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She and Eustace attend the same school, and it is from the school grounds that they travel to Aslan’s Country beyond the Sun, after being chased by bullies. She and Eustace are sent to Narnia by Aslan, to find the kidnapped Prince Rilian, son of Caspian X.Jill has one clear job, and Aslan has specifically called her and Eustace here to do it. Aslan gives Jill a tool to help her in her quest: a series of four “signs.” They are, Aslan says, “the signs by which I will guide you in your quest.” They’re legitimately terrible signs; more like riddles, really.Eustace Clarence Scrubb is a fictional character in C. S. Lewis’s Chronicles of Narnia. He appears in The Voyage of the Dawn Treader, The Silver Chair, and The Last Battle. In The Voyage of the Dawn Treader, he is accompanied by Edmund and Lucy Pevensie, his cousins.
Contents
What task did Aslan give Jill?
Jill has one clear job, and Aslan has specifically called her and Eustace here to do it. Aslan gives Jill a tool to help her in her quest: a series of four “signs.” They are, Aslan says, “the signs by which I will guide you in your quest.” They’re legitimately terrible signs; more like riddles, really.
How were Eustace and the pevensies related?
Eustace Clarence Scrubb is a fictional character in C. S. Lewis’s Chronicles of Narnia. He appears in The Voyage of the Dawn Treader, The Silver Chair, and The Last Battle. In The Voyage of the Dawn Treader, he is accompanied by Edmund and Lucy Pevensie, his cousins.
How old is Jill in Narnia?
Jill is, after all, only ten, so we kind of know that it won’t be long before the mature façade breaks down (don’t forget, when we first meet her, she’s crying). And it does, spectacularly, on the edge of the highest cliff ever known to man or beast.
How old is Jill Pole in The Last Battle?
Jill is sixteen years old in The Last Battle. She is the same age as Eustace: both were born in 1933, and The Last Battle takes place in 1949.
What does Aslan do in the Silver Chair?
Aslan calls the children to be a part of his plan to restore justice and stability in Narnia by finding the lost prince. He also expects them to behave as Narnians, accepting his supreme authority over all things.
What happens in chapter 3 of the Silver Chair?
After the king’s ship casts off, Jill and Scrubb are accosted by a giant white owl. His name is Glimfeather, and he tells the children that they are at Cair Paravel (the king’s castle) in Narnia. Jill reveals that they have been sent by Aslan to help find the lost Prince, and Scrubb is surprised.
Did Eustace ever go back to Narnia?
The Last Days of Narnia
During the reign of King Tirian, the last King of Narnia, Eustace returned to Narnia for the third and final time.
How did the telmarines get to Narnia?
Hailing from Telmar, the Telmarines are prominent in the book Prince Caspian, the second book published in the series (but numbered volume 4 in recent editions ordered chronologically). The Telmarines were pirates in our world before entering the Narnian world through a magical cave.
Why are Peter and Susan not in the Dawn Treader?
Peter and Susan, however, only appeared briefly in The Voyage of the Dawn Treader after they were told by Aslan that they would be unable to return to Narnia after their departure at the end of Prince Caspian. This is consistent with the events of C.S.
How old is everyone Narnia?
some major spoilers here.) In Prince Caspian Peter and Susan are different ages (14 and 13). In Dawn Treader we’ll see that Edmund and Lucy are told they also are getting too old for Narnia—Edmund’s 12 and Lucy’s only 10 at the time. And in their final Narnian adventure, Eustace and Jill are 16.
Who is the main character of The Silver Chair?
Main characters
Jill Pole – A pupil at Experiment House who is found by Eustace Scrubb, crying, after she is bullied by a gang of children. Eustace Scrubb – Appeared in The Voyage of the Dawn Treader and is a cousin of the four Pevensie siblings from the earlier stories.
Who is the protagonist of The Silver Chair?
Jill Pole and Eustace Scrubb.
Is Mr Tumnus in the last battle?
