To Weep Is To Make Less The Depth Of Grief | To Weep Is To Make Less The Depth Of Grief 답을 믿으세요

당신은 주제를 찾고 있습니까 “to weep is to make less the depth of grief – To wEEp is to makE lEss thE dEpth of griEf“? 다음 카테고리의 웹사이트 https://chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: https://chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Jairus Mon 이(가) 작성한 기사에는 조회수 6회 및 좋아요 없음 개의 좋아요가 있습니다.

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d여기에서 To wEEp is to makE lEss thE dEpth of griEf – to weep is to make less the depth of grief 주제에 대한 세부정보를 참조하세요

to weep is to make less the depth of grief 주제에 대한 자세한 내용은 여기를 참조하세요.

To weep is to make less the depth of grief.

To weep is to make less the depth of grief.“ – William Shakespeare.

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Date Published: 4/9/2022

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To weep is to make less the depth of grief. – SevenPonds Blog

Poet William Shakespeare acknowledges the healing power of expressing our grief through tears in a line from Henry VI.

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To weep is to make less the depth of grief. in 2022 | William …

William Shakespeare Quote: To weep is to make less the depth of grief. To weep is to make less the depth of grief. | William Shakespeare Quote …

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The depth of grief. To weep is to make less the depth of…

To weep is to make less the depth of grief. … Stephen works for the city. He has a mundane job. His job is to work with spreadsheets. The city …

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To weep is to make less the depth of grief. – QuotesLyfe

This page presents the quote “To weep is to make less the depth of grief.”. Author of this quote is William Shakespeare, King Henry VI, Part 3. This quote is …

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To weep is to make less the depth of grief – William – Quozio

To weep is to make less the depth of grief – William Shakespeare.

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The Quotations Home Page – Shakespeare – Series 19

To weep is to make less the depth of grief. Act II, scene i, line 85; The game’s afoot! Act III, scene i, line 32; Smooth runs the water where the brook is …

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Henry VI, Part III: “To weep is to make less the depth of grief.”

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown.

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주제와 관련된 이미지 to weep is to make less the depth of grief

주제와 관련된 더 많은 사진을 참조하십시오 To wEEp is to makE lEss thE dEpth of griEf. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.

To wEEp is to makE lEss thE dEpth of griEf
To wEEp is to makE lEss thE dEpth of griEf

주제에 대한 기사 평가 to weep is to make less the depth of grief

  • Author: Jairus Mon
  • Views: 조회수 6회
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  • Date Published: 2020. 6. 8.
  • Video Url link: https://www.youtube.com/watch?v=ZRrJsYpOuD4

„To weep is to make less the depth of grief.“

„In the LSD state the boundaries between the experiencing self and the outer world more or less disappear, depending on the depth of the inebriation.“

— Albert Hofmann Swiss chemist 1906 – 2008

Source: LSD : My Problem Child (1980), Ch. 11 : LSD Experience and Reality

Context: What constitutes the essential, characteristic difference between everyday reality and the world picture experienced in LSD inebriation? Ego and the outer world are separated in the normal condition of consciousness, in everyday reality; one stands face-to-face with the outer world; it has become an object. In the LSD state the boundaries between the experiencing self and the outer world more or less disappear, depending on the depth of the inebriation. Feedback between receiver and sender takes place. A portion of the self overflows into the outer world, into objects, which begin to live, to have another, a deeper meaning. This can be perceived as a blessed, or as a demonic transformation imbued with terror, proceeding to a loss of the trusted ego. In an auspicious case, the new ego feels blissfully united with the objects of the outer world and consequently also with its fellow beings. This experience of deep oneness with the exterior world can even intensify to a feeling of the self being one with the universe. This condition of cosmic consciousness, which under favorable conditions can be evoked by LSD or by another hallucinogen from the group of Mexican sacred drugs, is analogous to spontaneous religious enlightenment, with the unio mystica. In both conditions, which often last only for a timeless moment, a reality is experienced that exposes a gleam of the transcendental reality, in which universe and self, sender and receiver, are one.

To weep is to make less the depth of grief…. Quote by William Shakespeare, King Henry VI, Part 3

To weep is to make less the depth of grief.

William Shakespeare, King Henry VI, Part 3

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The Quotations Home Page

Henry IV, Part I If all the year were playing holidays

To sport would be as tedious as to work.

Act I, scene ii, lines 208-209

There’s villainous news abroad.

