당신은 주제를 찾고 있습니까 “todd barket san francisco – Design Rehab Presents: The Healthy Hustle w/ Todd Barket of Unionmade“? 다음 카테고리의 웹사이트 https://chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: https://chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Seannie Cameras 이(가) 작성한 기사에는 조회수 1,623회 및 좋아요 2개 개의 좋아요가 있습니다.
todd barket san francisco 주제에 대한 동영상 보기
여기에서 이 주제에 대한 비디오를 시청하십시오. 주의 깊게 살펴보고 읽고 있는 내용에 대한 피드백을 제공하세요!
d여기에서 Design Rehab Presents: The Healthy Hustle w/ Todd Barket of Unionmade – todd barket san francisco 주제에 대한 세부정보를 참조하세요
December 15, 2010
HEALTHY HUSTLE: TODD BARKET of UNIONMADE
You are now witnessing the first installment of The Healthy Hustle interviews in it’s sophomore season. For this first installment, I am very excited to present to you a man that seems to have a natural finesse in what he does. A man who worked 18 years of his life from a very humble position within a retail shop and graduated to the corporate side of the same company. His name, Todd Barket, the sole proprietor of UnionMade in San Francisco. A quaint shop on the corner of 18th and Sanchez. The first time I set step into his shop, I felt a certain warmth – a welcoming warmth that kept me fascinated yet grounded. The brands he carried, the heritage decor, the mid afternoon cup of coffee jazz in the background. The setting felt natural and comfortable. The experience was almost nostalgic to an old American outfitter but set in its modern day. Todd was always ready to assist with any questions and background about any of the brands. In short, this man is not only a humble shop owner but to me, a fashion educator.
HEALTHY HUSTLER / Todd Barket of UNIONMADE (unionmadegoods.com) PRODUCTION / Design Rehab (designrehab.com) EDITS / One Viisiion Productions (oneviisiion.com) CAPTURES / Balance + Contrast (balanceandcontrast.com) and PLSTK (plstk.com) MUSIC / Grover Washington and Nujabes
todd barket san francisco 주제에 대한 자세한 내용은 여기를 참조하세요.
Todd Barket – Creative Director – Quince – LinkedIn
Todd Barket. Global Creative Executive & Retail Brand Marketing Strategist | Connecting brands to consumers through visual storytelling. Quince. San …
Source: www.linkedin.com
Date Published: 9/30/2021
View: 2331
Creative Direction / Unionmade Pride – Todd Barket
Every June in San Francisco is our annual Pre celebration. I am a fan of ‘real people’ campaigns and Pre felt like the perfect reason to do one.
Source: www.toddbarket.com
Date Published: 12/7/2022
View: 1410
Todd Barket | Facebook
38 yo gay male who lives in San Francisco and has a place up at the river in Sonoma county. Work as a Sr. Creative Director for Old Navy Marketing. In a …
Source: www.facebook.com
Date Published: 4/4/2022
View: 967
A Look Inside the San Francisco Home of UNIONMADE’s …
The brainchild of Todd Barket in the wake of his 20-year tenure with the Gap, UNIONMADE seems the exact antithesis of major mall stores: …
Source: hypebeast.com
Date Published: 1/17/2021
View: 3807
Inside the home of Todd Barket & Carl Chiara of Unionmade …
“Part magazine, part marketplace” TRNK go inse the impressive San Francisco abode of Todd Barket & Carl Chiara, founders of Unionmade.
Source: www.highsnobiety.com
Date Published: 11/13/2022
View: 8812
Interview: Todd Barket – President’s – Crafted in Tuscany
Present’s in conversation with Todd Barket, founder of the San Francisco based menswear store, Unionmade. Photos by Kelsey McClellan.
Source: pspresidents.com
Date Published: 2/27/2021
View: 7655
A Look Inside the San Francisco Home of UNIONMADE’s Todd …
Mar 12, 2014 – A Look Inse the San Francisco Home of UNIONMADE’s Todd Barket & Carl Chiara: UNIONMADE, nestled comfortably in San Francisco on Sanchez …
Source: www.pinterest.com
Date Published: 7/26/2021
View: 1653
Interview: Todd Barket of Unionmade – Cool Hunting
Our talk with the SF-based menswear shop’s co-founder, and brand director Spencer Lemon, on the importance of timeless ics like Converse.
