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What makes Adele’s voice so special?
She has the ability to create a breathy, fragile head voice, but can also take her chest up high and create a strong and powerful effect. In these high notes, Adele has been known to take on a quality of “vocal fry”, embodying pain.
Does Adele have vocal training?
She’s technically untrained.
Though Adele attended the famed BRIT School for Performing Arts and Technology (whose alumni also includes Amy Winehouse), she considers herself mostly self-taught. “I don’t have lessons, I probably don’t have a great technique,” she recently told Zane Lowe.
Can you actually train yourself to sing?
In the same way as any other artistic domain, singing lends itself perfectly to self-teaching. You can learn to listen to your own voice and correct the notes that are out of key, adjust your vocal cords and your vocal timbre, master breathing, then, bit by bit, you can start calling yourself a singer.
How do I find my singing style?
- Eat the right foods. Consume foods and liquids one to two hours before you plan to warm up your vocal cords. …
- Do a vocal warm-up. …
- Determine your chest voice. …
- Find your head voice. …
- Work on your mixed voice. …
- Try a vocal range test. …
- Work with a vocal coach. …
- Choose songs within your range.
How do you know if your voice is unique?
Your voice identifies you as uniquely as your looks and your fingerprints do. Although some people might sound quite a bit alike, no two voices are ever exactly alike. We each have a unique voice because so many factors work together to produce that voice.
What is the rarest voice type?
A countertenor is a male singer who can sing as high as a soprano or mezzo-soprano. The countertenor is the rarest of all voice types.
What voice type is Ariana Grande?
What’s Ariana Grande’s Voice Type? Ariana is what we like to call a lyric coloratura soprano. Coloratura means she has a lot of agility with her vocal runs and trills, while lyric means that her high notes have a lot of power in them.
Is Adele alto?
While Adele might sing an alto part in a choir, “alto” is not a true vocal fach. The equivalent fach is a contralto, but Adele lacks the truly androgynous character and weight of one. Instead, she is a lyric mezzo-soprano, as her voice demonstrates the womanly character, weight, timbre, and tessitura of one.
Who is the best singer in the world?
| Rank | Singer | Genre |
|---|---|---|
| 1 | Michael Jackson | Pop, Soul, Funk, R&B, Rock, Disco, & Dance |
| 2 | Stevie Wonder | Soul, Pop, R&B, Funk, & Jazz |
| 3 | Marvin Gaye | Soul, R&B, Funk, Pop, & Jazz |
| 4 | Freddie Mercury | Hard Rock, Music Hall, Glitter, & Prog Rock |
What voice type is Taylor Swift?
Taylor Swift is undoubtedly a soprano, either a light lyric soprano or a soubrette. Because her voice is not very agile nor large, and she has a relatively low tessitura for a soprano, Swift should likely be considered a soubrette.
Is Adele the best vocalist?
She is categorically the best vocalist alive right now, and she puts it to good use. Despite the tinge of pop that crept into “Midnight,” it is an excellent album from an unrivaled musician. If you’re not familiar with her or her band, get on it.
How can I sing beautifully?
- Establish balance in your voice. You really need an expert coach to learn to balance your voice. …
- Practice applying vocal balance musically. …
- Learn how to sing melodies. …
- Practice your songs silently. …
- Stay with it for life.
What should I drink to have a good voice?
The best drinks for your singing voice are water (especially room-temperature water, perhaps with a squeeze or two of lemon) and tea, but be careful about consuming too much caffeine, which can dehydrate you.
How do I know if I can sing?
The Quick Answer. The best ways to tell if you are a good singer are to record yourself and listen to it back, and get feedback on your singing. You can check your tone sensitivity and vocal range using an online test. Also, assess your stance, posture and breathing to ensure you have the proper singing technique.
What is an easy song to sing for beginners?
1. Ain’t No Sunshine by Bill Withers. This is a great song to start with because it is a repetitive tune without a true “chorus” and the verses all sound the same. The repetition makes for easy recognition of pitch and the range is also very limited, making this simple.