Tumnus is a faun in the Narnia books written by C.S. Lewis, primarily in The Lion, the Witch and the Wardrobe but also briefly in The Horse and His Boy and in The Last Battle.
Who is the main character in the last battle?
Where was the silver chair filmed?
It was filmed in various locations including Peak Cavern and Haddon Hall, Derbyshire.
How old is Susan in Narnia?
Susan was born in 1928 and is 12 years old when she appears in The Lion, the Witch and the Wardrobe. By The Last Battle, she is 21 years old, as the final novel takes place in 1949.
How old are the characters in Narnia Prince Caspian?
Luckily in the next film Caspian gets 3 years older in comparison to 1 year for Edmund and Lucy, so if the film gets out 2 years after this one by then Edmund will be 17 (instead of 12), Lucy – 14 (10), Caspian – 29 (16).
How old is Edmund in Narnia 3?
In the book Edmund is around 11 years old at the time of their return, but in the movie he is probably between 13 and 15 years of age.
How old is Peter in Narnia?
Prior story. Peter was born in 1927 and is 13 years old when he appears in The Lion, the Witch and the Wardrobe. As a monarch of Narnia’s Golden Age, he rules with his brother and sisters for 15 years, reaching the approximate age of 28 before returning to the age of 13 in England at the end of Wardrobe.
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Eustace Scrubb – Wikipedia
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Jill Pole in The Silver Chair | Shmoop
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Jill Pole | The Chronicles of Narnia Wiki | Fandom
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- Summary of article content: Articles about Jill Pole | The Chronicles of Narnia Wiki | Fandom Jill Pole first entered into the World of Narnia with Eustace Scrubb when they were trying to escape from bullies at their school. …
- Most searched keywords: Whether you are looking for Jill Pole | The Chronicles of Narnia Wiki | Fandom Jill Pole first entered into the World of Narnia with Eustace Scrubb when they were trying to escape from bullies at their school. Jill Pole was the Daughter of Eve who helped find Prince Rilian, son of Caspian X of Narnia. She also fought at the Battle of Stable Hill at the end of the Calormene Conquest of Narnia. She was one of the Seven Friends of Narnia, and entered into Aslan’s Country along with the other six. She was…
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Eustace Scrubb Timeline in The Silver Chair
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How Did Jill And Eustace Decided That They Want To Go On… | Bartleby
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What did Eustace almost deserve
Why did Eustace turn into a dragon
Is Eustace a king of Narnia
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What did Eustace see before he entered the dragon’s cave
How did Eustace and Jill get to Narnia
Who is the king of Narnia
Who did Prince Caspian marry
How did they get to Narnia in The Silver Chair
How did Jill and Eustace wind up in Narnia
How did Eustace get to Narnia
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Jill Pole
Fictional character in The Chronicles of Narnia
Fictional character
Jill Pole is a major character from C. S. Lewis’ Chronicles of Narnia series. She appears in The Silver Chair and The Last Battle.
Appearances in the Narnia Book Series [ edit ]
The Silver Chair [ edit ]
Jill Pole first appears in The Silver Chair. She and Eustace attend the same school, and it is from the school grounds that they travel to Aslan’s Country beyond the Sun, after being chased by bullies. She and Eustace are sent to Narnia by Aslan, to find the kidnapped Prince Rilian, son of Caspian X. They accomplish this with the assistance of the marshwiggle Puddleglum, whom she initially dislikes and considers a spoilsport and wet blanket, but whom she soon admits is the bravest and wisest of all of them. She has to learn to face her claustrophobia and nyctophobia during her quest, and also is the one Aslan has tasked with remembering the four signs that will guide them on their quest. When she is distracted from doing this by temptation of good food and rest, the group loses their way and finds themselves in serious danger from the man-eating giants of Harfang. Her experience with riding and horses allows her to control the Emerald Witch’s horse Snowflake, after Rillian is found and the witch is killed. She is also the first to discover the exit of the Underland that leads back to Narnia, and she saves her wonderful clothes from Narnia to wear at fancy dress balls once she is back in England.
