Top 36 How Does Rangoli Reflect The Culture Of People In India Quick Answer

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How does rangoli reflect the culture of people in India? It is used to celebrate Indian religious traditions. Why does the government of India most likely observe Diwali as an official holiday? As a Hindu holiday, most Indians celebrate the festival.Why does the government of India most likely observe Diwali as an official holiday? It is used to celebrate Indian religious traditions.Slamming into Eurasia, India has plowed up the Himalayas and the Tibetan Plateau, isolating South Asia from the rest of Eurasia behind a formidable barrier of mountains.

Contents

Why does the government of India most likely observe Diwali as an official holiday?

Why does the government of India most likely observe Diwali as an official holiday? It is used to celebrate Indian religious traditions.

Which physical feature has often served as a barrier for trade and travel in South Asia?

Slamming into Eurasia, India has plowed up the Himalayas and the Tibetan Plateau, isolating South Asia from the rest of Eurasia behind a formidable barrier of mountains.

How have the monsoon seasons most affected the economic development of Bangladesh?

How have the monsoon seasons most affected the economic development of Bangladesh? The destructive floods from the rains makes farming difficult. The summer rain provides fertile lands.

How does the celebration of Diwali reflect the culture of India?

Diwali celebrates the inner light that protects us from spiritual darkness. In Guyana, India and around the world, Diwali is celebrated by lighting clay lamps or diyas to signify light over darkness or good over evil. Hindus celebrate the return of the Hindu God Rama to his kingdom after 14 years in exile.

Why Diwali is celebrated for what reasons?

In northern India, Diwali commemorates Prince Rama’s triumphant return to the city of Ayodhya after 14 years of exile due to the plotting of his evil stepmother—and after a heroic rescue of his wife Sita, an incarnation of the goddess Lakshmi, who had been kidnapped by the rival king Ravana.

How did the physical features of East Asia affect the route of the Silk Road?

How did the physical features of East Asia affect the route of the Silk Road? The rough terrain blocked its extension into eastern lands. The seas kept it from connecting with northern lands. The river systems blocked passage along the trade routes.

Which physical feature was the most difficult barrier to trade with India the Himalayas the Gobi desert the Yellow River the Pacific Ocean?

China

Question	Answer
Before the Shang kingdom arose, Chinese civilization consisted of….?	Small farming villages along the Huang (Yellow) river
Read the map: Which physical feature was the most difficult barrier to trade with India?	The Himalayas

How do the annual monsoon rains affect the environment of South Asia?

The summer monsoon is associated with heavy rainfall. As winter ends, warm, moist air from the southwest Indian Ocean heads towards South Asia; the summer monsoon brings humidity and torrential rainfall. The South Asia monsoon season is vital for agriculture and livelihoods in the region.

Which physiographic feature has made the Bangladesh Vulnerable?

Population density and height above sea level in Bangladesh (2010). Bangladesh is especially vulnerable to sea level rise.

What are the causes of global warming in Bangladesh?

An increased number of floods, due to reduced river gradients, higher rainfall in the Ganges-Meghna-Brahmaputra river basins, and the melting of glaciers in the Himalayas, is considered the major reason for migration in the context of climate change in Bangladesh over all.

What are the parallel mountains that border Southeast Asia called?

A major rib of this system extends through the entire western margin of Myanmar (Burma); describing an elongated letter S, it consists of (from north to south) the Pātkai Range, Nāga Hills, Chin Hills, and Arakan Mountains.

What are the parallel mountains that border Southeast Asia called?

What part of South Asia is one of the world’s most fertile farming regions?

As a result, the Indo-Gangetic Plain is one of the most fertile farming regions in the world. The Indo-Gangetic Plain is also the most heavily populated part of South Asia. In fact, the area contains about three-fifths of India’s population.

Which of the following countries has the largest economy in Asean?

List 2021

Rank	Country	GDP Nominal millions of USD
1	Indonesia	1,186,067
2	Thailand	513,165
3	Singapore	396,992
4	Philippines	393,612

Which bodies of water are on either side of the Indochina Peninsula?