What makes a soulful voice?
Something that is soulful expresses deep feelings, especially sadness or love.
Is singing easier than playing an instrument?
Musical ability is a great thing. It is nice to be able to pick up an instrument, and show a bit of virtuoso work on it. Singing requires more courage. It also comes down to the type of voice, a person has.
How can I sing like Ariana Grande?
- Learn to improve your basic vocal techniques and breathing.
- Be aware of the vocal range.
- Master the natural soft tones Ariana uses at the start of her songs.
- Practise whistle notes.
- Utilise the falsetto technique.
- Try some vocal runs.
- Learn her belting technique.
- Use vibrato.
How TO Sing Like Adele | 3 Techniques & Vocal Exercises – YouTube
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Many define Adele’s voice by its power. But the true artistry comes from her fragile, authentic self
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A changing voice
A brave album
What Exactly Makes Adele’s Voice So ‘Once in a Generation’ Special?
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Sing like Adele: 4 tips to help you gain vocal power! – Nashville Music Academy
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A changing voice
A brave album
Can I Sing Like Adele? – Spencer Welch Vocal Studio
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Many define Adele’s voice by its power. But the true artistry comes from her fragile, authentic self
Adele writes and sings female rites of passage: 19 was the teen experience; 21 the transition to adulthood; 25 relationships. Now, 30 reveals the pain of letting go.
Adele’s singing is imperfect perfection. As described by Amanda Petrusich in the New Yorker, “her voice is not a crystal stream. It is a gust of wind that’s picked up some grit.”
Adele’s songs can gut-punch, and this new album intends for the audience to feel. Her music is a combination of soul and blues colours, deeply personal lyrics and heartfelt vocalism valuing the text foremost in her raw and expressive voice.
She crafts with relatively simple chordal structures, and her sound has danger in it: in the muscling and widening in her chest voice, the audible pop as she moves between registers of chest and head.
This affect is deeply moving.
A changing voice
Most pop songs are written in the tenor range, making them hard for other voice types to sing. As a mezzo-soprano, Adele’s songs sit in a range that suits most listeners, singing along. Adele can mix her chest voice up quite high (E5, 10 notes above middle C) but she is not taken to the range extremes of early Mariah or Celine.
The middle of Adele’s voice is soulful, rich and powerful, occasionally with an edgy tone colour. She has the ability to create a breathy, fragile head voice, but can also take her chest up high and create a strong and powerful effect. In these high notes, Adele has been known to take on a quality of “vocal fry”, embodying pain.
The pressure applied to the vocal folds in taking the chest voice up high can lead to danger. No doubt two throat surgeries would have given Adele pause. On 30, she uses her floaty head voice sound more than on previous albums. This gives her the possibility of more vocal colours, and can help to protect her from vocal problems in the future.
Because of this, 30 contains a number of tumbling strains (falling phrases, like sighing) that sound more like melodious expressions than cries. She allows the flip into the lighter head voice more often, and then tumbles back down into the chest without added pressure, as in Easy On Me.
It is almost as if the more careful approach to her voice matches the aftermath of the damage of divorce, and of working under pressure since she was 18. Adele’s voice has changed. In close-up on the mic, she is more vulnerable now than she was as a teenager.
A brave album
Voices change as people change, and this iteration of Adele sits lower. She is more powerful and grounded – and yet more fragile.
There are nods to Amy Winehouse, Erroll Garner, Aretha Franklin and Marvin Gaye on this album. Her lyrics are positioned as the “knowing now”, looking back over the lessons she has learnt in the six years since her last album.
To Be Loved is an aching testimonial, posted on youtube almost as a rehearsal on a couch.
In Hold On, Adele is close to the mic, leaning into the imperfections, twists and turns of her instrument, and her life.
As she said to Oprah, “I don’t have to expect someone else to give me stability. I can also be stable for myself and be a solid house that doesn’t blow over in a storm.”
She only lets us in after her house is sorted. In I Drink Wine, she has already changed: “Sometimes the road less travelled is the road best left behind”.
