당신은 주제를 찾고 있습니까 “2c aether vst – 2CAudio Aether reverb has a crazy fun list of presets“? 다음 카테고리의 웹사이트 https://chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: https://chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 TORLEY 이(가) 작성한 기사에는 조회수 45,963회 및 좋아요 218개 개의 좋아요가 있습니다.
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2C Audio Aether VST is a amazing and award-winning software that proves you self-modulating algorithmic reverb. Furthermore, it includes …
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2C Audio Aether VST | Vst Crack Official – 2021
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2CAudio Aether – Sound On Sound
2CAudio’s Aether is the best‑sounding algorithmic native plug‑in reverb I’ve ever heard, and it deserves to do really well, especially once its interface is …
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2C Audio Aether VST Free Download – Get Into PC
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Aether by 2CAudio – Reverb Plugin VST Audio Unit AAX RTAS
Aether by 2CAudio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, …
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The Best Reverb and Delay Plugins | Lars Lentz Audio™
Realistic Reverbs: · 2CAudio Aether, Breeze, B2, and Precedence · Madrona Labs Aaltoverb · Evente TVerb · 112dB Mikron Reverb.
Source: larslentzaudio.wordpress.com
Date Published: 5/17/2021
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주제와 관련된 이미지 2c aether vst
주제와 관련된 더 많은 사진을 참조하십시오 2CAudio Aether reverb has a crazy fun list of presets. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 2c aether vst
- Author: TORLEY
- Views: 조회수 45,963회
- Likes: 좋아요 218개
- Date Published: 2009. 6. 26.
- Video Url link: https://www.youtube.com/watch?v=h7Pje9yIxV0
2C Audio Aether VST Free Download
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2C Audio Aether VST Overview by Getintopc
2C Audio Aether VST is a amazing and award-winning software that provides you self-modulating algorithmic reverb. Furthermore, it includes Double precision 64Bit DSP along with Band-limited interpolation within it. This program comes packaged with lots of features like it efficiently two plug-ins at one. You can also download AVG PC TuneUp 16.76.3.18604.
The graphic user interface of this system is World class and communicates the critical data easily. It’s readily available for VST and AAX hosts underneath Windows 7, 7 and 10. It has an unrivaled late-night motor with unique features as well as a Variable Q Damping Decay Curve. It is seen as the winner application of this typical reverb layout. This app is utilized from the world’s largest music, film and television production companies. You may get Cascade Control, Sophisticated Stereo Modes along with Enormous Parameter Value Ranges. Overall this computer applications is really helpful and this version actually appreciates the brand. You can also download Corel PaintShop Pro 2019 Ultimate.
Features of 2C Audio Aether VST
Below you can read the main features, which you will experience after free download 2C Audio Aether VST.
A award-winning and amazing application that supplies you self-modulating algorithmic reverb. Has an unrivaled overdue reflections motor with distinctive attributes along with a Variable Q Damping Decay Curve. Comes packed with plenty of features for example it 2 plug-ins in one. Produced by the world’s biggest music, television and film production companies. Latest Version Release Additional On: 07th Mar 2019 Will get Cascade Control, Sophisticated Stereo Modes along with also Enormous Parameter Value Ranges. Called the winner software of the traditional reverb design.
2C Audio Aether VST Technical Setup Details
App File Name: 2C.Audio.Aether.v1.6.0.rar App Name: 2C Audio Aether VST Compressed File Size: 105 MB Compatible With:32 Bit (x86) / 64 Bit (x64) Installer Type: Offline Installer App Develped By: 2C Audio
System Requirements:
Before you start 2C Audio Aether VST download, please check the below System Requirements.
Memory (RAM): 1 GB of RAM required.
Operating System: Windows XP/Vista/7/8/8.1/10
Processor: Intel Dual Core processor or later.
Hard Disk Space: 1 GB of free space required.
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2C Audio Aether VST
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2C Audio Aether VST Overview
In Short, 2C Audio Aether VST is an amazing and award-winning software which provides you self-modulating algorithmic reverb. This software is used by the world’s biggest music, movie and television production companies. It’s thought of as the winner software of the conventional reverb design. Of Course, This program comes packed with plenty of features like it two plug-ins in one. You can also read Vengeance Sound – Essential Tech House Vol. 1.