Source: coolhunting.com
Date Published: 10/23/2022
View: 5912
UNIONMADE’S Todd Barket Presents: Kapital Archive Sale
On a steep San Francisco hill, separating the Castro from the Mission, sits [UNIONMADE](https //unionmadegoods.com/).
Source: www.grailed.com
Date Published: 7/14/2021
View: 724
주제와 관련된 이미지 todd barket san francisco
주제와 관련된 더 많은 사진을 참조하십시오 Design Rehab Presents: The Healthy Hustle w/ Todd Barket of Unionmade. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 todd barket san francisco
- Author: Seannie Cameras
- Views: 조회수 1,623회
- Likes: 좋아요 2개
- Date Published: 2010. 12. 17.
- Video Url link: https://www.youtube.com/watch?v=Q0OplY-uas4
Unionmade Pride — Todd Barket
Every June in San Francisco is our annual Pride celebration. I am a fan of ‘real people’ campaigns and Pride felt like the perfect reason to do one. The goal was to do more than just sell clothes, I wanted to celebrate the diversity of the San Francisco LGBTQ community. For the creative I teamed up with Queer and Trans friends that had exceptional style and do great things for the community. All I asked was they grab their favorite outfits from Unionmade that represent their personal style and bring their favorite accessories to add-on so that it represented them and their personality. I love the energy and the exuberance of this campaign. We even did a customized Unionmade rainbow graphic that was used for that month!
A Look Inside the San Francisco Home of UNIONMADE’s Todd Barket & Carl Chiara
UNIONMADE, nestled comfortably in San Francisco on Sanchez Street, is certifiably one of the more inviting retail spaces in menswear today. The brainchild of Todd Barket in the wake of his 20-year tenure with the Gap, UNIONMADE seems the exact antithesis of major mall stores: intimate, full of colorful surprises and meticulously curated. At home, Barket and partner Carl Chiara have curated a similar aesthetic, though colorful books, paintings and sculptures take the place of clothes. Brimming with personal detail, yet ineffably modern with its white walls and light wooden floors, Barket and Chiara’s personal home certainly draws parallels with their work space. Enjoy a look through the space, then be sure to check out TRNK for a full interview with the partners.
Inside the home of Todd Barket & Carl Chiara of Unionmade • Selectism
“Part magazine, part marketplace” TRNK go inside the impressive San Francisco abode of Todd Barket & Carl Chiara, founders of Unionmade. The couple have shared the home, high up on a hill overlooking the northern half, for twelve years. A more minimalist, pared back interior than their Sanchez street store, Barket explains “We like to apply a hand-touch to the home that makes it feel less slick, but at the end of the day, we’re pretty modern and clean – utilitarian, in a way.” Go inside in our gallery and read more at TRNK.
Interview: Todd Barket of Unionmade
Advertorial content:
A major player in the world of menswear retail, San Francisco’s Unionmade has been outfitting the Bay Area’s growing population of sharp dressers since 2009. By specializing in a classic, casual West Coast aesthetic, the ever-growing boutique has blossomed along with the quality-over-quantity-driven Americana movement that’s consumed men’s fashion in recent years. However closely tied they two may be, co-founder Todd Barket will be the first to admit following fads isn’t high on their priority list, Unionmade is about finding up-and-coming brands and reintroducing timeless classics that’ll work with the past, present and future wardrobes of their dedicated customers.
To help in this never-ending effort to bring the best emerging and established brands to their online and in-store audience, Barket has brought on Spencer Lemon as Brand Director in recent years. To learn more about both the rise of Unionmade and just what makes their brand align so well with classics like Converse, we recently caught up with Barket and Lemon.
Unionmade is a real force in menswear, what do you think has been so key in developing such a following or presence?
