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“How Long Has This Been Going On?” is a 1927 song by George and Ira Gershwin for the musical Funny Face but instead introduced in the musical Rosalie.1974. Paul Carrack is the lead singer of British rock group Ace and composes their classic hit ‘How Long’ which reaches #3 in the US & Canadian charts, and #20 in the UK Singles Chart.“How Long Has This Been Going On?” was originally written as a duet by George and Ira Gershwin for a Broadway show called Smarty. It was a song for Adele Astaire and Jack Buchanan on the occasion of their first kiss.
Contents
How long long has this been going on?
“How Long Has This Been Going On?” is a 1927 song by George and Ira Gershwin for the musical Funny Face but instead introduced in the musical Rosalie.
Who’s the lead singer of ACE?
1974. Paul Carrack is the lead singer of British rock group Ace and composes their classic hit ‘How Long’ which reaches #3 in the US & Canadian charts, and #20 in the UK Singles Chart.
How long has this been going on jazz standard?
“How Long Has This Been Going On?” was originally written as a duet by George and Ira Gershwin for a Broadway show called Smarty. It was a song for Adele Astaire and Jack Buchanan on the occasion of their first kiss.
Who was in the band Ace?
How long has this been going on release date?
What did Ace sing?
Is Ace a one hit wonder?
…
Ace (band)
| Ace | |
|---|---|
| Also known as | Ace Flash and the Dynamos |
| Origin | Sheffield, England |
| Genres | Pub rock pop rock soft rock |
| Years active | 1972–1977 |
Are Squeeze still together?
Squeeze is still recording and playing, nearly 50 years after singers and songwriters Chris Difford and Glenn Tilbrook put the band together in 1974. They’ve broken up and reformed several times since their commercial heyday of 1981 — you might recall “Tempted,” which made it to No.
How many album does Astro have?
How long has this been going on original artist?
“How Long Has This Been Going On?” is a song composed by George Gershwin, with lyrics by Ira Gershwin, for the musical Funny Face in 1928.
Who wrote song How long has this been going on?
Who was the drummer for the band Ace?
Phil Harris (guitar) and Alan “Bam” King (guitar, vocal) formed Ace in 1972, recruiting Paul Carrack (keyboards, vocals), Terry “Tex” Comer (bass), and Steve Witherington (drums) over the course of the next year.
Where was how long by Ace recorded?
| “How Long” | |
|---|---|
| Recorded | 1974 |
| Studio | Rockfield Studios, Rockfield, Monmouthshire |
| Genre | Soft rock |
| Length | 3:22 |
How old is Carly Simon?
Who composed How long has this been going on?
How Long Has This Been Going On (disambiguation) – Wikipedia
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Paul Carrack — About
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decades, Paul Carrack remains Britain’s best blue-eyed soul singer, writer
& purveyor of songs that are deep in the DNA of pop history. Dubbed “The
Man with the Golden Voice” in a documentary about his phenomenal 50-year
career, he is now firmly established as one of the hardest working,
independent musicians on the scene. - Table of Contents:
One of the most revered voices in music and a figurehead of soulful pop for decades PAUL CARRACK remains Britain’s best blue-eyed soul singer writer and purveyor of songs that are deep in the DNA of pop history Dubbed “The Man with the Golden Voice” in a BBC documentary about his phenomenal 50-year career Paul whose vocals have graced million-selling songs such as ‘How Long’ by ACE ‘Tempted’ by Squeeze and the GRAMMY Award nominated ‘Living Years’ by Mike + the Mechanics is now firmly established as one of the hardest working independent musicians on the scene He’s also a hugely popular touring artist talented multi-instrumentalist and record label owner
1974
1978-1980
1980-1981
1982
1985-1986
1987
1988-1989
1990
1994-1995
1996
Session Work
BIOGRAPHY
Jazz Standards Songs and Instrumentals (How Long Has This Been Going On?)
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Jazz Standards Songs and Instrumentals (How Long Has This Been Going On?)
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Jazz Standards Songs and Instrumentals (How Long Has This Been Going On?)
