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in the night they’ll find you all alone
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Cemeteries – Sodus Lyrics – Genius
Sodus Lyrics · Fading old port · The hazy water will never pull them back · You found the pieces washed up in the bay · a cold light through the …
Source: genius.com
Date Published: 4/24/2022
View: 400
My Most Influential Song: Sodus by Cemeteries
It’s in the lyrics and melodies. It paints a picture of a summer night you spent as a teenager wondering when your life was going to turn into …
Source: mightyrecords.ca
Date Published: 1/7/2021
View: 3025
Sodus lyrics – Cemeteries
Cemeteries Sodus lyrics: Fading old ports, send them off to cast / The hazy water will never pul…
Source: lyricstranslate.com
Date Published: 1/12/2021
View: 1769
Cemeteries – Sodus Lyrics | L-HIT.COM
Cemeteries – Sodus | Fading old port, send them off to cast The hazy water will never pull them back You found the pieces washed up in.
Source: l-hit.com
Date Published: 7/27/2022
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Sodus Cemeteries Lyrics – SonicHits
Lyrics to Cemeteries Sodus: Fading old ports, send them off to cast The hazy water will never pull them back You found the pieces washed up in the bay You …
Source: sonichits.com
Date Published: 5/7/2021
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Sodus – Cemeteries – Lyrics with translation
Song information On this page you can find the lyrics of the song Sodus, artist – Cemeteries. Album song Barrow, in the genre Поп Date of issue: 26.07.2015
Source: en.muztext.com
Date Published: 7/4/2021
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Sodus Lyrics Cemeteries ※ Mojim.com
Cemeteries Barrow Album songs 1.Procession(Proved) 2.Nightjar(Proved) 3.Luna (Moon of Claiming)(Proved) 4.Can You Hear Them Sing(Proved)
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Date Published: 11/2/2021
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Cemeteries – Sodus: listen with lyrics – Deezer
Sign up for Deezer and listen to Sodus by Cemeteries and 90 million more tracks.
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Date Published: 11/22/2021
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주제에 대한 기사 평가 cemeteries sodus lyrics
- Author: melancholia
- Views: 조회수 33,338회
- Likes: 좋아요 1,229개
- Date Published: 2020. 8. 10.
- Video Url link: https://www.youtube.com/watch?v=SVGPRVLPYDE
Cemeteries – Sodus
Fading old port
The hazy water will never pull them back
You found the pieces washed up in the bay
Turn the station, there’s something crawling in
The hounds are restless, you can hear them sing
The water rises, trembling as it breathes
You said you felt a quick shift in the breeze
In the night they’ll find you all alone
With the color red surrounding your throat
They were in their bedrooms, eyes were closed
When the siren sounded, they woke
My Most Influential Song: Sodus by Cemeteries
The first time I listened to Sodus by Cemeteries, I knew it was going to be one of those songs I wouldn’t be able to shake off my soul. Okay, I know what you’re thinking, is it really that dramatic? The truth is in the tune! It’s in the lyrics and melodies. It paints a picture of a summer night you spent as a teenager wondering when your life was going to turn into something spectacular. I’m sure we’ve all had some kind of revelation like this. If I was to collect all these fantasies of mine and turn them into some tangible form of expression, it would be through this song. All the places I’ve never been to. All the people I haven’t met. All the good and bad experiences that I cannot call my own, but have a longing to understand. I have an everlasting nostalgia for things I’ve never grasped in physical form, sprouting from a genuine admiration of the things in life that are the most raw and passionate, thriving off of possibility for a world of new doors to open.
Nothing embodies these vague ideas of mine quite like this song. I can feel this way, listening to an artist for the first time, solely because of what they’ve encompassed in a song in just under seven minutes. The feeling emulated from it: not good nor bad. Something that is made of what you make of it.
The tune itself is mellow in nature, echoey and fluid. Sodus starts off on a steady beat, lead vocalist Kyle Reigle soothes in. The lyrics are hard to grasp off the bat, and stand true to the enigmatic nature of the song. Synthy chords brood in and out of focus creating a dream like atmosphere. A reassuring guitar melody chimes in here and there. The real core of the song is prominent a few minutes in. The tempo slows, tones become deeper. You’re left feeling like you’re floating in a pool of jello (I’m not kidding). Reigle’s vocals float through the background, synths gain depth and volume and it is as though a perfect epiphany was meant to happen at this point. You’re carried to the moment in somebody’s life when they realize their full potential. Something out of a movie. Goosebumps, I know.
In short, Sodus by Cemeteries is definitely worth listening to if you’re the kind of person who’s any bit moody and passionate. It’s more like a piece of art and less like a simple tune. This song will leave you with a subtle chill – asking questions and feeling inspired.
Cemeteries Lyrics, Song Meanings, Videos, Full Albums & Bios
Cemeteries is Kyle J. Reigle who is based in Portland, Oregon.
Not to be confused with the discontinued hardcore band of the same name.
https://speakinghorrors.bandcamp.com/
Kyle J. Reigle describes the elegiac, blood-freezing folk of his Cemeteries project as “goth pop,” a genre tag that feels a bit too cheerful once you’ve heard it. His songs have a hint of gloom, but nothing as scary as the goth name suggests. Two major 2012 trends sneak into play
Cemeteries is Kyle J. Reigle who is based in Portland, Oregon.
Not to be confused with the discontinued hardcore band of the same name.
https://speakinghorrors.bandcamp.com/
Kyle J. Reigle describes the elegiac, blood-freezing folk of his Cemeteries project as “goth pop,” a genre tag that feels a bit too cheerful once you’ve heard it. His songs have a hint of gloom, but nothing as scary as the goth name suggests. Two major 2012 trends sneak into play, witch house and chillwave, but mostly the album encapsulates the drowsy echoes of dream pop. Reverberated atmospherics might bring to mind Mazzy Star, and the nocturnal qualities fall right in line with contemporaries like Beach House and Bradford Cox’s drearier, spacy output in Deerhunter or Atlas Sound. His forthcoming full-length, The Wilderness via Lefse, was recorded at home but sounds like it came from the crypt, as evidenced by the spare and spectral, intermittently sylvan tones of “Summer Smoke,” a song that’s been given the beautiful, Nolan Wilson Goff-directed video.
Chilled out, enchanting, and spooky, Cemeteries’ first official album offers a welcome haunting. The solo project of Kyle Reigle, Cemeteries creates a soundscape in which mellow percussion gets layered with synth and guitar, where ethereal vocals lend dream pop a drafty feel. Reigle composed The Wilderness from an apartment bordering the woods and industrial wastelands at the edge of Buffalo, New York – a setting that seems to match the stark, lonely majesty embedded in the album’s sound.
As one might expect of a name like Cemeteries, the music is steeped in an awareness of both life and mortality. Lyrical references to seasons, temperature, and natural surroundings comprise almost every track. Album opener “Young Blood” swells with longing as Reigle sings, “I can still hear the whisper / of the cold and snow in winter / when I sleep.” Songs like “Summer Smoke” reference our kindest season, though their tone sustains the album’s wintry feel. And while the title track rides on a twist of upbeat folk, lyrics allude to long, chilly nights. Despite all the reference to cold and winter, there is something inviting and hopeful here. Musically, the album is a deep breath, capable of bringing awareness to the moment in a way that seems to slow time.
Reigle is selling The Wilderness and other works kickstarter-style on his blog to raise funds for studio time. The next album is already written, he reports, and a tour—with additional members Pete Zamniak and Jonathan Ioverio for live shows—is in the planning stages.
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