Read more: Adele 30: the psychology of why sad songs make us feel good
Delivering this album live would require bravery. My Little Love begins with a turn-of-the-millenia rhythm and blues vibe. Every instrument is heavily produced and filtered. Yet the song becomes increasingly painful to listen to as Adele samples voice recordings of her conversations with her son.
These conversations are achingly introspective, and her voicemail message at the end of the song, where she talks about her struggles with anxiety, is peak confessional.
The two guitar-based pop songs are recorded up close, showing bite and dirt in her voice. Women Like Me is up tempo, sitting low in Adele’s range. Can I Get It has a plucked and unplugged feel, with whistling adding a retro touch.
Cry Your Heart Out begins with heavily engineered harmonies, all voiced by Adele. The notes sound bent, as the sound engineer manipulates the pitch in the studio. Likewise, Oh My God heavily manipulates Adele’s voice, this time in a pop dance mix, taking her sound away from soul and the blues.
These two tracks show her stylistic versatility: she values quality music and storytelling above all.
Read more: Adele has successfully asked Spotify to remove ‘shuffle’ from albums. Here’s why that’s important for musicians
In more retrospection, Love is a Game could be the theme to a Bond film, the strings and expansive colours belong in the 1960s. Strangers by Nature could be a rediscovered jazz standard, with floated head voice and romantic lyrics.
My favourite song of the album, All Night Parking, centres around a light and floaty sampled jazz piano from Erroll Garner, composer of the 1954 jazz standard Misty. Adele’s light touch vocals on the top line here shimmer and flirt and the programmed percussion is subtle. The vinyl feel from the crackling, breathy ambience is a stylish recreation of a past era.
Throughout this album, we not only get a glimpse of Adele’s recent past, but her broad definition of soul music, too. 30 is an intimate studio album exploring the rite of passage of motherhood and love-loss through an authentic, fragile and powerfully emotive voice.
Teach Yourself to Sing
“The voice is a second face.” – Gérard Bauër
The academic definition of somebody who’s self-taught is somebody who learns on their own without a teacher.
The French writer Georges Le Meur has a better definition of being self-taught. According to him, being self-taught is a “formative approach that isn’t subject to a third-party […] freely decided and directed by the actor themselves. They teach themselves without entrusting their learning responsibilities to an intermediary educator […] This does not mean that they do not call upon other people. To this effect, we need to remind ourselves that the permanent quest of the experts seems primordial throughout research.”
The self-taught are therefore tenacious, passionate, belligerent, fearless, and creative workers. The same goes for those teaching themselves to sing. In the same way as any other artistic domain, singing lends itself perfectly to self-teaching.
You can learn to listen to your own voice and correct the notes that are out of key, adjust your vocal cords and your vocal timbre, master breathing, then, bit by bit, you can start calling yourself a singer.
With that in mind, let’s have a look at some of the ways you can teach yourself to sing! Here’s Superprof’s best advice for gaining self-confidence and teaching yourself to sing well.
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Know Your Voice and Learn to Sing on Your Own
We should start our vocal training by finding out how our voice actually works.
There are 5 fundamental elements to any good voice:
Breathing: while breathing comes to us naturally, breathing when you sing is a very different set of skills. By controlling your breathing with your diaphragm and opening your chest cavity, the singer can relax their body (which also alleviates tension) and circulate air around their body more effectively when they inhale and exhale.
Elocution: this is a skill that requires you can pronounce phonemes (both consonants and vowels) well during your singing.
Rhythm: knowing when to start and stop singing along with music is the sign of a great singer.
Pitch: the pitch and quality of the notes you sing is dependant on whether or not you’re sharp or flat when you sing (too high or too low in terms of pitch). When you sing a song, the vocal parts need to be in the same key as the song as you go from one note to another.
The Voice: Everyone’s voice is unique and unlike any other. Your body, gender, age, vocal cords, and many other factors will determine the type of voice you have and its general qualities. It will also determine your vocal range and tessitura (the range of notes you can produce without too much difficulty).