The Last Battle [ edit ]
Jill and Eustace are called into Narnia to help King Tirian in his struggle against the false appearance of Aslan, and a Calormene invasion. They first free the king from where he is tied to a tree. Then the three of them steal away to a Narnian supply garrison where they put on Calormene disguises and return to Stable Hill. When they arrive they free Jewel the Unicorn. Then Jill disobeys the king’s orders by entering the Stable, but in doing so, she discovers Puzzle the Donkey, the fake Aslan. Jill becomes Puzzle’s friend and saves him from execution by Tirian.
During the battle, Jill fights with her bow and arrow and kills several Calormene soldiers while weeping for the now-doomed Narnia (she had previously stated that she hoped Narnia would go on forever). She later goes through the stable door and comes into Aslan’s Country along with the others and also becomes one of the Queens (alongside Polly and Lucy) along with Eustace who becomes a King like Digory, Peter, and Edmund.
It is not known for sure whether Jill and Eustace got to Narnia because they were killed in the train crash that took the lives of everyone else or if Aslan simply brought them there by magic.
Portrayal [ edit ]
In the 1990 BBC production of The Chronicles of Narnia, Jill Pole was portrayed by Camilla Power.
In the 2010 film The Chronicles of Narnia: The Voyage of the Dawn Treader, Jill Pole is mentioned visiting Eustace at the end, although she is not shown. This did not happen in the book, nor did it happen in the BBC adaptation 21 years earlier.
References [ edit ]
Saving the Lost: Quests, Signs, and Unclear Instructions in The Silver Chair
The battle against the forces of darkness is, first and foremost, a rescue operation. Or so Jill Pole is told. Aslan advises her that her quest is to seek the lost Prince Rilian, “until either you have found him and brought him to his father’s house, or else died in the attempt, or else gone back into your own world.”
Her job is not to destroy the Lady of the Green Kirtle—Aslan doesn’t even mention her—or to prevent war in Narnia, or to bring justice for those talking beasts who have been eaten by giants. Jill has one clear job, and Aslan has specifically called her and Eustace here to do it.
Aslan gives Jill a tool to help her in her quest: a series of four “signs.” They are, Aslan says, “the signs by which I will guide you in your quest.” They’re legitimately terrible signs; more like riddles, really. We have to reckon with this strange, unclear, possibly unfair reality that Aslan doesn’t share everything he knows with Jill—not even helpful information that could help her to be more effective in her service to him.
Lewis clearly intends the four signs to be some sort of analog for scripture. They are a guide that Aslan tells Jill to repeat to herself “when you wake and when you lie down”—an echo of the instructions about the Torah (see Deuteronomy 6:7) and the wise commands and teachings of your parents: “When you walk, they will guide you; when you sleep, they will watch over you; when you awake, they will speak to you.” (Proverbs 6:22, NIV)
One key thing to keep in mind regarding the complications to come as the story unfolds: when Jill accidentally knocks Eustace over the cliff, and Aslan asks her what happened, she replies that she “was showing off.” Aslan tells her that’s a good answer, and “your task will be harder because of what you have done.” It’s not clear why it’s harder, since she arrives in Narnia within a few moments of Eustace arriving, but Aslan has always made it clear to Lucy in past books that you don’t get to know “what might have been” if you had done the right thing. Maybe it’s just that she receives Aslan’s instructions and Eustace isn’t there for them. But a theme that’s repeated throughout the book is that the hardships the protagonists face along the way are largely the result of their own character flaws informing their actions.
In any case, the four signs Aslan gives Jill are: “First; as soon as the Boy Eustace sets foot in Narnia, he will meet an old and dear friend. He must greet that friend at once; if he does, you will both have good help. Second; you must journey out of Narnia to the north till you come to the ruined city of the ancient giants. Third; you shall find a writing on a stone in that ruined city, and you must do what the writing tells you. Fourth; you will know the lost prince (if you find him) by this, that he will be the first person you have met in your travels who will ask you to do something in my name, in the name of Aslan.”
