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It is a quick overview and specs comparison
Sony Cyber-shot RX100 VI vs Panasonic Lumix ZS200 (TZ200)
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Sony RX100 VI vs Panasonic ZS200 Detailed Comparison
Both cameras have a we angle coverage of 24mm. On the other hand, with a max aperture of f2.80, Sony RX100 VI is faster than Panasonic ZS200 …
Source: cameradecision.com
Date Published: 11/13/2022
View: 3384
Panasonic ZS200 vs Sony RX100 VI – Imaging Resource
Sony RX100 VI advantages over Panasonic ZS200 · Slower slow-motion. 1000 fps vs 120 fps · Larger lens aperture. f/2.8 vs f/3.3 · Tiltable Screen. Tiltable vs Fixed.
Source: www.imaging-resource.com
Date Published: 11/1/2021
View: 9151
Sony RX100 VI vs Panasonic ZS200 vs Panasonic ZS100
The launch of the RX100 VI, with its 24-200mm equiv. zoom, sees Sony enter the large sensor travel zoom market. This puts it squarely into …
Source: www.dpreview.com
Date Published: 8/5/2021
View: 7966
Panasonic Lumix DC-ZS200 vs Sony Cyber-shot DSC-RX100 VI
Technically speaking, Sony Cyber-shot DSC-RX100 VI is superior to Panasonic Lumix DC-ZS200, with an overall iCamRank score of 58 and 51, respectively.
Source: camerarace.com
Date Published: 5/24/2022
View: 8828
Panasonic Lumix DC-ZS200 vs Sony Cyber-shot DSC-RX100 VI
What is the difference between Sony Cyber-shot DSC-RX100 VI and Panasonic Lumix DC-ZS200? Find out which is better and their overall performance in the …
Source: versus.com
Date Published: 1/20/2021
View: 6135
Panasonic ZS200 vs Sony RX100 VI Comparison Review
The ZS200 has a 24-360mm f/3.3-6.4 optic and the RX100 VI offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the …
Source: www.apotelyt.com
Date Published: 9/15/2022
View: 6958
Compare Sony DSC-RX100 VII vs Panasonic DC-ZS200 vs …
Compare Sony DSC-RX100 VII vs Panasonic DC-ZS200 vs Sony DSC-RX100 VI. … Panasonic Lumix DC-ZS200 Digital Camera with Accessory Kit (Black).
Source: www.bhphotovideo.com
Date Published: 11/11/2021
View: 1561
Panasonic ZS200 with Sony RX100 VI Comparison
Viewfinder Cyber-shot DSC-RX100 VI has a higher resolution of 2359k dots, Lumix DC-ZS200 has a resolution of 2330k dots. Burst mode, also called continuous …
Source: reviews-cameras.com
Date Published: 1/10/2021
View: 4647
Sony RX100 VI vs Panasonic Lumix TZ200
The TZ200 beats the RX100 VI when it comes to focal length offering, with a 15x optical zoom covering a 35mm equivalent range of 24-360mm.
Source: www.amateurphotographer.co.uk
Date Published: 4/7/2022
View: 4321
주제와 관련된 이미지 panasonic lumix zs200 vs sony rx100 vi
주제와 관련된 더 많은 사진을 참조하십시오 Sony Cyber-shot RX100 VI vs Panasonic Lumix ZS200 (TZ200). 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 panasonic lumix zs200 vs sony rx100 vi
- Author: DSLR VS
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- Date Published: 2018. 6. 6.
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Sony RX100 VI vs Panasonic ZS200 Detailed Comparison
Size and weight is a big decision factor when you are trying to find the ideal camera for your needs. In this section, We are going to illustrate Sony RX100 VI and Panasonic ZS200 side-by-side from the front, back and top in their relative dimensions. Sony RX100 VI has external dimensions of 102 x 58 x 43 mm (4.02 x 2.28 x 1.69″) and weighs 301 g (0.66 lb / 10.62 oz) (including batteries). Panasonic ZS200 has external dimensions of 111 x 66 x 45 mm (4.37 x 2.6 x 1.77″) and weighs 340 g (0.75 lb / 11.99 oz) (including batteries).
Below you can see the front view size comparison of Sony RX100 VI and Panasonic ZS200. Sony RX100 VI is clearly the smaller of the two cameras. Its body is 9mm narrower, 8mm shorter and 2mm thinner than Panasonic ZS200.