Todd Barket: I think half of it is having all the great stuff that fits together. I think the other thing that we’ve done was make all these third party brands kind of fit together and look like they’re coming from one point of view, so the store feels intimate, not like a department store. It feels like we actually are curating still. I don’t know about that word because I think it’s overused, but I do think that we really approach all these brands that we’re carrying so there’s not so much overlap, and really have a point of view for the season…whether it’s like we believe in blazers, or we believe in color, or we believe in the fabrication.
So it’s kind of like editing in a weird way. It’s like going to all these different places, finding all these different things and then sitting down before you’re going off to merchandise it and really understand how it’s all gonna work together when it comes in. So I think that’s kind of the key to success. And yeah, after a while I think people trust you and I think people trust us in what we’re picking and kind of you know, even if there’s something weird in the assortment, there’s a reason it’s there.
You work with both very well known and up-and-coming brands, what is this selection process like?
TB: You know, it’s just kind of using that process of just touching and feeling and using your instincts on what you think is great. I come from a merchandising space and I love clothes. After all these years I still like clothing, which is really crazy. I still get excited looking at clothes. Colors and pattern excite me. So I think for us it’s if we would all wear it, would we want to hold onto it for a few years. Do we think it’s something we’d break out in a few years again and wear it? Does it look better when it’s washed?
And again, our look is really casual, so I think it all has to fit into a casual thing. We’re not going to be selling suits anytime soon, but maybe we would have a suit where we could actually wear it as a blazer with a pair of jeans and break it up a little bit. You know, we’re American at the end of the day, and we’re super casual.
How has being based in San Francisco influenced Unionmade’s aesthetic?
TB: I think the sensibility is casual. We’re riding bicycles, we’re walking everywhere. I feel like in New York people give you the once-over when you’re going down the subway stairs—you get the scan. It’s really funny. In New York you have to care. In LA you only kinda have to care. It’s different here.
I think San Francisco in the last five years has really evolved. It’s a different sensibility, but it definitely has its own style. People here that work at Apple aren’t wearing a tucked-in shirt to work. They’re not even wearing a dress-shirt. I think that keeps us kind of grounded and checked. I think the nice part is you can kind of take elements of what works in your wardrobe and work it out.
Imagine it’s 75 and sunny in San Francisco, what’s your ideal outfit?
Spencer Lemon: Well I would probably say a Levi’s Vintage Clothing 1947, 501 jeans… rolled up. We could do sort of a no-sock thing, which is always nice. And then a nice Gitman basic—any Gitman basic is great. And then some sort of unstructured blazer or a casual jacket. I mean you can’t really go wrong with any of those things in my opinion.
TB: Yeah, shorts always scare me because I feel like with the fog rolling in, you’re like, “Why do I have shorts on?” So khakis and a shirt is really nice. You’d do really great with a UNIS chino—they’re amazing. I think any button down oxford for me, because I’m like a uniform dresser. I wear an deconstructed, unlined blazer every day. And then I’d put on some Jack Purcells. We’re stocking some colored ones right now and they are pretty cool.
Unionmade’s eye tends to favor the classics, is this what drew you to Converse and the Jack Purcell specifically?
TB: Well, when we opened the store the thought process was to sell things that get better with age or you want to hold onto for a long time. That was always the thing. And with Converse, I think to myself, if we ever had to carry one sneaker in the store, like what’s the most iconic American sneaker that one could wear? And obviously it’s either a Converse All Star or a Jack Purcell.
You know, I’ve always worn Converse, it’s just one of those shoes that’s always been around, so we like the idea of celebrating the timelessness of it. And it’s one of those sneakers where it looks good on every last person who wears it. It goes with everything.
SL: For one reason or another, our guy has never seemed to be that interested in more high-end sneakers. We’ve never had them because they end up buying the Aldens instead, and when they do wear sneakers it’s more casual and easy to wear like Converse—a Jack Purcell. And I think you don’t feel too worried about beating it up and actually for a lot of people they look better [that way]. The classic. It’s cool, and it’ll always be cool.
