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8 ภาพวาดราคาหมื่นล้านที่หายไปอย่างลึกลับ
นอกจากการดูบทความนี้แล้ว คุณยังสามารถดูข้อมูลที่เป็นประโยชน์อื่นๆ อีกมากมายที่เราให้ไว้ที่นี่: ดูเพิ่มเติม
เช้าวันจันทร์ในปี 1911 ภาพเขียนโมนาลิซ่า ของลีโอนาร์โด ดา วินชีได้ถูกขโมยไปจากพิพิธภัณฑ์ลูฟ จนกลายเป็นประเด็นให้ทั่วโลกจับตามอง หัวขโมยแอบย่องเข้ามาในพิพิธภัณฑ์และรอจนถึงเวลาปิดทำการ ก่อนจะถอดภาพนั้นออกจากผนังและอันตรธานไปอย่างไร้ร่องรอย ถึงอย่างนั้น…หลังจากผ่านไป 2 ปีพวกเขาก็สามารถจับหัวขโมยและเอาภาพเขียนโมนาลิซ่ากลับไปไว้ที่พิพิธภัณฑ์ตามเดิม
อย่างไรก็ตาม…ยังมีภาพเขียนอีกมากมายที่สาบสูญไปอย่างไร้ร่องรอย และนี่คือ 10 ภาพเขียนที่ถูกโจรกรรมไป…หลงเหลือเอาไว้เพียงชื่อเสียงให้จดจำ
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Pablo Picasso: A collection of 855 works (HD)
BOOKS about Pablo Picasso:
[1] PABLO PICASSO by Mary Ann Caws https://bit.ly/2HV97ze
[2] PABLO PICASSO by Hajo Düchting https://bit.ly/2QMIQWO
[3] THE RELIGIOUS ART OF PABLO PICASSO by Jane Daggett Dillenberger \u0026 John Handley https://bit.ly/2WeYAmm
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Pablo Picasso: A collection of 855 works (HD)
Description: \”Pablo Picasso was the most dominant and influential artist of the first half of the twentieth century. Associated most of all with pioneering Cubism, alongside Georges Braque, he also invented collage and made major contributions to Symbolism and Surrealism. He saw himself above all as a painter, yet his sculpture was greatly influential, and he also explored areas as diverse as printmaking and ceramics. Finally, he was a famously charismatic personality; his many relationships with women not only filtered into his art but also may have directed its course, and his behavior has come to embody that of the bohemian modern artist in the popular imagination.
It was a confluence of influences from Paul Cézanne and Henri Rousseau, to archaic and tribal art that encouraged Picasso to lend his figures more structure and ultimately set him on the path towards Cubism, in which he deconstructed the conventions of perspective that had dominated painting since the Renaissance. These innovations would have farreaching consequences for practically all of modern art, revolutionizing attitudes to the depiction of form in space.
Picasso’s immersion in Cubism also eventually led him to the invention of collage, in which he abandoned the idea of the picture as a window on objects in the world, and began to conceive of it merely as an arrangement of signs that used different, sometimes metaphorical means, to refer to those objects. This too would prove hugely influential for decades to come.
Picasso had an eclectic attitude to style, and although, at any one time, his work was usually characterized by a single dominant approach, he often moved interchangeably between different styles sometimes even in the same artwork.
His encounter with Surrealism, although never transforming his work entirely, encouraged not only the soft forms and tender eroticism of portraits of his mistress MarieTherese Walter, but also the starkly angular imagery of Guernica (1937), the century’s most famous antiwar painting.
Picasso was always eager to place himself in history, and some of his greatest works, such as Les Demoiselles d’Avignon (1907), refer to a wealth of past precedents even while overturning them. As he matured he became only more conscious of assuring his legacy, and his late work is characterized by a frank dialogue with Old Masters such as Ingres, Velazquez, Goya, and Rembrandt.\”
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Leonardo Da Vinci – Thiên Tài Toàn Năng Và Nỗi Cô Độc Của Kẻ “Không Có Đối Thủ”
Leonardo Da Vinci Thiên Tài Toàn Năng Và Nỗi Cô Độc Của Kẻ “Không Có Đối Thủ”
Leonardo da Vinci là một thiên tài lỗi lạc của thời kỳ Phục Hưng. Ta không biết nên sử dụng khái niệm nghề nghiệp nào để mô tả ông. Vốn dĩ nghệ thuật và khoa học là hai lĩnh vực hoàn toàn tách biệt. Hiếm có nghệ sĩ nào lại kết hợp được cả hai lĩnh vực này. Riêng Leonardo lại vô tư thoải mái đi về giữa cả hai lĩnh vực. Nhưng dù là thiên tài đứng trên đỉnh cao trọng vọng, thì cuộc đời ông vẫn có nhiều gốc khuất u buồn, mà hàng trăm năm trăm sau, hậu thế vẫn còn trăn trở.
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