Updating JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most.How Long Has This Been Going On?, Jazz Standards, Standard, History, Music, Songs, Biographies, Books - Table of Contents:
Charlie Puth – How Long Lyrics | Genius Lyrics
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- Summary of article content: Articles about Charlie Puth – How Long Lyrics | Genius Lyrics How long has it been goin’ on, baby? Ooh-ooh (Woo) Ooh-ooh, you gotta go tell me now. Ooh-ooh-oh [Pre-Chorus] She sa, “Boy, tell me honestly. Was it real … …
- Most searched keywords: Whether you are looking for Charlie Puth – How Long Lyrics | Genius Lyrics How long has it been goin’ on, baby? Ooh-ooh (Woo) Ooh-ooh, you gotta go tell me now. Ooh-ooh-oh [Pre-Chorus] She sa, “Boy, tell me honestly. Was it real … How Long Lyrics: Alright / Whoa, oh, yeah / I’ll admit, I was wrong, what else can I say, girl? / Can’t you blame my head and not my heart? / I was drunk, I was gone, that don’t make it right, but
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Women’s Imprisonment and the Case for Abolition: Critical Reflections on … – Google Sách
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- Most searched keywords: Whether you are looking for Women’s Imprisonment and the Case for Abolition: Critical Reflections on … – Google Sách Updating In 2007, the Corston Report recommended a far-reaching, radical, ‘women-centred’ approach to women’s imprisonment in England and Wales. It suggested a ‘fundamental re-thinking’ about how services to support women in conflict with the law are delivered in custody and in the community, recommending the development and implementation of a decarceration strategy. This argued for appropriate treatment programmes in the community, reserving prison for only those women who commit serious and violent offences. Ten years on, what progress has been made? What is the relationship between Corston’s vision and a more radical abolitionist agenda? Drawing on a range of international scholarship, this book contributes to the critical discourse on the penal system, human rights, and social injustice, revealing the consequences of imprisonment on the lives of women and their families. A decade on from Corston’s publication, it critically reviews her report, revealing the slow progress in meeting the reforms it proposed. Identifying the significant barriers to change, it questions the failure to reverse the unrelenting growth of the women’s prison population or to transform state responses to women’s offending. Reflecting the global expansion of women’s imprisonment, particularly marked in advanced democratic societies, the chapters include comparative contributions from jurisdictions where Corston’s recommendations have relevance. It concludes with a critical appraisal of reformism and the case for penal abolition. Essential for applied and theory courses on prisons, punishment, and penology; social justice and the criminology of human rights; gender and crime; and feminist criminology.
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Conversations with Larry Brown – Larry Brown – Google Sách
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- Most searched keywords: Whether you are looking for Conversations with Larry Brown – Larry Brown – Google Sách Updating In a fifteen-year period beginning in 1988, Mississippi native Larry Brown (1951-2004) published two collections of short stories, five novels, a memoir, and two collections of essays. Two of his novels, Joe and Father and Son, won the Southern Book Critics Circle Award for fiction. Brown wrote with compassion, humor, and unflinching honesty about the struggles of rural and small-town working-class southerners. Twenty-nine years old when his writing career began, Brown’s plainspoken style, sharp eye for detail, and keen ear for dialogue quickly established him as one of the most respected and compelling new voices in contemporary southern literature. Conversations with Larry Brown brings together interviews Brown gave between 1988 and 2004. The collection includes interview material from a full-length film documentary about Brown’s life and work as well as two previously unpublished pieces. Across these conversations, Brown offers insights into all of his books and several of his short stories. Jay Watson is professor of English at the University of Mississippi and the author of Forensic Fictions: The Lawyer Figure in Faulkner..
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Paul Carrack — About
TIMELINE
1974
Paul Carrack is the lead singer of British rock group Ace and composes their classic hit ‘How Long’ which reaches #3 in the US & Canadian charts, and #20 in the UK Singles Chart.
1978-1980
Paul plays keyboards in the revived line-up of Roxy Music.
1980-1981
Paul is a member of Squeeze singing lead vocals on their 1981 hit ‘Tempted’.