Features of 2C Audio Aether VST:
An amazing and award-winning software that provides you self-modulating algorithmic reverb. Used by the world’s largest music, movie and television production companies. Considered as the champion software of the conventional reverb design. Comes packed with plenty of features like it efficiently two plug-ins in one. Has an unrivaled overdue churn motor with unique attributes along with a Variable Q Damping Decay Curve. Will get Cascade Control, Complex Stereo Modes and Huge Parameter Value Ranges.
System Requirements:
2C Audio Aether VST
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Especially, We share this file with the name of 2C.Audio.Aether.v1.6.0.zip which you can download via the direct link below. And work with the windows 32 Bit (x86) / 64 Bit (x64). To run this app 1 GB of RAM required. In order to install 2C Audio Aether VST 1 GB of free space required. If you want to run this app, you need to install the Windows XP/Vista/7/8/8.1/10 Furthermore, Yes, It is an Offline Installer / Full Standalone Setup.
Features:
Therefore, An amazing and award-winning software which provides you self-modulating algorithmic reverb. Comes packed with loads of features such as it effectively two plug-ins in one. Has an unrivaled late reflections engine with unique features and a Variable Q Damping Decay Curve. Used by the world’s largest music, movie and television production companies. Access control cascade, complex stereo (stereo) modes and large values of the parameter range. Considered a champion of the software in traditional reverb design.
System Requirements For 2C Audio Aether VST:
2CAudio Aether
Many pro engineers still turn to expensive hardware for the best algorithmic reverbs. Can 2CAudio’s Aether plug‑in tear them away from their racks?
Every musician seems to have a favourite reverb, whether it be hardware or software, algorithmic, convolution, plate or spring.The clarity and realism of convolution reverbs often seems to appeal to those working in acoustic, folk, jazz and classical realms, while those working in rock and electronic music often favour the richness and flexibility of algorithmic reverbs.
Entering this extremely competitive arena is 2CAudio’s Aether, an algorithmic reverb plug‑in that its developers believe to be “the best sounding reverb on the market. Period.” Bold claims indeed! Its Auto Randomising design claims to simulate the chaotic processes found in nature, it offers a True Stereo mode, and if you like detailed programming, there are over 75 tweakable parameters.
The futuristic Aether interface is a real opinion‑divider. Due to the large number of controls on offer in the main display (around 60 in total), the default GUI is huge and will barely fit on a 1024 x 768‑pixel screen, but fortunately you can switch to a rather smaller version that’s more in line with its competitors in terms of screen real-estate. Also, while the sculpted ‘metalwork’ of the panel is pleasing, some may find the three groups of differently coloured knobs and associated graphic displays rather garish.
Aether’s main interface is divided into three main areas. The left‑hand side is colour‑coded green and covers early reflections. You can choose from 33 ‘Spaces’ ranging from phone booths to amphitheatres: these, by default, alter the values of a clutch of the early‑reflection front‑panel parameter values and another clutch of late‑reflection parameters. There’s also a helpful graphic representation of the environment being modelled, although these images aren’t always obvious.
Other rotary knobs in this section include the self‑explanatory Size and Absorb, while Color and HF Soft provide plenty of tonal variation to mimic room coverings and soft furnishings, and Shape alters the complexity of the reflections, perhaps mimicking the shift from an empty room to one containing lots of furniture and other objects. The Position control smoothly alters the source and virtual mic positions, although in this version you can’t choose a specific stage position, as you can (for instance) in Altiverb. However, it’s possible to use one instance of Aether for late reflections only (with the ER section bypassed), and then several further instances using only the ER section, each with different Position settings. Despite the huge number of controls on show, changing the current Space also, apparently, tweaks another 75 hidden parameters associated with the reverb algorithms.
The top‑middle and right side of the interface is devoted to late reflections, with blue knobs. Reverb time, Size, Diffuse and Pre‑delay are fairly obvious; a slower Attack mimics the gradual build‑up of reflections found in larger buildings, and an increased Sustain adds more energy to the reverb tail, so you can achieve a bigger sense of space around your sound without muddying the mix or resorting to gated reverb.
The manual descriptions for Shape and Spread are confusing but, like its ER counterpart, Shape seems to alter the complexity of the later reflections, while Spread controls their build‑up, acting like a hold area in the reflection envelope (although in practice its action varies significantly, depending on the settings of other controls).
