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What is my kind of music?

My Kind of Music was a British game show that aired on ITV from 8 February 1998 to 29 March 2002 and is hosted by Michael Barrymore.

How do you talk about music you like?

Pick a style of music that you hate and try the following:
  1. Ask yourself what you don’t like about it.
  2. Talk to someone who loves this style of music, and find out what they like about it.
  3. Get this person to make you a mix, and listen to it for a few weeks.
  4. Try to find at least one song from this style that you like.

What type of music is most liked?

Deserving of its name, pop music is in fact the most popular music genre in the world. According to IFPI’s latest Music Consumer Insight Report, 64 percent of the 19,000 consumers from 18 countries surveyed listen to pop music, edging out rock and dance/electronic music as the second and third most popular genres.

Why do I like a certain type of music?

We are seeking music that reflects who we are, so that includes personality, that includes the way we think, and it may even be the way our brain is wired.” An interesting 2015 study by researchers from Yale and the Hebrew University found that current moods affect the choice of music we listen to.

What are your favorite music genres?

Favorite music genres among consumers in the United States as of July 2018, by age group
Characteristic 16-19 25-34
Pop Music 52% 56%
Rock Music 28% 44%
Hip Hop/Rap 48% 42%
Indie/Alternative Rock 31% 35%

What kind of music are you into meaning?

This is a casual way to ask about somebody’s interests. For example, if you want to ask about his/her favorite music, just say… “What kind of music are you into?”

How do you describe music?

Timbre is the term for the color, or sound, of music.

Timbre.
Loud Soft Brassy
Gentle Natural Melodious
Raucous Strong Smooth
Rich Distinct Deep
Thick Mellow Shrill

How do you say when you like a song?

I like it
  1. I adore it.
  2. I can’t get enough of it.
  3. I didn’t like it at first but now I do.
  4. I fancy it/ him/ her.
  5. I just love it.
  6. I like it.
  7. I like the idea of it.
  8. I love doing it and I don’t want to stop.

What are the 6 types of music?

musical genres in existence: Pop, Funk, Classical, Techno, Country and Rock. (Don’t worry, there’s hip-hop, too …

How many types of music are there?

According to the popular music streaming service Spotify, there are over 1,300 music genres in the world. Some of the peculiar ones include Norwegian Hip Hop, Swedish Reggae and Spanish Punk. There’s also Black Sludge, Math Rock, Vaporwave and No Wave.

What is the number one type of music?

Since 2017, R&B/hip-hop has been the dominant music genre on the United States Billboard charts, becoming bigger than pop and rock and coming to define modern popular music.

What is your taste in music?

Our musical tastes are shaped by a number of external factors — exposure, peer and family influence, the activities we listen to music during — as well as internal preferences we have for rhythm, harmony, timbres, structure or lyrics.

Why are there different types of music?

It is important to understand that individual musicians and whole bands who got into the music industry were steered by the record companies and their producers into creating specific kinds of recorded music that fit clearly into specific genres, for the purpose of maximizing the efficiency of marketing and sales.

Why do I like music so much?

In sum, musical surprise explains why we like music so much. Tension stimulated by expectation, and its denial or fulfillment are in large part responsible for emotional arousal and pleasure in music. Music that is initially pleasing, with repeated exposure, begins to sound predictable and, hence, less pleasing.

How can I use my type?

: a type that one likes Boston is my kind of (a) town.

What are the different types of popular music?

Popular Music Genres
  • Blues Music.
  • Jazz Music.
  • Rhythm and Blues Music.
  • Rock and Roll Music.
  • Rock Music.
  • Country Music.
  • Soul Music.
  • Dance Music.

Is Make your own kind of music in Lost?

Elliot’s recording of “Make Your Own Kind of Music” would be featured prominently in the television show Lost, first appearing in the episode “Man of Science, Man of Faith”, and was rated as one of Spin magazine’s “Best Musical Moments From TV’s Latest Golden Age”.

Who wrote your own kind of music?


