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Future Islands is an American synthpop band based in Baltimore, Maryland, and signed to 4AD, comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals).
Album \”The Far Field\”
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Future Islands – Ran Lyrics – Genius
Ran Lyrics. [Verse 1] Ingest, where it goes, nobody sees but me. So perfect and so sweet. But the rest, feels incomplete
Source: genius.com
Date Published: 4/8/2021
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Future Islands – Ran Lyrics | AZLyrics.com
Ingest, where it goes, nobody sees but me. So perfect and so sweet. But the rest, feels incomplete. Like the rabbit’s foot I keep
Source: www.azlyrics.com
Date Published: 12/15/2022
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Future Islands – Ran Lyrics | SongMeanings
Ingest, where it goes, nobody sees but me. So perfect and so sweet. But the rest, feels incomplete. Like the rabbit’s foot I keep
Source: songmeanings.com
Date Published: 2/5/2022
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Ran by Future Islands – Songfacts
Ran by Future Islands song meaning, lyric interpretation, veo and chart … The lead single from The Far Field, “Ran” finds Samuel T Herring singing about …
Source: www.songfacts.com
Date Published: 3/8/2022
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Ran Lyrics – Future Islands
Ran Lyrics by Future Islands from the custom_album_6176726 album – including song veo, artist biography, translations and more: Ingest, where it goes, …
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Date Published: 6/14/2022
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Lyrics: Ran Future islands – Smule
Ran by Future islands – Karaoke Lyrics on Smule. | Smule Social Singing Karaoke app.
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Date Published: 11/9/2021
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Ran – Future Islands – Lyrics Translations
Future Islands Ran lyrics: Ingest, where it goes, nobody sees but me / So perfect and so sweet / Bu…
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Date Published: 4/22/2022
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Future Islands – Ran Lyrics
Future Islands – Ran Lyrics. Ingest, where it goes, nobody sees but me. So perfect and so sweet. But the rest, feels incomplete
Source: lyricsjonk.com
Date Published: 11/27/2021
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- Date Published: 2020. 3. 28.
- Video Url link: https://www.youtube.com/watch?v=mV5gnINyjdE
What happened to Future Islands?
Future Islands should be touring right now but, instead, Herring is flying back to Baltimore to perform one livestreamed show with the band – their only gig of 2020. It must be weird for a group who are known for their gruelling tours, having played 150 shows a year for five years straight between 2008 and 2012.
What type of music is Future Islands?
Who is in Future Islands?
Ahead of the release of As Long As You Are, all four members of Future Islands — Samuel T. Herring, Mike Lowry, keyboardist Gerrit Welmers and bassist/guitarist William Cashion — answered Billboard’s questions about its creation, the fundamentals of their artistry and their karaoke go-to songs, among others.
How old is Samuel Herring?
What nationality are Future Islands?
Future Islands is an American synth-pop band based in Baltimore, Maryland, comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), Samuel T. Herring (lyrics and vocals), and Michael Lowry (percussion).
Who is Sam Herring Dating?
He met actress Julia Ragnarsson in 2017; now engaged, he spends much of his time in her native Sweden.
Is Future Islands good live?
If you’re looking for a night of nostalgic reminiscence (that doesn’t necessarily have to be your own), and the chance to have an unself-conscious boogie to some gorgeous synth beats, Future Islands are definitely the performers for you.
How did Future Islands get famous?
The Baltimore band became a viral hit on the show in 2014 after they played ‘Seasons (Waiting On You)’ for their TV debut, with many commenting on Herring’s dance moves across the stage and how he beat his chest repeatedly.
Who is the bass player in Future Islands?
Where was Future Islands for sure video filmed?
Hornet Director Sam Mason conquers production restrictions during quarantine by using a video game controller to generate real-time racing sequences in this full-CG music video for Baltimore synthpop band Future Islands.
How many albums does Future Islands have?
American synthpop band Future Islands have released six studio albums, six extended plays (EPs), 23 singles and 15 music videos. Future Islands was formed in Greenville, North Carolina but relocated to Baltimore, Maryland in 2008.
Future Islands – Ran Lyrics
First single from the 2017 album The Far Field, recorded in late 2016. Herring speaks about love, his life on the road, and the difficulty of conciliating both.
STH: I don’t want to say anything I don’t believe in. (…) The only thing I can honestly talk about and believe in is my own life, so I share personal stories because it’s the only truth I know.
