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I present to your attention a system whose sound is mesmerizing from the very first notes!
EgglestonWorks Viginti
Ayre Acoustics KX-R Twenty
Ayre Acoustics MX-R Twenty
AQUA La Diva (CD Transport)
AQUA Formula (DAC)
http://egglestonworks.com
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Nikon D810
Sony a7s3
Nikon 24-70mm f/2.8
DJI Ronin
Rode
Neumann
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EgglestonWorks 2021 Product catalogue v1.0
gue every product EgglestonWorks makes. Beauty for the eyes, … Price: from $249,995.00 AUD RRP. Reference Series. PAGE: 4 // 12. EgglestonWorks Product …
Source: www.referenceav.com.au
Date Published: 12/18/2021
View: 7061
EgglestonWorks – Floorstanding Speakers – Krispy Audio
Join Our Mailing List. Sign up for our newsletter to receive specials and up to date product news and releases. Email Address.
Source: krispyaudio.com.au
Date Published: 2/15/2021
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EgglestonWorks Speakers – Schroeder Amplification
Born in Memphis, EgglestonWorks Speakers are impressive on all levels.
Source: schroederamplification.com
Date Published: 7/14/2021
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EgglestonWorks – Quality Loudspeakers
EgglestonWorks Loudspeakers World Class Sound || Hand Made in Memphis.
Source: egglestonworks.com
Date Published: 4/12/2022
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EgglestonWorks – AV Gallery
EgglestonWorks ; $44,995.00 – $46,590.00. EGGLESTONWORKS ANDRA 3 SIGNATURE SE ; $29,995.00. EGGLESTONWORKS CAMILLA SIGNATURE SE LOUDSPEAKERS ; $10,995.00 – $ …
Source: www.avgallery.com.au
Date Published: 12/13/2022
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Used egglestonworks for Sale | HifiShark.com
Used Egglestonworks for sale on 300+ second hand hifi sites & shops. Use Hifi Shark to monitor pricing and global availability.
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Date Published: 8/27/2022
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EgglestonWorks Viginti loudspeaker – Stereophile.com
All of the EgglestonWorks Andras were variations on the same basic theme. The Viginti, which costs $38,995/pair, strays farther from the …
Source: www.stereophile.com
Date Published: 2/15/2021
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Auden-EgglestonWorks-price-list-Jan-2021.pdf
www.egglestonworks.com [email protected]. 07917 685 759. Artisan series … UK RETAIL PRICE LIST JANUARY 2021. Prices include VAT @ 20%.
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Date Published: 4/6/2021
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주제와 관련된 더 많은 사진을 참조하십시오 Ayre Acoustics – EgglestonWorks Viginti [HIGH END AUDIO] №1. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
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Floorstanding Speakers
Few names in audio are as iconic as the EgglestonWorks Andra. The original Andra met with immediate critical and consumer acclaim becoming “Sterophile’s” Loudspeaker /Product of the Year. The latest in the evolution of such an important…
EgglestonWorks Speakers
Born in Memphis, EgglestonWorks Speakers are impressive on all levels.
Visually, they make some of the most striking and appealing designs available today. Sonically, their speakers are all about accuracy. They allow listeners to hear what the producer and artist intended without putting their own stamp on things. Musicians and Audiophiles alike are drawn to these wonderfully musical speakers and for many great reasons. Call or message to see what EgglestonWorks Speakers I have in my demo room and to arrange a private listening session!
EgglestonWorks Viginti loudspeaker
is Latin for twenty. It’s also the name of a new loudspeaker from EgglestonWorks, to be produced in a limited edition of 250 pairs in celebration of the launch, 20 years ago, of the company’s original Andra, on which the Viginti is based. The Viginti is a shapely and eye-pleasing 4′ 2″ tall, and weighs 255 lbkind of heavy for its size.
A great thing about the Internet is that, in a print publication with limited space, there’s no need to spend precious column inches recounting an otherwise necessary history of EgglestonWorks, which is based in Memphis, Tennessee. You can read all about it in the late Wes Phillips’s review of the original Andra, in the October 1997 Stereophilethat issue’s cover story. Three months later, in the December 1997 issue, the Andra was voted Stereophile’s Loudspeaker of the Yearand made that issue’s cover as well. Paul Bolin reviewed the Andra II in November 2002. Later came the Andra III and the Andra III SE, which we didn’t review.
If you’re a fan of photographer and composer William Eggleston (one of his photographs graces the cover of Big Star’s Radio City), EgglestonWorks was founded by his son, Bill Eggleston, who is no longer involved.