1982
Paul’s second solo studio album ‘Suburban Voodoo’ is among Rolling Stone’s Top 20 Albums of the Year. The album includes Carrack’s first chart hit as a solo artist, ‘I Need You’, which enters the US top 40.
1985-1986
Mike + the Mechanics ‘Silent Running (On Dangerous Ground)’ peaks at #6 on the Billboard Hot 100 chart.
1987
Solo Album ‘One Good Reason’ includes two of Carrack’s highest charting solo hits in the US: ‘Don’t Shed a Tear’, which becomes a Top 10 hit peaking at #9, and the title track which peaks at #28.
1988-1989
Mike + the Mechanics ‘The Living Years’ tops the US Billboard Hot 100 and reaches #1 in Canada & Australia and #2 in the UK. ‘The Living Years’ also wins the Ivor Novello Award for Best Song Musically & Lyrically in 1990 and is nominated for four Grammy awards.
1990
Carrack joins Roger Waters for the ground-breaking live stage show of The Wall – Live in Berlin, singing ‘Hey You’ in front of a crowd of 250,000.
1994-1995
The Eagles record ‘Love Will Keep Us Alive’, co-written by Paul Carrack, Jim Capaldi & Peter Vale. It wins an ASCAP award for being the most played song in the US in 1995. The song features on the Eagles album ‘Hell Freezes Over’ – the first to be released after they had reformed following a 14 year long break-up.
The same year, Mike + the Mechanics score yet another top 20 hit with ‘Over My Shoulder’. It not only features Carrack on lead vocals, but was the first Mechanics’ hit to be co-written by him.
1996
Carrack resumes his solo career with the album ‘Blue Views’.
Session Work
Carrack’s distinctive voice and keyboard skills have kept him in demand as a session musician on many projects. Some of his credits include:
– Synthesizer, Organ and Piano on Roxy Music’s albums ‘Manifesto’, ‘Flesh + Blood’, and ‘Avalon’.
– Piano on The Pretenders’ album ‘Learning to Crawl’ (1983).
– Keyboards on The Smiths’ eponymous debut album, ‘The Smiths’ (1984).
– Lead vocals on Roger Waters’ ‘Radio K.A.O.S.’ (1987); keyboards and vocals on its subsequent tour.
– Organ on Elton John’s ‘Made in England’ (1995), ‘The Big Picture’ (1997) and ‘Something About the Way You Look Tonight’, which was coupled with ‘Candle in the Wind’ (1997) on a double A-sided single, setting a new record for best-selling single of all time.
– Organ and vocals on B.B. King’s ‘Deuces Wild’ (1997).
– Keyboards on Simply Red’s ‘Blue’ (1998).
– Touring with Ringo Starr’s All-Starr Band (2003).
Jazz Standards Songs and Instrumentals (How Long Has This Been Going On?)
“How Long Has This Been Going On?” was originally written as a duet by George and Ira Gershwin for a Broadway show called Smarty . It was a song for Adele Astaire and Jack Buchanan on the occasion of their first kiss. According to lyricist Ira Gershwin in his book Lyrics on Several Occasions , the musical received a lukewarm reception at the Philadelphia preview. Two weeks later the song was dropped from the show and replaced by “He Loves and She Loves” (“not as good a song as the former,” says Gershwin, “but one that managed to get over.”) In his book Ira Gershwin: The Art of the Lyricist Philip Furia says the song was dropped because it was not in the vocal range of Allen Kearns (mistakenly referred to as “Alex” in Furia’s book) who replaced Stanley Ridges in the starring role.
