Top 18 How To Sing In Your Mixed Voice Quick Answer

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It is often employed to bridge the gap between the head and chest registers: when you move between head voice (your higher notes) to chest voice (your lower notes), singing in mixed voice will allow you to sing smoothly without gaps or abrupt changes of tone.Developing mixed coordination is so important because: (1) it helps to “bridge” the otherwise abrupt transition between chest voice and head voice, and (2) it allows you to maintain a good amount of chest voice strength on higher pitches than you could safely and easily sing in “full” chest voice.

4 Tips For Developing Your Mixed Voice

START BY YAWNING. Yawning is a great way to develop a mixed voice. …
HOLD YOUR NOSE! Try singing while holding your nose. …
LOOSEN UP. Push your cheeks gently upwards and keep your lips loose. …
TRY TO YODEL. Practice yodeling.

Contents

Should I sing in mixed voice?

Does mixed voice help you sing higher?

Developing mixed coordination is so important because: (1) it helps to “bridge” the otherwise abrupt transition between chest voice and head voice, and (2) it allows you to maintain a good amount of chest voice strength on higher pitches than you could safely and easily sing in “full” chest voice.

What mixed voice feels like?

Mixed voice combines the beautiful highs of head voice with the deep and strong lows of chest voice. It lets you access your entire vocal range at its full power, tone and richness. Learn to sing consistently in mixed voice, and you’ll have the freedom to switch to other voices whenever you see fit.

How do I find my passaggio?

The primo passaggio takes place in between the chest and middle registers, while the secondo passaggio lies between the middle and head registers. For most sopranos, the primo passaggio is located around Eb4 (below middle C), and the secondo lies usually between C#5 (one octave above middle C) and F#5.

How long does it take to develop mixed voice?

With daily practice, how long would it normally take a novice vocalist to understand and master the mixed voice technique? Definitely more than one week! Don’t worry, it will come. — One thing you might try, if you haven’t yet — sing down a scale instead of up when looking for that mix.

Is head voice same as mixed voice?

What is mixed voice vs head voice? As you sing higher from your low to high notes, your voice passes through the passagio or bridge. The bridge is where you should be singing in a mixed voice. As your notes go higher above the bridge, you should be singing in your head voice.

Is belting the same as mixed voice?

To simplify, when a voice hits a chest voice “ceiling”, I would refer to that as a “Belt”. When a voice can take a strong, balanced sound effortlessly throughout their range, I call that a “Mix” or “Blended” sound. Now for a more detailed explanation.

Why is mix voice so hard?

If you try and go too fast, we risk engaging excess muscle and going back to vocal strain. If you’re finding it hard to find your mix voice, you’re not alone. Many singers cannot properly access their mixed voice simply because they haven’t been shown the right vocal exercises.

Is head voice same as mixed voice?

How long does it take to develop mixed voice?

Which is better chest voice or head voice?

When it comes to head voice vs. chest voice, many vocalists agree that it is easier to sing in your chest voice. Many women feel they naturally choose to sing in a more mixed range or even their head voice. Even so, both men and women would benefit from developing the richer sounds that a chest voice can offer.

How to Sing: Mixed Voice

how to sing in your mixed voice

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Most searched keywords: Whether you are looking for How to Sing in Mixed Voice: 7 Steps (with Pictures) – wikiHow Updating Singing in mixed voice, also called middle voice or blended voice, means singing in a combination of head voice and chest voice. This produces a full, bright sound that is similar to belting but is less likely to cause injury. It is often…
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How to Sing in Mixed Voice: 7 Steps (with Pictures)

This article was co-authored by Annabeth Novitzki . Annabeth Novitzki is a Private Music Teacher in Austin, Texas. She received her BFA in Vocal Performance from Carnegie Mellon University in 2004 and her Master of Music in Vocal Performance from the University of Memphis in 2012. She has been teaching music lessons since 2004. This article has been viewed 200,326 times.

Article Summary

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To sing in mixed voice, start by singing scales and noticing the point at which you feel the note resonating in your chest, rather than your head, and vice-versa. Once you’ve identified this break, practice singing “ng,” followed by “gah,” which sounds like “ing-gah,” for the notes above and below the break. As you do this, focus on smoothly transitioning from the “ng” sound in your head to the “gah” notes in your chest. Additionally, you can try stretching your lips, then pursing them to make a “buh-buh-buh” noise while you sing scales to develop your voice. For tips from our Music co-author on how to relax your larynx when you sing in a mixed voice, read on!