Comparison image of Sony RX100 VI and Panasonic ZS200 Size, Weight and External Dimensions – Front View
Here is the back view size comparison of Sony RX100 VI and Panasonic ZS200.
Comparison image of Sony RX100 VI and Panasonic ZS200 Size and Weight – Back View
Now lets look at the top view comparison of Sony RX100 VI and Panasonic ZS200.
Panasonic ZS200 vs Sony RX100 VI
Longer stills battery life
Cameras with longer battery life can take more photos before exhausting their batteries.
Special note: The measurement standard for battery life stipulates that if a camera has an internal flash, it must be used for 50% of photos taken. For this reason, comparisons of one camera with an internal flash to another without will not be comparable
Panasonic Lumix DC-ZS200 vs Sony Cyber-shot DSC-RX100 VI
In case you are wondering which of these cameras you should buy, then this is the right place to find an answer. Here you will find listed all the main differences among Panasonic Lumix DC-ZS200 and Sony Cyber-shot DSC-RX100 VI, calculated by the CameraRace iCamRank algorithm.
Technically speaking, Sony Cyber-shot DSC-RX100 VI is superior to Panasonic Lumix DC-ZS200, with an overall iCamRank score of 58 and 51, respectively.
The image quality of Panasonic Lumix DC-ZS200 (39) is similar to that of Sony Cyber-shot DSC-RX100 VI (39).
Sony Cyber-shot DSC-RX100 VI (74) performs better than Panasonic Lumix DC-ZS200 (44) in terms of speed.
Panasonic Lumix DC-ZS200 (63) and Sony Cyber-shot DSC-RX100 VI (66) are characterized by similar versatility.
Panasonic Lumix DC-ZS200 (72) and Sony Cyber-shot DSC-RX100 VI (73) provide a similar handling experience.
But, as you may know, the technical performance is meaningless if applied to the wrong context. This is the reason why the iCamRank “weights” differently the camera technical features for each type of photography. Thus, below you’ll find our suggestions, based on your preferred photography genre:
Whatever type of photography shall you prefer, Sony Cyber-shot DSC-RX100 VI is superior to Panasonic Lumix DC-ZS200 in all conditions.
Need further details? Below you will find a full comparison of all the technical specifications.
Panasonic Lumix DC-ZS200 vs Sony Cyber-shot DSC-RX100 VI: What is the difference?
1. weather-sealed (splashproof) ✖ Panasonic Lumix DC-ZS200 ✖ Sony Cyber-shot DSC-RX100 VI The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes.
2. screen resolution 1240k dots 1228.8k dots A higher screen resolution provides a sharper image, making it easier to review your photos.
3. EVF resolution 2330k dots 2359k dots An electronic viewfinder (EVF) with a higher resolution provides a sharper image, producing a view comparable in quality with the one displayed on an optical viewfinder.
4. Has a built-in focus motor ✖ Panasonic Lumix DC-ZS200 ✖ Sony Cyber-shot DSC-RX100 VI The focus motor moves the lens in order to autofocus. For system cameras, having a focus motor in the camera’s body allows you to use a wide range of lenses, including lenses which do not have their own focus motor. For compact cameras, a focus motor is usually built-in.
5. Has a flip-out screen ✖ Panasonic Lumix DC-ZS200 ✔ Sony Cyber-shot DSC-RX100 VI Flip-out screens can be useful for tricky shots.
6. has an optical viewfinder ✖ Panasonic Lumix DC-ZS200 ✖ Sony Cyber-shot DSC-RX100 VI An optical viewfinder (or OVF) allows the photographer to compose a shot while seeing exactly what the lens will capture. OVFs have no time lag and require no power – as opposed to electronic viewfinders, which can drain battery life. OVFs are also better in low light situations.
7. Has an electronic viewfinder (EVF) ✔ Panasonic Lumix DC-ZS200 ✔ Sony Cyber-shot DSC-RX100 VI An electronic viewfinder (or EVF) is a small display which shows the framed image. Benefits of these over optical viewfinders include: they show more of the image; they can be more compact; it’s easier to focus with digital zoom; and they sometimes offer extra info on the display (such as a live histogram).
8. viewfinder coverage 100% 100% With 100% coverage, you can compose the image correctly when you capture the photo. With less than full coverage, you may have to crop your photos afterward to get them looking perfect.