After many changes in the book, the music, and the cast, Smarty became Funny Face, which featured both Adele and Fred Astaire. The show opened for a successful run of 244 performances on November 27, 1927, but without “How Long Has This Been Going On?” However, Ira credits the origin of the song to Funny Face in his book. Other hits from the show included the title cut, “S’Wonderful,” “My One and Only,” and “High Hat,” which featured Fred Astaire wearing top hat and tails in a solo tap dance. “This would become his trade mark, especially in the movies,” says William G. Hyland in The Song Is Ended: Songwriters and American Music, 1900-1950. Thirty years later Fred Astaire starred with Audrey Hepburn in a film version of Funny Face in which “How Long Has This Been Going On?” is sung by Hepburn and also appears as an instrumental. In the Broadway show brother and sister each fall in love with someone quite different from themselves. But in the movie Astaire is a fashion photographer who discovers a bookish waif whom he turns into a top model, and they fall in love despite an apparent age difference. After being dropped from Smarty, “How Long Has This Been Going On?” quickly found a home. “Two months later,” says Ira, “the eliminated song, because [Florenz] Ziegfeld liked it, found itself in Rosalie. There being no spot in the show for it as a duet, it became–with a few line changes–a solo for the soubrette, played by Bobbe Arnst.” Operetta composer Sigmund Romberg and lyricist P.G. Wodehouse were in the process of scoring the Broadway production. According to David Ewen in Complete Book of the American Musical Theater, “Ziegfeld demanded the full score in three weeks, a deadline Romberg could not meet; Romberg suggested to Zeigfeld that George Gershwin be recruited for half the score.” So both of the Gershwins, Romberg, and Wodehouse contributed songs to the show. Rosalie, starring Marilyn Miller, opened on January 10, 1928, with a book by Guy Bolton and William Anthony McGuire. The plot revolved around a princess from a mythical kingdom who comes to school in America and falls in love with a West Point cadet. The show enjoyed an extended run of 335 performances. The only song to become famous was the Gershwins’ “How Long Has This Been Going On?” In 1937 when Rosalie was filmed in Hollywood, Cole Porter wrote new music and lyrics for the film which used none of the songs from the original Broadway production. “How Long Has This Been Going On?” didn’t catch on with the public until after the show closed when Peggy Lee recorded it with Benny Goodman. Lee Wiley also recorded a fine version. In The Gershwin Style: New Looks at the Music of George Gershwin editor Wayne Schneider suggests that the tenor of times may have reflected on the song’s popularity since many people in the 1920s still considered jazz “the devil’s music.” Many whites feared the infiltration of black culture into otherwise “white” music. “In this context, the blue thirds of ‘How Long Has This Been Going On?’ were sufficient to contaminate the entire piece in the ears of some listeners. From today’s perspective, one can see and hear those blue thirds as attractive reflections of black music encapsulated within the thirty-two-measure American popular song.” In his book The American Popular Ballad of the Golden Era, 1924-1950: A Study in Musical Design Allen Forte attributes the “charm and vitality” of the song to “its innovative and strategically placed harmonies” which he describes in detail. In Listening to Classic American Popular Songs Forte devotes eight pages of to an in-depth analysis of “How Long Has This Been Going On?” a song which expresses the delight experienced with a first kiss. He praises the song’s integration of lyrics, rhythm, and harmony as an example of the best songs of the period and points out George’s use of the pentatonic scale which relates back to the folk and religious music of black Americans. As an example of Ira’s unique talent as a lyricist he cites the third line of the lyric–“Little wow, tell me now”–which introduces the end rhyme for the first word of the title, “How.” In the bridge, against the backdrop of George’s exotic chords, says Forte, “Ira gives us his all, with the erotic lyric ‘Oh, I feel that I could melt; into heaven I’m hurled’–erotic for that time, that is. Contemporary listeners did not need to call Dr. Freud to tell them what those lines implied.” Forte concludes with this observation: “I would be remiss if I neglected to mention Ira’s two ‘learned’ references in the verse of ‘How Long Has This Been Going On?’: the first to Dante’s ‘Divine Comedy,’ the second to Poe’s ‘The Raven’ (‘Nevermore’). He seemed to take great pleasure in these and in other ways mixing high-class and low-class elements.” Sarah Vaughan recorded a definitive version in 1978, and both Ella Fitzgerald and Joe Pass recorded it several times. The song’s continuing popularity is affirmed by artists who have recorded it at the turn of the century: pianists Brad Mehldau (in 2001 and 2004), Bill Charlap (2005), and Ralph Sharon (2001); vocalists Kelley Johnson (1998), Janis Siegel (1999), and Karrin Allyson (2004); trumpeter Till Bronner (1996); and guitarist Frank Vignola in his 2007 Gershwin tribute.