Mainland Southeast Asia, also known as the Indochinese Peninsula or Indochina, is the continental portion of Southeast Asia. It lies east of the Indian subcontinent and south of Mainland China and is bordered by the Indian Ocean to the west and the Pacific Ocean to the east.

What Is Rangoli? | Importance And Significance of Rangoli रंगोली का महत्व | Diwali 2021 Special

Geographical Setting of the Silk Roads | Asia Society

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Contents

Etymology[edit]

Rangoli in different states[edit]

Elements[edit]

Creation of Rangoli[edit]

Faith and beliefs[edit]

Gallery[edit]

Geographical Setting of the Silk Roads

by John Major

The term Silk Road denotes a network of trails and trading posts, oases and emporia connecting East Asia to the Mediterranean. Along the way, branch routes led to different destinations from the main route, with one especially important branch leading to northwestern India and thus to other routes throughout the subcontinent. The Silk Road network is generally thought of as stretching from an eastern terminus at the ancient Chinese capital city of Chang’an (now Xi’an) to westward end-points at Byzantium (Constantinople), Antioch, Damascus, and other Middle Easterncities. Beyond these end-points, other trade networks distributed Silk Road goods throughout the Mediterranean world and Europe, and throughout eastern Asia. Thus in thinking about the Silk Road, one must consider the whole of Eurasia as its geographical context. Trade along the Silk Road waxed or waned according to conditions in China, Byzantium, Persia, and other regions and countries along the way. There were always competing or alternative routes, by land and sea, to absorb long distance Eurasian trade when conditions along the Silk Road were unfavorable. For this reason, the geographical context of the Silk Roadmust be thought of in the broadest possible terms, including sea routes linking Japan and Southeast Asia to the continental trade routes.

In dealing with the context of the Silk Road, it is important to remember that the nation-state is a modern invention, and clearly defined and bounded countries did not exist before modern times. Scholars, for example, are reluctant to use the word “China” in talking about pre-Han dynasty times (that is, prior to the 2nd century BCE), because no concept corresponding to a nation called China existed then. Similarly, when we talk about the Silk Road passing through Afghanistan, it is with the understanding that there was in some sense no such place; the land existed, its population existed, but no nation-state called Afghanistan existed before modern times. Throughout history, boundaries shift, peoples move from place to place, countries and kingdoms come into being and vanish, cities change their names. It is hard to avoid using modern geographical names for convenience, but it is necessary at the same time to avoid projecting modern concepts, such as the idea of the nation-state, back into a past where they do not belong.

The Concept of Asia

Asia can be fruitfully thought of as the major part of a larger physical territory, the continent of Eurasia. The Eurasian landmass is bounded by the Atlantic, Arctic, Pacific, and Indian Oceans, and the Red and Mediterranean Seas, including islands and archipelagos east and south of the landmass (excluding Oceania).

Asia may also be thought of as a collection of smaller entities, subcontinent- size regions occupying Eurasia’s major eastern part. Over the course of history, most of these regions have interacted through trade, religion, and other factors, while a wide range of cultural differences and formidable geographical boundaries have also separated them. Once Eurasia is seen as a whole, erasing the ancient but artificial and geographically meaningless division of the land mass into “Europe” and “Asia,” it becomes possible to visualize the important geographical and cultural regions into which the continent is subdivided, and the trade routes that linked them together, sometimes over very extensive distances and across formidable physical barriers.

Eurasia’s Subregions

Different authorities define the borders and number of Eurasia’s subregions differently. Subregional maps of Eurasia are all generally similar, however, since the subregions correspond closely to geographical realities. The major subregions are: the Intermontaine Desert and Oasis Belt; the Trans-Eurasian Steppe Belt; China; the Mediterranean; the Middle East; South Asia; Northeast Asia; Northern Europe; Mainland Southeast Asia; Island Southeast Asia; the Boreal Forest; and the Arctic Littoral. (Although the latter two occupy a significant fraction of the Eurasian landmass, they historically played little role in long-distance travel and trade, and so they are generally left out of this discussion.)