Panasonic ZS200 vs Sony RX100 VI Comparison Review
PW Jun 7, 2021
Panasonic ZS200 vs Sony RX100 VI
The Panasonic Lumix DC-ZS200 (called Panasonic TZ200 in some regions) and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were officially introduced, respectively, in February 2018 and June 2018. Both the ZS200 and the RX100 VI are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Headline Specifications Panasonic ZS200 Sony RX100 VI Fixed lens compact camera Fixed lens compact camera 24-360mm f/3.3-6.4 24-200mm f/2.8-4.5 20 MP – 1″ sensor 20 MP – 1″ sensor 4K/30p Video 4K/30p Video ISO 125-12,800 (80 – 25,600) ISO 125-12,800 (80 – 25,600) Electronic viewfinder (2330k dots) Electronic viewfinder (2359k dots) 3.0″ LCD – 1240k dots 3.0″ LCD – 1229k dots Fixed touchscreen Tilting touchscreen 10 shutter flaps per second 24 shutter flaps per second In-body stabilization Lens-based stabilization 370 shots per battery charge 240 shots per battery charge 111 x 65 x 45 mm, 340 g 102 x 58 x 43 mm, 301 g
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS200 and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS200 and the Sony RX100 VI. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the RX100 VI is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is notably smaller (18 percent) than the Panasonic ZS200. Moreover, the RX100 VI is markedly lighter (11 percent) than the ZS200. In this context, it is worth noting that neither the ZS200 nor the RX100 VI are weather-sealed.
Concerning battery life, the ZS200 gets 370 shots out of its DMW-BLG10 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS200 was launched at a markedly lower price (by 33 percent) than the RX100 VI, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as “crop factor”) of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the ZS200 and the RX100 VI have the same pixel density, as well as the same pixel size. It should, however, be noted that the RX100 VI is a somewhat more recent model (by 3 months) than the ZS200, and its sensor might have benefitted from technological advances during this time.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-ZS200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Sony Cyber-shot DSC-RX100 VI offers exactly the same ISO settings.
In terms of underlying technology, the ZS200 is build around a CMOS sensor, while the RX100 VI uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth (“DXO Portrait”), dynamic range (“DXO Landscape”), and low-light sensitivity (“DXO Sports”) of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Sensor Characteristics Camera
Model Sensor
Class Resolution
(MP) Horiz.
Pixels Vert.
Pixels Video
Format DXO
Portrait DXO
Landscape DXO
Sports DXO
Overall 1. Panasonic ZS200 1-inch 20.0 5472 3648 4K/30p 22.0 12.2 449 64 2. Sony RX100 VI 1-inch 20.0 5472 3648 4K/30p 22.1 12.3 478 64 3. Canon G5 X Mark II 1-inch 20.0 5472 3648 4K/30p 22.2 12.4 583 65 4. Canon G7 X Mark III 1-inch 20.0 5472 3648 4K/30p 22.2 12.4 583 65 5. Canon G7 X Mark II 1-inch 20.0 5472 3648 1080/60p 21.8 11.9 260 62 6. Canon G5 X 1-inch 20.0 5472 3648 1080/60p 21.8 11.9 227 61 7. Canon G7 X 1-inch 20.0 5472 3648 1080/60p 23.0 12.7 556 71 8. Panasonic FZ1000 II 1-inch 20.0 5472 3648 4K/30p 22.1 12.4 546 65 9. Panasonic GX9 Four Thirds 20.2 5184 3888 4K/30p 23.1 12.8 1163 74 10. Panasonic LX10 1-inch 20.0 5472 3648 4K/30p 21.9 12.0 315 62 11. Panasonic ZS100 1-inch 20.0 5472 3648 4K/30p 22.8 12.5 559 70 12. Panasonic FZ1000 1-inch 20.0 5472 3648 4K/30p 22.1 11.7 517 64 13. Sony RX100 VII 1-inch 20.0 5472 3648 4K/30p 21.8 12.4 418 63 14. Sony RX100 V 1-inch 20.0 5472 3648 4K/30p 22.8 12.4 586 70 15. Sony RX100 IV 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70 16. Sony RX100 III 1-inch 20.0 5472 3648 1080/60p 22.4 12.3 495 67 17. Sony RX100 II 1-inch 20.0 5472 3648 1080/60p 22.5 12.4 483 67 Note: DXO values in italics represent estimates based on sensor size and age.