What Kind of Music Do You Like? – \”What Kind of\” Question – English Conversation Speaking
What Kind of Music Do You Like? – \”What Kind of\” Question – English Conversation Speaking


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My Kind of Music – Wikipedia

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External links[edit]

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My Kind of Music - Wikipedia
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• Chart: The World’s Favorite Music Genres | Statista

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REPORT | Why We Like Certain Music: The Brain And Musical Preference

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 REPORT | Why We Like Certain Music: The Brain And Musical Preference
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What types of music do you like to listen to?

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Describe a Style of Music

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IELTS Speaking Sample Answer topic Music

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IELTS Speaking Sample Answer topic Music
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What Type of Music Do You Like To Listen To? IELTS Speaking (10 Example Answers) – Band 7 Success

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What Type of Music Do You Like To Listen To? IELTS Speaking (10 Example Answers) - Band 7 Success
What Type of Music Do You Like To Listen To? IELTS Speaking (10 Example Answers) – Band 7 Success

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How to answer these question? 1) What music do you like? 2) What kind of music do you like? | HiNative

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How to answer these question? 1) What music do you like? 2) What kind of music do you like? | HiNative
How to answer these question? 1) What music do you like? 2) What kind of music do you like? | HiNative

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What kind of music do you prefer? – Answer Angels

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My Kind of Music

My Kind of Music Genre Game show Presented by Michael Barrymore Country of origin United Kingdom Original language English No. of series 5 No. of episodes 49 (7 unaired) Production Running time 60 minutes (inc. adverts) Production company LWT Distributor ITV Studios Release Original network ITV Picture format 4:3 (1998–2001)

16:9 (2002) Original release 8 February 1998 ( ) –

29 March 2002 ( 2002-03-29 ) Chronology Related shows My Kind of People

My Kind of Music was a British game show that aired on ITV from 8 February 1998 to 29 March 2002 and is hosted by Michael Barrymore.

The show’s main theme, “My Kind of People”, where presenter Michael Barrymore sang some of the lyrics when appearing at the very start, was based on the same song by Robert Palmer released in 1991.

Three teams of two people would test their musical knowledge against each other, and the winning team could go on to win £13,000 in the jackpot; later it was increased to £16,000 by the fourth series.

Format [ edit ]

Opening Song [ edit ]

Once the teams were introduced, one contestant (or sometimes both) from each team would then perform a song. The two remaining teams were then each asked a question related to the song, worth £50 for a correct answer. This round was not played in the first series.

Musical Knowledge [ edit ]

In this round, Barrymore asked a series of quickfire music questions on the buzzer, each worth £50. An incorrect answer would freeze a team out of the rest of the question. On some occasions, if none of the teams knew the answer to a question, Barrymore would offer £50 to a member of the audience if they answered it correctly.

Pick The Picture [ edit ]

Nine pictures of various celebrities would appear on a video wall. A song was then played and the contestants had to guess which picture connected the song that was being played. In the first series, this was played as the opening round with £50 for every correct answer and in series two, it was moved to the fourth round of the game with correct answers now worth £150.

Pop Props [ edit ]

From Series 3 onwards, Pick The Picture was replaced with Pop Props. On each turn, Barrymore would collect some items hidden behind a jukebox and then show them to the contestants. These were visual clues represented to a well-known song. Correct answers were worth £100.

My Kind Of People [ edit ]

Contestants were shown a film of Barrymore inviting members of the public to sing in front of an audience at an outside location, usually a large shopping centre. After the film, Barrymore asked a series of questions to test the contestants memory and observation on what they saw. In the first two series, this was the third round of the game and correct answers worth £100. When Pop Props was introduced in series three, this became the fourth round and the money increased to £150 for each correct answer.

Sing The Song [ edit ]

Contestants on each team took it in turns to sing a famous song of a well known artist. Their team-mate stands behind the video wall and has to guess which artist they are singing. Each correct answer was worth £150 and both pairs of contestants changed places after each song. Each team were only allowed to pass up to three times, and their turn would end once they had run out of passes. At the end of this round, the lowest scoring team was eliminated, leaving with whatever money they had earned.