Mixed voice: Why is it so important, and how can I develop it?

By Camille van Niekerk

Why do people talk about mixed voice as if it’s the holy grail? What is it in the first place? How can I tell if I’ve found my mix? All great questions – and believe me, I understand how confusing this topic can be. In this article, I’ll do my best to demystify the mixed voice for you and give you some practical tips to find and strengthen your mixed coordination.

First of all: what is the mixed voice?

Mixed voice is a balance or a “blend” of both chest voice function and head voice function. It is NOT a completely distinct vocal register – and that’s where I think most of the confusion lies. Chest voice (AKA “chest register” or “chest function”) is what you use when you speak and when you sing pitches that are low in your range. In chest voice, the TA (thyroarytenoid) muscle pair is primarily responsible for phonation (the vocal folds vibrating to produce sound). The TA muscles draw the vocal folds together, an action we sometimes call “compression” or “cord closure”. The vocal folds are shorter and thicker, resulting in a characteristically full, vibrant, heavy sound.

To produce higher pitches, your vocal folds stretch and thin out. At a certain point in your range (called your “passaggio”), the TA muscles abruptly “hand over” to the CT muscles. You may experience this as a “crack”, “break”, “yodel”, or “flip” from strong, heavy chest voice to light, airier head voice. The CT (cricothyroid) muscles stretch your vocal folds longer and are primarily responsible for phonation in head voice. For many beginning singers, head voice is often “weak”, overly breathy, and underdeveloped. This is because most of us don’t use head voice in daily life! Those muscles and coordinations have simply not received the exercise that your chest voice muscles have.

Mixed voice – or mixed coordination – occurs when you sing with a balance of both chest and head voice function. Rather than abruptly “switching” from TA to CT muscle dominance, you are able to more smoothly “hand over” from one register to the next.

Why is mixing so important?

Developing mixed coordination is so important because: (1) it helps to “bridge” the otherwise abrupt transition between chest voice and head voice, and (2) it allows you to maintain a good amount of chest voice strength on higher pitches than you could safely and easily sing in “full” chest voice.

Your passaggio or “vocal break” never goes away. But mixed coordination allows singers to “disguise” it, creating the illusion of a seamless voice from their lowest to highest pitches.

How do I find my mix?

First off, you’ve probably already accessed mixed coordination at some point in your singing! Additionally, some singers (even untrained beginners) are natural “mixers”. But let’s break it down with two approaches, or two “pathways” into mixing.

1. Chest/mix: Access mixed coordination from chest voice by singing on a nasalized consonant with a tall, narrow mouth position.

An example exercise to try: sing a 1-3-5-3-1 (major triad) pattern on the syllable NO or MUM. Start in a comfortable chest voice range (ie: D3-F#3-A3-F#3-D3 for male singers and A3-C#4-E4-C#4-A3 for female singers). Walk the pattern up one half-step at a time.

The goal here is to stay “mostly” in chest voice, but to let your sound lighten without “breaking” into full head voice. Make sure that your jaw is relaxing down, and that your mouth stays narrow. If you let your mouth spread wide (for example, singing “NOW” instead of “NO”), you run the risk of getting into shouty, “pulled” chest voice territory – which is where vocal damage can more easily occur.

Many singers like to visualize their “mix” as resonating (vibrating) in the front of their face. You may hear teachers talk about “forward placement” or singing “in the mask”. They may even instruct you to feel vibration in your nose or upper lip as “proof” that you’re mixing properly. (If that confuses you, forget it! But if it helps, great.)

The tricky thing about a chest/mix is that it’ll still feel a lot like chest voice! So how can you tell if you’re mixing or not? Listen for a tone quality that is slightly thinner, brighter, lighter, or more nasal than your “full” chest voice. It should sound more like a “call” and less like a shout or yell. It will still require a good amount of effort, and you’ll need to support those chest/mix notes with a low breath, and gentle “down and out” engagement in your lower abdomen. But listen for that “lightening” of the sound as your most reliable clue. Additionally, you should be able to sing higher in chest/mix than full chest voice.

