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Then he proceeded to lay a trap for Red Riding Hood. Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.The story revolves around a girl called Little Red Riding Hood. In Grimms’ and Perrault’s versions of the tale, she is named after her magical red hooded cape/cloak that she wears.The Moral of Little Red Riding Hood is that you must never trust strangers. Even a very friendly stranger may have very bad intentions. Little Red Riding Hood finds herself in danger because she talks to the wolf and naively points out the direction of her grandmother’s house.

What really happened to Little Red Riding Hood?

Then he proceeded to lay a trap for Red Riding Hood. Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.

Why is Little Red Riding Hood called that?

The story revolves around a girl called Little Red Riding Hood. In Grimms’ and Perrault’s versions of the tale, she is named after her magical red hooded cape/cloak that she wears.

What message is conveyed by Red Riding Hood?

The Moral of Little Red Riding Hood is that you must never trust strangers. Even a very friendly stranger may have very bad intentions. Little Red Riding Hood finds herself in danger because she talks to the wolf and naively points out the direction of her grandmother’s house.

What did Little Red Riding Hood take to her grandmother?

He asked her where she was going. The poor child, who did not know that it was dangerous to stay and talk to a wolf, said to him, “I am going to see my grandmother and carry her a cake and a little pot of butter from my mother.”

What is the darkest fairy tale?

1. Hansel and Gretel by The Brothers Grimm. The Brothers Grimm published this piece of German folklore in 1812. You may remember the already dark tale of a cannibalistic witch who wants to eat children, only to be pushed into her own oven in the end.

Is Little Red Riding Hood a real story?

Most of the stories left to us both by the Brothers Grimm and Charles Perrault were taken from local legends and traditions throughout the Middle Ages as they traveled through the villages of Europe.

What is Red Riding Hood’s real name?

According to Marelle, the girl’s real name is Blanchette. She becomes known as Little Goldenhood because of the hooded cloak the color of gold and fire that her grandmother gave her. Blanchette’s grandmother is so old that she does not know how old she is.

How tall is Red Riding Hood?

Obi-Wan Finale – The Loop
Little Red Riding Hood
Hair colour: Red
Eye colour: Green
Height: 150 cm
Relationships

Who saved Little Red Riding Hood?

Versions. In The Brothers Grimm Version the little girl and her grandmother are saved by a huntsman who was after the wolf’s skin; this ending is identical to that in the tale The Wolf and the Seven Young Kids, which appears to be the source.

How could Little Red Riding Hood best be described?

Little Red Riding Hood, the main character of the story, is described as a very sweet young girl. She is well-liked by everyone she meets, especially her grandmother. However, she is also somewhat naive and too trusting toward strangers, which causes her a lot of trouble.

What does red symbolize?

Red has a range of symbolic meanings through many different cultures, including life, health, vigor, war, courage, anger, love and religious fervor. The common thread is that all these require passion.

Did Little Red Riding Hood get eaten by the wolf?

Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.

What did Red Riding Hood carry in her basket?

“And stay on the path.” “I will,” said Little Red Riding Hood. And off she went, carrying the basket of bread and butter. She had not gone far when she saw a wolf.

What did Red Riding Hood say to the wolf?

Little Red Riding Hood then says, “What big hands you have!” In most retellings, this eventually culminates with Little Red Riding Hood saying, “My, what big teeth you have!”, to which the wolf replies, “The better to eat you with,” and swallows her whole, too.

Why did the wolf take a short cut?

He thought that even though he has eaten up the old grandmother, she can still be saved. So, he decided to cut open the wolf’s belly instead of shooting him.

What big ears you have grandma?

“What great big ears you have, Grandma.” “All the better to hear you with,” the Wolf replied. “What great big eyes you have, Grandma.” said Little Red Riding Hood.

How big was Thumbelina palm size or thumb size?

He knew other tales of little people such as the old English fairy tale of “Tom Thumb” and Jonathan Swift’s Gulliver’s Travels with its tiny, six-inch Lilliputians. He may have found inspiration in these tales for “Thumbelina”.

Why do you think the wolf lets the grandmother escape into the closet?

Why do you think the wolf lets the grandmother escape into the closet? The wolf let the grandmother escape into the closet because he wanted to eat Little Red Riding Hood.