Intermontaine Desert and Oasis Belt

The zone of the Silk Road itself, this broad belt of oasis-punctuated deserts extends across Central Asia from northwestern China, to the Caspian and Black Seas, and on to the Middle East. The zone is bounded on the north and south by mountains, but can be traversed with only afew mountain ranges to cross along the way. Features including a high, dry terrain, infrequent and irregular water supplies, absent or scarce forage for caravan animals, and other difficulties made this zone passable only to highly skilled Silk Road caravaneers. Travel was made possible by people whose local knowledge and experience could enable them to survive and deliver their cargo safely from stage to stage.

The most clearly defined segment of the Silk Road was that leading northwest from Chang’an through the Gansu Corridor. This segment passed through Lanzhou, Wuxi, Dunhuang, and Yumen (the famous Jade Gate ofantiquity) and thus to the deserts and oases of Central Asia. Bounded by mountains to the south, and by the western Gobi Desert to the north(and de.ned as well by the western stretches of the Great Wall of China), the corridor forms in effect a narrow funnel through which all trade passed on the Silk Road into and out of China.

Beyond the Jade Gate, the Silk Road opens into a number of alternative trails. One possibility is to go northwest through Hami, Turfan and Urumqi, traveling north of the Tian (Heavenly) Mountains through Dzungaria, then on to Kokand and Tashkent in the Ferghana Valley. Another route leads southwest from the Jade Gate and soon poses a choice, whether to skirt the fierce Taklamakan Desert along the northern or along the southern rim of the Tarim Basin. The southern route via Khotan and Yarkand was perhaps marginally easier. Either way,the route converges again at Kashgar, at the foot of the Pamir Mountains, where the route crosses the Turugart Pass leading to Kokand and points west. Still another branch route took a more southerly pass through the Pamirs, and went on to Bactria leading to routes through Afghanistan and on to northwestern India.

Of the northern routes that converged in the Ferghana Valley, several routes led onward to Samark and and Merv. Divergent trails led north of the Caspian to the Russian trade routes up the Volga and the Don; straight west, skirting the southern coast of the Caspian and Black Seas toward Byzantium; or south, through Herat and Persepolis toward Babylon, Damascus and Tyre. The Silk Road had not one western terminus, but many.

The terrain of the Silk Road was difficult, the possible routes were numerous and complex, and the dangers of the journey were deadly serious.

What made the journey possible at all, besides the techniques of caravan travel and the expertise of the caravaneers, was the existence of substantial oases across Central Asia. These islands of greenery, watered by rivers and springs, ranged in extent from a few square miles to hundreds of square miles, but even the largest were isolated by huge expanses of surrounding deserts. In mapping routes of the Silk Road, one can easily imagine the terrors and hardships of the desert; one can imagine also the joys of arriving at oases like Dunhuang, Hami or Herat, filled with sweet water and fresh fruit to refresh the traveler and provide respite before the journey’s next stage.

The Trans-Eurasian Steppe Belt

The Steppe Belt is a zone of rolling grassland, steppe being the Russian word for this kind of treeless, grassy plain. It extends from eastern Mongolia west all the way into Romania and Hungary. In prehistoric times, the steppe was inhabited for tens of thousands ofyears by groups of hunter-gatherers who lived off the abundant big game that the grasslands supported. Gradually, hunting gave way to a lifestyle of living off managed herds, which in turn led gradually to the domestication of cattle, horses, sheep, and goats. Hunters had become herdsmen, and pastoral nomadism developed into a highly specialized and sophisticated lifestyle that took maximum advantage of steppe resources.

As with any short-grass prairie, some of the Eurasian steppe can beturned to agricultural use with the application of modern methods, including the steel plow and extensive irrigation. The wheatlands of southern Russia and Ukraine are steppe lands put to the plow. Prior to the invention of such techniques, the steppe extended for thousands of miles in an unbroken belt, only partly interrupted by mountain ranges and forest.

With the mobility afforded by the invention of horse- and ox-drawnwheeled vehicles, and later still by horseback riding, the steppe belt became a vast highway that facilitated the spread of populations, languages, and cultural traits across much of Eurasia long before the caravan trade routes of the more southerly Silk Road were ever imagined. Over the centuries, many groups of horse-riding warriors, including Huns, Turks, and Mongols, conquered their way across Asia, creating sometimes extensive but usually short-lived empires.