Visit Unionmade online to check their finely tuned collection of Converse sneakers. Images by Jason Henry for Unionmade
UNIONMADE’S Todd Barket Presents: Kapital Archive Sale
UNIONMADE’S Todd Barket Presents: Kapital Archive Sale by Asaf Rotman October 17, 2018 UNIONMADE’S Todd Barket Presents: Kapital Archive Sale Words Asaf Rotman
Date October 17, 2018
Share On a steep San Francisco hill, separating the Castro from the Mission, sits UNIONMADE. A shrine to all things premium—or as founder Todd Barket would say, “thoughtful”—the menswear stalwart has been a part of SF’s surprisingly robust shopping scene since 2009. Initially focused on premium denim and Japanese Americana, over the past 9 years the store has evolved into a trend-averse purveyor of a refined aesthetic that still defines how the majority of San Franciscans dress themselves (Costco cargo short clad tech invaders currently not-withstanding). Opened on the cusp of the #menswear boom, UNIONMADE hit the blogosphere as one of the top destinations for everyone from denimheads to soft-shoulder diehards, grabbing RRL and unstructured Barena blazers. Yet, as those trends wavered, UNIONMADE stayed true to its roots and continued to offer inarguably good product, building a reputation as a dependable boutique committed to everyday clothing. Now, nearly a decade in business and boasting three stores—a women’s store a couple blocks away from the Sanchez St. flagship and a third Larkspur location in the North Bay—the store has developed loyal clientele who prize the store’s specific vision and authenticity. Yet, always looking forward, Barket—along with partner and co-owner Carl Chiara—always stocked brands that felt just enough out of their core customers comfort zone that invariably helped push their respective styles to even greater heights. Kapital is one of those brands. The first U.S. wholesale partner to carry the brand, Barket and Chiara were both Kapital clients before they were stockists and are some of the brands foremost proponents in the industry. Now, after 15 years of hoarding, the two are ready to let go of their prized collection. Below, we spoke to Barket on running an independent boutique, the state of industry and how he became the first Kapital stockist in America. This interview has been edited and condensed for clarity. Images courtesy of Brett Woodward.
What was the path from your prior corporate life to UNIONMADE? Todd Barket: I spent 20 years at The Gap. I started as a salesperson in 1989 while I was in art school in Los Angeles. I had moved there from Pennsylvania but didn’t end up graduating. I worked various positions in Los Angeles, in the beginning in-store visual merchandising. Gap didn’t really have a visual department back then because it was only 500 stores—still pretty small. After a while they moved me up to the San Francisco headquarters, where I worked for Banana Republic. Through the years I ended up doing various creative jobs for GAP. Back then I was really into visual merchandising, I actually did women’s which is weird considering where I am today. I transitioned to marketing eventually and over time I became the senior director of marketing at Old Navy, where I stayed until 2009. I started really low level but just stuck with it and worked my way up through the organization. Old Navy was my last gig and then I got laid off because it was downsizing its business. Since I was there for so long my salary became pretty sizeable and as it was consolidating I became a liability. The company ended up giving me a severance package and I planned to take a year off. I quickly started getting antsy and I knew I wanted to have my own business and not have to work for anyone. So I basically came up with the idea that I wanted to do a specialty retail store. It was 2009–the middle of the economic downturn—so nothing was really happening, no one was opening any stores. People were kind of surprised but I wasn’t. I had to get a job obviously and I did not want to go back to a corporate life. So I used the money from my severance package to open the store and that’s how UNIONMADE came about. When you opened UNIONMADE, were you already interested in luxury menswear? I’ve always been around it. I think working at The Gap all those years, oddly enough it was pretty aspirational as far as design intent. At The Gap, we were always referencing. In the early 2000’s, for instance, we were talking about a Prada pant that someone brought in. So, I’ve always been around fashion, I was just on the mass side of it for work, but personally I was always more interested in directional menswear. I grew up in this small town in Pennsylvania but it was near New York City and I was already wearing directional menswear in high school. So it’s something I’ve always done. When all these streetwear kids are thinking Comme des Garçons is amazing, well we were wearing Comme des Garçons in 1987. When I look back, you had to find those things, right? Because the only access you had to anything was magazines. If you were interested in fashion in the ‘80s, there was just a different way of going about it. So I think I’ve always been around fashion and I’ve always dressed a certain way, so opening a store just felt like an offshoot of my personal style.
