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HDE-250 – Custom Audio Germany
- Article author: www.customaudiogermany.com
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- Summary of article content: Articles about HDE-250 – Custom Audio Germany HDE-250A … Placed directly after the EQ circuit but before the m/se decoder so they control either left and right or m & se level depending on if … …
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Custom Audio Germany HDE-250A Mastering EQ | Reverb
- Article author: reverb.com
- Reviews from users: 7393 Ratings
- Top rated: 3.4
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- Summary of article content: Articles about Custom Audio Germany HDE-250A Mastering EQ | Reverb For sale : Custom Audio Germany HDE-250A Mastering EQ (Rev C, Year 2015) Consered among the experts as one of the best Sontec 250 clones, the legendary … …
- Most searched keywords: Whether you are looking for Custom Audio Germany HDE-250A Mastering EQ | Reverb For sale : Custom Audio Germany HDE-250A Mastering EQ (Rev C, Year 2015) Consered among the experts as one of the best Sontec 250 clones, the legendary … For sale : Custom Audio Germany HDE-250A Mastering EQ (Rev C, Year 2015) Considered among the experts as one of the best Sontec 250 clones, the legendary mastering equalizer, which can be heard on countless hit albums.(Discussion on gearslutz: ) The EQ is very clean, without seeming bori…
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Custom Audio Germany HDE-250 | Old Cottage Audio
- Article author: oldcottageaudio.co.uk
- Reviews from users: 25172 Ratings
- Top rated: 3.0
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- Summary of article content: Articles about Custom Audio Germany HDE-250 | Old Cottage Audio The Custom Audio Germany HDE-250 is a traditional main mastering EQ. Ostensibly a clone of the Sontec 250 – arguably the first centrepiece mastering EQ in … …
- Most searched keywords: Whether you are looking for Custom Audio Germany HDE-250 | Old Cottage Audio The Custom Audio Germany HDE-250 is a traditional main mastering EQ. Ostensibly a clone of the Sontec 250 – arguably the first centrepiece mastering EQ in … Essentially a Sontec-250 clone, the Custom Audio Germany HDE-250 main mastering EQ has become a modern classic in its own right.
- Table of Contents:
What does the Custom Audio Germany HDE-250 sound like
Why is the Custom Audio Germany HDE-250 useful
History of the Custom Audio Germany HDE-250
Interesting features of the Custom Audio Germany HDE-250 at Old Cottage Audio
Pri Studio – HDE-250 Hi Definition Equalizer Rev C 🙂 | Facebook
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HDE-250
ELMA switches
ELMA A4 series rotary switches instead of potentiometers, stuffed with precision metal film resistors (920 resistors for 30 switches) to squeeze out the last bit of precision. This is a custom build with a turn around time of 7-9 weeks.
There are 2 advantages compared to stepped potentiometers:
Even higher precision and matching: Not only channel to channel, also even unit to unit. Recall the same setting on another HDE-250 and be sure it sounds 100% the same.
Having control over stepsize: Stepped potentiometer come with a defined change in restance per step. Using switches, those resistance values per step can be determined by the actual resistors the rotary switch is stuffed with, so it is possible to precisely define every single step. This, for instance, allows for smaller gain steps around 0dB and become larger in the higher gain ranges or define custom frequency points.
Due to the different mechanical structure (frontpanel, circuitboard etc.) of the ELMA version it is not possible to upgrade/convert a potentiometer version to ELMA switches.
The output level control option is not available for the ELMA version since the switches are way larger than the potentiometers so there is less space in the center to fit the level control PCB in.
Custom Audio Germany HDE-250A Mastering EQ
For sale : Custom Audio Germany HDE-250A Mastering EQ (Rev C, Year 2015) Considered among the experts as one of the best Sontec 250 clones, the legendary mastering equalizer, which can be heard on countless hit albums.(Discussion on gearslutz: ) The EQ is very clean, without seeming boring or sterile, and remains incredibly musical:- The height band at 15 kHz with shelf is silky, open- the bass band between 40-90 Hz makes phenomenal print without mudding and- the mids remain wonderfully clear, even with coarser interventions. Only studio use, once screwed into the rack and no longer moving. Optically and technically in absolutely perfect condition. Will be carefully packed.
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Custom Audio Germany HDE-250
What does the Custom Audio Germany HDE-250 sound like?
The Custom Audio Germany (CAG) HDE-250 falls under the ‘clean analogue’ bracket. It imparts no discernible colour. Instead, it is a precision tool that offers the kind of EQ flexibility you would expect from a plugin, but with a forgiving musicality that’s still difficult to replicate in the box. Using the CAG HDE-250 often feels less like EQing and more turning instruments up or down. Boosts and cuts sound so natural it feels like the mix was always like that, even when radically altering the frequency curve.
And although it doesn’t have much of a ‘tone’, it would be wrong to say it doesn’t have a sound. The faceplate describes the CAG HDE-250 as a “hi definition equalizer”, and it’s not wrong. There is something very “HD” about the CAG HDE-250. A precision and focus that exposes the smearing present in even the best EQ plugins.
Why is the Custom Audio Germany HDE-250 useful?
The CAG HDE-250 is a classic main mastering EQ. It’s parallel topology, and comprehensive overlapping frequencies allow for astonishingly precise – and often counterintuitive – moves such as boosting and cutting the same (or near enough) frequencies. I often find myself making moves on the CAG HDE-250 that would never occur to me on a plugin, using a mouse rather than physical knobs.
It can easily be the only EQ on a master. But it is equally happy performing the odd nip and tuck when broader tone shaping is done with another EQ. For example, I’ll often use my DAV BG3 or Gyraf Gyratec XIV to pull the mix where I want it to be, and use the CAG HDE-250 to make more detailed, complementary moves.
In essence, this kind of EQ is a mastering engineer’s main tool of the trade. More coloured units might inspire more gearlust, but the CAG HDE-250 is the real workhorse. If I could only keep one unit in my rack, it would be this.
History of the Custom Audio Germany HDE-250
The first parametric EQ, the ITI ME-230, was jointly designed by George Massenburg and Burgess Macneal. Massenburg would go on to form GML, Macneal founded Sontec.
While GML has an outstanding reputation, it’s the first Sontec design – the 250A – that cemented itself as the standard for main mastering EQs. But although Sontec 250s are still in production, and lavishly praised for their sound, they have a mixed reputation for build quality. This led to a shadow market in Sontec clones.
Steffen Mueller’s CAG HDE-250 is widely considered one of the best, if not the best, Sontec clones; forging a reputation as a modern classic of its own. Especially given the high degree of customisation offered by Mueller, who builds each unit by hand.
Interesting features of the Custom Audio Germany HDE-250 at Old Cottage Audio
My CAG HDE-250 features switchable transformers. The input Lundahl can darken the sound and slow the transients, while the output Carnhill can add sparkle and bite, with a subtle brightening effect. These can be used to add colour when the Gyraf would be too much, but the base HDE-250 sound is too clean.
The unit also has detented potentiometers to ensure extremely tight matching between the left and right channels, keeping the stereo image extraordinarily focused, and making recall easy. It also makes EQing easier, by providing limited, albeit plentiful, options.
Most interesting is that mine is the first HDE-250 with this faceplate colour. It was also the first to feature orange LED buttons – something Mueller suggested while building as he felt they complemented the faceplate!
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