Knowing your body will give you the information you need to correct any errors you make. Now let’s move onto more serious matters – how to work on your voice.
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Exercises for Teaching Yourself to Sing
There are often several steps to take when achieving any goal. The same can be said for teaching yourself to sing.
We recommend that you firstly warm up your voice. Ideally, you should do this in the same kind of place where you’d perform (like a stage). Every musician should do the same. A pianist will warm up their fingers and a trumpet player will practise breathing.
For a singer, you should work on your vocal scales. Try a mid-range scale, then a low scale, before finally moving on to a high scale. Then you should repeat this pattern until your voice is relaxed.
After that, try progressively increasing the volume before progressively decreasing the volume. This will help expand your vocal range.
Now move on to something a little more complicated: sing the notes in a C major scale (including the semitones) and go back to the original C. Singing all the notes (including the sharps and flats) will help increase your vocal agility and flexibility.
You should then do scales for between 20 and 30 minutes in order to strengthen your vocal cords and find your range (be it tenor, baritone, alto, mezzo-soprano, soprano).
You can use a piano to help you by singing each note being played on the piano. This can be useful for helping you find a song’s key or just making sure that you’re in tune. Each famous singer will have done this. A piano’s an invaluable tool for anyone teaching themselves to sing with the help of a private vocal coach.
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The Greatest Self-Taught Singers
As with many things in life, it helps to have a role model to follow. This is particularly useful for singers who are working without the help of a voice coach or private singing tutor.
Here are a few examples of self-taught singers who all learnt to sing in a variety of different ways.
Georges Brassens
The French singer Georges Brassens (1921-1981) isn’t the first singer you’d probably think of but he became hugely successful in his time.
While he was a bad and shy student at school, his mother refused to give him music lessons until he started perform better at school. He learnt to play guitar and sing by himself.
During the Second World War, he wrote his first poems in a labour camp near Basdorf near Berlin in Nazi Germany.
While living in poverty in the late 1940s and early 1950s, he wrote a number of songs which would later become hits: Hécatombe, La Mauvaise Réputation, Le Mauvais Sujet Repenti, La Prière, Je suis un voyou, Le Parapluie, Chanson pour l’Auvergnat, La Chasse aux papillons, J’ai rendez-vous avec vous, Brave Margot, Jeanne, Le Gorille, Je me suis fait tout petit, Saturne, Rien à jeter, and La Non-Demande en mariage. However, he didn’t even want to become a singer.
He was shy and frozen by stage fright. He preferred that his poems be performed by singing stars. He taught himself music, poetry, and singing by waking up at 5am every morning and working on his until he went to bed until he died.
Luciano Pavarotti
When we think of beautiful voices, we often think of opera singers. Luciano Pavarotti (1935-2007) was one of the best tenors in recent years. Coming from a humble background, he wanted to be a teacher. Far from the career of a famous singer like we know him.
He learnt to sing on his own in opera choirs in Modena and only really started his career aged 26 after having spent one year as a teacher.
We know him as a talented tenor because he helped make classical music more popular during this time who performed duets with famous groups like U2 and famous singers like Sting and Mariah Carey in charity concerts.
Prince
With a different vocal timbre and style, there’s Prince (1958-2016), the kid from Minneapolis. This eccentric musician was above all a genius. At the age of 20, he produced his first album on which he played 27 different instruments.
He learnt on his own, firstly with the piano and the guitar and teaching himself to sing. This wasn’t a one-off, though. Prince produced all his albums on his own in the studio. He usually put down the piano first and recorded his voice last.
Some of his compositions required over 24 hours of non-stop work in the studio. A good role model to follow.
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Aretha Franklin
The Queen of Soul, Aretha Franklin (born in 1942) learned to sing in her father’s choir aged six. She made public performances as part of her father’s “Gospel Caravan Tours” where she sang solo parts aged 14.