What was the initial intent behind UNIONMADE? I was actually spending a lot of time in Japan and I really liked BEAMS—and we sell BEAMS obviously. Anytime you would go there they had a really interesting point of view that was kind of vintage Americana but it had a weird twist to it that made it not so literal. At the time no one had gathered that point of view together in one store so that was kind of the jumping off point for me. Then from years of traveling and just knowing a lot of brands, I built a brand list and the store culminated from there. I think we presented something new to people that they hadn’t seen before. We worked with interesting people along the way who were doing things that people just didn’t know about yet. There were all these old brands that hadn’t had any attention that we were able to bring attention to. That’s how it started. It was really a culmination of my personal taste and then trying to find a hook as far as a merchandising concept goes. It was half purposeful but half personal. But it was never meant to be anything heavy handed. There was a weird menswear movement that happened at that time—#menswear—that I think we had a hand in. I’m not claiming we started anything, but I think we got kind of dragged into it. Which wasn’t a bad thing for business—it was a great—but was just interesting. I never took that concept so literally, so I always thought that we should throw it off a little bit, but it was good because it made people pay attention. Your store—to this day—feels relatively trend averse. How do you look at trends? San Francisco itself is sort of trend averse. We had stores in L.A. and through that I realized that San Francisco has its own aesthetic. We were in Brentwood and that kind of made sense and it was okay but felt a bit flashy sometimes. Then we opened in the Grove and I realized that L.A. is such a trend-driven city, and helped us see that we play best in San Francisco because we personally transcend trends. We do that on purpose because if you’re going to spend that much money on a pice, we really do want you to wear it at least for a few years. I think it’s hard to present those kind of prices and that quality and not be able to wear it longer. So that’s why we are trend averse. It’s purposeful but again, San Francisco is very attuned to it and it just makes sense for this market. That’s how we dress here so I think it manifests itself. But I didn’t realize that until we went other places and tried to sell things there and we were like “oh, we’re really kind of San Francisco-y.” That said, there will always be a nod to something current but I don’t think we’re resting too heavy on it. Looking forward, does it feel frightening how obsessed kids are with sneakers and streetwear? No. I think that with social media and the internet, I feel like everyone is now on an equal playing field. I feel that at this point you’re just veering towards what you think your personal style is. It’s just a statement of the population. We definitely have younger customers, but I think we’re finding stuff that maybe compliments how kids are now dressing. We definitely have a guy that wears whatever sneaker and then he comes in and buys a pair of Beams pants. So I think our aesthetic and theirs can live harmoniously for sure. Again, I’m 46 but I wear Nikes every day with my Carhartts so I think it bleeds into how everyone dresses. Unless you’re a purist, but I feel like those consumers maybe aren’t as attuned as someone that knows how to mix their clothes. While New York and L.A. both have clearly defined aesthetics, San Francisco—especially with the influx of tech—seems more in flux. What’s the state of fashion in San Francisco? I think that there’s an offshoot of college-style that still lives in San Francisco. You see people waiting for tech buses and you’re like, “Oh, wow, you’re wearing that to work?” I think that there’s just a hangover from college because people are young and this is their first job in their professional career. They’re working 18 hours a day at some of these startups, or they’re staying at home by themselves so there’s no reason to dress up. You’re basically in your pajamas sitting at home on your computer. Then, there’s also people who are hyperaware. Tech has changed the style a little bit for the entire city, because it’s just the nature of the people. It just feels a little more safe than it used to feel. Does that affect how you curate the store? No. I think we still need to give people really interesting things and I think we’ve found our customer so I’m never worried. Working with The Gap all those years, I think I have a pretty good understanding of what’s going to move and pay the bills. We have Gitman shirts, right? So we have to sell a ton of Gitman shirts to pay for the crazy Monitaly leopard-print pants. It’s a balance. I think we strike a pretty good balance because I want to give people stuff that they can wear every day. That’s what we’re about. At the same time, we have more eccentric customers, who regularly purchase crazy pieces from us which is great. I think we understand that there’s a lot of different people in the city and we try to edit around them. We don’t have one customer per se which is nice. We’re pretty democratic in a weird way.