China

China can be divided basically into North China and South China, along a line roughly de.ned by the Han and Huai Rivers. North China is characterized by a relatively dry climate, where crops, especially grains such as wheat and millet, grow in the fertile soil of broad plains and terraced valleys. Geographically, North China is dominated by heavily eroded hills and valleys of loess soil in the northwest, and by the vast north-central flood plains of the Yellow River. The Yellow River has overflowed its banks many times throughout history, causing great damage to human settlements but also enriching the soil with a fresh layer of fertile silt. The northern frontier, site of the Great Wall of China, was long guarded against nomadic raiders, and people looked to the Silk Road and sea routes of the northeast for trade. Transportation in North China was land based, using pack animals and drawn carts. South China has a monsoonal climate. Its soils, leached by the heavy seasonal rains, require heavy fertilization, and the staple crop is rice. Transportation was often provided by riverboat or canal barge.

The strong geographical and agricultural differences between North China and South China tended to make the country fracture into northern and southern political entities during the periods of disunion.

Some trade routes in China historically fed into the Silk Road or distributed goods from it. Other trade routes competed with the Silk Road, including maritime trade from southeastern ports across the South China Sea, and a route from the mountainous southwest down the Red River to Hanoi and Haiphong in what is now Vietnam. In China, people were likely to look variously inland, toward Central Asia, or seaward for trade.

The Mediterranean

The Mediterranean is the western convergence point of the overland and the maritime trans-Eurasian trade routes. The Mediterranean channeled widespread distribution of Silk Road goods throughout western Eurasia—just as Northeast Asian sea routes distributed Silk Road goods onward to Korea and Japan. Chinese silk brocade that had come overland for thousands of miles on the Silk Road and Chinese porcelain that had made the trip by sea might eventually be loaded on the same ship in Tyre for shipment westward to Rome or Marseilles.

It is important to see the Mediterranean as a single region, uniting North Africa and southern Europe, and marking the gateway to the Atlantic Ocean. Trading ships criss-crossed in every direction, from at least the early 1st millennium BCE. As early as 500 BCE, Phoenician mariners had likely passed through the Strait of Gibraltar and explored routes both down the Atlantic coast of Africa and up the Iberian coast to the Bay of Biscay.

The Middle East

A region with few firm physical boundaries, the Middle East is generally taken to include all of the territory between the eastern Mediterranean and the western reaches of Persia (modern Iran), extending from the Anatolian (Turkish) shores of the Black Sea in the north to the Arabian Peninsula in the south. It has close ties to the Mediterranean world, to Egypt and North Africa, and to the Silk Road networks of Persia and Central Asia.

Mesopotamia, the area bounded by the Tigris and Euphrates Rivers in present-day Iraq, was perhaps the world’s earliest cradle of civilization, part of the ”fertile crescent” that extends through southern Anatolia and down the eastern Mediterranean coast. Elsewhere, much of the Middle East is desert traversed by caravan routes linking scattered oasis cities, much as is the case along the Silk Road farther east. Silk Road traffic coming from Central Asia passed through the Middle East along many routes and with many destinations.

While in some sense the Middle East was an end-point for the Silk Road, it was perhaps more important a trans-shipment zone. The Middle East also marked the western terminus of the maritime trans-Eurasian trade, as Arab and Indian ships carried goods in both directions across the Arabian Sea. Westbound goods either passed through the Gulf of Oman and the Persian Gulf en route to Baghdad and Damascus, or went to Aden for shipment up the overland route along the western edge of the Arabian Peninsula to Mediterranean ports.

South Asia

India rides on a tectonic plate that has been drifting northward for millions of years. Slamming into Eurasia, India has plowed up the Himalayas and the Tibetan Plateau, isolating South Asia from the rest of Eurasia behind a formidable barrier of mountains. In the northeastern borderlands between Burma, Bangladesh, and China, huge rivers— the Yangtse, Mekong, Irawaddy, Salween, and the Ganges—pourdown from the mountains and the plateau, and then flow through deep parallel valleys, making direct overland contact between India and China extremely difficult. All along India’s northern frontier, caravans used passes through the Himalayan escarpment to transport salt to people of the Tibetan Plateau, bringing animal products, turquoise, and other local goods in return.