Act II, scene iv

The better part of valor is discretion.

Act V, scene iv, line 119

Henry IV, Part II Open your ears; for which of you will stop

The vent of hearing when loud Rumor speaks?

Introduction, lines 1-2

Uneasy lies the head that wears the crown.

Act III, scene i, line 31

How quickly nature falls into revolt

When gold becomes her object!

Act IV, scene v, lines 65-66

How ill white hairs becomes a fool and jester!

Act V, scene v, line 48

Henry V Once more into the breach, dear friends, once more;

Or close the wall up with our English dead!

Act III, scene i, lines 1-2

Men of few words are the best men.

Act III, scene ii, line 37

There is some soul of goodness in things evil,

Would men observingly distill it out.

IV,i,4

There is occasions and causes why and wherefore in all things.

V,i,3

Henry VI, Part I Fight till the last gasp.

Act I, scene ii, line 127

Glory is like a circle in the water,

Which never ceaseth to enlarge itself,

Till by broad spreading it disperse to nought.

Act I, scene ii, lines 133-135

Unbidden guests

Are often welcomest when they are gone.

Act II, scene ii, lines 55-56

Delays have dangerous ends.

Act III, scene ii, line 33

Care is no cure, but rather corrosive

For things that are not to be remedied.

Act III, scene iii, lines 3-4

Out of this nettle, danger, we pluck this flower, safety

Act III, scene iii, line 9

Henry VI, Part II To weep is to make less the depth of grief.

Act II, scene i, line 85

The game’s afoot!

Act III, scene i, line 32

Smooth runs the water where the brook is deep.

Act III, scene i, line 53

The first thing we do, lets kill all the lawyers.

Act IV, scene ii, lines 83-84 [Dick the Butcher]

Small things make base men proud.

Act IV, scene i, line 106

Presume not that I am the thing I was.

Act V, scene v, line 57

Henry VI, Part III My crown is in my heart, not on my head;

Not deck’d with diamonds and Indian stones,

Nor to be seen: my crown is call’d content;

A crown it is that seldom kings enjoy.

III,i,62

Hasty marriage seldom proveth well.

IV,i,18

A little fire is quickly trodden out;

Which, being suffered, rivers cannot quench.

IV,viii,7

King Henry VIII Two women placed together make cold weather.

I,iv

Orpheus with his lute made trees,

And the mountain-tops that freeze,

Bow themselves when he did sing:

To his music plants and flowers

Ever sprung; as sun and showers

There had made a lasting spring.

Everything that heard him play,

Even the billows of the sea,

Hung their heads, and then lay by.

In sweet music is such an art,

Killing care and grief of heart.

III,i,3

So farewell to the little good you bear me.

Farewell! a long farewell, to all my greatness!

This is the state of man: to-day he puts forth

The tender leaves of hopes; to-morrow blossoms,

And bears his blushing honours thick upon him;

The third day comes a frost, a killing frost,

And, when he thinks, good easy man, full surely

His greatness is a-ripening, nips his root,

And then he falls, as I do. I have ventur’d,

Like little wanton boys that swim on bladders,

This many summers in a sea of glory,

But far beyond my depth. My high-blown pride

At length broke under me, and now has left me,

Weary and old with service, to the mercy

Of a rude stream that must for ever hide me.

Vain pomp and glory of this world, I hate ye!

I feel my heart new open’d. O, how wretched

Is that poor man that hangs on princes’ favours!

There is, betwixt that smile we would aspire to,

That sweet aspect of princes, and their ruin,

More pangs and fears than wars or women have;

And when he falls, he falls like Lucifer,

Never to hope again.

Act III, scene ii, lines 455–457 [Cardinal Wolsey]

Had I but serv’d my God with half the zeal

I serv’d my king, He would not in mine age

Have left me naked to mine enemies.

Act III, scene ii, lines 455–457 [Cardinal Wolsey]

Julius Caesar Beware the Ides of March

I,ii,18

Yond Cassius has a lean and hungry look;

He thinks too much; such men are dangerous.

I,ii,194

Seldom he smiles, and smiles in such a sort

As if he mock’d himself nad scorn’d his spirit

That could be moved to smile at anything!

I,ii,205

You are my true and hounorable wife:

As dear to me as are the ruddy drops

That visit my sad heart.

II,i,288

When beggars die, there are no comets seen;

The heavens themselves blaze forth the death of princes.