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX100 VI offers a slightly higher resolution than the one in the ZS200 (2359k vs 2330k dots). The adjacent table lists some of the other core features of the Panasonic ZS200 and Sony RX100 VI along with similar information for a selection of comparators.
Core Features Camera
Model Viewfinder
(Type or
000 dots) Control
Panel
(yes/no) LCD
Specifications
(inch/000 dots) LCD
Attach-
ment Touch
Screen
(yes/no) Max
Shutter
Speed * Max
Shutter
Flaps * Built-in
Flash
(yes/no) Built-in
Image
Stab 1. Panasonic ZS200 2330 n 3.0 / 1240 fixed Y 1/2000s 10.0/s Y Y 2. Sony RX100 VI 2359 n 3.0 / 1229 tilting Y 1/2000s 24.0/s Y Y 3. Canon G5 X Mark II 2360 n 3.0 / 1040 tilting Y 1/2000s 30/s Y Y 4. Canon G7 X Mark III none n 3.0 / 1040 tilting Y 1/2000s 30/s Y Y 5. Canon G7 X Mark II none n 3.0 / 1040 tilting Y 1/2000s 8.0/s Y Y 6. Canon G5 X 2360 n 3.0 / 1040 swivel Y 1/2000s 5.9/s Y Y 7. Canon G7 X none n 3.0 / 1040 tilting Y 1/2000s 6.5/s Y Y 8. Panasonic FZ1000 II 2360 n 3.0 / 1240 swivel Y 1/4000s 12.0/s Y Y 9. Panasonic GX9 2760 n 3.0 / 1240 tilting Y 1/4000s 9.0/s Y Y 10. Panasonic LX10 none n 3.0 / 1040 tilting Y 1/4000s 10.0/s Y Y 11. Panasonic ZS100 1166 n 3.0 / 1040 fixed Y 1/2000s 10.0/s Y Y 12. Panasonic FZ1000 2359 n 3.0 / 921 swivel n 1/4000s 12.0/s Y Y 13. Sony RX100 VII 2359 n 3.0 / 921 tilting Y 1/2000s 90.0/s Y Y 14. Sony RX100 V 2359 n 3.0 / 1229 tilting n 1/2000s 24.0/s Y Y 15. Sony RX100 IV 2359 n 3.0 / 1228 tilting n 1/2000s 16.0/s Y Y 16. Sony RX100 III 1440 n 3.0 / 1229 tilting n 1/2000s 10.0/s Y Y 17. Sony RX100 II optional n 3.0 / 1229 tilting n 1/2000s 10.0/s Y Y Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the ZS200 and the RX100 VI have zoom lenses built in. The ZS200 has a 24-360mm f/3.3-6.4 optic and the RX100 VI offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. The RX100 VI offers the faster maximum aperture.
The ZS200 writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS200 and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Input-Output Connections Camera
Model Hotshoe
Port Internal
Mic / Speaker Microphone
Port Headphone
Port HDMI
Port USB
Port WiFi
Support NFC
Support Bluetooth
Support 1. Panasonic ZS200 – stereo / mono – – micro 2.0 Y – Y 2. Sony RX100 VI – stereo / mono – – micro 2.0 Y Y Y 3. Canon G5 X Mark II – stereo / mono – – micro 3.1 Y – Y 4. Canon G7 X Mark III – stereo / mono Y – micro 3.1 Y – Y 5. Canon G7 X Mark II – stereo / mono – – micro 2.0 Y Y – 6. Canon G5 X Y stereo / mono – – mini 2.0 Y Y – 7. Canon G7 X – stereo / mono – – micro 2.0 Y Y – 8. Panasonic FZ1000 II Y stereo / mono Y – micro 2.0 Y – Y 9. Panasonic GX9 Y stereo / mono – – micro 2.0 Y – Y 10. Panasonic LX10 – stereo / mono – – micro 2.0 Y – – 11. Panasonic ZS100 – stereo / mono – – micro 2.0 Y – – 12. Panasonic FZ1000 Y stereo / mono Y – micro 2.0 Y Y – 13. Sony RX100 VII – stereo / mono Y – micro 2.0 Y Y Y 14. Sony RX100 V – stereo / mono – – micro 2.0 Y Y – 15. Sony RX100 IV – stereo / mono – – micro 2.0 Y Y – 16. Sony RX100 III – stereo / mono – – micro 2.0 Y Y – 17. Sony RX100 II Y stereo / mono – – micro 2.0 Y Y –
The ZS200 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the features and operation of the ZS200 and RX100 VI can be found, respectively, in the Panasonic ZS200 Manual (free pdf) or the online Sony RX100 VI Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic ZS200 or the Sony RX100 VI – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-ZS200:
Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
Has an intervalometer built-in for low frequency shooting. More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
Has a longer tele-lens for perspective compression and subject magnification. Longer lasting: Can take more shots (370 versus 240) on a single battery charge.