Little Red Riding Hood | Fairy Tales | Gigglebox
Little Red Riding Hood | Fairy Tales | Gigglebox


HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR)
(Alfred Pace Randolph) – Lyrics – International Lyrics Playground

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    (Alfred Pace Randolph) – Lyrics – International Lyrics Playground HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR) (Alfred Pace Randolph) The Yacht Club Boys – 1926 When we were … …
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    (Alfred Pace Randolph) – Lyrics – International Lyrics Playground HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR) (Alfred Pace Randolph) The Yacht Club Boys – 1926 When we were …
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HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR)
(Alfred Pace Randolph) - Lyrics - International Lyrics Playground
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How Could Red Riding Hood? « Great War Fiction

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  • Summary of article content: Articles about How Could Red Riding Hood? « Great War Fiction I discovered that words and music were by A.P. Randolph, and it was a hit in 1926, though banned on the radio because of its suggestive lyrics. …
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Little Red Riding Hood – Wikipedia

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  • Summary of article content: Articles about Little Red Riding Hood – Wikipedia “Little Red Ring Hood” is a European fairy tale about a young girl and a sly wolf. Its origins can be traced back to several pre-17th century European … …
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Little Red Riding Hood – Wikipedia

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Tale[edit]

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In popular culture[edit]

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External links[edit]

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Little Red Riding-Hood — How come “Riding”? | WordReference Forums

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What is the Moral of Little Red Riding Hood

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Little Red Riding Hood

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Little Red Riding Hood

Little Red Cap

Little Red Hood

Little Red Hat

The Grandmother

The True History of Little Golden-Hood

Red Ridinghood

The Little Girl and Her Grandmother

Red Riding Hood

The Old Man and the Wolf

The Tale of Jemima Puddle-Duck

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How could Red Riding Hood?

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Original versions of How Could Red Riding Hood written by A. P. Randoph | SecondHandSongs

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Little Red Riding Hood

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HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR) (Alfred Pace Randolph)

HOW COULD RED RIDING HOOD (HAVE BEEN SO VERY GOOD AND STILL KEEP THE WOLF FROM THE DOOR) (Alfred Pace Randolph) The Yacht Club Boys – 1926 When we were young, but old enough for us to understand We all believed in fairies and the folks in fairyland But the modern child is runnin’ wild, he wants to know too much He’s never understood about Red Riding Hood Say, how could little Red Ridin’ Hood have been so very good And still keep the wolf from the door Father and Mother, she had none So where in the world did the money come from Please let me ask it, who filled her basket The story books never tell Now, they say that she found a great big wolf in Granny’s bed And he had a great big sun bonnet pulled down over his head But you know and I know what she must’ve found instead Say, how could little Red Ridin’ Hood have been so very good And still keep the wolf from the door How could Red Riding Hood have been so very good And still keep the wolf from the door Why was she dressed up in her bright flaming red Unless she expected to knock someone dead Why did she ramble, she knew ’twas a gamble She was out in the woods for no good They say she was a maid most discreet (Yeah?) And there’s no doubt about it, she must’ve been sweet But you know and I know that even sweet girls must eat Oh, how could little Red Ridin’ Hood have been so very good And still keep the wolf from the door I ask you how could little Red Riding Hood have been so very good And still keep the wolf from the door I’ve heard of many strange things in New York But who ever heard of a wolf that could talk I hate to doubt it, but there’s something about it That sounds mighty funny to ???? (Say, I don’t believe any one of those fairy tales) You don’t? (I don’t believe ’em. You believe ’em?) I believe all fairy tales (And I’d like to ask you, who was the father of all the little children of the woman that lived in the shoe?) Jack the Giant Killer! How could little Red Ridin’ Hood have been so very good And still keep the wolf from the door (Transcribed by Mel Priddle – November 2013)

How Could Red Riding Hood?

The soundtrack for Christmas in our house has mostly been provided by Janet Klein and the Parlor Boys, singing rare, wonderful and often saucy songs from the twenties and thirties.

I first discovered Janet Klein when I was trying to find out about a song that my mother used to sing a snatch of:

How could Red Riding Hood

Have been so very good

And still keep the wolf from the door?