2. Head/mix: Access mixed coordination from head voice by singing on nasalized consonants OR plosive consonants (like G/B) with a neutral vowel or an energized, “twang”-y vowel (like A as in CAT or AY as in HAY).

Syllables to try in your upper register include NAY, NAH (with A is an CAT), GUHG, BUHB, and any similar combination. The goal in finding a head/mix is to start in head voice, then increase cord compression and add some low body engagement. Find any comfortable head voice pitch, singing on an AH (as in father). See if you can increase volume by engaging your low abdomen with slight outward pressure, rather than “pushing” from the throat. Add an initial G or B sound (GUH/BUH) to encourage firmer cord closure, and feel the natural subglottic pressure those consonants produce. You can also increase the strength of your sound by using naturally energetic, bright vowels like EE, AY (as in HAY) and A as in CAT. Many singers like to use the syllable NAY or NYAH in this range. Aim for a clean, focused tone that is supported and strong – that feels like head voice with more “weight”.

The magic of mixing

Many singers (and even teachers) present mixed voice as a secret weapon, a magical register that will completely eliminate your vocal break and allow you to belt any pitch you want. And in my experience, that’s just not the case! Rather, mixed coordination is a balance of your chest function and head function – and for that reason, there isn’t just one way to mix, or one mix sound. It depends on the singer’s voice and the balance of chest voice function to head voice function they’re using. Once you learn to mix, you can increase compression for a more “chesty” sound and decrease for more “head voice” sound. That’s the true beauty and “magic” of mixing: the ability to sing with different tone quality on a wide variety of pitches, rather than being “locked in” to either full chest voice or full head voice for set pitches.

How to tell if you’re mixing

If it doesn’t feel exactly like either chest voice or head voice, it’s probably a mix! But because mix combines both coordinations, it’s difficult to tell based solely on feel or sound. If you’re completely unsure, work with a voice teacher to help you find your mix. It’s worth it!

More exercises to build your mix

1. Sing any wide-range exercise on a lip trill, then on a MUM. The lip trill lines up your vocal folds, and the MUM helps you get into your mix with minimal effort.

2. Slide over your passaggio on a nasalized “NOHN”, letting the sound become brighter and lighter as you ascend in pitch, but not allowing it to “flip” into head voice.

3. Extend your head voice function by singing lower than you normally would in head voice. Give your vocal folds the opportunity to sing lower pitches in a lighter coordination to lay the groundwork for mixing.

4. Listen to your favorite artists and identify when they’re mixing. Listen for a “not quite chest voice but not quite head voice” sound. The easier you identify mixed coordination, the easier it will be to know when you’re mixing. Ariana Grande and Sam Smith, for example, are two singers who mix very often.

Best of luck, and happy mixing!

Mixed Voice: 5 Easy Exercises to Find and Grow It!

Mixed Voice: 5 Easy Exercises to Find It and Grow It

If you’re a singer, you’ve probably heard of a strange and mythical beast called the mixed voice.

Mixed voice is a powerful yet often misunderstood tool in the singer’s toolbox.

Today, we’ll go over the basics of mix voice singing, look at some common misconceptions surrounding it, and discuss how you can achieve it in your singing.

Then we’ll work through 5 daily mixed voice vocal exercises for singers to help you develop your own mixed voice.

Once you understand and master mixed voice, you’ll unlock a whole new world of untapped singing potential.

If you’ve been scouring the internet wondering how to find mixed voice and how to get a strong mixed voice, you’ve come to the right place!

By the way if you want a great video that walks you through mixed voice, check this out:

Mixed Voice: 5 Easy Exercises to Find and Grow It!

Watch this video on YouTube

What is Mixed Voice?

Before we jump in, let’s look at a definition of what mixed voice actually means…

What is Mixed Voice? Mixed voice is when you combine your head voice and chest voice to create an even singing tone from the bottom to the top of your voice.

But don’t worry…

No matter where you are right now, you can smoothly sing through your whole vocal range.

That means no vocal break or strains when you sing.

And to listeners, mixed voice sounds like one single voice.

What’s So Great About Mixed Voice?

With that out of the way, what does mixed voice mean for you as a singer?

Mixed voice is the richest, strongest, and most controlled sound the human voice can produce.

When done right, it generates a beautiful and even vocal tone across your entire vocal range.