Charlie Puth – How Long Lyrics
How Long Lyrics
Alright
Whoa, oh, yeah
[Verse 1]I’ll admit, I was wrong, what else can I say, girl?
Can’t you blame my head and not my heart?
I was drunk, I was gone, that don’t make it right, but
Promise there were no feelings involved, no
[Pre-Chorus]She said, “Boy, tell me honestly
Was it real or just for show?” Yeah
She said, “Save your apologies”
Baby, I just gotta know
How long has this been goin’ on?
You’ve been creepin’ ’round on me
While you’re callin’ me “baby”
How long has this been goin’ on?
You’ve been actin’ so shady (Shady)
I’ve been feelin’ it lately, baby
[Post-Chorus]Ooh-ooh (Yeah)
Ooh-ooh (Uh-uh)
Ooh-ooh-oh
[Verse 2]I’ll admit (I’ll admit), it’s my fault (My fault)
But you gotta believe me
When I say it only happened once, mmm
I try (I try), and I try (I try), but you’ll never see that
You’re the only one I wanna love, oh, yeah
[Pre-Chorus]She said “Boy, tell me honestly (Honestly, yeah)
Was it real or just for show?” Yeah (Is it just for show?)
She said, “Save your apologies” (Apologies, yeah)
Baby, I just gotta know
[Intro]AlrightWhoa, oh, yeah[Verse 1]I’ll admit, I was wrong, what else can I say, girl?Can’t you blame my head and not my heart?I was drunk, I was gone, that don’t make it right, butPromise there were no feelings involved, no[Pre-Chorus]She said, “Boy, tell me honestlyWas it real or just for show?” YeahShe said, “Save your apologies”Baby, I just gotta know[Chorus]How long has this been goin’ on?You’ve been creepin’ ’round on meWhile you’re callin’ me “baby”How long has this been goin’ on?You’ve been actin’ so shady (Shady)I’ve been feelin’ it lately, baby[Post-Chorus]Ooh-ooh (Yeah)Ooh-ooh (Uh-uh)Ooh-ooh-oh[Verse 2]I’ll admit (I’ll admit), it’s my fault (My fault)But you gotta believe meI try (I try), and I try (I try), but you’ll never see thatYou’re the only one I wanna love, oh, yeah[Pre-Chorus]She said “Boy, tell me honestly (Honestly, yeah)Was it real or just for show?” Yeah (Is it just for show?)She said, “Save your apologies” (Apologies, yeah)Baby, I just gotta know [Chorus]How long has this been goin’ on?
You’ve been creepin’ ’round on me (On me)
While you’re callin’ me “baby” (Baby)
How long has this been goin’ on?
You’ve been actin’ so shady (Shady)
I’ve been feelin’ it lately, baby” (Baby)
[Post-Chorus]Ooh-ooh (Yeah)
Ooh-ooh (Uh-uh)
Ooh-ooh-oh
How long has it been goin’ on, baby?
Ooh-ooh (Woo)
Ooh-ooh, you gotta go tell me now
Ooh-ooh-oh
[Pre-Chorus]She said, “Boy, tell me honestly
Was it real or just for show?” Yeah
She said, “Save your apologies”
Baby, I just gotta know
[Chorus]How long has this been goin’ on? (On, on)
And you been creepin’ ’round on me (On me)
While you’re callin’ me “baby” (Baby)
How long has this been goin’ on?
You’ve been actin’ so shady (Shady)
I’ve been feelin’ it lately, baby”
[Post-Chorus](Ooh-ooh, yeah) How long has this been goin’ on?
(Ooh, uh-uh) You’ve been creepin’ ’round on me (Yeah)
(Ooh-ooh-oh) How long has it been goin’ on, baby? Oh
(Ooh-ooh) How long has this been goin’ on? (Ooh, uh-uh)
(You gotta go tell me now) (Ooh-ooh-oh)
You’ve been actin’ so shady (Shady)
I’ve been feelin’ it lately, baby
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