The first sign is bungled as soon as they arrive. Maybe they would have done better if Aslan had said, “You’ll see an ancient king who is actually your friend Caspian because it’s been years since you were here last time.” Still, the first sign is disobeyed out of ignorance. Eustace doesn’t recognize anyone as “an old friend.” (And hey, maybe it really is a riddle and Eustace was supposed to discover that it was a friend-who-is-old.) In any case, Aslan said if they followed this first sign then they’d get a lot of help along the way, but they don’t. So instead of “lots of help” they get sleepy owls and, eventually, a rather cranky Marsh-wiggle, which actually turns out for the best.
The second sign they abandon because of hardship. The weather is painfully cold, and the evil Lady in the Green Kirtle has suggested that there are warm beds and plenty of food to be had if they turn away to visit Harfang. It seems that our crew was almost there, though, because, unbeknownst to them, they were standing in the “third sign” at the moment they decide to head for Harfang.
The third sign is actually giant letters etched into the outskirts of the giant city that includes the words “UNDER ME.” This sign is meant to tell them to look under the giant city for Rilian. Now remember that Aslan knew perfectly well exactly where Rilian was. He could have simply said, “Go look under the ruined giant city for Rilian, where he’s held captive and enchanted by a witch.” He knew all those things. He doesn’t offer this information, though, and even now, with two of the three signs missed, Aslan doesn’t give a fuller revelation to Jill and Eustace. Instead, he just helps them get back on track with a dream…a dream where he literally just tells Jill the same words she would have seen if they had gone up to the ruined city as they were meant to do: “UNDER ME.”
Jill wonders if maybe the words UNDER ME were added later, after they missed them. But Eustace corrects her on that. “You were thinking how nice it would have been if Aslan hadn’t put the instructions on the stones of the ruined city till after we’d passed it. And then it would have been his fault, not ours. So likely, isn’t it? No. We must just own up. We’ve only four signs to go by, and we’ve muffed the first three.”
So they miss the first sign because of ignorance. The second because of hardship. The third because it relied on following the second. But the fourth…the fourth they understand (it’s pretty straightforward) and debate whether to follow it because they’re not sure what the consequences will be. It’s an important moment. They’re worried because Rilian—who is tied to the Silver Chair in that moment—is supposedly having a moment of “madness” when he asks them, in the name of Aslan, to help him. They don’t know what the consequences will be if they let him loose, if it will be good or bad. But they know this is the moment, this is the fourth sign of Aslan.
Puddleglum tells the kids, “Aslan didn’t tell Pole what would happen. He only told her what to do.” Whether the personal consequences are beneficial or dire, they need to do the right thing. So they do, and of course in this story everything works out for the best, as a result.
So why did Aslan give such vague instructions? Why not tell them exactly what needed to be done? Why not, for that matter, just do it himself? He has the power to simply walk into Underland and free Rilian. Why did he let Rilian fall under the Lady’s spell, and let her maintain a hold on the prince for years, and why let Caspian set out to sea seeking him if he was only going to announce that the king should turn back home, because Rilian has been saved and will meet him there?
Well, Lewis would tell us, this is the way it is in the war against forces of darkness.
There is a misunderstanding for some about the nature of evil and good in the Christian faith, and Lewis is touching on it here. Satan isn’t the equal and opposite of God. Satan is immensely weaker. Created by God. Lesser than God. When Satan is kicked out of heaven, God doesn’t even bother to do it: God has an angel take care of it. And though in other Narnian adventures we have seen Aslan intervene at the climactic moment to save the day, in this story—the one about fighting spiritual war—he acts as guide, commander-in-chief, and coach, but leaves the actual quest to his servants. Lewis is telling us clearly that, like Aslan, God could certainly intervene or, for that matter, simply take care of things himself. Instead, he gives us a role to play, and invites us into the work of fighting against evil in the world.