India’s principal route inland went through the Indus Valley of the northwest, then over the Khyber Pass or other passes into what is now Afghanistan. Spices, pearls, gemstones, cotton cloth, and other goods were added to the traffic of the Silk Road by this route, and Chinese, Persian, and other Silk Road goods flowed back to India in return. Eastern and western coastal cities of India served as intermediaries on sea routes linking East and Southeast Asia, the Middle East, and points beyond, trans-shipping goods in both directions and adding new goods as well.

Northeast Asia

This region encompasses the rocky Shandong and Liaodong Peninsulas o fnortheastern China, southern Manchuria, Korea, and Japan. Its coast is lined with many harbors, while peninsulas and islands enclose several seas—the Bohai, the Yellow Sea, and the East Sea/Sea of Japan. In ancient times this region was relatively isolated from the inland culture and political states of northern China, and formed part of an East Asian coastal culture that is still imperfectly understood.

Gradually, Northeast Asia came under an expanding Chinese cultural zone. Sea and overland traffic from Shandong and Liaodong to Korea, and trade to Japan either directly or via Korea, spread elements of Chinese culture to the northeast by around the 4th century BCE, and at an accelerating rate thereafter. Eventually, Buddhism spread to Korea and Japan by this route. Silk Road goods were also dispersed via these searoutes from as far away as Persia.

Northern Europe

Europe is virtually just a peninsula on the western tip of the great Eurasian continental landmass. For much of history northern Europe was too remote, too sparsely settled, and too culturally “backward” to play more than a marginal role in long-distance trade across Eurasia. But, even in ancient times, trade routes within Europe connected the region to the Mediterranean and thus to the Silk Road. Goods were carried from the Black Sea, up the Danube, and down the Oder to the Baltic even before the Roman conquest of Gaul in the middle of the 1st century BCE.

In medieval times the growing prosperity of Europe led to an increasing appetite for the spices, gems, textiles, and other luxury goods of lands to the east. New trade routes were pioneered, such as, beginning around 1000 CE, the Viking route from the Baltic through the trading settlement of Rus (near modern Moscow) and down the Volga to the Caspian Sea. Eventually, the European search for direct access to the riches of India and China led to entirely new maritime routes around Africa and across the Atlantic, and a revolution in the distribution of political and economic power throughout the world.

Mainland Southeast Asia

The huge peninsula that today includes Vietnam, Laos, Cambodia, Thailand, and mainland Malaysia is a land of fertile, rice-growing river valleys and coastal plains, and rugged, forested interior mountain ranges. The narrow Strait of Malacca, between the Malay Peninsula and the island of Sumatra, is one of the few navigable routes between the South China Sea and the Indian Ocean. As a historic choke-point for long-distance Eurasian maritime trade, control of the strait was a rich prize, much fought over by local peoples and invaders over the course of the centuries.

Despite its proximity to China, mainland Southeast Asia as a whole was more strongly influenced by Indian culture. Indian merchants traded across the Bay of Bengal to the coast of mainland Southeast Asia, as well as to the western islands of Indonesia. These merchants brought Hinduism wherever they settled in trading communities, and brought as well Buddhism which spread rapidly among local populations. Today, mainland Southeast Asia remains largely Buddhist.

Island Southeast Asia

This vast zone of islands—stretching from Taiwan through the Philippines to Indonesia —was settled beginning probably around the early 1st millennium BCE by the most remarkable mariners of the ancient world. These people, known as Austronesians or Malayo-Polynesians, became expert seafarers, moving from their homeland on China’s southeastern coast first to Taiwan, then down through the Philippinesto Borneo. From there they radiated in all directions in a process of exploration and settlement that paved the way for vigorous interisland and long-distance maritime trade that conveyed goods between southern China and India. In time, Chinese, Indian, Arab, and eventuallyEuropean ships plied these waters.