Musical interlude [ edit ]

Following Sing The Song, a brief interlude in the game took place with a performance from a special guest.

In the first series, Barrymore would sing a popular song such as Backstreet Boys’ “Backstreet’s Back”, P Diddy’s “I’ll Be Missing You” etc. In the second series, this was changed to an unsigned musical act, who Barrymore would introduce as “someone he met whilst filming”, and would often join in with the performance. From the third series onwards, a well-known pop singer or band would perform their new single in this slot.

Megamix [ edit ]

The two remaining teams each picked a year of their own personal choice and were shown clips of six songs from that particular year. They would earn £100 per song if they identified it correctly and an extra £100 if they could also name the exact artist correctly. After this round, the runner-up team left the game with the money they had won.

Musical Families [ edit ]

The last team standing faced the final jackpot round Musical Families. Four well known singers had been formed into a pretend family of a dad, mum, son and daughter. The contestants stopped a randomiser to select one of the blank pictures by using a plunger buzzer, and then Barrymore would begin to read a series of clues related to the singer they had to guess. The pair had 60 seconds to correctly guess all four singers and the clock would stop once they either answered correctly or passed, in which case they could have another go at it at the end if there was any time left.

Each correct answer won £1,000 and identifying all four singers correctly won the jackpot of an additional £10,000 for the first three series, increased to £13,000 from series four. Whatever they won in this round was added to the money they had won in earlier rounds, meaning that winning teams would often walk away with prize money in excess of around £15,000–£20,000.

Famous contestants [ edit ]

The show was noticeable for some future music stars appearing as contestants on the show, including Paul Potts, who later won the first series of Britain’s Got Talent in 2007, Jodie Prenger, who won I’d Do Anything in 2008, and Jessica Taylor, who went on to become part of the band Liberty X that was formed from the original series of Popstars. Another original Popstars contestant, Danny Foster, made an appearance on one episode during a ‘My Kind Of People’ segment.

Transmissions [ edit ]

Series Start date End date Episodes 1 8 February 1998 3 May 1998 10 2 21 February 1999 16 May 1999 10 3 28 January 2000 14 April 2000 12 4 5 January 2001 23 March 2001 12 5 10 February 2002 29 March 2002 5†

†12 episodes had been recorded as part of Series 5, but only five episodes were shown before ITV pulled the programme from its schedules.

• Chart: The World’s Favorite Music Genres

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REPORT | Why We Like Certain Music: The Brain And Musical Preference

Most classical music lovers can rattle off at least a few different reasons why they love the genre that spans many centuries of Western music. They might list objective reasons like its musical sophistication as compared with the usual pop radio fare, or the studies that talk about relaxation and/or mental stimulation associated with listening to classical music. They may talk more subjectively about the emotions it evokes.

Science, however, tells us that the roots of musical preferences lie much deeper in the very brain itself. Before there can be any emotional interpretation of the music, the sound is processed by the auditory system. It’s an area where the research is in its infancy, and ongoing. Emily Hurwitz, an undergraduate researcher in the Music Cognition Lab at Cornell University, describes it in a recent interview with the Cornell Sun.

“There are a lot of similarities between how we process music and speech, and there are a lot of different opinions about whether we are using the same or different pathways and mechanisms for each.”

That processing goes something like this:

Soundwaves are filtered by the ear, and processing begins based on the frequency;

The cochlea then encodes the pitch;

The auditory pathways send the encoded information to the auditory cortex in the brain.

The first sound that results in the primary auditory cortex is a standard pitch. Other regions of the auditory cortex add more complex elements like timbre and specific sound quality. To add to the complexity, prior research has revealed that multiple areas of the brain become activated by listening to music — many of them not specific to music processing, such as emotional processing. Rhythmic processing on its own involves multiple overlapping structures of the brain.

“The limbic system, which includes areas such as the amygdala and hippocampus, is involved in the processing of emotion in music,” Hurwitz told the Sun reporter.