This is where she was discovered by John H. Hammond but it wasn’t where she became famous. It wouldn’t be until 1967 that the hits would come. She said that it wasn’t until she went to Atlantic Records and sat in front of a piano that the hits started coming. She just needed to do what she felt like and it worked.
Eminem
Writer and rap artist Eminem (born in 1972) started on his own and is now one of the biggest-selling rap artists of all time. After a difficult childhood, Eminem discovered rap and started taking part in rap battles. He managed to build up his reputation as a white rapper in genre that was predominantly black.
To learn more about his motivation and how he got started, the film 8 Mile covers the whole story.
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Learn to Sing with YouTube
Learning to sing on your own doesn’t mean you can’t use resources to help you improve your vocal techniques and your singing in general. There are plenty of videos on YouTube that can help beginners to make quick progress.
How can you become a singer?
Eric Arceneaux’s YouTube channel is a good place to start. His YouTube videos cover a variety of different aspects of singing from how to protect your vocal cords, vocal workouts, warm up exercises, ways to sing in key, how to stand correctly, etc. Eric has plenty of great advice for those who’ve just started learning to sing!
Felicia Ricci has plenty of videos on how to improve your singing. She has tutorials on plenty of different aspects of singing: how to sing with emotion, how to sing without tension, how to sing into a mic, how to fix your singing using breath, how to sing high notes, as well as videos on how to memorise songs and lyrics and how to relax your tongue while singing. There are plenty of videos on her channel that you’ll find useful.
singing lessons online with established tutors
There are also videos from Jasmine Roy with over 200 videos covering:
Posture
Elocution
Rhythm
Resonance
Falsetto
Harmony
Etc.
Of course, since most work deserves to be paid, you’ll find a lot of resources that you have to pay for. There are several subscriptions available to choose from depending on how long you’re going to use the site for.
Find more singing lessons Melbourne here on Superprof.
Learn to Sing on Your Own in front of a Camera
Once you’ve got all the tools you need to get a good voice, it’s time to use them wisely: practise, listen, then evaluate yourself.
To keep improving, recording your voice is a great way to gain a better understanding of your abilities and the errors you’ll need to correct.
When you vocalise, elocution is important and every vocal coach will tell their students to look at themselves in the mirror when they sing in order to help themselves avoid making the wrong notes.
Filming yourself can be useful for:
Seeing where you’re going wrong when you make false notes.
Looking at your gestures and correcting the unpleasant ones.
Listening to the notes you make and ensuring that they’re the right pitch.
Listening to your vocal timbre, tessitura, and resonance.
Improving your vocal range.
The best way to do this is to choose a song that you really like, a song whose lyrics you’ve mastered, and sing it while recording yourself. You should then watch the video and see what isn’t working. Start again until you’re happy with the recording.
Once you’ve done this, you should then show the video to a friend of family member so you can get constructive criticism and the positives and negatives from your performance.
Singing Alone: How to Move on to Singing in front of an Audience
Most people avoid this because they’re scared of being judged, have anxiety, or are just overcome by stage fright.
Here are ten tips for how to avoid this and perform in front of a whole heap of spectators.
Choose your piece carefully: don’t set the bar too high, choose a song that you can easily perform and one that will make you feel comfortable.
Practise: there’s no secret to getting good at singing! Practise makes perfect.
Start with friends and family: their criticism is often much easier to swallow than from strangers, a jury, or a producer.
Carefully choose where you’re going to sing: try to choose a familiar place where you’ll feel comfortable singing.
Choose your outfit carefully: make sure you’re not wearing something too tight that will hinder your ability to breathe and make sure you’re comfortable wearing it.
Arrive ahead of time: to avoid needless stressing, give yourself time to do some warm up exercises, test the mics, and relax.
Relax before you get on stage: breathing exercises, mediation, and yoga are all good ways to make sure you don’t feel stressed before you get on the stage.
Eat and drink: eat a bit but not too much. You don’t want a show with your stomach rumbling. This can be really off-putting and render your other preparation useless. Make sure you’re hydrated, too! Stress can dry out your mouth so make sure that you drink water.