Description
All of the EgglestonWorks Andras were variations on the same basic theme. The Viginti, which costs $38,995/pair, strays farther from the original tune, beginning with its two 10″ carbon-fiber woofers, made by Morelprevious variations had only a single, larger woofer. The magnet structure of the new woofer is said to be “enormous,” though I didn’t find my way inside to have a look.
Wayne E. Prather, PhD, of the National Center for Physical Acoustics, University of Mississippi, is a technical consultant for EgglestonWorks. According to a design study paper he sent me, Chief Designer Jim Thompson says the 10″ drivers “function more as subwoofer drivers than as traditional woofers.” The goal was to keep the midrange and lower-midrange frequencies away from the heavy-diaphragmed, long-excursion cones that, Thompson says, are “essential for superior low end bass but are less well-suited” for reproducing the middle frequencies. Makes sense to me.
The subwoofers are crossed over to the midrange drivers at 120Hz (low pass) and 110Hz (high pass). This produces a slight overlap between the two, which is said to provide a smoother overall response.
The Viginti is the first EgglestonWorks speaker to use a slot or shelf port. Thompson says that the port enables the design team to fix the bass tuning frequency with “pinpoint accuracy.” It also improves the lower notes’ “pitch-correctness” and “tightness.” The enclosure behaves, he claims, as a sealed box down to the very low port tuning frequency of 30Hz, and that low tuning frequency puts the resulting group-delay phase shift in a region where our ears are minimally sensitive to phase errors.
The Viginti marks the first time that EgglestonWorks has used a midrange-tweeter-midrange (MTM) driver array. Correctly implemented, such an arrangement can act as a virtual point-source driver that, at the crossover frequency2kHz in the Viginti’s caseproduces among the three drivers a uniform horizontal dispersion characteristic. The Viginti’s crossover includes Mundorf’s best silver/gold foil capacitors, and inductors, some of which are hand-wound in-house.
The 6″ carbon-dome midrange drivers are also made by Morel, while, for the first time, EgglestonWorks uses a beryllium-dome tweeter, this one made by Scan-Speak. Of greater interest is the Viginti’s transmission-line midrange loading. The design team paid particular attention to how to dissipate the energy the drivers radiate behind them. As you probably know, the back wave is equal to the front wave radiating into the room, with which it is 180° out of phase. In a rigid enclosure, the back-wave energy ricochets around inside the enclosure. EgglestonWorks says that this imposes on the speaker diaphragm distortions of both phase and level that are superimposed on the front wavethe soundwavesthat reach your ears.
While treating a speaker cabinet’s insides with absorptive material can suppress and absorb high-frequency backwave energy, EgglestonWorks argues that, in the midrange and lower midrange, where our ears are most sensitive to distortion, the efficacy of these absorptive materials is much less.Therefore, the Viginti’s two 6″ midrange drivers are individually loaded into quasitransmission-line chamberstapered, heavily damped tubes that terminate in openings at the cabinet’s rear. Absorptive material attenuates the backwave energy as it travels through the tube on its way out the back of the enclosure. What little energy is reflected back into the highly damped tube is further attenuated.
Thompson also claims that the residual back wave output produces a desirable “ambience,” in the manner of a dipole speaker, though in the strictest use of the word the Viginti is not a dipole speaker. Because each midrange driver operates within its own isolated, tubular enclosure, the designers elected not to isolate the interior chamber behind the MTM array from the rest of the cabinet’s interior, thus producing a woofer enclosure of considerably larger volume than would usually be possible in a cabinet measuring 50″ high by 14″ wide by 23″ deep. Thompson doffs his mortarboard and dons his salesman’s cap when he says “Although extremely expensive to implement, the ‘Transmission Line’ midrange porting design delivers midrange detail and purity, which to our knowledge, cannot be achieved in any other way.”
The panels of the Viginti’s well-braced enclosure each comprise two slabs of 5/8″-thick MDF glued together, for a total thickness of 1.25″; the platform to which all this is anchored is four such layers thick: 2.5″. The internal braces are of HDF, as are the two midrange quasitransmission lines.
The side panels of the upper section are fully braced, with panels of black-anodized aluminum, accented with carbon-fiber inserts. The piano-black lacquer applied to the MDF surfaces is finished to a very high standard. Two pairs of terminals are provided, for biwiring and biamping (I used jumpers). The Viginti is well constructed and looks mighty attractive.