What happens in the story is precisely what Aslan intends. Puddleglum says, “Aslan’s instructions always work: there are no exceptions.” Aslan imparts the vague rules, the unclear instructions, in part so that Eustace and Jill will have the experiences that they do, so that the story would end the way it does. His instructions lead to the end he desires.
As Puddleglum notes, when the enchanted Rilian mocks them for thinking UNDER ME was a message to look under the city: “There are no accidents. Our guide is Aslan; and he was there when the giant King caused the letters to be cut, and he knew already all things that would come of them; including this.”
This may be, also, why we see that Aslan is not interested in punishing the kids for getting things wrong along the way. They did what needed to be done, they learned the lessons they needed to learn. In a moment that’s one of my favorite scenes in the book, Aslan makes it clear he’s not interested in chastising the kids for what they got wrong on their quest. Jill tries to find a way to tell Aslan she’s sorry for missing the signs, for fighting with Eustace, for all the ways she has messed up along the way, and Aslan touches his tongue to her forehead and to Eustace’s forehead and says, “Think of that no more. I will not always be scolding. You have done the work for which I sent you into Narnia.”
No scolding. No condemnation. No instructions about how to do better next time. Just a reminder that at the end of the day she had done what Aslan wanted her to do: find the lost prince and bring him home.
Then they are taken—along with the newly resurrected Caspian—to “set things right” at Experiment House and clear it out of all the bullies and “cowards.” They’re told to only use the flats of their swords, not to kill anyone, and again Aslan gives instructions but doesn’t participate other than to “show his backside” to them by lying across the gap in the broken wall, facing away from England and toward Narnia.
Once again we are reminded that in a spiritual war, it is not human beings who are our enemy. Even the right-hand warrior of the evil serpent may be an enchanted prince. And the role of Aslan’s people, the quest, the mission, is to find those who have been lost, those who have been enchanted and bring them home. Some bullies might have to be scared off, and some cowards might need to be moved on to other jobs, but we have to remember they are still, at worst, only people who have been deceived by the power of deep spiritual enchantments.
In the midst of all that, Aslan brings other unexpected gifts, too: transformations for Jill and Eustace, and changes for the better in their own lives. Once all the bullies and cowards are chased away, “things changed for the better at Experiment House, and it became quite a good school.” The terrifying dark lake of Underland becomes a holiday spot for Narnians on hot days. And, perhaps most importantly, “Jill and Eustace were always friends.”
This holds true, I think. To follow Aslan on a quest, to fight spiritual darkness—even when done poorly, even when we mess it up, even if there are consequences for doing the right thing—nearly always leads to new relationships, and even lifelong friendships.
So, my friends, a reminder for today: in Lewis’ conception of the world, we are invited into a war with dark forces. Not against people, but against those who would harm people. Our mission, our quest, our role is to seek and to find those who have been captured, enchanted, corrupted or deceived—even if they are serving the darkness—and bring them home. And, we hope, to learn something about ourselves and to make new, lifelong friends along the way.
Matt Mikalatos is the author of the YA fantasy The Crescent Stone. You can follow him on Twitter or connect on Facebook.
Eustace Scrubb
Fictional character in the Narnia universe.
Fictional character
Eustace Clarence Scrubb is a fictional character in C. S. Lewis’s Chronicles of Narnia. He appears in The Voyage of the Dawn Treader, The Silver Chair, and The Last Battle. In The Voyage of the Dawn Treader, he is accompanied by Edmund and Lucy Pevensie, his cousins. In The Silver Chair and The Last Battle, he is accompanied by Jill Pole, a classmate from his school.