With mixed voice, singers can bridge the gap between high and low registers known as chest voice and head voice. The mixed voice range spans the gamut from high to low notes.

If a song requires that you hit high notes with power, mixed voice is the way to go.

To understand mixed voice and its placement in the singer’s toolbox, let’s look at its two main ingredients: chest voice and head voice.

Chest and Head Voice: Pros and Cons

Head Voice

First off, the term “head voice” is a bit misleading.

No matter how you sing, all sounds come from your vocal cords in your throat, not your head.

However, when you hit those really high notes, it sure does feel like the sound is ringing straight out of your own head!

Head voice is soft and tender, yet full and strong.

Imagine a strong, silent-type hero or heroine from a movie: quiet and reserved, but with unmistakable inner strength.

Head voice is ideal for R&B, soul, and indie rock where you want to hit those high notes while maintaining a full and rich tone.

Head voice is absolutely required to expand your vocal range since all your high notes come from head voice.

However, head voice is not the same thing as falsetto.

Think of head voice vs. falsetto like this: falsetto sounds breathy, airy, and somewhat hollow, while head voice retains much more tonal depth.

Chest Voice

Chest voice is the vocal register we normally use when speaking.

It uses your larger, thicker vocal cords.

To sing in your chest voice, put your hand on your chest, and you’ll feel a vibration in your upper torso.

Chest voice is low, thick, strong, and warm.

Chest voice is responsible for singing with power.

It’s also great for belting out a blues romp or a powering through a grungy rock song.

(A lot of people ask me about mixed voice vs. belting. See my article on belting for more on that!)

However, the vocal range of chest voice is pretty limited.

If you try to ‘push up’ your chest voice to higher notes, they will sound flat and strained.

A similar straining occurs when fret high notes on the lower strings of a guitar.

You can play high notes on the 15th fret of the low E string if you want, but they will sound flat, and lose a lot of tone.

Mixed Voice: The Best of Both Worlds!

Mixed voice combines the beautiful highs of head voice with the deep and strong lows of chest voice.

It lets you access your entire vocal range at its full power, tone and richness.

Learn to sing consistently in mixed voice, and you’ll have the freedom to switch to other voices whenever you see fit.

With mixed voice, you can be a vocal chef!

Sprinkle in some chest voice here, a pinch of falsetto there, and stay in total control of your singing at all times.

Mixed voice is, in short, the ultimate way of learning how to sing flawlessly.

What is Mixed Voice, Really?

Some Common Misconceptions

How do you get a mixed voice, actually? Let’s clear up some common misconceptions about the meaning and definition of mix voice.

Most teachers present mixed voice as just that: mixing head and chest voices into a single sound.

For most practical intents and purposes, that’s a fine mixed voice definition.

However, this is a bit of an oversimplification.

Chest and head voice both use different vibration patterns in the vocal cords.

That’s why you can’t sing with both low and high cords at the same time.

So in order to truly understand the meaning of mixed voice, we have to talk about the vocal cords…

A Word on the Vocal Cords

Vocal cords, also called vocal folds, work by opening and closing in quick succession.

By letting puffs of air through your throat at certain rates, they generate different pitches of sound.

Humans have two ‘true’ vocal cords.

These are the vocal cords that are responsible for most singing.

In case you’re curious, we also have two ‘false’ vocal cords.

These are technically vestibular folds located just above the true cords.

You might think that false cords would be used in falsetto singing, but this is not the case.

Actually, false cords make a deep, sonorous, and guttural tone that you hear in vocal fry.

They’re best used in screaming vocal styles like death metal, or in movies when actors are portraying an evil villain or gritty anti-hero.

But here’s what you need to know about the “true” vocal cords:

When the vocal cords are thick, they vibrate slower, producing chest voice.

Here’s what that looks like:

When the vocal cords are thinner, they vibrate faster, producing head voice.

And here’s what the thin vocal cords look like:

Can Vocal Cords Be Mixed?

Almost all singing is done with just the two true vocal cords.

Here’s the thing though:

Most scientific studies have concluded that, at a certain point, everybody switches between thick cords and the thin cords.

There is no middle ground where both thick and thin cords are opening and closing at once.

However, you can can have a moderate amount of cord thickness from the bottom to top.

That’s mixed voice!