Aether goes beyond many other algorithmic reverbs in offering three bands of damping with variable crossover frequencies and Q factor, but I found this section quite confusing, partly because the seven controls have anonymous labels such as Low, Low X and Low Q, and also because the central ratio positions are labelled 50 rather than 100 percent.
The bottom‑middle set of Input and Mix controls (this time in orange) includes a two‑band input filter offering low and high shelving filters, again with variable cutoff and Q. Late reflections can be computed as mono input to stereo output or, for more realistic treatment of stereo inputs, stereo input to stereo output (with a 30 percent hike in CPU overhead). Both early and late reflection sections also offer Cross and Width controls, letting you alter the input signal panning and output width for a variety of treatments. Reducing reverb width can be a great way to prevent the reverb dominating a busy mix, for instance.
The main interface will, no doubt, prove overwhelming to many, so fortunately the casual dabbler can switch to the Browser view for a text‑based list of presets arranged across multiple columns. Aether is shipped with several hundred presets sorted into categories covering short Ambiences, Small and Narrow spaces, Natural environments such as mountains, forests and caves, Urban ones such as buildings and sports arenas, and treatments specifically intended for Drums, Instruments, Vocals and larger musical ensembles.
Together, these presets cover a huge amount of sonic ground, and from the word go, I was impressed by their smoothness and richness. From short ambiences to cavernous arenas, all proved to be very usable in the context of a mix, adding a natural sense of space that enhanced the original sounds without sounding ‘pasted on’. I was also taken with the vast Mystical spaces and unusual Special effects: Aether excels when its algorithms are pushed to extremes to create long granular clusters of early reflections, decaying echos, or unusual metallic and chordal tails.
To place Aether into some sort of context I initially lined it up against four other algorithmic reverb plug‑ins that are in my collection, and the results proved to be largely in line with their CPU overheads: the richer the sound, the more processing power was required. Waves Trueverb and Rverb, and Wave Arts’ Masterverb 5 were all capable of smooth‑sounding, non‑metallic tails, but sounded noticeably thin and flat in comparison with Aether. The Arts Acoustic reverb (a previous favourite of mine) was more versatile than these, and had a richer and more lively sound at the expense of more CPU load, but Aether was easily the best of the bunch.
So I decided to up my game by wheeling in the Bricasti M7 hardware reverb, subject of much praise for its dense and detailed sound. After spending some hours attempting to match various Bricasti presets using Aether’s controls, I got significantly closer than I could with any other plug‑in reverb, but eventually the Bricasti won out with its greater sense of realism, focus, and the beautiful movement within its reverb tails that managed to enhance so many instrumental sounds. I was also deeply impressed that it managed to offer so much versatility using just 15 main reverb parameters, compared with the many dozens in Aether.
Interestingly, I also got closer to the sound of the Bricasti using Aether than I did with impulse responses of the same Bricasti played through Altiverb, proving that the moving modulation of the algorithmic tail is a vital part of the overall Bricasti signature and demonstrating the effectiveness of Aether’s auto‑randomising algorithm and modulation section in making things sound more ‘alive’.
Overall, I was deeply impressed by Aether’s rich and versatile sound, and it’s the best‑sounding native plug‑in reverb I’ve heard to date, by a long chalk. However, I do have a few reservations about the graphic interface. For instance, it would help if the units for each control (percent, dB, Hz, milliseconds or seconds) were shown, as it’s difficult to take in the current values of 40 rotary knobs when all you see is a swathe of numbers. Also, the frequency display graph in the late‑reflection area confusingly crams in four different‑coloured curves relating to the settings of controls all over the interface: late‑reflection damping, input EQ and separate high-shelving filters for the early and late reflections.
However, Aether is skinnable, so there will no doubt be third‑party offerings in due course, while 2CAudio themselves promise a more conservative 2D interface when their version 1.1 update is released “this Summer”. Personal taste aside, this is a damn fine reverb, and 2CAudio should be very proud of their first baby.
Alternatives Although there are excellent algorithmic reverbs from TC Electronic and Universal Audio that run on DSP cards, if you want a native algorithmic reverb plug‑in, little in my experience comes close to Aether. The Sonnox Oxford Reverb is very well regarded, as is Overloud’s Breverb, and for those with smaller budgets the Arts Acoustic reverb is good. However, Aether is the best native plug‑in algorithmic reverb I’ve heard to date.