I discovered that words and music were by A.P. Randolph, and it was a hit in 1926, though banned on the radio because of its suggestive lyrics. My mother was born in 1908, so in 1926 she’d have been eighteen, and just discovering independence as an office worker in London. A song like this must have seemed the last word in naughtiness.

Janet Klein and her boys have recorded this and other pieces on their Living in Sin CD – highly recommended to those with a taste for twenties popular culture.

You can even see her on YouTube, singing the song with Ian Whitcomb:

Here are the full lyrics:

When we were young, but old enough for us to understand

We all believed in fairies, and the folks in fairy land

But the modern child is runnin’ wild

He wants to know too much

He’s never understood

About Red Riding Hood

How could Little Red Riding Hood

Have been so very good

And still keep the wolf from the door ?

Job ? Father ? Mother ? No ! She had none

So where in the world did the money come from ?

I need to ask it :

Who filled her basket ?

The story books never tell

They say that she found a wolf in Granny’s bed

With a great big sun bonnet pulled over his head

But sometimes I wonder what she found instead

How could Little Red Riding Hood

Have been so very very good

And still kept the wolf from the door ?

How could Red Riding Hood

Have been so very good

And still keep the wolf from the door ?

Why was she dressed up in her bright flaming red

Unless she expected to knock someone dead ?

Why did she ramble ?

She knew it was a gamble

She was out in the woods for no good

They say she was a maid most discrete

And there’s no doubt about it, she must have been sweet

But you know and I know that even sweet girls must eat

How could Little Red Riding Hood

Have been so very good

And still keep the wolf from the door ?

I ask you, how could Little Red Riding Hood

Have been so very good

And still keep the wolf from the door ?

I’ve heard of many strange things in New York

But who ever heard of a wolf that could talk ?

I hate to doubt it

But there’s something about it

That sounds mighty funny to me.

I don’t believe that any one of those fairy tales is true

– You don’t ?

– No, I don’t believe ’em. D’you believe ’em ?

– I believe all fairy tales

– Then I’d like to ask you :

Who was the father of all the little children of the woman that

lived in the shoe ?

Jack the giant killer !

Say, how could Little Red Riding Hood

Have been so very good

And still keep the wolf from the door ?

Little Red Riding Hood

European fairy tale

This article is about the folk tale. For other uses, see Little Red Riding Hood (disambiguation)

“Little Red Cap” redirects here. For the poem by Carol Ann Duffy, see Little Red Cap (poem)

Little Red Riding Hood Illustration by J. W. Smith Folk tale Name Little Red Riding Hood Also known as Little Red Data Aarne–Thompson grouping 333 Mythology European Origin Date 17th century Related Peter and the Wolf

Little Red Riding Hood The version found in The Book of Fables and Folk Stories by Horace E. Scudder. Problems playing this file? See media help.

“Little Red Riding Hood” is a European fairy tale about a young girl and a sly wolf.[1] Its origins can be traced back to several pre-17th century European folk tales. The two best known versions were written by Charles Perrault[2] and the Brothers Grimm.

The story has been changed considerably in various retellings and subjected to numerous modern adaptations and readings. Other names for the story are: “Little Red Cap” or simply “Red Riding Hood”. It is number 333 in the Aarne–Thompson classification system for folktales.[3]

Tale [ edit ]

“Little Red Riding Hood”, illustrated in a 1927 story anthology

The story revolves around a girl called Little Red Riding Hood. In Perrault’s versions of the tale, she is named after her red hooded cape/cloak that she wears. The girl walks through the woods to deliver food to her sickly grandmother (wine and cake depending on the translation). In the Grimms’ version, her mother had ordered her to stay strictly on the path.

A stalking wolf wants to eat the girl and the food in the basket. He asks her where she is going. She tells him. He suggests that she pick some flowers as a present for her grandmother, which she does. In the meantime, he goes to the grandmother’s house and gains entry by pretending to be her. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandmother.

Gustave Doré ‘s engraving of the scene: “She was astonished to see how her grandmother looked.”