Can take more shots (370 versus 240) on a single battery charge. More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
Was introduced into a lower priced category (33 percent cheaper at launch). More heavily discounted: Has been on the market for longer (launched in February 2018).
Advantages of the Sony Cyber-shot DSC-RX100 VI:
Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
Features on-sensor phase-detection for more confident autofocus. Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.53x).
Features a viewfinder with a higher magnification (0.59x vs 0.53x). More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
Has a tilting screen for odd-angle shots in landscape orientation. More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
Has an articulated screen that can be turned to be front-facing. Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment. Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
Has a lens with a wider maximum aperture (f/2.8 vs f/3.3). More compact: Is smaller (102x58mm vs 111x65mm) and will fit more readily into a bag.
Is smaller (102x58mm vs 111x65mm) and will fit more readily into a bag. Less heavy: Has a lower weight (by 39g or 11 percent) and is thus easier to take along.
Has a lower weight (by 39g or 11 percent) and is thus easier to take along. Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
Supports NFC for fast wireless image transfer over short distances. More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 VI is the clear winner of the contest (10 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
ZS200 05 : 10 RX100 VI
How about other alternatives? Do the specifications of the Panasonic ZS200 and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the ZS200 or the RX100 VI. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Panasonic ZS200 vs Sony RX100 VI Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features. Camera Specifications Camera Model Panasonic ZS200 Sony RX100 VI Camera Type Fixed lens compact camera Fixed lens compact camera Camera Lens 24-360mm f/3.3-6.4 24-200mm f/2.8-4.5 Launch Date February 2018 June 2018 Launch Price USD 799 USD 1,199 Sensor Specs Panasonic ZS200 Sony RX100 VI Sensor Technology CMOS BSI-CMOS Sensor Format 1″ Sensor 1″ Sensor Sensor Size 13.2 x 8.8 mm 13.2 x 8.8 mm Sensor Area 116.16 mm2 116.16 mm2 Sensor Diagonal 15.9 mm 15.9 mm Crop Factor 2.7x 2.7x Sensor Resolution 20 Megapixels 20 Megapixels Image Resolution 5472 x 3648 pixels 5472 x 3648 pixels Pixel Pitch 2.41 μm 2.41 μm Pixel Density 17.18 MP/cm2 17.18 MP/cm2 Moiré control Anti-Alias filter Anti-Alias filter Movie Capability 4K/30p Video 4K/30p Video ISO Setting 125 – 12,800 ISO 125 – 12,800 ISO ISO Boost 80 – 25,600 ISO 80 – 25,600 ISO Image Processor Venus BIONZ X Screen Specs Panasonic ZS200 Sony RX100 VI Viewfinder Type Electronic viewfinder Electronic viewfinder Viewfinder Field of View 100% 100% Viewfinder Magnification 0.53x 0.59x Viewfinder Resolution 2330k dots 2359k dots LCD Framing Live View Live View Rear LCD Size 3.0inch 3.0inch LCD Resolution 1240k dots 1229k dots LCD Attachment Fixed screen Tilting screen Touch Input Touchscreen Touchscreen Shooting Specs Panasonic ZS200 Sony RX100 VI Focus System Contrast-detect AF On-Sensor Phase-detect Manual Focusing Aid Focus Peaking Focus Peaking Max Shutter Speed (mechanical) 1/2000s 1/2000s Continuous Shooting 10 shutter flaps/s 24 shutter flaps/s Electronic Shutter up to 1/16000s up to 1/32000s Time-Lapse Photography Intervalometer built-in no Intervalometer Image Stabilization In-body stabilization Lens-based stabilization Fill Flash Built-in Flash Built-in Flash Storage Medium SDXC cards MS or SDXC cards Second Storage Option Single card slot Single card slot UHS card support UHS-I UHS-I Connectivity Specs Panasonic ZS200 Sony RX100 VI External Flash no Hotshoe no Hotshoe USB Connector USB 2.0 USB 2.0 HDMI Port micro HDMI micro HDMI Wifi Support Wifi built-in Wifi built-in Near-Field Communication no NFC NFC built-in Bluetooth Support Bluetooth built-in Bluetooth built-in Body Specs Panasonic ZS200 Sony RX100 VI Battery Type DMW-BLG10 NP-BX1 Battery Life (CIPA) 370 shots per charge 240 shots per charge In-Camera Charging USB charging USB charging Body Dimensions 111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in) 102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in) Camera Weight 340 g (12.0 oz) 301 g (10.6 oz)
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Compare Panasonic ZS200 with Sony RX100 VI
Sony Cyber-shot DSC-RX100 VI with Panasonic Lumix DC-ZS200 Overview
Let’s compare Panasonic Lumix DC-ZS200 with Sony Cyber-shot DSC-RX100 VI. These models are included in the Large Sensor Compact cameras. Both of these models were released in 2018. This means that differences will go a long way. Let’s take a closer look.