Future Islands started testing songs for their album in August 2016. Playing unannounced under names such as The Hidden Havens, Chirping Bush or This Old House to finally emerge under their own name at the Field Festival in Maryland on August 20. There they played 10-14 new songs to a public that had signed a waiver not to record any of their set.
This song was performed live on February 9, 2017 on The Tonight Show starring Jimmy Fallon.
The official video was released on March 1st and directed by Albert Birney. It shows the band playing at their rehearsal place, and Sam Herring performing the song while running in and around Baltimore, MD, on locations such as the Guilford Avenue Bridge, Loch Raven Reservoir, Glen Arm and Upperco.
https://twitter.com/futureislands/status/836957756066160640
Future Islands’ Samuel T Herring: ‘It’s taken me six years to come to terms with Letterman’
I knew exactly what I was doing,” says Future Islands frontman Samuel T Herring, reflecting on the performance that changed his life. “Lots of people said: ‘This guy dances like nobody’s watching.’ But no. I was dancing like I knew everyone was watching.”
In March 2014, Future Islands played their song “Seasons (Waiting on You)” on US chat programme The Late Show with David Letterman. Herring, whose singing oscillates between a stately tremble and a death-metal growl, performed the chest-thumping anthem with an urgency that transfixed the internet. In the clip, which has been viewed 3.3 million times, the stocky singer squats, jumps and rocks across the stage as the music seems to take control of his muscles. “I was actually holding back,” the 36-year-old tells me now. “That’s what was going on in my head – don’t go too far.”
The performance, which coincided with the release of their fourth album, Singles, catapulted Future Islands into the big league, earning them fans such as Bono – who shipped them a case of Guinness after seeing it – and Debbie Harry, who later collaborated with the band. And it established Herring as an improbable yet charismatic, vaudevillian showman, who boldly blurred the lines of indie, rock and pop.
But Future Islands had been around long before that. They formed in Baltimore in 2006 and had played around 800 shows and released three albums before Letterman. The group – consisting of lyricist and singer Herring, keyboardist and programmer Gerrit Welmers, bassist William Cashion and drummer Michael Lowry – have been described as “one of the planet’s most uplifting bands”, their synth-pop songs pulsing with hope. But they can also be bluesy and plaintive, with Herring’s gruff voice catching on certain words, his pain lurking in a lump in his throat.
“It’s taken me six years to come to terms with Letterman,” says Herring over Zoom from Stockholm, where he’s staying with his partner. “People saw us as this overnight success but I didn’t want to be seen that way. We were ready for that moment.”
Herring on ‘The Late Show with David Letterman’ (CBS)
The “meme-ification” of the event, he says, was difficult to deal with and he found himself focusing on negative comments online. “One person said, ‘Is he whizzing himself?’” Herring laughs, a twinge of hurt in his voice. “These days, you’re bombarded with what everybody else thinks. It can really affect how you feel about yourself, and it did for years, but now I know that performance meant a great deal to a lot of people. I can’t dispute the fact that it revolutionised our careers. It did so much for us, I should see that as a positive.”
Herring’s fragility courses through the band’s new record, As Long As You Are, their sixth, which grapples with self-acceptance, body image and heartbreak. It’s warmer than their previous albums, with Herring having written parts of it in the Swedish countryside. “It was the beautiful beginning of spring,” he says, “and everything was blossoming around me. I was in the comfort of the person I love, and I was like, ‘How the hell did I end up here?’”
Herring is a lively conversationalist, his eyebrows dancing in delight as he rattles off anecdotes. At one point, he jerks his body forwards and widens his eyes as he recalls breaking a toe during another especially energetic performance, on Jools Holland. He tells me he’s now in the throes of the most healthy and loving relationship of his life – and it shows.
There’s a song on the record, “Glada”, that’s all about being worthy of love. Are there times Herring has not felt deserving of it? “Of course,” he says. “I’ve pushed people away who really cared about me because I didn’t know how to deal with being loved. But I’ve also felt I was completely deserving of love and not received it,” he says. Herring often felt isolated as a child, and this feeling has clung to him long into adulthood. “I’m now in a place where I can look back on relationships and be like, ‘What the heck was that? Why were we hurting each other?’ But before finding love again, I was giving up on it and that romantic heart I’d always believed in so deeply.”
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Herring links his reluctance to accept love to his self-esteem struggles, a theme that’s confronted in the track “Plastic Beach”. “I was a chubby little kid,” he says. “I always felt fat, ugly, picked on. It meant I learned to be really tough. I had a bad mouth. By the time I was seven, nobody really messed with me.”