When the girl arrives, she notices that her grandmother looks very strange. She says, “What a deep voice you have!” (“The better to greet you with”, responds the wolf), “Goodness, what big eyes you have!” (“The better to see you with”, responds the wolf), “And what big hands you have!” (“The better to embrace you with”, responds the wolf), and lastly, “What a big mouth you have” (“The better to eat you with!”, responds the wolf), at which point the wolf jumps out of the bed and eats her, too. Then he falls asleep. In Charles Perrault’s version of the story (the first version to be published), the tale ends here.

In later and better-known versions, the story continues. A woodcutter in the French version, or a hunter in the Brothers Grimm and traditional German versions, comes to the rescue with an axe, and cuts open the sleeping wolf. Little Red Riding Hood and her grandmother emerge shaken, but unharmed. Then they fill the wolf’s body with heavy stones. The wolf awakens and attempts to flee, but the stones cause him to collapse and die. In the Grimms’ version, the wolf leaves the house and tries to drink out of a well, but the stones in his stomach cause him to fall in and drown (similarly to the story of “The Wolf and the Seven Little Kids”).

Sanitized versions of the story have the grandmother locked in the closet instead of being eaten and some have Little Red Riding Hood saved by the lumberjack as the wolf advances on her rather than after she is eaten, where the woodcutter kills the wolf with his axe.[4]

History [ edit ]

Relationship to other tales [ edit ]

The story displays many similarities to stories from classical Greece and Rome. Scholar Graham Anderson has compared the story to a local legend recounted by Pausanias in which, each year, a virgin girl was offered to a malevolent spirit dressed in the skin of a wolf, who raped the girl. Then, one year, the boxer Euthymos came along, slew the spirit, and married the girl who had been offered as a sacrifice.[6] There are also a number of different stories recounted by Greek authors involving a woman named Pyrrha (literally “fire”) and a man with some name meaning “wolf”.[7] The Roman poet Horace alludes to a tale in which a male child is rescued alive from the belly of Lamia, an ogress in classical mythology.[8]

The dialogue between the wolf and Little Red Riding Hood has analogies to the Norse Þrymskviða from the Elder Edda; the giant Þrymr had stolen Mjölnir, Thor’s hammer, and demanded Freyja as his bride for its return. Instead, the gods dressed Thor as a bride and sent him. When the giants note Thor’s unladylike eyes, eating, and drinking, Loki explains them as Freyja’s not having slept, eaten, or drunk, out of longing for the wedding.[9] A parallel to another Norse myth, the chase and eventual murder of the sun goddess by the wolf Sköll, has also been drawn.[10]

A similar story also belongs to the North African tradition, namely in Kabylia, where a number of versions are attested.[11] The theme of the little girl who visits her (grand)dad in his cabin and is recognized by the sound of her bracelets constitutes the refrain of a well-known song by the modern singer Idir, “A Vava Inouva”:

‘I beseech you, open the door for me, father. Jingle your bracelets, oh my daughter Ghriba. I’m afraid of the monster in the forest, father. I, too, am afraid, oh my daughter Ghriba.’[12]

The theme of the ravening wolf and of the creature released unharmed from its belly is also reflected in the Russian tale Peter and the Wolf and another Grimm tale The Wolf and the Seven Young Kids, but its general theme of restoration is at least as old as the biblical story, Jonah and the Whale. The theme also appears in the story of the life of Saint Margaret, wherein the saint emerges unharmed from the belly of a dragon, and in the epic “The Red Path” by Jim C. Hines.

A Taiwanese story from the 16th century, known as Grandaunt Tiger bears several striking similarities. In this story there are two girls who are sisters. When the girls’ mother goes out, the tigress comes to the girls’ house and pretends to be their aunt, asking to come in. One girl says that the aunt’s voice does not sound right, so the tigress attempts to disguise her voice. Then, the girl says that the aunt’s hands feel too coarse, so the tigress attempts to make her paws smoother. When finally the tigress gains entry, she eats the girl’s sister’s hand. The girl comes up with a ruse to go outside and fetch some food for her aunt. Grandaunt Tiger, suspicious of the girl, ties a rope to her leg. The girl ties a bucket to the rope to fool her, but Grandaunt Tiger realises this and chases after her, whereupon she climbs into a tree. The girl tells the tigress that she will let her eat her, but first she would like to feed her some fruit from the tree. The tigress comes closer to eat the fruit, whereupon the girl pours boiling hot oil down her throat, killing her.[13]