Speaking of curation, tell me how you discovered Kapital? My partner Carl found Kapital, a thousand years ago, when they only had the one store in Tokyo. Then, only some people knew about it, but those who did…every time you went to Tokyo, it was the one place you’d go. Carl used to find it, he used to bring pieces home and then I started to go as well. We both just sort of held on to it. That was probably 15 years ago. We were on it way early because back then you’d see a lot of people competitive shopping from the industry. Going in and buying samples, you’d kind of see people. A lot of those pieces from that far back are what ended up in this sale. How did you start selling Kapital? At that point, they weren’t wholesaling so I had to track them down. The crazy part is John Shimazaki who now has a showroom in New York City, Battery SR, was the store manager of 45RPM in New York City when it first opened around 17 year ago. I was one of their good clients and whenever I went to New York, John would take us out to dinner because I was buying a lot of stuff. When I had money working at GAP, I would by tons of clothes so they would take me out. As I understand it, current designer Kiro Hirata’s father, founder Toshiyoko Hirata, owns a lot of the factories where they make Kapital. Kiro Hirata actually worked at 45RPM, and they used to produce a lot of 45RMP stuff in their family factories. There’s a 45RPM relationship with Kapital and at the time, you could see a little bit of it. I always sort of associated the two. Strangely enough, John started repping Kapital when they first started to wholesale, and because of our relationship, UNIONMADE was the first wholesale partner in America. We were the first to sell it online—Kapital had strict rules about online sales—as well, that was in 2011. Today, Kapital is a massively hyped brand, with tons of stores across Japan. How do you feel about the brand’s trajectory and newfound popularity? The whole thing is so crazy. I mean, I never thought of Kapital in that vein but like I said, the world’s changed so rapidly. Now I understand it. At first, I was like, “Wow, that’s weird, I can’t believe people like Kid Cudi are wearing it.” But I get it because John Mayer was one of our good Kapital customers. I knew it had some renown, but at the same time I didn’t know, it sort of didn’t even register to me. Pharrell even bought some pieces from us. It’s been a weird transition, for sure.
What do you think makes Kapital so unique? That they have so many pieces, honestly. No two stores have the same assortment, they just have so much product. Strangely enough our friend Kana, Kiro Hirata’s sister, lives in Berkeley, and she’s the one who brings the samples from Japan to Shimazaki’s showroom in New York. She just picks through what she thinks we’re going to like and that’s what actually ends up in the showroom. Then, we kind of edit things down from there. There’s special pieces like the Kapital Kountry pieces—hand-done old garments that they mess with—that we get first dibs on which is nice. Usually no one else has those pieces, other than the stores in Japan. How has the Kapital client changed? This is even crazier. Kapital is one of our best selling lines in the store. I don’t know if the client has changed dramatically as much as more people have stumbled onto it. It’s in more people’s vernacular. Before the brand had a really weird, small following. Then, over time it either got buzzed or it’s been in the store for so many years that I think our customer started understanding it because of the consistency we had in our offering. People come back every season now and buy pieces from us because they’re waiting for the shipment. That said, it always does really well for us online, and I’m sure part of that is new customers coming at different age brackets who didn’t know about it before, for sure.
키워드에 대한 정보 todd barket san francisco
다음은 Bing에서 todd barket san francisco 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Design Rehab Presents: The Healthy Hustle w/ Todd Barket of Unionmade
- Todd Barket
- Design Rehab
- Healthy Hustle
- Seannie Cameras
- Balance and Contrast
- PLSTK
- Unionmade
- One Viisiion Productions
- Garbstore
- Mickey Drexler
- GAP
- J Crew
Design #Rehab #Presents: #The #Healthy #Hustle #w/ #Todd #Barket #of #Unionmade
YouTube에서 todd barket san francisco 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Design Rehab Presents: The Healthy Hustle w/ Todd Barket of Unionmade | todd barket san francisco, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