Several times over the long history of the Silk Road, trade shifted to this maritime route when conditions made overland trade difficult. A strong and enduring Arab presence in island Southeast Asia led to the conversion of most of the region’s population to Islam beginning in the 13th century.

Wikipedia

This article is about the Indian folk art. For other uses, see Rangoli (disambiguation)

Colourful, traditional art form of India

A rangoli made with flowers on the occasion of Onam

Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, however the colours are preferred during festivals and other important celebrations as it is time consuming. Rangoli are usually made during Diwali or Tihar, Onam, Pongal, Sankranthi and other Hindu festivals in the Indian subcontinent, and are most often made during Diwali. Designs are passed from one generation to the next, keeping both the art form and the tradition alive.[1]
Rangoli have different names based on the state and culture. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. Traditionally, the postures needed to make a rangoli are a kind of exercise for women to straighten their spines. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck).

The purpose of rangoli is beyond decoration. Traditionally either powdered calcite and limestone or cereal powders are used for the basic design. The limestone is capable of preventing insects from entering the household, and the cereal powders attract insects and keep them from entering the household. Using cereal powders for rangoli is also believed as panchayat booth Seva[clarification needed] because insects and other dust microbes are fed. Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice. The usage of colours and vibrant designs are showcased during occasions such as festivals, auspicious observances, marriage celebrations and other similar milestones and gatherings.

Rangoli designs can be simple geometric shapes, depictions of deities, or flower and petal shapes appropriate to the given celebrations. They can also be made with elaborate designs crafted by numerous people. The geometric designs may also represent powerful religious symbols, placed in and around household yagna shrines. Historically, basic designs were drawn around the cooking areas for the purpose of discouraging insects and pathogens. Synthetic colours are a modern variation. Other materials include red brick powder and even flowers and petals, as in the case of flower rangoli.

Over time, imagination and innovative ideas in rangoli art have also been incorporated. Rangoli have been commercially developed in places such as five star hotels. Its traditional charm, artistry and importance continue today.

Etymology [ edit ]
From Sanskrit word “रङ्ग” which means colour. Rangoli is derived from the Sanskrit word ‘rangavalli’.

The various names for this art form and similar practices include:[2]
Rangoli in different states [ edit ]
In middle India mainly in Chhattisgarh Rangoli is called Chaook and is generally drawn at the entrance of a house or any other building. Powdered quartz, dried rice flour or other forms of white dust powder is used for drawing Chaooks. Although there are numerous traditional Chaook patterns, many more can be created depending on the creativity of the person who draws it. It is considered auspicious as it signifies showering of good luck and prosperity on the house and in the family. It is not drawn like a Bolka picture. Patterns are created based on certain systems. Generally, women get up early in the morning and clean the area just outside the entrance of their houses with cow dung, sprinkle the area with water and draw the Chaook. In Maharashtra and Karnataka, rangoli are drawn on the doors of homes so that evil forces attempting to enter are repelled.

Rangoli drawn in front of a house door on the occasion of a festival in Maharashtra

During the festival of Onam in Kerala, flowers are laid down for each of the ten days of the celebration, the design growing larger and more complex every day. In Tamil Nadu, Andhra Pradesh and Karnataka, and many parts of Maharashtra, the rangoli or Kolam is drawn upon the ground or floor daily. The designs are geometric and symmetrical मूल्यतः shapes but the materials used are similar rangoli: powdered quartz, rice flour or slurry is used. In Rajasthan the Mandana are painted on walls. Mmandne, various festivals, major festivals and can be categorized based on seasons. Different shapes depending on the size of it also can be shared. Kumaon’s “writing beat ‘or in a variety of plotting symbols Thapa, artistic designs, Bellbutoan is used. Alikhthap of society apart – separated by different groups – different icons and art media is used. In Odisha, the Murja is put at the aangan of every home in front of the Tulsi plant called “Tulasi chahura”. The rangoli patterns mostly are dedicated to Lord Krishna and Lord Jagannath. The Murja festival is observed during the auspicious month of Kartika ending on Kartika Purnima.