According to Paul Delarue, a similar narrative is found in East Asian stories, namely, in China, Korea[14] and Japan, with the title “The Tiger and the Children”.[15]

Earliest versions [ edit ]

The origins of the Little Red Riding Hood story can be traced to several likely pre-17th century versions from various European countries. Some of these are significantly different from the currently known, Grimms-inspired version. It was told by French peasants in the 10th century[1] and recorded by the cathedral schoolmaster Egbert of Liège.[16] In Italy, Little Red Riding Hood was told by peasants in the fourteenth century, where a number of versions exist, including La finta nonna (The False Grandmother), written among others by Italo Calvino in the Italian Folktales collection.[17] It has also been called “The Story of Grandmother”. It is also possible that this early tale has roots in very similar East Asian tales (e.g. “Grandaunt Tiger”).[18]

These early variations of the tale, do differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes a ‘bzou’ (werewolf), making these tales relevant to the werewolf trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp).[19][20][21] The wolf usually leaves the grandmother’s blood and flesh for the girl to eat, who then unwittingly cannibalizes her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire.[22] In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there.[23] In others, she sees through his disguise and tries to escape, complaining to her “grandmother” that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. The girl slips the string over something else and runs off. In these stories she escapes with no help from any male or older female figure, instead using her own cunning, or in some versions the help of a younger boy who she happens to run into.[24] Sometimes, though more rarely, the red hood is even non-existent.[23]

In other tellings of the story, the wolf chases after Little Red Riding Hood. She escapes with the help of some laundresses, who spread a sheet taut over a river so she may escape. When the wolf follows Red over the bridge of cloth, the sheet is released and the wolf drowns in the river.[25] And in another version the wolf is pushed into the fire, while he is preparing the flesh of the grandmother to be eaten by the girl.[23]

Charles Perrault [ edit ]

The earliest known printed version[26] was known as Le Petit Chaperon Rouge and may have had its origins in 17th-century French folklore. It was included in the collection Tales and Stories of the Past with Morals. Tales of Mother Goose (Histoires et contes du temps passé, avec des moralités. Contes de ma mère l’Oye), in 1697, by Charles Perrault. As the title implies, this version[27] is both more sinister and more overtly moralized than the later ones. The redness of the hood, which has been given symbolic significance in many interpretations of the tale, was a detail introduced by Perrault.[28]

French images, like this 19th-century painting, show the much shorter red chaperon being worn

The story had as its subject an “attractive, well-bred young lady”, a village girl of the country being deceived into giving a wolf she encountered the information he needed to find her grandmother’s house successfully and eat the old woman while at the same time avoiding being noticed by woodcutters working in the nearby forest. Then he proceeded to lay a trap for Red Riding Hood. Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.

Charles Perrault explained the ‘moral’ at the end of the tale[29] so that no doubt is left to his intended meaning:

From this story one learns that children, especially young lasses, pretty, courteous and well-bred, do very wrong to listen to strangers, And it is not an unheard thing if the Wolf is thereby provided with his dinner. I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!

This, the presumed original version of the tale was written for the late seventeenth-century French court of King Louis XIV. This audience, whom the King entertained with extravagant parties, presumably would take from the story’s intended meaning.

The Brothers Grimm [ edit ]

Wilhelm (left) and Jacob Grimm, from an 1855 painting by Elisabeth Jerichau-Baumann

In the 19th century two separate German versions were retold to Jacob Grimm and his younger brother Wilhelm Grimm, known as the Brothers Grimm, the first by Jeanette Hassenpflug (1791–1860) and the second by Marie Hassenpflug (1788–1856). The brothers turned the first version to the main body of the story and the second into a sequel of it. The story as Rotkäppchen was included in the first edition of their collection Kinder- und Hausmärchen (Children’s and Household Tales (1812) – KHM 26).[30][31]

The earlier parts of the tale agree so closely with Perrault’s variant that it is almost certainly the source of the tale.[32] This version ends with the girl and her grandmother saved by a huntsman who was after the wolf’s skin; this ending mirrors that in the tale “The Wolf and the Seven Young Kids”, which appears to be the source.[33] The second part featured the girl and her grandmother trapping and killing another wolf, this time anticipating his moves based on their experience with the previous one. The girl did not leave the path when the wolf spoke to her, her grandmother locked the door to keep it out, and when the wolf lurked, the grandmother had Little Red Riding Hood put a trough under the chimney and fill it with water that sausages had been cooked in; the smell lured the wolf down, and it drowned.[34]

The Brothers further revised the story in later editions and it reached the above-mentioned final and better-known version in the 1857 edition of their work.[35] It is notably tamer than the older stories which contained darker themes.