The personality of Eustace Scrubb [ edit ]
Eustace is portrayed at first as arrogant, whiny, and self-centered. It can be gathered from Eustace’s behavior, and the tone that Lewis used in describing his family and school, that Lewis thought such behavior silly and disliked it a great deal. In fact, at the beginning of The Voyage of the Dawn Treader, Lucy and Edmund dislike visiting him and his parents, though that has mostly to do with Eustace’s arrogant and unfriendly attitude, and he also calls his parents by their first names. However, the book deals with his rehabilitation (just as The Lion, the Witch and the Wardrobe dealt with Edmund’s) and in the later books, he is an altogether better person, becoming a hero along with his friend Jill Pole, although he still sometimes tends to be a know-it-all. It is mentioned in the Silver Chair that Eustace is afraid of heights, causing him to overreact when Jill goes too close to the edge of a cliff. In trying to stop her he falls. In other respects, Eustace displays great courage and a fair degree of discernment in facing the challenges that confront him in the Narnian world.
Biography [ edit ]
Prior story [ edit ]
According to Lewis’s Narnian timeline, Eustace was born in 1933 and is 11 years old when he appears in The Voyage of the Dawn Treader; and by The Last Battle he is 16 years old. He also has a diary.
The Voyage of the Dawn Treader [ edit ]
Eustace is introduced at the beginning of The Voyage of the Dawn Treader with the opening line, “There was a boy called Eustace Clarence Scrubb, and he almost deserved it.” He is the only child of what Lewis describes as “very up-to-date and advanced people,” who send him to a progressive mixed school. Eustace calls his parents by their first names (Harold and Alberta); his parents are vegetarians, nonsmokers, teetotallers, pacifists, and wear an unspecified special kind of underclothes.[citation needed]
Much of the narrative of The Voyage of the Dawn Treader concerns the personal growth of Eustace, as he is drawn into Narnia and aboard the eponymous ship along with Lucy and Edmund, and into adventures that bring him to realize how self-centred his attitudes are. Part of the story is told with extracts from his diary, where we see how skewed his point of view is. He describes the ship sailing in perpetual storm (though the weather is fine), and portrays the others as foolishly denying the supposed rough seas and refusing to face the “truth” of the situation. He complains when Lucy is given Caspian’s cabin, and comments to the crew that giving girls special treatment is actually “putting them down, and making them weaker”. Moreover, he cannot accept that he is in the Narnian world: he imagines that he can “lodge a disposition” (or “bring an action”) at a British consulate or a British court; and he is beaten by Reepicheep for treating the mouse as one might a circus animal.
Eustace wanders off by himself when the ship puts ashore on an unexplored island. He falls asleep on a dead dragon’s hoard and finds himself transformed into a dragon by “greedy, dragonish thoughts” in his heart. He also finds himself in constant pain from Lord Octesian’s arm bracelet, which he put on as a boy but is too small for a dragon’s leg. Upon return to the Dawn Treader, he is nearly attacked by the crew until Lucy asks if he is Eustace, to which he vigorously nods his head. Being a dragon changes Eustace; instead of behaving like his usual sulky self, he helps the travellers find food, shelter, and a tree to serve as a new mainmast. The problem comes when it is time to leave the island, as the ship cannot hold or maintain a dragon. Reepicheep displays sympathy to Eustace’s plight despite the boy’s prior cruelty to the mouse and they eventually become friends.
Eventually, Eustace meets Aslan, who returns him to human form by peeling off his dragon skin and sending him into a refreshing bath. Edmund shares his own redemption story with Eustace, observing that “you were only an ass, but I was a traitor.” Eustace improves after this, and becomes a valuable member of the expedition. When the ship is in danger of being sunk by a giant sea-serpent, Eustace attacks the monster, using only a sword. When Eustace returns home after his adventures, his mother thinks he has become tiresome and commonplace, blaming the change on the influence of “those Pevensie children” — though everyone else thinks that he has become a much better person.
The Silver Chair [ edit ]
Eustace returns to his progressive school where he is now labelled a misfit, due to the changes in him wrought during The Voyage of The Dawn Treader. Where before he was a crony and tale-bearer to the gang of bullies who are given free rein at the school, he is now one of their targets, but has the courage to withstand them. He befriends fellow misfit Jill Pole, and their desire to leave the school draws them into Narnia. This unlikely friendship (given that Eustace had bullied Jill before his experience in Narnia) is strengthened throughout the story. Following the custom of their school, Eustace and Jill address each other by their surnames, “Scrubb” and “Pole”.