But the idea that you can actually mix chest and head voice together in the way that painters might mix pigments to form a new color ain’t true.

Smoothing Out Vocal Breaks

So, if I can’t literally mix voices or vocal cords, how do I know if I’m using mixed voice? Is just switching between chest voice and head voice the same as mixed voice singing?

Great questions!

Mixed voice is all about a seamless transition from thick to thin vocal cord, from chest to head voice.

There should be no audible break between them.

So what’s the secret?

Well, if you keep your vocal cords opening and closing evenly from the bottom to the top of your voice you’ll achieve a full, rich, and continuous tone across your entire range.

You may still notice a slight break when you make the switch from your chest to your head voice.

But listeners will perceive your singing as continuous and seamless, as if your head and chest voices were literally ‘mixed’ together.

The key is to switch between head and chest voices such that only you know where the break is.

After all, if a tree falls in a forest and no one hears it, did it really break between its head and chest voices?

Like Driving a Car

For example, think of singing in mixed voice like driving a stick-shift car.

Whenever you shift gears, you might feel a slight jolt or clunk as the new gear slides into place.

But people standing on the sidewalk just see a car gradually speeding up or slowing down.

If you’re really good a driving stick, even the passengers may not notice the transition.

The same principle applies to the singing voice. You may always feel the shift between chest and head, but if no one hears it, it sounds like one voice.

Five Fantastic Mix Voice Exercises

Now that we understand what mixed voice really is, we can start practicing and perfecting it.

These exercises are designed to help your vocal cords stay together and reduce the break between chest voice and head voice.

The goal is to make mixed voice a strong and reliable part of your singing repertoire.

But First: The 1.5-Octave Scale

Before diving into mixed voice examples and exercises, let’s look at the 1.5-octave scale.

This scale covers an octave and a half of range in ¾ time. You sing four triplet arpeggios: the first two going up; the next two going down and ending on the tonic.

Like this!

Tri-pl-et, tri-pl-et, tri-pl-et, tri-pl-et, done…

The 1.5-octave scale in C would be:

In the video, I start by demonstrating a 1.5-octave scale in B flat.

The point of the 1.5-octave scale is to access all the highs and lows of your singing voice.

Remember, we’re looking for a smooth transition from chest to head voice.

Don’t push your chest voice up to the top notes, and don’t do a ‘flip’ where you completely disconnect from the top part of your voice.

Keep it even.

Switch but don’t flip.

We’ll try singing the 1.5-octave scale with a variety of vowels and consonant sounds to practice smooth vocal transition in different ways.

Now, let’s get into the exercises!

1. The Lip Trill

In this mixed voice exercise, take two fingers on each hand, press them against the middle of your cheeks, and flop your lips together as you sing.

The resulting sound will remind you of a motorboat chugging down a stream.

Now sing the 1.5-octave scale while doing a lip trill!

As always, keep all your notes even and strong.

Here’s a video where I walk you through the lip trill exercise:

10 Singing Techniques to Improve Your Voice

Watch this video on YouTube

2. The “Gee”

The next of our mixed voice exercises is a little number I like to call the “gee.”

That’s “gee” as in “geese” without the “s.”

This one is great for establishing a smooth and even closure of vocal cords across your entire range.

The “e” vowel allows you to reach your head voice while the “g” consonant keeps your vocal cords opening and closing with every note of the scale.

The “gee” is a way to reach high notes without straining while allowing for smooth closure of all your vocal cords.

Remember, don’t push and don’t flip.

Don’t push your chest voice too high, and don’t suddenly flip from chest to head or from head to falsetto.

Here’s a great video to show you how to do the “Gee”:

10 Singing Warmups – Ridiculously Easy and Effective

Watch this video on YouTube

3. The Bratty “Nay”

If you’ve made it this far, awesome job!

The next exercise will build even more vocal cord closure.

To do the “nay”, pretend that you’re a bratty little kid who is sure that no one can catch him at tag.

You might also imagine a cackling, crooked-nosed witch about to cast a hex on an unsuspecting victim.

Like the “gee”, the “nay” helps connect low and high notes while forcing the vocal cords to close consistently.

As always, here’s a great video to walk you through this exercise:

What is Belting and How to Belt Your Singing Voice

Watch this video on YouTube

4. The “Nae”

If you’re having trouble smoothing all the breaks and flips out of your singing, this exercise is for you.

