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Strumming Music · Charlemagne Palestine
Strumming Music
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Released on: 1995-01-01
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Charlemagne Palestine – “Strumming Music” (Shandar
Charlemagne Palestine – “Strumming Music” (Shandar – 83517) 1974. Born around at the same time that Moondog first stood on the corner of …
Source: dieordiy2.blogspot.com
Date Published: 7/24/2021
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Charlemagne Palestine – Strumming Music (2017) FLAC
Quality: FLAC (Tracks) Artist: Charlemagne Palestine Title: Strumming Music Released: 2017 Style: Ambient, Avant-Garde, Classical RAR Size: …
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Date Published: 5/8/2022
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Charlemagne Palestine: Strumming Music (3 CD box set, APE …
Audio CD Number of Discs: 3 CD box set Format: APE (image+cue) Label: Sub Rosa Size: 634 MB Recovery: +3% Scan: yes CD 01. Strumming for Bosendorfer Piano.
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Date Published: 8/21/2021
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Strumming Music | Charlemagne Palestine – Black Truffle
Strumming Music. from Godbear by Charlemagne Palestine. 00:00. 11:06. veo. Buy the Full Digital Album. Black Truffle 019 LP. Record/Vinyl + Digital Album.
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Date Published: 1/13/2021
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Strumming Music for Piano, Harpsichord & Strings Ensemble …
Charlemagne Palestine’s most contemporary music work. These unpublished pieces are build on the same principle with other instruments of what he discovered on …
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Date Published: 4/18/2022
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Strumming Music – Album by Charlemagne Palestine | Spotify
Listen to Strumming Music on Spotify. Charlemagne Palestine · Album · 1974 · 1 songs.
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Date Published: 9/14/2021
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Charlemagne Palestine on Apple Music
Listen to music by Charlemagne Palestine on Apple Music. Find top songs and albums by Charlemagne Palestine including Strumming for Bosendorfer Piano, …
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Date Published: 3/23/2022
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주제와 관련된 더 많은 사진을 참조하십시오 Strumming Music. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 charlemagne palestine strumming music rar
- Author: Charlemagne Palestine – Topic
- Views: 조회수 38,601회
- Likes: 좋아요 775개
- Date Published: 2017. 11. 18.
- Video Url link: https://www.youtube.com/watch?v=TGN21a5T9oY
Die or D.I.Y.?: Charlemagne Palestine – “Strumming Music” (Shandar – 83517) 1974
I never thought I’d ever hear anything else from the ‘From Chorley demo taaape’,as made famous on fast Product’s “…
Charlemagne Palestine: Strumming Music (3 CD box set, APE)
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Charlemagne Palestine
Black Truffle Australia
The black truffle has a place in gastronomy alongside saffron, caviar, foie gras and the finest of wines. Widely considered as the jewel of French cooking it is prized for its unique flavour and intoxicating aroma. The resident chef at Black Truffle Records has found that the best method for finding the “diamond of the kitchen” requires the use of a divining stick and facing into the sun. … more
Charlemagne Palestine : Strumming Music for Piano, Harpsichord & Strings Ensemble (3 CD)
Charlemagne Palestine’s most contemporary music work.
These unpublished pieces are build on the same principle with other instruments of what he discovered on piano with Strumming mid-70. This is an unique variation of the way to compose. A perpetual rise in a continuum of sound.
“All of the Strumming Music manifestations seem to have originated from Charlemagne’s physical relationship with the colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York.
I met Charlemagne Palestine in 1968. The intensity of his listening impressed me as the intensity of his playing would later, when I heard him play on the carillon and the bells to “his church”. I realized later, when Charlemagne had started to develop his series of piano pieces called Strumming, that he was assaulting that concrete ceiling and literally pushing through its three feet to release the sonic energy in the piano, much as he had with the carillon. Charlemagne’s interest and work in electronic music increased in the late 60’s and in 1970 he decamped to southern California where he became a graduate student working with Morton Subotnick. It was during this year at CalArts (1970-71) that Charlemagne developed an approach to the piano that was not only extremely repetitive and physical but predicated on the theory that, given the right stimulus, the instrument had a voice of its own and could produce a whole array of high overtones that seem to jump out on their own as if by magic. Over the next few years he developed and polished the music that came to be known simply as “Strumming.”
The rapid alternation between single notes and chords and different registers became a technique that he seemed to own, and it really only worked with this magic piano. “Strumming” was the physical technique; the melodies and harmonies that resulted made the music breathe and feel alive. After a while, the ear doesn’t distinguish between notes that are sounded by hammers and those which are harmonics, generated by the natural resonance of the piano and just appear because of the acoustical situation.”
Ingram Marshall
Charlemagne Palestine on Apple Music
A seminal figure in American avant-garde music, composer, visual artist, and performer, Charlemagne Palestine is globally renowned for his loud, percussive, cascading drones on piano and carillon bells in epic-length concerts that, once upon a time, would end with his blood on the keys. He is among the most enigmatic personalities to have emerged from the New York vanguard art scene of the 1960s and ’70s. Though often regarded as a peer of minimalist composers such as Terry Riley and LaMonte Young, (who came to hear his carillon music at St. Thomas’ Episcopal Church on Fifth Avenue), Palestine refutes the tag. In an interview with the U.K.’s Guardian newspaper in 2010, he said: “There was never anything minimal about my style. If anything, I invented maximalism.”