Later versions [ edit ]

Cyclopedia of Wit and Humor. An engraving from the

Numerous authors have rewritten or adapted this tale.

Charles Marelle in his version of the fairy tale called “The True History of Little Goldenhood” (1888) gives the girl a real name – Blanchette.

Andrew Lang included a variant called “The True History of Little Goldenhood”[36] in The Red Fairy Book (1890). He derived it from the works of Charles Marelles,[37] in Contes of Charles Marelles. This version explicitly states that the story had been mistold earlier. The girl is saved, but not by the huntsman; when the wolf tries to eat her, its mouth is burned by the golden hood she wears, which is enchanted.

James N. Barker wrote a variation of Little Red Riding Hood in 1827 as an approximately 1000-word story. It was later reprinted in 1858 in a book of collected stories edited by William E Burton, called the Cyclopedia of Wit and Humor. The reprint also features a wood engraving of a clothed wolf on a bended knee holding Little Red Riding Hood’s hand.

In the 20th century, the popularity of the tale appeared to snowball, with many new versions being written and produced, especially in the wake of Freudian analysis, deconstruction and feminist critical theory. (See adaptations below.) This trend has also led to a number of academic texts being written that focus on Little Red Riding Hood, including works by Alan Dundes and Jack Zipes.

Interpretations [ edit ]

Apart from the overt warning about talking to strangers, there are many interpretations of the classic fairy tale, many of them sexual.[38] Some are listed below.

Natural cycles [ edit ]

Folklorists and cultural anthropologists, such as P. Saintyves and Edward Burnett Tylor, saw “Little Red Riding Hood” in terms of solar myths and other naturally occurring cycles. Her red hood could represent the bright sun which is ultimately swallowed by the terrible night (the wolf), and the variations in which she is cut out of the wolf’s belly represent the dawn.[39] In this interpretation, there is a connection between the wolf of this tale and Sköll, the wolf in Norse mythology that will swallow the personified Sun at Ragnarök, or Fenrir.[40] Alternatively, the tale could be about the season of spring or the month of May, escaping the winter.[41]

Rite [ edit ]

The tale has been interpreted as a puberty rite, stemming from a prehistoric origin (sometimes an origin stemming from a previous matriarchal era).[42] The girl, leaving home, enters a liminal state and by going through the acts of the tale, is transformed into an adult woman by the act of coming out of the wolf’s stomach.[43]

Rebirth [ edit ]

Bruno Bettelheim, in The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976), recast the Little Red Riding Hood motif in terms of classic Freudian analysis, that shows how fairy tales educate, support, and liberate children’s emotions. The motif of the huntsman cutting open the wolf he interpreted as a “rebirth”; the girl who foolishly listened to the wolf has been reborn as a new person.[44]

Norse myth [ edit ]

The poem “Þrymskviða” from the Poetic Edda mirrors some elements of Red Riding Hood. Loki’s explanations for the strange behavior of “Freyja” (actually Thor disguised as Freyja) mirror the wolf’s explanations for his strange appearance. The red hood has often been given great importance in many interpretations, with a significance from the dawn to blood.[45]

Erotic, romantic, or rape connotations [ edit ]

A sexual analysis of the tale may also include negative connotations in terms of rape or abduction. In Against Our Will, Susan Brownmiller describes the fairy tale as a description of rape.[46] Many revisionist retellings focus on empowerment and depict Little Red Riding Hood or the grandmother successfully defending herself against the wolf.[47]

Such tellings bear some similarity to the “animal bridegroom” tales, such as Beauty and the Beast or The Frog Prince, but where the heroines of those tales revert the hero to a prince, these tellings of Little Red Riding Hood reveal to the heroine that she has a wild nature like the hero’s.[48] These interpretations refuse to characterize Little Red Riding Hood as a victim; these are tales of female empowerment.