Herring becomes tearful when speaking about one particular lyric in the song. “Spent a lifetime in the mirror/ Picking apart, what I couldn’t change/ But I saw my mother, my father, my brother/ In my face.” After reciting it aloud, he pauses to compose himself. “That line really breaks me,” he says. “If I want to change these things about myself, but my face is made up of all the people I love, how could I ever want to change that?”
On Later with Jools Holland in 2014 (Rex)
While Herring exposes his deepest vulnerabilities in Future Islands’ music, he’s not so comfortable overtly stating his political views through the band. New song “The Painter” subtly approaches race issues but another track about gun violence didn’t make it onto the record as the tone didn’t quite fit. “It’s difficult,” says Herring. “When I’m saying something really strong, I want to say it on my own so whoever has a backlash against it, it’s with me. But when I’m with the band, it’s like, ‘Is it okay if I write this?’”
Outside of Future Islands, Herring raps under the moniker Hemlock Ernst. He says he’s more confident communicating his politics through hip-hop. So, what is it exactly that he wants to say? “It’s infuriating what’s happening in my country,” he says, his voice edged with rage. “The gross, disgusting hatred towards people because they’re different – it doesn’t make sense. I have issues with America at its core: the way we still don’t recognise the systematic, institutionalised racism of our country, the genocide of the Native American peoples, the enslavement of African peoples to build this nation, who are left with nothing at the end of it and are still treated like they’re not Americans. How do we speak of an American dream that doesn’t speak for all Americans?”
Donald Trump, he says, is the “personification of the white supremacist structure”, and he is angry with “fake patriots”, too.
“People fight against human rights and call themselves patriots,” says Herring. “You’re not a patriot, you’re not fighting for America, you’re fighting against everything that’s American.”
Despite Herring’s reticence to politicise Future Islands, he says fans who hold these views are not welcome at their shows. “We can’t say, ‘I’m going to straddle the line now because I don’t want to lose my audience,’” he says. “No, if that’s the audience, get them out of here. Shame them. Hopefully you can educate them, but if not, shame them into education. People need to…,” he breaks off, a shudder running through his body. “It just makes me so mad. The lack of empathy in this world is insane. And it’s just a mind-turbine, spinning, spinning and chewing up all idealism and all love. I don’t know what is happening.”
Future Islands perform in 2017 (Rex)
Herring catches himself, chuckles and apologises for getting so “riled up”. His restlessness is understandable – for more than one reason. Future Islands should be touring right now but, instead, Herring is flying back to Baltimore to perform one livestreamed show with the band – their only gig of 2020.
It must be weird for a group who are known for their gruelling tours, having played 150 shows a year for five years straight between 2008 and 2012. But the band suffered major “burnout” from being on the road, says Herring, especially when they went from playing to crowds of 400 to arenas of 2,000 while touring Singles. “The sets got longer, the stages got bigger,” says Herring. “All of that makes touring more physical work. Especially for me, because I was trying to figure out how to get across the stage in an interesting way.”
He smiles, thinking of Letterman. “That’s how the performative dance movements began with Future Islands. You can walk, run or dance – why not do them all?”
As Long As You Are is out on 9 October on 4AD
20 Questions With Future Islands: How Love Informed Their New Album, and The Importance of Pasta Night
A lot has changed for indie-pop stalwarts Future Islands since the release of their last album, 2017’s The Far Field. For one, drummer Mike Lowry is now a full-time band member. Frontman Samuel T. Herring, one of the most vibrant live performers in modern music, is engaged, and writing about the fulfillment of love in his lyrics. And new album As Long As You Are, out Friday (Oct. 9), is the first that the band has co-produced… and the first that was mixed over Zoom, due to the pandemic.
Yet Future Islands also sounds as comfortable as ever in its own skin, the members translating their life changes into lively new details of a formula they’ve perfected for over a decade. The result is the most well-rounded, personal project from the group since 2010’s In Evening Air.
Ahead of the release of As Long As You Are, all four members of Future Islands — Samuel T. Herring, Mike Lowry, keyboardist Gerrit Welmers and bassist/guitarist William Cashion — answered Billboard’s questions about its creation, the fundamentals of their artistry and their karaoke go-to songs, among others.
1. What’s the first piece of music that you bought for yourself, and what was the medium?
Sam: I bought a CD when I was probably 9 or 10, and it was a compilation CD from Kmart and it was called Frat House Favorites. It had songs like “Wooly Bully” on it, like 1950s Animal House track types.