The Brooklyn-bred son of Russian-Jewish immigrants, Palestine (born Charles Martin in either 1945 or 1947, he isn’t sure) grew up immersed in the music of klezmer bands and Russian folk songs: He also draws heavily on his experience singing in synagogue as a boy treble, which helped shape his concept of music as an endurance event. A childhood memory of an organ or harmonium is a recurring motif throughout his oeuvre. At age 12 he started playing backup conga and bongos for Beat poets including Allen Ginsberg and Gregory Corso. For seven years, between 1962 and 1969, Palestine was the carillonneur for the St. Thomas Episcopal Church in Manhattan, where he played hymns for 15 minutes and improvised for the remainder of an hour. He eventually composed a work comprising 1,500 15-minute carillon performances. Between 1968 and 1972, Palestine studied singing with Pandit Pran Nath, experimented with creating moving light sculptures with Len Lye, and even composed music for Tony & Beverly Conrad’s film Coming Attractions. His performances were written about in both underground and mainstream press. He taught at Cal Arts with Morton Subotnick, and co-created the sound and movement piece Illuminations with Simone Forti, which was released commercially in 2010. In addition, he developed his own alternative synthesizer, the Spectral Continuum Drone Machine. During the ’70s, Palestine created a number of recordings privately; three albums in particular have become the stuff of legend: Body Music from 1973, and 1974’s Strumming Music and Four Manifestations on Six Elements, all filled with intense, ritualistic music intended by the composer to confront Western audiences’ definitions of what is beautiful and meaningful in music. His best-known work Strumming Music, contains just two notes played in rapid succession that amasses trance-like then moves into tone clusters.
In the late ’70s and ’80s, Palestine, despite a growing reputation in new music circles, began to focus on visual art and left recording behind but still performed live on occasion. During this period of relative obscurity, his explosive performances and groundbreaking musical oeuvre separated him from the commercial brand of minimalism then finding favor in the classical world. In addition, he created videos, sculptures, and visual music scores.
He moved to Brussels in 1995, and exhibited art at the Stedelijk Museum, Amsterdam, the Moderna Museet, Stockholm, and at Documenta 8. During that period he also founded the Ethnology Cinema Project in New York, which is dedicated to preserving films that document disappearing traditional cultures. In 1997, Palestine began recording again. His first offering, Three Compositions for Machines in conjunction with Mika Vainio and Pita, was issued by Staalplaat, followed by the album Godbear in 1998, which had been recorded live in a Washington, D.C. church in 1987. In 1999, he released the vocal and tambura work Hommage à Faquir Pandit Pran Nath with Stéphane Roux and the electronic composition Jamaica Heinekens in Brooklyn.
At the dawn of the new century, Palestine was prolific. In 2000 alone he released five albums of new and archival work. Most notable among them were Mort Aux Vaches in collaboration with Pan Sonic, and the double-length harmonium and vocal work Karenina. In 2001, he issued Music for Big Ears, a solo carillon work on Staalplaat. The following year, Michael Gira’s Young God Records released Maximin, a collaboration between Palestine, David Coulter, and Jean Marie Mathoul. Gira participated with the trio in the recording of Gantse Mishpuchah, released in 2004, issued by Fringes Recordings. Two years later, the well-traveled and outrageously busy composer issued recorded collaborations with Perlonex and Keith Rowe (Tensions), and the globally acclaimed An Aural Symbiotic Mystery with Tony Conrad for Sub Rosa. An archival recording from a Paris performance in 1979 entitled The Golden Mean captured Palestine playing two Bösendorfer Imperial Grand Pianos simultaneously. Between 2007 and 2013, Palestine released no less than 20 albums of new and/or archival works, solo or in collaborative roles with Conrad, Christoph Heemann, Rhys Chatham, Z’ev, and Janek Schaefer. His most productive year, however, was in 2015, which saw the release of seven full albums. Among the most notable were Fluxus, with Mama Bär and Franz Kamin, Bells Studies (for carillon and magnetic tape), and the solo organ recital Organo Rinascimentale Non Temperato. Another massive solo organ performance was issued in 2016 as Cathdrale de Strasbourg on Erratum. 2017 was also prolific, seeing the release of four recordings including the acclaimed Omminggg And Schlomminggg in collaboration with Grumbling Fur Time Machine Orchestra, and the archival Arpeggiated Bösendorfer + Falsetto Voice from 1974 on Alga Margen. In 2018 Palestine’s experiments on a custom-made analog synthesizer were captured and released on a pair of recordings from Moog Library (i.e. Ttuunneesszz Duh Rruunneesszz and Interrvallissphereee), and his four-month retrospective exhibition and installation at BOZAR, Centre for Fine Arts in Brussels, resulted in the archival offering Aa Sschmmettrroossppecctivve, that contained a self-made recording on a Bösendorfer model 220 in New York in 1974. ~ Thom Jurek
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