System Requirements Aether requires a Windows VST host application running under Windows XP or Vista, or a Mac VST or Audio Units host on OSX 5.n or higher, running an Intel‑based CPU (PPC hardware is currently not supported). Most Aether presets consumed around 11 percent of my 2.4GHz dual‑core processor, but with a few of the special‑effect presets, the reading jumped as high as 50 percent.
A Spin In The Tail One of the reasons why algorithmic reverbs such as those from Bricasti, Lexicon and TC Electronic sound less clinical than convolution designs is the provision of some sort of reverb parameter modulation. You can imagine this as cyclically moving the walls backwards and forwards by a small amount to avoid any build‑up of ringing and metallic overtones, resulting in a smoother frequency response. When used in larger amounts it can add extra richness, movement, or shimmering effects. Aether also offers a modulation section with Depth and Period controls, which proved very effective when mimicking these expensive hardware reverbs. Its Period control ranges from 0.25 to 500 seconds, giving a longest cycle time of over eight minutes, but even with the modulation depth set to zero there’s still apparently some behind‑the‑scenes modulation to avoid static build‑up.
Pros A wonderfully warm and rich reverb sound.
Equally happy providing realistic acoustic environments and more extreme special effects.
True‑stereo mode available.
Considerably cheaper than buying a hardware algorithmic reverb! Cons The graphic interface seems to fall into the love/hate category, and can be overwhelming for the newcomer.
Some presets can be CPU‑hungry.
Summary 2CAudio’s Aether is the best‑sounding algorithmic native plug‑in reverb I’ve ever heard, and it deserves to do really well, especially once its interface is tweaked to suit the pro audio market better.
2C Audio Aether VST Free Download
2C Audio Aether VST Free Download Latest Version for Windows. It is full offline installer standalone setup of 2C Audio Aether VST.
2C Audio Aether VST Overview
2C Audio Aether VST is an amazing and award-winning software which provides you self-modulating algorithmic reverb. This software is being used by the world‘s largest music, movie and television production companies. You can also download EmpTy 250 VST.
It is considered as the champion software of the traditional reverb design. This software comes packed with loads of features such as it effectively two plug-ins in one. It has an unrivaled late reflections engine with unique features and a Variable Q Damping Decay Curve. The graphical user interface of this software is World class and communicates the critical information effortlessly. It also contains Double precision 64Bit DSP and Band-limited interpolation in it. You will get Cascade Control, Complex Stereo Modes and Huge Parameter Value Ranges. It is Available for VST and AAX hosts under Windows 7, 8 and 10. All in all this software is really useful and this version really appreciates the brand. You can also download PSPAudioWare VST
Features of 2C Audio Aether VST
Below are some noticeable features which you’ll experience after 2C Audio Aether VST free download.
An amazing and award-winning software which provides you self-modulating algorithmic reverb.
Used by the world‘s largest music, movie and television production companies.
Considered as the champion software of the traditional reverb design.
Comes packed with loads of features such as it effectively two plug-ins in one.
Has an unrivaled late reflections engine with unique features and a Variable Q Damping Decay Curve.
Will get Cascade Control, Complex Stereo Modes and Huge Parameter Value Ranges.
2C Audio Aether VST Technical Setup Details
Software Full Name: 2C Audio Aether VST
Setup File Name: 2C.Audio.Aether.v1.6.0.rar
Full Setup Size: 105 MB
Setup Type: Offline Installer / Full Standalone Setup
Compatibility Architecture: 32 Bit (x86) / 64 Bit (x64)
Latest Version Release Added On: 07th Mar 2019
Developers: 2C Audio
System Requirements For 2C Audio Aether VST
Before you start 2C Audio Aether VST free download, make sure your PC meets minimum system requirements.
Operating System: Windows XP/Vista/7/8/8.1/10
Memory (RAM): 1 GB of RAM required.
Hard Disk Space: 1 GB of free space required.
Processor: Intel Dual Core processor or later.
2C Audio Aether VST Free Download
Click on below button to start 2C Audio Aether VST Free Download. This is complete offline installer and standalone setup for 2C Audio Aether VST. This would be compatible with both 32 bit and 64 bit windows.
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Reverb Plugin VST Audio Unit AAX RTAS
Aether is an “Auto Randomizing Algorithmic Reverb Software plug-in”.