These two cameras have the same sensor resolution – 20 MP. The more megapixels the camera has, the more detailed and clear the picture will be. The number of megapixels will also affect the maximum size of the photos, which then can be printed without loss of quality.
The minimum ISO value for these cameras is the same and is . A larger maximum ISO allows you to take good pictures in the dark. The maximum ISO value for these cameras is the same and is . Both cameras have 5-axis Optical image stabilization. Both cameras feature a 3-inch fixed screen.
Both cameras have a electronic viewfinder. Viewfinder Cyber-shot DSC-RX100 VI has a higher resolution of 2359k dots, Lumix DC-ZS200 has a resolution of 2330k dots. Burst mode, also called continuous shooting mode, sports mode or continuous high speed mode, is a shooting mode in still cameras. Panasonic Lumix DC-ZS200 has 24.0 fps continuous shooting. Panasonic Lumix DC-ZS200 has 24.0 fps continuous shooting.
Sony RX100 VI vs Panasonic Lumix TZ200
Sony RX100 VI vs Panasonic Lumix TZ200 June 12, 2018
If you’re looking for a camera that you can always have on your person, you’ll probably be heading in the direction of something small and light. But that doesn’t mean you’ll necessarily want to compromise heavily on image quality, here we compare the Panasonic Lumix TZ200 with the Sony Cyber-shot RX100 VI.
Panasonic has held the crown of best travel compact camera for some time now, first with the TZ100, and then more recently with the introduction of the TZ200. Sony has long been a serious contender when it comes to best premium compact for its RX100 series, but with a short (3x) optical zoom ratio until now, it’s not really captured the imagination of the travelling photographer.
The Cyber-shot RX100 VI sees an 8.3x optical zoom, bring it more closely in line with the travel compacts we’ve come to know and love.
But if you’re wondering just how the two cameras compare against each other, well you’re in luck, because in this piece we’re going to see how the main specifications of each model compete.
Sony RX100 VI vs Panasonic Lumix TZ200: Sensor
Both the RX100 VI and the TZ200 have one-inch type sensors, both with 20.1 megapixels. The RX100 VI features a stacked design, which while having no bearing on image quality makes it faster, facilitating features such as super-slow motion video recording and fast frame rates.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Lens
The TZ200 beats the RX100 VI when it comes to focal length offering, with a 15x optical zoom covering a 35mm equivalent range of 24-360mm. Meanwhile, the RX100 VI has an 8.3x optical zoom, giving you 24-200mm equivalent. The RX100 VI’s maximum aperture range is f/2.8-4 though compared to f/3.3-6.4, making it just a little bit better in low light. The close focusing distance of the TZ200 is 3cm, which is better than the Sony’s 8cm offering.