Shape, design and material can be influenced by regional traditions. A square grid is common in North India as is a hexagonal grid in South India; Onam Rangoli are typically circular. In North India, the colour is most often based on gypsum (chirodi), in South India on rice flour and Onam Rangoli are typically flower based. The rapid and widespread migration and mixing of people within India can be seen by the way these styles are now freely adopted and mixed across the country. It is also becoming common to see experimentation like sawdust-based floating rangoli, freeform designs, and exotic materials.

It is particularly notable that the Tamil version of the rangoli, the Kolam, prizes symmetry, complexity, precision, and intricacy rather than the flamboyance of rangoli found in North India. Many people find it enjoyable to try and figure out how such intricate designs are drawn with a grid, and hence, it allows the mind to be exercised.

Elements [ edit ]
Colours and designs [ edit ]
The rangoli’s most important element is being colourful. These are auspicious symbols that have a central role in the design. The design for generations are passed on as they are made – and is required to make these symbols. Traditionally, each new generation learns the art and thus a family keeps the tradition intact. Some major symbols used in rangoli are the lotus flower and its leaves, mango, Tue vase, fish, different kind of birds like parrots, swans, and peacocks, human figures, and foliage. Oftentimes rangoli is made on special occasions like Diwali. Some special patterns for Diwali Rangoli are the Diya also called Deep, Ganesha, Lakshmi, flowers or birds of India. The patterns include the face of Hindu deities, geometric shapes peacock motifs, and round floral designs. Many of these motifs are traditional and are handed down by the previous generations. This makes rangoli a representation of India’s rich heritage and the fact that it is a land of festivals and colour. People celebrate rangoli with davali patterns.

Materials [ edit ]
The materials used to make the rangoli are easily found everywhere. Therefore, this art is prevalent in all homes, rich and poor. Normally the major ingredients used to make rangoli are: Pise rice solution, the dried powder made from leaves, colour, charcoal, burned soil, sawdust, and similar substances.[citation needed] Rangoli is also created using coloured powdered quartz, rice, dry flour, flower petals, turmeric (pasupu), vermillion (sindooram) and coloured sand.

Background surface [ edit ]
The background of rangoli uses a clear floor or wall or Llype is used. Rangoli can be made in a yard in the middle, corners, or as a bell is created around.

Dehri gateway is another tradition of making rangoli. God’s seat, depending on lamp, place of worship and sacrifice on the altar is a tradition of decorating rangoli.

Mandala rangoli [ edit ]
A mandala rangoli, made in an Indian household during Diwali

Mandala is a diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically; a time-microcosm of the universe, but it originally meant to represent wholeness and a model for the organizational structure of life itself, a cosmic diagram that shows the relation to the infinite and the world that extends beyond and within various minds & bodies. It also represents the spiritual journey, starting from outside to the inner core, through layers.

Creation of Rangoli [ edit ]
There are two primary ways to make a rangoli, dry and wet, referring to the materials used to create the outline and (if desired) fill that outline with colour. Using a white material like chalk, sand, paint or flour, the artist marks a centre-point on the ground and cardinal points around it, usually in a square, hexagon or circle depending on region and personal preference. Ramifying that initially-simple pattern creates what is often an intricate and beautiful design. Motifs from nature (leaves, petals, feathers) and geometric patterns are common. Less common but by no means rare are representational forms (like a peacock, icon or landscape). “Readymade Rangoli” patterns, often as stencils or stickers, are becoming common, making it easier to create detailed or precise designs.

Once the outline is complete, the artist may choose to illuminate it with colour, again using either wet or dry ingredients like paints, coloured rice-water, gypsum powder, coloured sand or dry pigments. The artist might also choose unprocessed materials like seeds, grains, spices, leaves or flower petals to achieve lifelike hues. Modern materials like crayons, dyes or dyed fabrics, acrylic paints and artificial colouring agents are also becoming common, allowing for brilliant and vibrant colour choices. A newer but less artificial method involves using cement coloured with marble powder. This rather precise method requires training, but beautiful portraits can be drawn in this medium.

Faith and beliefs [ edit ]
In India, it is said that Andaal one among the twelve azhwars, worshipped Lord Krishna and was married to him in the month of Margazhi. During this month, unmarried girls get up before dawn and draw a rangoli to welcome the God Krishna. Mentions of rangoli creation are also found in Hindu mythology. There are also references of rangoli in legends such as Ramayana – at Sita’s wedding pavilion where there is a discussion about rangoli. Cultural development of rangoli in the South originated in the era of the Chola Rulers.