Mike: Off The Wall, Michael Jackson and the soundtrack to Ghostbusters on vinyl.
Gerrit: Four Tops Greatest Hits cassette tape from Kmart.
William: Nirvana Unplugged In New York CD.
2. What was the first concert you saw?
Sam: I was 15 and my brother snuck into 18+ show to see GSE, they were an Asheville, North Carolina rap group.
Mike: In Baltimore in a church basement, like a punk show. It was this local Baltimore band called Red Dye Number Nine and then another band called the Fifth Column.
Gerrit: Four Tops and the Temptations at an autumn festival in Kingsport, Tennessee.
William: Jimmy Buffet and the Coral Reefer band at Walnut Creek Amphitheater in Raleigh, N.C., on the Banana Wind Tour.
3. Who made you realize you could be an artist full-time?
Sam: I got accepted into this specialist school they have in North Carolina. I think they have it in a few states in America, it’s called The Governor school. One day, our art teachers took us to this warehouse, which still exists, and basically showed us, “Hey, there are all these people that live in this converted warehouse, and they paint and they sculpt and they make music and they run a little copy shop,” and it completely blew my mind. That was when I already knew that I wanted to be an artist, but it’s when I realized that you could live this kind of artist’s life, even in North Carolina. You didn’t have to run out New York City, but being a kid from North Carolina, it seemed like a distant idea. But that summer 2001 was when I realized that I could do it too.
Mike: When I was 14, my first drum teacher was the one that encouraged me to go into music full-time. I’ve never really been good at anything. All of my friends were better at everything than I was. And I sort of started playing drums because my friends started a band, and we’re like, “You’re gonna play drums.” I didn’t even know if I was going to be good at drums, and I guess I was picking it up pretty quickly and about three months into lessons my teacher said, “You should consider doing this as a profession.”
Gerrit: Shortly after moving to Baltimore, I guess it was kind of a Hail Mary. I decided that I have got to give this a real try. We went on tour for quite a while, and then slowly but surely some people started to build up in these living rooms that we were playing. I was like, “Wow, we played for 15 people in that living room last night, made $30, we can get gas and go to the next city.” We were soon able to pay rent. We all quit our jobs and didn’t have to work a regular job and just toured. And I think that’s when I decided that it was a possibility to make this my life.
William: I always wanted to pursue art and music. Specifically, I wanted to pursue music. I wasn’t quite sure how to do it. Our friend Dan [Deacon], he can really showed us the way. Showed me the way he was touring so hard all over the country and he was doing it all himself. He was able to make it work. He took us on our first big tour, and just kind of showed us how to how to do it. I think it gave me the confidence that we could also go out there and do it, just kind of life on the road and make the band full-time. I would say, Dan Deacon.
4. What’s at the top of your professional bucket list?
Sam: To get to 10 albums. Keep doing this.
Mike: Play a show at the Pyramid.
Gerrit: Doing this when I’m 70, or 80, or 90.
William: I’ve always wanted Future Islands to be animated in an episode of The Simpsons.
5. How did your hometown/city shape who you are?
Sam: I grew up in a really small community in Newport, North Carolina. It’s the kind of a place where you know everybody, and that teaches important lessons just about treating people with respect, no matter if it’s the mechanic or the mayor. Those people end up becoming a part of your life. They become people that you see every day. I think it taught me a lot about respecting people not for what they do or what they have, but because they are people. That’s the way it should be and the way that I always want to be treated. I think that came from just being in that small town.
Mike: Been here [Baltimore] my whole life – I can’t even answer the question. It’s so wrapped up in who I am. I can say I wouldn’t be who I am today if I wasn’t from here. I’m so close to the city that don’t even know how to begin to answer that.
Gerrit: I moved around quite a bit growing up, so I wasn’t in one place. I mean, I guess I spent the most time in two general locations, both of which were small towns. I think just moving around quite a bit to sort of let me see the broader scope of things.
William: I’m also from a really small town in North Carolina. As a touring musician, it makes me want to go to places that touring bands wouldn’t usually go to. Where I’m from, it was hard to go see the bands that I wanted to see. It was usually about an hour drive. So, it’s made it a point for us, as a band, to focus on playing these smaller regional shows and playing towns that don’t usually get these kinds of concerts. We always make that a point, whenever we can to go to new places and the idea of being established regionally instead of world domination.