Features and specification:
Extreme precision floating-point engine – claimed to rival the best hardware reverb units available.
“Impeccable” specifications in Space, Time, and Frequency response.
2x & 4x Oversampling, Double Precision 64-bit DSP, & Band-Limited Interpolation.
Variable Quality Modes & Extreme Offline Render Modes.
Unique pervasive Auto-Randomizing scheme throughout the entire algorithm which keeps mixes sounding alive.
Non-Exponential Decay curves with an Attack & Sustain Envelope for “lush” sound.
Discrete Early Reflections Engine with 33 Space Type Models.
Cascade Control allowing the creation of Complex & Clustered IRs.
True Stereo, Hybrid Stereo, Mid-Side, and Complex Stereo Modes.
Reverb Decay Time range from 0.10sec to 120sec plus an Infinite Decay Mode.
Variable Q Damping Decay Curve.
Space Type & Frequency Profile Macro.
Over 300 factory presets ranging from sublime acoustic emulations to extreme sound-design ambiences.
Over 300 additional presets available as add-on expansions.
0-Sample Latency. Suitable for use in tracking and performance.
Coded in assembly and optimized with SSE for extreme efficiency.
64-bit Host/OS Support.
Supported Sample Rates of up to 192K.
Intuitive futuristic GUI designed for maximum control and ease of use.
Unlike convolution reverbs, Aether is not a static process, and no two instances of Aether are ever exactly the same. The same is true in real world acoustical spaces as well: a building’s acoustical character may vary slightly depending on several factors such as its current occupancy, and even more subtle things such as the current temperature and humidity. Thus, acoustic space itself is alive in the real world and is constantly shifting, morphing, and evolving to produce a complex array of potential impulse responses. A sampled impulse response of a real acoustic space, can be quite accurate for that particular moment, but it tells only part of the story. It is like a picture of a lake, versus the lake itself. A lake in the real world is unlikely to spontaneously develop waves the size of those found in the ocean, but it is never quite as still as a picture either. Aether’s approach does not simply sample one static picture in time, but rather captures the complete subtly of the dynamic chaotic processes found in life and it retains all the detail and organic feel of these processes.
Aether’s algorithm is conceptually divided into two parts: Early Reflections, and Late Reflections. The early reflections stage provides discrete delay patterns, which provide spatial cues that identify the nature of the given acoustic space. Aether mathematically calculates and subtly randomizes these ER delay patterns in pure floating point precision based on an incredibly complex algorithm that is designed to accurately mimic physical reality. This part of the algorithm consists of over 75 variable parameters which control the characteristics of the resulting ER patterns. In effort to maximize usability and user friendliness, this complexity is hidden from the user, and is instead wrapped into a single visual macro called Space Type. Thus the user does not have to deal with complex esoteric DSP parameters that only a physicist would understand and instead he simply chooses visually the type of environment he would like to use, and Aether makes the appropriate changes to the algorithm behind the scenes. 33 different default Space Types ship with Aether, and the interface provides five additional control knobs to customize their most important aspects. These controls allow adjustment of the size and geometrical shape of the Space Type default as well the positioning models used to determine where the sound source and listener are in the room.
In a real acoustic space there is no real distinction between Early and Late Reflections and the entire composite response of a real acoustic space consists of ERs, LRs, and frequency characteristics of the given environment. Thus in order to truly represent a given space accurately all three of these things should align to meet the characteristics of the acoustic environment. Aether offers an intuitive solution to this issue by providing a Link button that allows various parameters to be linked to the Space Type macro control. The additional ER controls, the LR controls, both set of controls, or none of the controls can be linked to Space Type. This way, when a user selects the “Telephone Booth” space for example, an appropriate size and reverb time can optionally be set automatically as well. Of course the linked parameters can then be adjusted by the user as desired and hybrid presets can also be developed by quickly combining the characteristics of two or more different space types. The end result is a balance of maximum ease of use and ultimate flexibility.
In addition to the intrinsic variance found at the very heart of the Aether algorithm, Aether also offers even more modulation possibilities to keep the verb from sounding dead and static. Two simple modulation controls are offered to invoke additional random LFO modulations in the Late Reflections section of the algorithm. The Modulation Rate and Period controls create musically-pleasing, randomly shifting resonances in the spectrum of the diffuse Late Reflections. Modulation period length extends to over eight minutes to allow for imperceptibly slow shifts in the resonance of the reverb tail that guarantee the reverb sound will never be exactly the same over the course of an entire song. This completely eliminates the metallic sound which plagues many inferior reverb designs on the market.