Don’t let the little things bother you: things rarely go exactly as planned. A slight breeze on the stage, a bigger audience than you first thought, blinding lights, the sound being slightly off, etc. There are so many little things that can go wrong that it’s pointless worrying about them.
Focus from start to finish: take this opportunity to make that little voice in your head shut up.
In short:
Learning to sing on your own is more than possible. Only a lack in self-confidence will stop you doing this and that can be overcome. You can learn to sing in key on your own: there are plenty of famous singers who’ve managed this. However, be aware that this can take a lot of work. Learning to sing on your own can require more work than working on your voice with singing lessons Sydney or private singing tutorials. You can help yourself with online resources like YouTube channels and music websites. You should film yourself so that you can see where you’re going wrong when you sing. You’ll eventually need to move on to singing in front of an audience even if they are just your friends and family at first.
You’re not the first person to embark upon this journey, after all! Everything in its own time. Don’t try to become a famous opera singer after your first practice session. The second step needs to be less ambitious like singing in a group or in a local venue.
If ever you feel lost when carrying out your own vocal training, there are always voice coaches available who can give you push in the right direction. And if the cost of private singing lessons worries you, its worth knowing that there are plenty of options for singers on a budget.
How to Sing Like Adele
Who wouldn’t want to be called a “once in a generation” voice, like Adele?
Audiences hang onto her every word, while her soulful voice floats over the crowd.
How can you command the attention that Adele does?
Here’s the thing:
It isn’t just Adele’s powerful voice that makes crowds go silent.
It’s her authenticity, her vulnerability, her use of her entire vocal range, and her soulful dynamics.
So let’s cover some important tips to command attention just like Adele does. Only we’ll be listening to YOUR unique voice, and YOUR unique story.
Bonus: Download The 8 Secret Singing Tips by clicking here – Plus receive a 3 part video series which gives you the key steps to improving your vocals instantly.
What Makes Adele’s Singing So Awesome?
What makes Adele so appealing?
She is authentic.
In a world of over-produced pop stars, we can grow weary of seeing and hearing flawless production. We hunger for something more real. Adele’s singing gives us what we crave.
She’s been described as having a “primal sound”, her voice a “gust of wind that’s picked up some grit”.
Avoiding the typical pop stars’ need for elaborate production, Adele has two poses on stage: sitting, and standing in front of a microphone.
Her vulnerability, and the emotional journey she takes on stage, is the only entertainment we need.
As legendary producer Rick Rubin, who worked with Adele on her album 25, states:
It’s not a pose or a stance. When someone bares their soul, it resonates.
But does authenticity and vulnerability alone earn you 15 Grammy Awards, 18 Billboard Music Awards, and an Academy Award to boot?
Of course not. After all, if she didn’t have the pipes to back up her emotional intensity, no one would want to listen.
But, of course, she does!
Adele’s mastery of dynamics, her soulful style, and the sheer power of her voice keep us coming back for more:
She uses both her chest voice and her head voice powerfully, and seamlessly transitions from one to the other and back again.
This makes for dynamic singing.
Consider the chorus of “Rolling in the Deep”:
Adele sings: “we could have had it all…” at a full belt, then comes back and hits the very same note:
“Rolling in the deep…” but this time in her head voice.
Interesting choice, right?
She doesn’t particularly need to flip into head voice for that note, she just sang it at a full belt.
But she chooses to flip into head voice, and continues that pattern throughout the song.
What does this do for the audience?
It keeps the ear guessing. It doesn’t get “comfortable” hearing the same note, sung the same way.
It makes the next line, when she comes back at a full belt with “You had my heart inside your hand…” even more powerful.
Who doesn’t want that? An emotionally evocative line made even more dramatic by the careful dynamics leading up to it? It’s a brilliant choice!
Imagine what would have happened if she just belted the whole thing out? She would sound like an over-eager American Idol contestant, desperate to prove she can belt.
But since Adele is more concerned with making an interesting artistic choice, she made that chorus way more magical.
So, how can you replicate some of that magic?