II,ii,30

Cowards die many times before their deaths;

The valiant never taste of death but once.

Of all the wonders that I yet have heard,

It seems to me most strange that men should fear;

Seeing that death, a necessary end,

Will come when it will come.

II,ii,32

Let me have men about me that are fat,

Sleek-headed men, and such as sleep o’ nights:

Yond Cassius has a lean and hungry look;

He thinks too much; such men are dangerous.

I,ii,192

Et tu, Brute? Then fall Caesar.

III,i,77

O, pardon me, thou bleeding piece of earth,

That I am meek and gentle with these butchers!

Thou art the ruins of the noblest man

That ever lived in the tide of times.

III,i,254

Cry ‘Havoc!’ and let slip the dogs of war;

III,i,273

Friends, Romans, countrymen, lend me your ears;

I come to bury Caesar, not to praise him.

The evil that men do lives after them,

The good is oft interred with their bones;

So let it be with Caesar.

III,ii,75

This was the most unkindest cut of all.

III,ii,185

Good reasons must of force give place to better.

IV,iii,202

There is a tide in the affairs of men,

Which, taken at the flood, leads on to fortune;

Omitted, all the voyage of their life

Is bound in shallows and in miseries.

On such a full sea are we now afloat,

And we must take the current when serves,

Or lose our ventures.

IV,iii,217

This was the noblest Roman of them all.

All the conspirators, save only he,

Did that they did in envy of Caesar;

He only, in a general honest thought

And common good to all, made one of them.

His life was gentle, and the elements

So mix’d in him that Nature might stand up

And say to all the world, “This was a man!”

Act V, scene v, lines 68–75. [Antony]

King John Strong reasons make strong actions.

III,iv

What surety of the world, what hope, what stay, When this was now a king, and now clay?

V,vii,68

King Lear Come not between the dragon and his wrath.

I,i,124

Who is it that can tell me who I am?

I,iv,236

How sharper than a serpent’s tooth it is

To have an ungrateful child.

I,iv,295

You see me here, you gods, a poor old man,

As full of grief as age; wretched in both.

II,iv,271

Thou art a soul in bliss; but I am bound

Upon a wheel of fire; that mine own tears

Do scald like molten lead.

IV,vii,46

The wheel is come full circle.

V,iii,176

Macbeth If you can look into the seeds of time,

And tell me which grain will grow and which will not,

Speak then to me, who neither beg nor fear

Your favours nor your hate.

Act I, scene iii, lines 58-61

Yet I do fear thy nature;

It is too full of the milk of human kindness

To catch the nearest way.

Act I, scene v, lines 17-19

If it were done when ’tis done, then ’twere well

It were done quickly.

Act I, scene vii, lines 1-2

We fail!

But screw your courage to the sticking-place,

And we’ll not fail.

Act I, scene vii, lines 58-59

Things without all remedy

Should be without regard: what’s done is done.

Act III, scene ii, lines 11-12

We have scorched the snake, not killed it.

Act III, scene ii, line 13

Is this a dagger which I see before me,

The handle towards my hand? Come, let me clutch thee.

I have thee not, and yet I see thee still.

Act III, scene iv, line 63-65

Great business must be wrought ere noon.

Act III, scene v, line 22

Double, double toil and trouble;

Fire burn and cauldron bubble.

Act IV, scene i, lines 10-11

By the pricking of my thumbs,

Something wicked this way comes.

Act IV, scene i, lines 45-46

Out, damned spot! Out, I say!

Act V, scene i, line 38

What’s done cannot be undone.

Act V, scene i, line 71

To-morrow, and to-morrow, and to-morrow,

Creeps in this petty pace from day to day,

To the last syllable of recorded time;

And all our yesterdays have lighted fools

The way to dusty death. Out, out brief candle.

Life’s but a walking shadow, a poor player

That struts and frets his hour upon the stage

And then is heard no more; it is a tale

Told by an idiot, full of sound and fury,

Signifying nothing.

Act V, scene v, lines 19-28

Measure for Measure Our doubts are traitors,

And make us lose the good we oft might win

By fearing to attempt.

Act I, Scene iv

Some rise by sin, and some by virtue fall.

Act II, Scene i

Condemn the fault, and not the actor of it?

Act II, Scene ii

No ceremony that to great ones ’longs,

Not the king’s crown, nor the deputed sword,

The marshal’s truncheon, nor the judge’s robe,

Become them with one half so good a grace

As mercy does.