These specs continue at 2caudio.com/products/aether/
2CAudio is a sister company of Galbanum.
The Best Reverb and Delay Plugins
There are many reverb and delay plugins out there and I’ve tried quite a few of them. My goal, like everyone’s, has been to get a great-sounding one.
Here are what I’ve tried and what I’ve found to be the best.
Last updated: 15-Jun-2022
Realistic Reverbs:
2CAudio Aether, Breeze, B2, and Precedence
⭐⭐⭐⭐⭐ Rating: 4.5 out of 5.
I like Aether, Breeze, B2, and Precedence when it comes to reverb. Precedence is a spatial positioning plugin that works with Breeze to place instruments in a virtual room. It is amazing.
Aether, Breeze, and B2 are algorithmic reverbs that are comparable to convolution reverbs in my opinion. The only negatives about the 2C products are the interfaces which are difficult for me to navigate and understand, the seemingly halted development cycle of each of these, and the costs are high.
Aether is capable of mimicking almost every reverb out there, and it can be made to do extraordinary reverb tasks that cannot be done with conventional reverbs. With a smooth musical feel to it throughout, I can’t describe it with enough detail to be accurate. It effortlessly sits nicely in the mix due to the non-exponential decay that allows it to linger without the need for turning up the mix volume and muddying the mix as happens with other reverbs. This makes it the cleanest reverb out there. The stereo handling is also unique and of impeccable quality giving it a spaciousness unparalleled. Detailed controls not available on other reverbs make it possible to design nearly any reverb desired and with a lot of options. Hands down, it is the best reverb.
Here below is a demonstration of how Aether can emulate several different reverbs, but with greater realism. I made presets for emulation of Eventide’s Blackhole, Strymon Big Sky, and Strymon Blue Sky reverbs.
Aether reviewed by SOS here: https://www.soundonsound.com/reviews/2caudio-aether
Aether reviewed by Music Radar here: https://www.musicradar.com/reviews/tech/2caudio-aether-207606
Artists using Aether: Robert Rich, Richard Devine, Deadmau5.
“I often use small amounts of several different reverbs together, to add density and smoothness, sometimes sending one reverb into another. Also, I tend to gravitate to good sounding plate reverb simulations, for the shorter tails, because they tend to leave a mix less cluttered. I like to create depth from front to back by leaving “small” sounds rather dry, which helps put the soundstage in perspective. I almost always put my reverbs on an Aux send, rather than separate instantiations for each track, because I want the elements of the mix to sit in a common space.” Robert Rich on how he uses reverb.
Here below is a video showing Precedence and Breeze working together.
B2 is a more experimental reverb and exceptional for ambient type of music. You can get larger-than-life sounds from it and it can transform a simple piano, for instance, into a synth sound. It is absolutely impressive.
Madrona Labs Aaltoverb
⭐⭐⭐⭐ Rating: 4 out of 5.
In the realm of special reverbs, Aaltoverb by Madrona Labs, is a gem. It is capable of crazy long reverb sound clouds as well as some impossible reverbs with long tails in small spaces. Tape speed change effects are also possible (read the manual for some significant tips). A key ingredient in this reverb is that it can be changed on the fly without clicks or pops, making it versatile as can be. And, it was born from Aalto – a premium synth capable of Buchla-type sounds and Kyma-esque noises (although it’s sibling, Kaivo, is better at that), so it has pristine clarity.
Eventide TVerb
⭐⭐⭐ Rating: 3 out of 5.
This algorithmic reverb employs three microphones that can be moved around a virtual room. The three microphones allow this reverb to meld into the mix very well. The effect of having three mics means that you can get some interesting left-right effects out of it. Modeled after what Tony Visconti did for David Bowie recordings, this reverb is useful for any traditional (not space ambient) piece and sound quite good on pianos.
The polar pattern of microphone one can be changed. There is compression for microphone one and gates on the other two microphones. All the microphones are stereo, and being able to automate the movement of the microphones allows for some interesting stereo effects. Additionally, the room characteristics can be changed.