There are modern and traditional rangoli designs. The designs are usually inspired by nature, but they can also be in the form of abstract art.

Gallery [ edit ]
See also [ edit ]
References [ edit ]

How does rangoli reflect the culture? – BioSidmartin

How does rangoli reflect the culture?

How does rangoli reflect the culture of people in India? It is used as lighting for the home. It represents knowledge and beauty. As a Hindu holiday, most Indians celebrate the festival.

Why is rangoli important in Indian culture?

The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of darida (bad luck). The purpose of rangoli is beyond decoration.

Why does rangoli considered as one of the most pleasing art form in India?

Rangoli is one of the most beautiful and most pleasing art forms of India. The materials used in the Rangoli patterns of today give either a very flat appearance or a 3-D effect. Rangoli designs include geometric patterns, the swastika, lotus, trident, fish, conch, creepers, leaves, trees, flowers, animals, etc.

What is the traditional form of rangoli?

The traditional form of Rangoli made use of designs and motifs based on nature, such as mango, creepers, flowers, swans, peacocks, etc. Rangoli designs used presently include, geometrical patterns, the swastika, lotus, trident, fish, conch shell, creepers, leaves, trees, flowers, animals, etc.

What is the purpose of rangoli?

Traditionally, Rangoli is an art of decoration drawn on the floor or the entrances of homes. It is thought to bring good luck, prosperity on the house and in the family, and to welcome guests. Some mothers in India do this activity every morning, or on a special festive occasion like Diwali, Onam, and Pongal.

How many types of rangoli are there?

Rangoli making is of two types: Form: Circles, cones and lines are form-dominant type of rangoli in India. Ornamental: Ornamental rangoli consists of images of birds, animals, trees, petals, flower and deities.

What is the purpose of Rangoli?

What is the story behind Rangoli?

Lopamudra wanted help her husband in worshiping the gods, so she started to make rangoli, a decoration for the Yagyakunda. Yagyakunda is what we call a place of worship. Lopamudra asked the Panchatatva (the five elements – sky, wind, water, earth, fire) to give her colours to please her husband.

What is the most beautiful and placing art forms of India?

One of the most beautiful art forms of India is Rangoli. Rangoli is a form of art that uses powdered materials.

Is Rangoli art permanent?

No, it is not. It only acts as an adhesive, so your design will last longer. If you’re decorating Rangoli on the floor, you can just dump some water on the surface before you draw the design.

What is the purpose of Rangoli art?

What are Rangoli colours made of?

The base material is usually dry or wet powdered rice or dry flour, to which sindoor (vermilion), haldi (turmeric) and other natural colors can be added. Chemical colors are a modern variation. Other materials include colored sand, red brick powder and even flowers and petals, as in the case of flower rangolis.

What is the history and importance of Rangoli?

History and Importance of Rangoli Rangoli, which means a row of colors or layer of colors, is a traditional Indian form of art where women decorate the entrance of their houses early in the morning, especially during the Diwali festival. Rangoli designs competition is often held time to time in different regions of India.

Which is the most popular form of Rangoli art?

Also known as Alpana, rangoli patterns are created on the floor using coloured rice, flowers, coloured sand or paints. Rangoli art is a traditional form of welcoming good luck and its popularity has remained unaffected over the years. Rangoli competitions are one of the most popular activities during festivals.

What are some special patterns for Diwali Rangoli?

Some special patterns for Diwali Rangoli are the Diya also called Deep, Ganesha, Lakshmi, flowers or birds of India. The second key element is using the materials used to make the rangoli. The materials used are easily found everywhere. Therefore, this art is prevalent in all homes, rich or poor.

Why did the people of Ayodhya paint Rangoli?

In the story of Ramayana, the people of Ayodhya painted Rangoli designs to welcome Shree Rama back after fourteen years of migration in the forest. In Mahabharata, this form of art, had been used by the gopis in their free time.

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