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Deconstructing Mayberry: The presence of racial absence in the “Andy Griffith Show” – ProQuest
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- Summary of article content: Articles about Deconstructing Mayberry: The presence of racial absence in the “Andy Griffith Show” – ProQuest Using the strategy of deconstruction within utopian scholarship and discourse, I will argue that it is possible for Mayberry to be racially coded as other than … …
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andy griffith show racism
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- Summary of article content: Articles about andy griffith show racism By contrast, the trim, handsome, and pacifistic Andy Taylor (Andy Griffith) as sheriff with his comically inept deputy Barney Fife (Don Knotts) … …
- Most searched keywords: Whether you are looking for andy griffith show racism By contrast, the trim, handsome, and pacifistic Andy Taylor (Andy Griffith) as sheriff with his comically inept deputy Barney Fife (Don Knotts) …
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TV’s Rural Craze & The Civil Rights Movement | Black Writers Week | Roger Ebert
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- Summary of article content: Articles about TV’s Rural Craze & The Civil Rights Movement | Black Writers Week | Roger Ebert The beginning of the end of an era was signaled on April 1, 1968, when “The Andy Griffith Show” aired for its final time as a regular series … …
- Most searched keywords: Whether you are looking for TV’s Rural Craze & The Civil Rights Movement | Black Writers Week | Roger Ebert The beginning of the end of an era was signaled on April 1, 1968, when “The Andy Griffith Show” aired for its final time as a regular series … A feature on what people were watching as the Civil Rights Movement was growing across the country.
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nytimes.com
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- Summary of article content: Articles about nytimes.com Not for the man he was, but for the character who made him a fixture in American living rooms: Sheriff Andy Taylor of Mayberry. Sheriff Taylor, … …
- Most searched keywords: Whether you are looking for nytimes.com Not for the man he was, but for the character who made him a fixture in American living rooms: Sheriff Andy Taylor of Mayberry. Sheriff Taylor, …
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Missing Mayberry: How whiteness shapes perceptions of health among white Americans in a rural Southern community – PubMed
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- Summary of article content: Articles about Missing Mayberry: How whiteness shapes perceptions of health among white Americans in a rural Southern community – PubMed Elucating how the racialized social system of whiteness affects the health of white Americans is critically important given current trends. …
- Most searched keywords: Whether you are looking for Missing Mayberry: How whiteness shapes perceptions of health among white Americans in a rural Southern community – PubMed Elucating how the racialized social system of whiteness affects the health of white Americans is critically important given current trends. Elucidating how the racialized social system of whiteness affects the health of white Americans is critically important given current trends. Mirroring the nation, whites in rural North Carolina are currently experiencing increases in early mortality at greater levels than any other racial group in …pmid:32272304, doi:10.1016/j.socscimed.2020.112967, Research Support, Non-U.S. Gov’t, Caroline R Efird, Alexandra F Lightfoot, African Americans, Humans, North Carolina, Perception, Rural Population*, Whites*, PubMed Abstract, NIH, NLM, NCBI, National Institutes of Health, National Center for Biotechnology Information, National Library of Medicine, MEDLINE
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Error 403 (Forbidden)
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- Summary of article content: Articles about Error 403 (Forbidden) The obvious answer is “yes” because the few appearances that any African-American actors made could easily be cut for distribution to Southern markets, … …
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Was ‘The Andy Griffith Show’ Postracial?
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- Summary of article content: Articles about Was ‘The Andy Griffith Show’ Postracial? Was the absence of black people in Andy Griffith’s Mayberry, set in North Carolina and broadcast as the civil rights movement intensified … …
- Most searched keywords: Whether you are looking for Was ‘The Andy Griffith Show’ Postracial? Was the absence of black people in Andy Griffith’s Mayberry, set in North Carolina and broadcast as the civil rights movement intensified … The RootWas the absence of black people in Andy Griffith’s Mayberry, set in North Carolina and broadcast as the civil rights movement intensified during the 1960s, a problem?
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Comic Relief: The Andy Griffith Show, White Southern Sheriffs, and Regional Rehabilitation
This article examines The Andy Griffith Show (CBS, 1960–68) within the context of civil rights news reporting and articulates how the sitcom used humor to reenvision and rehabilitate the South in its safer white image. By 1960, due to civil rights news coverage, racism could be visually conjured by a set of physical attributes—the burly southern sheriff or the redneck. By contrast, the trim, handsome, and pacifistic Andy Taylor (Andy Griffith) as sheriff with his comically inept deputy Barney Fife (Don Knotts) presented a new, more tolerant South. With Andy at its helm, Andy Griffith’s comic and gentle South soothed widespread anxiety about a rapidly changing America as it also reimagined a white rural South as a palliative for the white racist South appearing on the news. Because of its incredible success, Andy Griffith provides a sustained example of how race and region became uncontroversial and profitable at the most unlikely time.