6. What’s the last song you listened to?
Sam: “Charms” by Armand Hammer.
Mike: “That’s Entertainment!?” on Psychoanalysis by Prince Paul.
Gerrit: “4” by Aphex Twin.
William: “The Serpent (In Quicksilver)” by Harold Budd.
7. If you could see any artist in concert, dead or alive, who would it be?
Sam: James Brown.
Mike: Jimi Hendrix & The Band of Gypsies.
Gerrit: VideoHippos.
William: Double Dagger opening for Joy Divison.
8. What’s the craziest thing you’ve seen happen in the crowd of one of your shows?
Sam: So there was one time that this guy came up to us before the show and asked if we could dedicate this one song to him because he wanted to propose to his girlfriend during this particular song. Before we could even play that song, I saw this guy punch a person in the face, and then he got punched in the face, and then I jumped off the stage to stop this from happening. The guy swung around about punched me and then he realized it was me and didn’t hit me. And I asked him, “What are you doing?” We found out that he actually dated this person three years before, and they were not in a relationship anymore. You think, Oh, it’s going to be such a special show, he is going to propose to his girlfriend, and then you find out it wasn’t his girlfriend, and she hates him. And that’s the story.
9. How did the pandemic affect the way that the new album was finished?
William: We mixed the album over Zoom, instead of in person. We were able to connect with this program called The Audio Move, connected to the studio directly over the Internet. Each of us could listen in real-time to adjustments that Steve [Wright], the engineer that we worked with, [made] to make the record. We could hear what he was doing and it [was] really high-quality. I think we all enjoyed it. It was a good process.
10. Sam, how much of this album was informed by the changes in your personal life since 2017’s The Far Field?
Sam: I think it was very informed, even the songs that aren’t necessarily about my relationships are very much me looking at them from a perspective of being in a healthy relationship the first time in my adult life. So I think being in a healthy relationship has allowed me to look at my path in a very different way, to see where maybe I was wrong in places where I put all the blame on myself. Also where I was wrong. Where I had actually been not been a good partner as well. So I think being in a healthy relationship really gave me a new perspective, while also me trying to come to terms with not feeling that I was deserving of love or not accepting myself or who I am. Having someone who accepts you as you can make you start to question how you treat yourself. My relationship has had a great impact on me in a positive way.
11. How was it decided that Mike was becoming a full-time member of the band? Was there some sort of ceremony?
Sam: I mean, I think we all just felt that Mike had earned a place at the table. The big thing is having him be a part of the interviews, press shots, the writing process. He works so hard and I think we really wanted him to know that we value him. I hope you feel that way, Mike. it would be awkward when we’re not taking pictures with him or he’s not a part of interviews like, we just wanted to be him to be in this thing with us and feel that. That was important for us, to present that to Mike.
12. What was it like for the band to co-produce an album for the first time?
Sam: Chill. It really relaxed the process to explore and push the songs as far as we could, instead of thinking about the things we didn’t do. We feel really satisfied. If there are regrets we can blame ourselves.
13. Which song on the album was the hardest to finish?
Sam: We recorded “City’s Face” so many times. I probably did like, I don’t know, 25 to 30 takes of that song, because the song kept changing. So I kept re-recording the vocals over the new vibe. So I guess It was a little difficult.
William: “Plastic Beach” was focused on the bass tone, was driving me crazy. “City’s Face” is one that kept changing as the year went on. That song pretty drastically changed.
14. A half-decade removed from “Seasons (Waiting On You)“ becoming a breakthrough for the band, is there any self-consciousness about re-creating its effect?
Group: There was that fear maybe in writing The Far Field, but not now. We’re at peace.
15. How do you plan to spend the day that the new album is released?
Group: We’re going to play a show and order some Chinese.
16. What’s your karaoke go-to?
Sam: “Love Her Madly” by The Doors.
Mike: “Steppin’ Out” by Joe Jackson.
Gerrit: “Perfect Day” by Lou Reed.
William: “The Girl Is Mine” by Michael Jackson and Paul McCartney.
17. What movie, or song, always makes you cry?
Sam: “Gone For Good” by Morphine, and Click.
Mike: The OG Muppet movie, every time. Recently, Star Wars: The Last Jedi.
Gerrit: “True Love Will Find You In The End,” by Daniel Johnston.
William: The beginning of Up.
18. If you were not a musician, what would you be?
Sam: Broke sculptor. If art didn’t exist I’d work in a hardware store.