The two journey to the far north of Narnia, and the world below it, to recover the lost heir to the throne and to thwart the plan of the Lady of the Green Kirtle to overthrow the kingdom. Though he still has faults, mainly stubbornness and rash decision-making, Eustace displays little of his former odiousness, and he and Jill begin to develop affection towards one another. He wholeheartedly rejects the insipid philosophy offered by the Lady in favour of the Narnian life that he has grown to love. He helps Prince Rilian to escape the underworld and return to Narnia, just in time to meet Rillian’s aged father before the latter’s death. Caspian was now an old man, as 50 years had passed since Eustace had first been in Narnia.
Eustace and Jill return to Aslan’s Country, where Caspian is resurrected and restored to the youth and strength that Eustace remembers from his earlier visit to this world. At the end of the story Caspian is briefly translated into Eustace’s world, something that Caspian has wanted ever since he met Eustace’s cousins 53 years earlier. Here he and Aslan help the two friends to scare off the school bullies and set in motion a train of events that leads to the school’s becoming a well-managed place of learning.
The Last Battle [ edit ]
Eustace and Jill are sent to Narnia shortly before its destruction to help young King Tirian rally supporters for one last battle to save Narnia. The friends show great courage and wisdom but the Narnian forces ultimately go down to defeat.
Meanwhile, a railway accident in England has resulted in the death of Eustace and Jill, along with Lucy, Edmund, and Peter, as well as Polly and Digory. They find themselves in Aslan’s country, dressed as royalty. They all look on as Aslan brings the world of Narnia to an end. Thereafter they encounter many of the characters they had known in the old world, as they climb “further up and further in” to live in eternal happiness in the Real Narnia.
Themes [ edit ]
Writer Philip Hensher objected to the description of Eustace and his family, regarding it as evidence of supposed anti-intellectual and anti-progressive leanings.[1] In Lewis’ essay The Abolition of Man, he argues that modern education is producing “men without chests” – people whose lives are divided between the purely cerebral and the purely visceral, without any middle ground of sentiment or imagination—and Eustace (in his initial state) is clearly intended to be one of these. In the same essay, however, Lewis denies the suggestion that he is attacking intellect as such, and in his book on Miracles he even argues for the scholastic belief that the intellect is our participation in the supernatural world. Similarly, he was not against progress in the sense of objectively justifiable social improvement, but did oppose purely fashionable progressivism, and in particular what he called “chronological snobbery”, the view that the superiority of modern values can always be assumed automatically and without investigation.
Portrayal [ edit ]
In the BBC production, Eustace was portrayed by David Thwaites. In the 2014 BBC audiobook dramatisations of the books, he is portrayed by Marco Williamson. Will Poulter plays Eustace in the Walden Media film adaptation, directed by Michael Apted. Among the alterations for the film is that when Eustace is turned into a dragon, he proves his true identity to Edmund by flying him to where he has used his fire breath to carve the sentence, “I am Eustace” on the ground. Once establishing his identity, the agonizingly undersized bracelet Eustace was wearing when he was transformed into a dragon is quickly removed with Lucy’s help (In the book, Lucy eased the pain with her cordial but the arm bracelet was not removed until Eustace resumed human form.). Afterward and still in his dragon form Eustace accompanies the Dawn Treader on its quest to the next islands and earns the respect of the crew first by towing the ship when it is caught in magically imposed doldrums and later aiding the crew in battle against the sea serpent on the Dark Island, but gets injured. It is here that Aslan restores Eustace to normal, but only by scratching off the dragon’s skin. Eustace’s final redemption comes when he races to lay the seventh magic sword at Aslan’s Table, unleashing the swords’ power to defeat the evil of Dark Island and saving his friends.
The Oh Hellos, a folk rock band, wrote a song “The Lament of Eustace Scrubb” on their 2012 album Through the Deep, Dark Valley.
References [ edit ]
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