The gender role varies according to the professional level and gender of the artist that illustrates these characters. Female artists tend to reflect a stereotypic aggressive male role on the wolf, while male artists were more likely to eroticize the characters. In general, professional artists do not imply sexual intent between the characters, and produce family-friendly illustrations.[49][50]

In popular culture [ edit ]

Works Progress Administration poster by Kenneth Whitley, 1939

Animation and film [ edit ]

Television [ edit ]

In the pilot episode “Wolf Moon” of the MTV hit series Teen Wolf the protagonist Scott McCall wears a red hoody, when he gets attacked by an alpha werewolf in the woods in the night of a full moon.

the protagonist Scott McCall wears a red hoody, when he gets attacked by an alpha werewolf in the woods in the night of a full moon. The pilot episode of NBC’s TV series Grimm reveals that the Red Riding Hood stories were inspired by the fabled attacks of Blutbaden, lycanthropic beings who have a deeply ingrained bloodlust and a weakness for victims wearing red.

reveals that the Red Riding Hood stories were inspired by the fabled attacks of Blutbaden, lycanthropic beings who have a deeply ingrained bloodlust and a weakness for victims wearing red. Red Riding Hood is a character in ABC’s Once Upon a Time (2011) TV series. In this version of the tale, Red (portrayed by Meghan Ory) is a werewolf, and her cape is the only thing that can prevent her from metamorphosing during a full moon when there is magic present. In the Enchanted Forest, she accidentally devoured her boyfriend Peter (portrayed by Jesse Hutch) and ran off with Snow White (portrayed by Ginnifer Goodwin). Her Storybrooke persona is Ruby Lucas, a waitress. [56]

(2011) TV series. In this version of the tale, Red (portrayed by Meghan Ory) is a werewolf, and her cape is the only thing that can prevent her from metamorphosing during a full moon when there is magic present. In the Enchanted Forest, she accidentally devoured her boyfriend Peter (portrayed by Jesse Hutch) and ran off with Snow White (portrayed by Ginnifer Goodwin). Her Storybrooke persona is Ruby Lucas, a waitress. The story was retold as part of the episode “Grimm Job” of the American animated TV series Family Guy (season 12, episode 10), with Stewie playing Little Red Riding Hood and Brian the Big Bad Wolf. Additionally, both Red Hiding Hood and the Big Bad Wolf appeared briefly in a clip in the season one episode The Son Also Draws .

(season 12, episode 10), with Stewie playing Little Red Riding Hood and Brian the Big Bad Wolf. Additionally, both Red Hiding Hood and the Big Bad Wolf appeared briefly in a clip in the season one episode . In the TV series Goldie & Bear Red is a little girl who delivers muffins to her granny and likes to keep her hood clean and tidy.

Red is a little girl who delivers muffins to her granny and likes to keep her hood clean and tidy. In the Disney Junior series Little Einsteins episode, “Little Red Rockethood” the format follows the story but in the episode Rocket is taking a stew-pot with his favorite “Rocket Soup” for his grandma who has a bad cold with help from the little Einsteins. His archenemy, Big Jet (playing the big bad wolf) steals the soup and flies off with it so the Einsteins chase after him before catching the soup. Upon arriving at Grandma Rocket’s home Big Jet tricks them again only to then crash into a mud puddle before Rocket cures his grandma with the soup.

Literature [ edit ]

Little Red Riding Hood in an illustration by Otto Kubel (1930).

Music [ edit ]

Games [ edit ]

In the Shrek 2 (2004) video game, she is playable and appears as a friend of Shrek’s. She joins him, Fiona, and Donkey on their journey to Far Far Away, despite not knowing Shrek or his friends in the film.