How You Can Sing Like Adele
We’ve identified the key components of Adele’s awesomeness:
Authenticity and vulnerability, using the full voice, and soulful dynamics.
Be Authentic
Adele is interesting because there is no one else making music like hers right now.
Adele claims her biggest influences are Etta James and Ella Fitzgerald.
These first ladies of jazz were at the height of their popularity 60 years ago, people.
Adele found their records in the bargain bin when she was 15 years old and fell in love.
There were probably not many 15-year-olds she knew who shared her passion. But she has based a phenomenal career off what she learned listening to those jazz greats.
So, who do you love? Who do you listen to when your friends aren’t around? There is a lot of great music out there, and there’s not just one “right” source of inspiration.
Take a chance learning from someone just a little different. Who knows? It might be the magic mix you’re needing to find your own sound!
Be Vulnerable
When Adele is singing, we don’t feel like we are watching a performance.
It’s as if we are watching her feel, in that moment, what she is singing about.
Watch Adele singing Someone Like You at the Royal Albert Hall. It is an exquisite example of vulnerability.
There’s no easy formula for learning how to be vulnerable.
It takes a huge amount of bravery. It takes practice letting your guard down.
Ultimately, it takes a connection to your music, a knowledge of the story you’re telling and a deep need to communicate it.
So, think through the story your song is telling. What is your personal connection to the piece? Why is it important you tell this story?
Use Your Full Voice
Get comfortable switching from chest to head voice.
Too often, singers who want to be known as powerful singers get stuck in a very narrow range where they can just belt loudly for a whole song.
Imagine your voice like a keyboard. What happens when you only use one octave of that keyboard? It gets boring. Why would you limit yourself like that? Use the whole thing!
We all know Adele can belt, but it’s most interesting when she uses the entire keyboard of her voice.
Incorporate Soulful Dynamics
Adele is no lazy singer.
She thinks through every moment of her song and finds little ways of adding interest.
Consider her early hit Hometown Glory. In the second verse, she sings “I like it in the city when the air is so thick and opaque…”
With the words “thick” and “opaque”, she hits the “K” squarely and on the beat, almost making it into its own syllable.
It’s a small thing, one not very many artists would think of. But it makes that line extremely memorable.
Look for your own ways to add unique dynamics. Your audience will be hanging on your every word!
This is one of many ways a voice teacher can be helpful. They can be an extra ear to help you with dynamics, and may have some ideas you haven’t thought of.
Practical Tips for Singing Like Adele
Remember that Adele is so special because no one else sounds just like her.
No one else sounds just like you, either. So, if you want to be as memorable as Adele, work on finding out what your strengths as a singer are, and invest in those strengths.
Working with a trained voice teacher can help you get to know your voice a lot better. You’ll be challenging your voice in a whole new way, so you’ll likely learn you’re capable of doing things vocally you never dreamed of – you just needed someone to show you how to get there.
Of course, life is busy and it can be hard to fit one more thing into our busy schedules. That’s why online vocal lessons can be a great solution. They offer a lot more flexibility, as well as privacy, as you can do them from your own home. Find out more about this solution here.
Working with a vocal teacher will help you build a more powerful voice like Adele, but how can you work on the more emotional aspects… that authenticity we all love so much?
The most important thing is to develop an emotional connection to your music. Adele writes or co-writes most of her songs, so the emotional connection is already there. But what if you don’t have the time – or the interest – in writing your own material?
Ask yourself, if you were going to write a song, what would it be about? And then look for pieces that match the story you would like to tell. When you find a perfect piece, make sure to treat it like it’s your life story.
Get Ready to Be Your Own “Once in a Generation” Voice
Remember, we love Adele because she is unique.
So, go ahead and use some of these tips to add some of Adele’s soulfulness to your singing:
Always stay authentic, don’t be afraid to be vulnerable. Use the whole keyboard of your voice, and get creative with your dynamics!
But then, find out what your strengths are, and be the best version of you.
And soon, your audience will be hanging onto YOUR every word, just like Adele’s.
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