Listening
The first few minutes with any new speaker are fairly scary: I’ve committed to the review. I’ve used floor jacks to raise my huge reference speakers, the Wilson Audio Alexxes, then replaced their spikes with casters and rolled them out of the way. Now, for the next few monthsmonthsI’m going to have to live with these new speakers.
The relationship doesn’t always work out. Sometimes there’s a personality conflictI don’t like the sound. Sometimes, the speakers just don’t work in my room.
The EgglestonWorks Viginti’s webpage says: “no lack of authoritative, effortless and pitch-perfect bass.” They’re not kidding. The first record I played made it clear that the bass went very deep and was tightbut not too tight, because then it wouldn’t match what’s above. Still, it took a while to get used to the differences between the Alexx’s and Viginti’s reproductions of the bottom end.
EgglestonWorks Andra II Full Range Speakers – Speaker of the Year!
Award winning Andra II speakers from Tennessee maker EgglestonWorks.
This is the second generation retailing at $18,900 new.
These Andra II speakers were originally Andra I speakers and were upgraded to Andra II specifications by EgglestonWorks under the prior owner’s care. This is why the granite side panels in this listing appear thicker than standard model II speakers.
I must warn you upfront that these are the heaviest speakers we’ve seen in this size. Might have something to do with the fact they chose granite to dampen the sides of the cabinet :-).
There are two areas we’ve found these speakers to shine. First is the bass… wow, how can a box this size produce such thunderous and tight bass, especially in a sealed cabinet. You would never know it by looking, but there are two 12″ woofers in each cabinet. The second woofer is setup in an isobaric configuration, which is a fancy way of saying it’s in a sealed cabinet just behind the visible woofer. This doubles the driver area, while maintaining the same front cabinet size, as it would take a much much larger cabinet to accommodate two 12″ woofers. Second, the midrange is as silky smooth as we have ever heard. Must have something to do with the double magnet 6″ midrange drivers, again in an unusual configuration.
This speaker was so successful that they are now on their 3rd iteration, now costing $25k.
Condition is wonderful, without any significant scratches or scuffs. Just the usual marks from moving around and positioning. Includes the magnetic grills.
This is how Stereophile summarized their Class A review:
I suppose that if you have a listening room of kingly dimensions or an unquenchable thirst for the very biggest sound and bass down to 12Hz, you might need more speaker than the Andra II. After all, EgglestonWorks doesn’t make the Savoy and Ivy Reference for the sheer fun of it. But the Andra offered everything (and then some) that I, for one, could ask of any speaker costing less than a mid-sized Mercedes: enormous dynamic range, superb deep bass, impeccable transparency, and a timbral balance as uncolored and harmonically true as the state of the art permits. It spoke to head and heart in equal measure, and did absolutely anything asked of it with no hint of strain or complaint.
For most of my audio life I have lived with large planar speakers, convinced that no dynamic design could offer the coherence and continuousness of panels. The Andra II has at last convinced me that cones and domes in a box, albeit very special cones and domes in a most extraordinary box, can hold the higher cards. While $19,000 is a hell of a lot of money for a pair of speakers, the Andras have to be considered an eminently fair deal given their superb build quality and extraordinary sound.
Pure Class A in every respect, and a more than worthy successor to the storied original Andra, the Andra II is one of the world’s great loudspeakers. It proves that, like love, a speaker, too, can be lovelier the second time around.
Click here to read more from Stereophile’s Class A review
Description: Dynamic, floorstanding loudspeaker. Drive-units: 1″ fabric-dome tweeter, two 6″ plastic-cone midrange drivers with 3″ voice-coils, two 12″ plastic-cone woofers with 4″ voice-coils in push/push compound, sealed-box loading. Crossover frequencies: 135Hz, 1.8kHz. Crossover filters: 6dB/octave symmetrical filters at 135Hz with Zobel impedance compensation; 24dB/octave symmetrical filters at 1.8kHz. Frequency range: 17Hz-25kHz. Impedance: 6 ohms average, 4 ohms minimum at 35Hz. Sensitivity: 88.5dB/W/m (91dB in-room). Recommended power: 30W (small room) to 300W.
Dimensions: 46″ H by 15″ W by 18″ D. Weight: 215 lbs.
Finishes: Piano-black gloss with polished black granite side panels.
Price: $18,900/pair. Approximate number of dealers: 20.
Manufacturer: EgglestonWorks, 435 S. Front St., Memphis, TN 38103. Tel: (800) 290-5331. Fax: (901) 525-1050. Web: www.egglestonworks.com.
Please click here for a PDF copy of the Owner’s Reference Guide
Please click here for detailed specifics regarding our specialized packing process that separates us from the rest.
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