TV’s Rural Craze & The Civil Rights Movement
The larger the space the Civil Rights Movement occupied in the U.S., the more rural/country TV series appeared. By the time the Civil Rights Act was passed on July 2, 1964, it was a genre, well represented in the Top 10 in shows like “The Beverly Hillbillies” (#1), “Petticoat Junction” (#4), and “The Andy Griffith Show” (#5).
The next year, “Gomer Pyle, USMC,” a Griffith spinoff, was the third most popular watch in the country. At the same time that Reverend Dr. Martin Luther King, Jr. was using the medium to brand Southern sheriffs as intolerant obstacles to ethnic harmony, one of TV’s most beloved characters was a Southern sheriff. What does the rural craze tell us about the national zeitgeist?
To unpack that, one must examine the engines behind the trend. In the 1956 film “The Man In the Gray Flannel Suit,” the lead character is an upwardly mobile male writer for a Manhattan-based nonprofit, who lives in suburban Connecticut with his wife and children. Portrayed by Gregory Peck, the subject, like tens of millions of his contemporaries, is a World War II vet. As many of them do, he suffers from what was then termed “shell shock” (PTSD). The movie deals with the pressures of his professional life, and the stress of keeping up with the Joneses. The TV and Hollywood industry of the early 1960s was dominated by such veterans, among them Paul Newman, Dick Van Dyke, producers Rod Serling and Aaron Spelling, James Garner, Tony Curtis, Lee Marvin, James Coburn, David Janssen, and Steve McQueen. The persons writing their material were almost all male, and for the most part their same age(s). For the first time since the war, “successful” Americans, their cultural cues shaped by white males in New York City and later Los Angeles, were wondering if the muscle car, backyard swimming pool, envious barbecue grill and daily commute were worth it all.
This provoked nostalgia for a simpler time. Fishing rods and swimming holes; schools within walking distance. On October 30, 1959, the fifth episode of the new paranormal morality play (produced by World War Two paratrooper Rod Serling) “The Twilight Zone” aired. Titled “Walking Distance,” it concerned a 36-year-old New York City ad exec “…in charge of media…” named Martin Sloane, portrayed by Gig Young. When Sloan stops to have his car repaired near his hometown (bluntly named “Homewood”), he walks into town to kill time. Once there, he finds little has changed since his boyhood, including prices at the local soda fountain, and the local carousel where he was once injured. Soon, Sloan discovers he has transported back to 1934. In an encounter with his parents, his father warns adult Martin that he is out of place, which is then proven out.
Andy Griffith’s Sheriff Gave Stature to Small-Town Smarts
You could argue that the defining issue in the culture and political wars that dominate American life isn’t health care or big government or religion. It is whether small-town is smarter than urban, or vice versa. And that makes Andy Griffith, who died Tuesday at 86, a pivotal figure in those wars. Not for the man he was, but for the character who made him a fixture in American living rooms: Sheriff Andy Taylor of Mayberry.
Sheriff Taylor, among the most popular and enduring characters television has produced, came along at a time, 1960, when things weren’t looking so good for the rural-is-smarter argument, especially as it pertained to the South. News coverage was making the whole country aware of the ugliness of racism there, an impression that would only grow stronger over the next few years with clashes over school integration and the murder of civil rights workers.
A stereotype defined by ignorance and bigotry was becoming codified in popular culture as well, especially in relation to Southern characters: the obvious miscarriage of justice in “To Kill a Mockingbird,” published in 1960; Rod Steiger’s good-ol’-boy police chief from “In the Heat of the Night” in 1967. Mr. Griffith himself nudged that archetype along with the 1957 film “A Face in the Crowd,” playing a Southern drunk who accidentally ends up in the fame-making machine and turns into a demagogue. That same year, a lighter but still unflattering counterpart turned up on television in the sitcom “The Real McCoys,” about a backward family of farmers from West Virginia who relocate to California. If such stuff was representative of small-town America, yeah, better bring in some Ivy League brains to set things straight.
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