The “nae” is like a very bratty and sassy way of saying “nasty.”

This exercise uses an open vowel and will help you belt better.

It builds in a bit more power and solidity into your top notes.

The “nae” also reduces the break when you switch from thin to thick vocal cords.

5 Exercises to Increase Your Singing Power Like Crazy!

Watch this video on YouTube

5. The “Gug”

This last exercise uses another sound to help your vocal cords stay together.

The “gug” is just the word “gut” but with a “g” at the end.

Whereas the “gee” from exercise 2 carries you into your head voice and reduces the risk of straining, the “gug” is more of chest-based sound.

The “gug” is great for perfecting your shift from chest to head voice.

It allows for a natural and balanced tone.

With this exercise, you can control your chest voice and allow your head voice to come in quickly and effortlessly.

Check out the “Gug” exercise here:

Mixed Voice: 5 Easy Exercises to Find and Grow It!

Watch this video on YouTube

Concluding Thoughts

Congratulations!

If you’ve been following these exercises, you’re already well on your way to mastering mixed voice.

But if you are still experiencing some breaks or strain, or still wondering how to know if you’re singing in mixed voice, don’t worry!

Everyone feels a switch when transitioning from their chest to their head voice.

The trick is to make sure no one else hears it.

Record Yourself

“How do I know if I’m using mixed voice correctly?” you may still be wondering? Try recording yourself!

Recording and listening to yourself is a great way to iron out the last few kinks in your mixed voice technique.

It lets you step outside of your own head and hear your voice from the audience’s perspective.

Try recording yourself singing these exercises and make a note about where you thought you switched between chest and head voice.

Then play back the recording and check for two things.

First: did you hear any break?

Second: if you did, do you think you would have noticed it if you weren’t looking for it?

If you heard no break at all, fantastic!

If you heard a very small break, that’s still an impressive achievement.

The Road Ahead

Thanks again for reading! I truly hope these exercises for mixed voice help you learn how to sing in mixed voice with confidence and grace.

How long does it take to develop mixed voice? Well, like most good things, mixed voice will not come to you overnight.

It can be challenging at times and requires regular daily practice to master.

But before long, you’ll be singing in a beautiful and strong mixed voice without any breaks, flips, pushing, or strain.

Have any favorite mix voice examples or mix voice songs that you like to practice with? I’d love to hear about them in the comments!

If you put in the effort to learning mixed voice, it will serve you well throughout your singing career.

By the way, if you want to learn to sing in a beautiful mixed voice, check out my complete singing course Master Your Voice.

So you have finished reading the how to sing in your mixed voice topic article, if you find this article useful, please share it. Thank you very much. See more: How to strengthen mixed voice, How to sing in head voice, How to sing mixed voice, why is mixed voice so hard, how to sing high notes in mixed voice, How to mix voice, Mixed voice training, Mix voice exercises

Top 18 How To Sing In Your Mixed Voice Quick Answer

Should I sing in mixed voice?

Does mixed voice help you sing higher?

What mixed voice feels like?

How do I find my passaggio?

How long does it take to develop mixed voice?

Is head voice same as mixed voice?

Is belting the same as mixed voice?

Why is mix voice so hard?

Is head voice same as mixed voice?

How long does it take to develop mixed voice?

Which is better chest voice or head voice?

how to sing in your mixed voice

How to Sing in Mixed Voice: 7 Steps (with Pictures) – wikiHow

Ep 64 How To Sing Mixed Voice How Can I Tell if I’m in Mixed Voice? – YouTube

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30 Day Singer Blog – Mixed voice: Why is it so important, and how can I develop it?

30 Day Singer Blog – Mixed voice: Why is it so important, and how can I develop it?

How to Sing in Mixed Voice: 7 Steps (with Pictures) – wikiHow

How to Sing in Mixed Voice – BecomeSingers.Com

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Mixed Voice/Giọng pha – Bí quyết chinh phục note cao!

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30 Day Singer Blog – Mixed voice: Why is it so important, and how can I develop it?

How to Sing in Mixed Voice: 7 Steps (with Pictures)

Mixed voice: Why is it so important, and how can I develop it?

Mixed Voice: 5 Easy Exercises to Find and Grow It!

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