(2004) video game, she is playable and appears as a friend of Shrek’s. She joins him, Fiona, and Donkey on their journey to Far Far Away, despite not knowing Shrek or his friends in the film. In the computer game Dark Parables: The Red Riding Hood Sisters (2013), the original Red Riding Hood was orphaned when a wolf killed her grandma. A hunter killed the wolf before it could kill her. He took her in as his own out of pity. The Red Riding Hood of this story convinced the hunter to teach her how to fight. They protected the forest together until the hunter was killed during a wolf attack. The Red Riding Hood continued on protecting the forest and took in other orphaned girls and taught them to fight too. They take up wearing a red riding hood and cape to honor their teacher. Even after the death of the original Red Riding Hood the girls continue doing what she did in life.

(2013), the original Red Riding Hood was orphaned when a wolf killed her grandma. A hunter killed the wolf before it could kill her. He took her in as his own out of pity. The Red Riding Hood of this story convinced the hunter to teach her how to fight. They protected the forest together until the hunter was killed during a wolf attack. The Red Riding Hood continued on protecting the forest and took in other orphaned girls and taught them to fight too. They take up wearing a red riding hood and cape to honor their teacher. Even after the death of the original Red Riding Hood the girls continue doing what she did in life. In the fighting game Darkstalkers 3 (1997), the character Baby Bonnie Hood (known in the Japanese release as Bulleta) is a parody of Little Red Riding Hood, complete with a childish look, red hood and picnic basket. But instead of food, her basket is full of guns and grenades. Her personality is somewhat psychotic, guerrilla-crazy. During the fights, a small dog named Harry watches the action from the sidelines and reacts to her taking damage in battle. Two rifle-wielding huntsmen named John and Arthur briefly appear alongside her in a special power-up move titled “Beautiful Hunting” that inflicts extra damage on opponents. The character may be based on the James Thurber or Roald Dahl versions of the story, where Red pulls a gun from her basket and shoots the wolf, and the idea behind her character was to show that at their worst, humans are scarier than any imaginary monster.

(1997), the character Baby Bonnie Hood (known in the Japanese release as Bulleta) is a parody of Little Red Riding Hood, complete with a childish look, red hood and picnic basket. But instead of food, her basket is full of guns and grenades. Her personality is somewhat psychotic, guerrilla-crazy. During the fights, a small dog named Harry watches the action from the sidelines and reacts to her taking damage in battle. Two rifle-wielding huntsmen named John and Arthur briefly appear alongside her in a special power-up move titled “Beautiful Hunting” that inflicts extra damage on opponents. The character may be based on the James Thurber or Roald Dahl versions of the story, where Red pulls a gun from her basket and shoots the wolf, and the idea behind her character was to show that at their worst, humans are scarier than any imaginary monster. The psychological horror art game The Path (2007) features 6 sisters, ages 9–19, who all must face their own ‘wolf’ in the forest on the way to Grandmother’s house. The game is developed by Tale of Tales and was originally released for the Microsoft Windows operating system on 18 March 2009, in English and Dutch, and later ported to Mac OS X by TransGaming Technologies.

(2007) features 6 sisters, ages 9–19, who all must face their own ‘wolf’ in the forest on the way to Grandmother’s house. The game is developed by Tale of Tales and was originally released for the Microsoft Windows operating system on 18 March 2009, in English and Dutch, and later ported to Mac OS X by TransGaming Technologies. In the free-to-play mobile game Minimon: Adventure of Minions (2016), Luna is a wolflike minion and agent of a secret society with humanlike physical characteristics who wears a red hood when awakened, which references both the wolf and Red Riding Hood.

(2016), Luna is a wolflike minion and agent of a secret society with humanlike physical characteristics who wears a red hood when awakened, which references both the wolf and Red Riding Hood. SINoALICE (2017) is a mobile Gacha game which features Red Riding Hood as one of the main player controlled characters and features in her own dark story-line which features her as a brutally violent girl whose main desire is to inflict violence, pain and death upon her enemies as well as the other fairy-tale characters featured in the game.

Musicals [ edit ]

Little Red Riding Hood is one of the central characters in the Broadway musical Into the Woods (1987) by Stephen Sondheim and James Lapine. In the song, “I Know Things Now”, she speaks of how the wolf made her feel “excited, well, excited and scared”, in a reference to the sexual undertones of their relationship. Red Riding Hood’s cape is also one of the musical’s four quest items that are emblematic of fairy tales.[66]

See also [ edit ]

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