How does this result in our very individual musical preferences? It turns out that is a fairly complicated question as well, and one that is undergoing study all over the world. A large study of over 4,000 participants in the UK led by Cambridge University psychologist and researcher David Greenberg found a distinct correlation between brain types or thinking styles and musical preferences. The study divided the subjects into three categories.

Empathizers or Type E, who focus on people’s thoughts and emotions;

Systemizers or Type S, who focus on rules and systems;

Balanced or Type B, who focus equally on both areas.

After reviewing the results of thousands of interviews, Greenberg and his team found the Type E thinkers tended to like low energy songs with emotional depth, including sad songs, and genres like soft rock and singer-songwriters. Type B personalities tended to display a broader range of preferences than either of the other types, not surprisingly. Type S thinkers, conversely, tended to prefer more intense and structured music like heavy metal — or classical music in the avant-garde vein. They showed a preference for pieces like Scriabin’s Etude opus 65 no 3, for example.

“They are focusing more on the instrumental elements, seeing how the music is mixing together. It’s almost like a musical puzzle that they’re putting together,” Greenberg explained to CNN reporters. “We are seeking music that reflects who we are, so that includes personality, that includes the way we think, and it may even be the way our brain is wired.”

An interesting 2015 study by researchers from Yale and the Hebrew University found that current moods affect the choice of music we listen to. In particular, the study found that depressed people tend to seek out and listen to sad music, which seems counter-intuitive on the surface. After all, it seems more logical to listen to upbeat music to dispel a bad mood. Subjects of the controlled study, who had all been diagnosed with depression, were asked about their choices, and the majority said the sad music made them feel calmer and more relaxed. They also preferred what the researchers termed “low energy” music, which they also reported as having a calming effect. It goes against the study’s opening thesis, which postulated that says depressed individuals look to hold on to their negative feelings.

Back in 2011, an Ohio State professor hypothesized that, for some subjects, listening to sad music produced the hormone prolactin, which is usually released by the pituitary gland. Prolactin is known to induce feelings of calmness and relaxation. It’s the hormone that is released when we experience empathy, so the theory has some weight. Other research also points to the involvement of the hormone oxytocin, which some studies have linked to listening to slow, mellow music.

The results vary from person to person. The question is, why do some people release those hormones when listening to music, while other people do not? On the level of neurobiology, some evidence seems to suggest that Type E people have a larger than average hypothalamic region in the brain, which is the area governing the pituitary gland and prolactin secretion.

In Type S personalities, the evidence suggests that the areas of the brain that regulate analytic thought, (the cingulate and dorsal medial prefrontal areas,) are larger. Do musical preferences reside in our very brain structures? It’s a tantalizing direction that is under active study.

Other research has found a link between general personality types and genre preferences. Under the Five Factor Model of analyzing personality types, (which also includes conscientiousness, extroversion, agreeableness, and neuroticism,) those who are open to new experiences tend to prefer classical music, along with blues, jazz, and folk music. People in this category display imagination and are sensitive to aesthetics, along with inner feelings. They are intellectually curious.

Once we’ve made a choice about the genre we prefer, it adds another layer to the psychological and physical experience of listening. Regardless of which type of music we prefer, listening to it evokes thoughts and memories that are personal and individual. Some research has linked this phenomenon with activity in specific brain circuits linked to reflective thought and memory. When listening to a favourite piece of piece, the type of connectivity between the auditory regions of the brain and the hippocampus is changed. The hippocampus is known to be involved in memory and emotional processing.

In other words, it’s the familiarity of the music itself that produces a response, regardless of the genre.

A better understanding of the pathways of music and its processing in the brain offers new ways of approaching music therapy, for example, but the implications range far beyond to what Greenberg and his researchers call, “questions surrounding consciousness and “Theory of Mind” (the ability to understand the intentions and emotional state of others).”

The emerging links between music and the brain underscore the concept that music is fundamental to the human experience.

LUDWIG VAN TORONTO

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