D depending on what side you’d like to work with. So for example, here I have the 2D view on the left side. I’m more used to using the 2D view on the right side, so I’ll keep it like this. Now as I said, by default we’re using the Maya Navigation, and if you’d like to change that, you can do so in the preferences. So if we come over here to Edit, I can choose the Settings, and here in the Settings window if I go to My Shortcuts, and if I scroll through this list of keyboard shortcuts, you’ll find that we have camera navigation controls. Here you can see we have Camera Translate, again set to ALT + middle. Here is the Camera Rotate set to ALT + left, and so on, and you can simply change these keyboard shortcuts if you would like. So in my case again, I’m just going to keep things at the default. So that is how we navigate our 3D and our 2D view here in Substance Painter.
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