Mike: Some kind of writer or actor, or PA work.
Gerrit: I would most likely be working in some sort of hospitality situation.
William: I’m curious about construction, I’d like to learn how to build houses. But I’d probably work at an art supplies store.
19. What’s one thing about you that even your most devoted fans don’t know?
Sam: Tuesday is pasta night. Tonight is triple lasagne, there’s going to be three lasagnas. That’s what people don’t know. Pasta Tuesday has become a thing in my house. And you have to make your own pasta. The pasta, homemade sauce, and salad straight from the garden.
20. What’s one piece of advice you would give to your younger self?
Sam: Don’t stress, it’s just anxiety, it’ll pass.
Mike: Don’t take that acid.
Gerrit: Keep skating. I really wish that I could still skate.
William: Don’t be so hard on yourself.
Future Islands – Ran Lyrics
“Ran” lyrics
Ingest, where it goes, nobody sees but me
So perfect and so sweet
But the rest, feels incomplete
Like the rabbit’s foot I keep
In the locket, with no key
And I can’t take it, I can’t take this world without
This world without you
I can’t take it, I can’t take it on my own
On my own
On these roads
Out of love, so it goes
How it feels when we fall, when we fold
How we lose control, on these roads
How it sings as it goes
Flight of field, driving snow
Knows the cold
Ran round the wailing world
And what’s a song without you?
When every song I write is about you
When I can’t hold myself without you
And I can’t change the day I found you
On these roads
Out of love, so it goes
How it feels when we fall, when we fold
How we lose control, on these roads
How it sings as it goes
Flight of field, driving snow
Knows the cold
Out of love, so it goes
How it feels when we fall, when we fold
How we lose control, on these roads
How it sings as it goes
Flight of field, driving snow
Knows the cold
Ran round the wailing world
Writer(s): Samuel Thompson Herring, John Gerrit Welmers, William Cashion
Future Islands – Ran Lyrics
Ingest, where it goes, nobody sees but meSo perfect and so sweetBut the rest, feels incompleteLike the rabbit’s foot I keepIn the locket, with no keyAnd I can’t take it, I can’t take this world withoutThis world without youI can’t take it, I can’t take it on my ownOn my ownOn these roadsOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldRan round the wailing worldAnd what’s a song without you?When every song I write is about youWhen I can’t hold myself without youAnd I can’t change the day I found youOn these roadsOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldRan round the wailing world
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Future Islands – Ran Lyrics
Future Islands Future Islands
3:25 12 Views
Ingest, where it goes, nobody sees but me So perfect and so sweet But the rest, feels incomplete Like the rabbit’s foot I keep In the locket, with no key And I can’t take it, I can’t take this world without This world without you I can’t take it, I can’t take it on my own On my own On these roads Out of love, so it goes How it feels when we fall, when we fold How we lose control, on these roads How it sings as it goes Flight of field, driving snow Knows the cold Ran round the wailing world And what’s a song without you? When every song I write is about you When I can’t hold myself without you And I can’t change the day I found you On these roads Out of love, so it goes How it feels when we fall, when we fold How we lose control, on these roads How it sings as it goes Flight of field, driving snow Knows the cold Out of love, so it goes How it feels when we fall, when we fold How we lose control, on these roads How it sings as it goes Flight of field, driving snow Knows the cold Ran round the wailing world
Future Islands Ran Lyrics, Ran Lyrics
Ingest, where it goes, nobody sees but meSo perfect and so sweetBut the rest, feels incompleteLike the rabbit’s foot I keepIn the locket, with no keyAnd I can’t take it, I can’t take this world withoutThis world without youI can’t take it, I can’t take it on my ownOn my ownOn these roadsOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldRan round the wailing worldAnd what’s a song without you?When every song I write is about youWhen I can’t hold myself without youAnd I can’t change the day I found youOn these roadsOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldOut of love, so it goesHow it feels when we fall, when we foldHow we lose control, on these roadsHow it sings as it goesFlight of field, driving snowKnows the coldRan round the wailing world
키워드에 대한 정보 future islands ran lyrics
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이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Future Islands Ran (lyrics)
- Future Islands 2020 music indi
- FUTURE ISLANDS FANS
- music
- indi
- 2020
- album The Far Field
Future #Islands #Ran #(lyrics)
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주제에 대한 기사를 시청해 주셔서 감사합니다 Future Islands Ran (lyrics) | future islands ran lyrics, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