Reviewed by SOS here: https://www.soundonsound.com/reviews/eventide-t-verb
Another review: https://sonicscoop.com/2017/02/28/new-software-review-tverb-eventide/#:~:text=Tverb%20offers%20selectable%20polar%20patterns,the%20distance%20between%20the%20mics.
112dB Mikron Reverb
⭐⭐⭐⭐⭐ Rating: 4.5 out of 5.
This algorithmic reverb is simple and that is what I like most about it. The 112dB engineers have found the best spot in a room or space and have modeled them well. This means there is no searching around for the optimal settings. I can just put this on a track and know that it will sound great. It sits fairly well in the mix but takes a bit of experimentation to get what you want. It is limited in its ability to be tweaked, and sometimes that is necessary to get the right sound. Overall it is on par with the best and is easy to use. If you want something that is really special, use their Mikron Cascade delay and get those shimmery tails going.
Deep/Ambient/Space Reverbs:
See above B2, Breeze, and Aether by 2C that have definite depth settings available and can match any of these below.
Eventide Blackhole
⭐⭐⭐⭐ Rating: 4 out of 5.
The Blackhole has a depth and smoothness to it that is really hard to beat with lesser reverbs. It is an algorithmic reverb with a slight bend toward the dark side which you would expect with a deep space blackhole name that it has. Space is quite bleak and dark with negative energy and that is what this reverb exudes. The negatives of this reverb are the dreary quality that can creep into it if you are not careful with the setting. This is limiting so I don’t like that aspect, but I adore the smoothness and hardware feel of this one.
Valhalla Supermassive
⭐⭐⭐⭐ Rating: 4 out of 5.
Probably a competitive version of the Blackhole reverb, but with some interesting additional features. Still, it lacks the smoothness of Blackhole for me. The free price tag is a plus.
Valhalla Shimmer
⭐⭐⭐⭐⭐ Rating: 5 out of 5.
Shimmer gets you that Strymon type of sound, but lacks a bit when it comes to simulating the Blackhole. However, Shimmer has alternatives such as the octave up and down that make it a one-of-a-kind reverb for ambient and space music. I rarely get a dreary feel from this one as I do from Blackhole. Still, I would give this one top marks for ease of use, unique sound, and quality.
Eventide Shimmerverb
⭐⭐⭐⭐ Rating: 3.5 out of 5.
As a direct competitor to Shimmer, this one is a strong contender. It has the Eventide smoothness found in Blackhole so that gives it an edge, but lacks the high and low octave spacings that are unique to Shimmer.
Midiverb/Quadraverb Simulations:
Audiority Xenoverb
⭐⭐⭐⭐ Rating: 4 out of 5.
Audiority has made a good simulation of the Midiverb here with the Flow algorithm hitting it near exact. This is a lightweight and easy-to-use reverb that sounds great on acoustic material where it can really shine.
Goodhertz Megaverb
⭐⭐⭐⭐⭐ Rating: 4.5 out of 5.
Goodhertz simulated the Midiverb quite well with their Megaverb reverb. This reverb is versatile and has a number of presets that lend themselves toward the simulation of Aphex Twin and Squarepusher among others. Mode C is good for Midiverb simulation, while mode D seems closer to Quadraverb. It is great to have both available and Goodhertz made this one really well.
Valhalla Vintage Verb
⭐⭐⭐⭐⭐ Rating: 4.5 out of 5.
Valhalla Vintage Verb is amazingly good at getting a Midiverb or Quadraverb sound. It takes some experimentation, but when you get it right, it is very smooth and special.
To be reviewed, but special to me:
Native Instruments Raum and Replica XT
TAL DubX
Expert Sleepers Augustus Loop
PSP Pianoverb
Denise Audio’s Perfect Room and Perfect Plate
키워드에 대한 정보 2c aether vst
다음은 Bing에서 2c aether vst 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 2CAudio Aether reverb has a crazy fun list of presets
- 2caudio
- adam
- aether
- atlanta
- berlin
- best
- compare
- completely
- demo
- depth
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- incredible
- instantly
- keep
- looked
- love
- main
- oxford
- plugin
- png
- presets
- product
- purchase
- quality
- quite
- really
- recommend
- requires
- reverb
- richard
- sample
- screenshoot
- smooth
- software
- something
- sound
- source
- space
- total
- units
- verb
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- warm
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- zip
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YouTube에서 2c aether vst 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 2CAudio Aether reverb has a crazy fun list of presets | 2c aether vst, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
