How To Understand A Picasso | ปิกัสโซ

How To Understand A Picasso

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SOURCES AND FURTHER READING:
Rudolf Arnheim, “Picasso’s Night Fishing at Antibes” The Journal of Aesthetics and Art Criticism Vol. 22, No. 2 (Winter, 1963), pp. 165167
Douglas N. Morgan, “Picasso’s People: A Lesson in Making Sense” The Journal of Aesthetics and Art Criticism Vol. 22, No. 2 (Winter, 1963), pp. 167171
Nina Corazzo, “Picasso’s ‘Night Fishing at Antibes’: A New Source” The Burlington Magazine
Vol. 132, No. 1043 (Feb., 1990), pp. 99101
Mark Rosenthal, “Picasso’s Night Fishing at Antibes: A Meditation on Death” The Art Bulletin Vol. 65, No. 4 (Dec., 1983), pp. 649658
Albert Boime, “Picasso’s \”Night Fishing at Antibes\”: One More Try” The Journal of Aesthetics and Art Criticism Vol. 29, No. 2 (Winter, 1970), pp. 223226
Timothy Anglin Burgard, “Picasso’s Night Fishing at Antibes: Autobiography, Apocalypse, and the Spanish Civil War” The Art Bulletin Vol. 68, No. 4 (Dec., 1986), pp. 657672
Lawrence D. Steefel, Jr., “Body Imagery in Picasso’s \”Night Fishing at Antibes\” Art Journal
Vol. 25, No. 4 (Summer, 1966), pp. 356363+376

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Pablo Picasso: A collection of 855 works (HD)

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BOOKS about Pablo Picasso:
[1] PABLO PICASSO by Mary Ann Caws https://bit.ly/2HV97ze
[2] PABLO PICASSO by Hajo Düchting https://bit.ly/2QMIQWO
[3] THE RELIGIOUS ART OF PABLO PICASSO by Jane Daggett Dillenberger \u0026 John Handley https://bit.ly/2WeYAmm

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Pablo Picasso: A collection of 855 works (HD)
Description: \”Pablo Picasso was the most dominant and influential artist of the first half of the twentieth century. Associated most of all with pioneering Cubism, alongside Georges Braque, he also invented collage and made major contributions to Symbolism and Surrealism. He saw himself above all as a painter, yet his sculpture was greatly influential, and he also explored areas as diverse as printmaking and ceramics. Finally, he was a famously charismatic personality; his many relationships with women not only filtered into his art but also may have directed its course, and his behavior has come to embody that of the bohemian modern artist in the popular imagination.
It was a confluence of influences from Paul Cézanne and Henri Rousseau, to archaic and tribal art that encouraged Picasso to lend his figures more structure and ultimately set him on the path towards Cubism, in which he deconstructed the conventions of perspective that had dominated painting since the Renaissance. These innovations would have farreaching consequences for practically all of modern art, revolutionizing attitudes to the depiction of form in space.
Picasso’s immersion in Cubism also eventually led him to the invention of collage, in which he abandoned the idea of the picture as a window on objects in the world, and began to conceive of it merely as an arrangement of signs that used different, sometimes metaphorical means, to refer to those objects. This too would prove hugely influential for decades to come.
Picasso had an eclectic attitude to style, and although, at any one time, his work was usually characterized by a single dominant approach, he often moved interchangeably between different styles sometimes even in the same artwork.
His encounter with Surrealism, although never transforming his work entirely, encouraged not only the soft forms and tender eroticism of portraits of his mistress MarieTherese Walter, but also the starkly angular imagery of Guernica (1937), the century’s most famous antiwar painting.
Picasso was always eager to place himself in history, and some of his greatest works, such as Les Demoiselles d’Avignon (1907), refer to a wealth of past precedents even while overturning them. As he matured he became only more conscious of assuring his legacy, and his late work is characterized by a frank dialogue with Old Masters such as Ingres, Velazquez, Goya, and Rembrandt.\”

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Surviving Picasso – Trailer – Anthony Hopkins (1996)

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\”Surviving Picasso\” Trailer Movie

Surviving Picasso is an American drama film (1996) by James Ivory.
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