Act II, Scene ii

The law hath not been dead, though it hath slept.

Act II, Scene ii

O, it is excellent

To have a giant’s strength; but it is tyrannous

To use it like a giant.

Act II, Scene ii

But man, proud man,

Drest in a little brief authority,

Most ignorant of what he ’s most assured,

His glassy essence, like an angry ape,

Plays such fantastic tricks before high heaven

As make the angels weep.

Act II, Scene ii

The miserable have no other medicine,

But only hope.

Act III, Scene i

The hand that hath made you fair hath made you good.

Act III, Scene i

Virtue is bold, and goodness never fearful.

Act III, Scene i

O, what may man within him hide,

Though angel on the outward side!

Act III, Scene ii

Take, O, take those lips away,

That so sweetly were forsworn;

And those eyes, the break of day,

Lights that do mislead the morn:

But my kisses bring again, bring again;

Seals of love, but sealed in vain, sealed in vain.

Act V, Scene i

Every true man’s apparel fits your thief.

Act IV, Scene ii

Truth is truth

To the end of reckoning.

Act V, Scene i

They say, best men are moulded out of faults,

And, for the most, become much more the better

For being a little bad.

Act V, Scene i

What ’s mine is yours, and what is yours is mine.

Act V, Scene i

The Merchant of Venice Nature hath framed strange fellows in her time.

Act I, scene i, line 51

His reasons are two grains of wheat hid in two bushels of chaff; you shall seek all day ere you find them; and when you find them they are no worth the search.

Act II, scene i

It is a wise father that knows his own child.

Act II, scene ii, line 76

The quality of mercy is not strained,–

It droppeth as the gentle rain from heaven

On the place beneath;

Act IV, scene i, lines 183-185

The man who hath no music in himself…

Let no such man be trusted.

Act V, scene i, lines 83-84

The Merry Wives of Windsor Thou art the Mars of malcontents.

Act I, Scene iii

Here will be an old abusing of God’s patience and the king’s English.

Act II, Scene iiii

We burn daylight.

Act II, Scene i

Why, then the world ’s mine oyster,

Which I with sword will open.

Act II, Scene ii

This is the short and the long of it.

Act II, Scene ii

Unless experience be a jewel.

Act II, Scene ii

Like a fair house, built on another man’s ground.

Act II, Scene ii

We have some salt of our youth in us.

Act II, Scene iii

I cannot tell what the dickens his name is. 2

Act III, Scene ii

O, what a world of vile ill-favour’d faults

Looks handsome in three hundred pounds a year!

Act III, Scene iv

As good luck would have it. 3

Act III, Scene v

The rankest compound of villanous smell that ever offended nostril.

Act III, Scene v

This is the third time; I hope good luck lies in odd numbers…. There is divinity in odd numbers, either in nativity, chance, or death.

Act V, Scene i

A Midsummer Night’s Dream For aught that ever I could read,

Could ever hear by tale or history,

The course of true love never did run smooth.

Act I, scene i, lines 132-134

Love looks not with the eyes, but with the mind;

And therefore is winged Cupid painted blind.

Act I, scene i, lines 234-235

To say the truth, reason and love keep little company together now-a-days.

Lord, What fools these mortals be!

Act III, scene ii, lines 115-116

Much Ado About Nothing Beauty is a witch,

Against whose charms faith melteth into blood.

Act II, scene i, lines 77-78

I pray thee cease thy counsel,

Which falls into my ears as profitless

As water in a seive.

Act II, scene i

Sigh no more, ladies, sigh no more,

Men were deceivers ever,

One foot in sea and one on shore,

To one thing constant never.

Act II, scene ii, lines 63-66

Beauty is a witch.

Act II, scene i, line 177

Comparisons are odorous.

Act III, scene v, line 15

There was never yet philosopher

That could endure the toothache patiently.

Act V, scene i, lines 35-36

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키워드에 대한 정보 to weep is to make less the depth of grief

다음은 Bing에서 to weep is to make less the depth of grief 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.

이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!

사람들이 주제에 대해 자주 검색하는 키워드 To wEEp is to makE lEss thE dEpth of griEf

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To #wEEp #is #to #makE #lEss #thE #dEpth #of #griEf


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주제에 대한 기사를 시청해 주셔서 감사합니다 To wEEp is to makE lEss thE dEpth of griEf | to weep is to make less the depth of grief, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.

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