Winner: Panasonic Lumix TZ200
Sony RX100 VI vs Panasonic TZ200: AF
Sony’s packed some seriously impressive technology into the tiny body of the RX100 VI, and its abilities when it comes to focusing is hard to beat. There’s 315 focal-plane phase-detection AF points, which cover around 65% of the scene, working in conjunction with High-density AF Tracking technology to follow a subject. There’s also Eye AF, while high-speed AF promises focusing times of just 0.03-seconds. By contrast, the TZ200 has a 49-area DFD (depth from defocus) autofocusing system, which while certainly no slouch, is not really a match for the Sony’s capabilities for moving subjects – on paper at least.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Screen
After several years, Sony has finally decided to make an RX100 series camera touch-sensitive. The screen is a 3.0-inch, 921,600-dot screen, which allows you to tap it to change the focus point. Additionally, it also tilts upwards by 180 degrees, and downwards by 90 degrees, which can prove very handy for composing from awkward angles. Panasonic’s TZ200 also has a 3.0-inch screen, offering slightly higher resolution (1,240,000-dots) and touch-sensitivity (which in our opinion is better implemented than the RX100 VI). On the downside though, the screen on the TZ200 is fixed, making it less useful for awkward angles.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Viewfinder
Somewhat unusually for compact cameras, both the RX100 VI and the TZ200 have inbuilt viewfinders. The Sony’s offering is bigger (0.39-inch vs 0.21-inch), and offers ever so slightly more dots (2,359,296 vs 2,330,000). Sony’s viewfinder retracts into the body to save space, while Panasonic’s is there waiting whenever you need it.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Frame Rate
One of the benefits of having a fast, stacked sensor is the ability to shoot at very fast frame rates. With the Sony RX100 VI, you can shoot at a staggering 24fps, while the camera continuously adjusts autofocus and autoexposure, for up to 233 shots at a time. By contrast, if we’re talking about full-resolution, the Panasonic offers a more modest 10fps – which should still see you right for most occasions (and takes up far less space on your memory card). If you’re keen to shoot faster, you can utilise Panasonic’s 4K Photo option, which enables shooting at 30fps, but leaves you only with JPEGs at 8 megapixels.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Video
Both the cameras support 4K video recording, but the Sony RX100 VI is also compatible with HDR (HLG) recording. 4K movies are also recorded at full pixel readout. Super slow motion video can also be recorded, at 960fps. For most people, the 4K video functionality of the Panasonic TZ200 will be more than enough, even without those little extra features.
Winner: Sony RX100 VI
Sony RX100 VI vs Panasonic TZ200: Design and ergonomics
The Sony RX100 VI is impressively small and light, indeed it is significantly smaller than the TZ200. The problem here is that it is also a little slippery, with no grip or textured areas to help it feel just that little more secure in the hand. By contrast, the TZ200, while bigger, has a grip and feels much nicer to use overall. The interface for the TZ200 also makes more sense, with its top-plate dial being nicer to use than Sony’s rear dial. Meanwhile the TZ200’s really well-implemented touchscreen interface extends to menus and so on, again making it much easier to use.
Winner: Panasonic TZ200
Sony RX100 VI vs Panasonic TZ200: Battery life
As we’d expect from a powerful camera like the RX100 VI, stamina suffers as a result of all that energy, not helped by it using a considerably smaller battery. As such, the battery life is rated at just 240 shots (or 220 if you’re only using the viewfinder). You may find this lasts you a full day’s shooting, but for complete confidence, an additional battery (or a battery pack and charging cable) is a good idea. Meanwhile, the TZ200’s battery life is a much more practical 370 shots per charge.
Winner: Panasonic TZ200
Sony RX100 VI vs Panasonic TZ200: Price
Neither of these cameras are for somebody who is on a super-tight budget, but the Sony has a substantially higher price than the TZ200. At the time of writing you can pick up a TZ200 for around £729, while the Sony RX100 VI will set you back a cool £1149. Whether you think the Sony deserves the extra premium largely depends on what you intend to shoot with it – for most ordinary travel photographers, the TZ200 offers much better value for money.
Winner: Panasonic TZ200
Sony RX100 VI vs Panasonic TZ200: Conclusion
Comparing the two cameras suggests that it’s a much more close-run thing than you might first have assumed. The Sony RX100 VI wins in most categories, but comes at a huge price premium – which may or may not be worth it, depending on your point of view. If you’re looking for an excellent travel camera, offering a long zoom lens, a good screen, and excellent handling, then the TZ200 is the obvious choice. However, if you’ve got a bigger budget, and want the best available on the market, the RX100 VI is the one to go for.
Which would you choose?
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