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Anywhere from around seventy to eighty minutes and upwards. How up is up? These days, with TV shrinking our attention spans, you’d better have a very good reason to keep an audience in the theatre for much longer than two hours.The average scene should be somewhere between 1.5 and 2.5 pages. Anything over that needs justification. If you’re writing a big set piece, that’s justification. If you’re writing the climax, that’s justification.You should keep your full length script to about 100 pages which equals 1.6 hours of stage time. For a one act divide that by 2. For a ten minute play your script should be from 10-15 pages. These times and figures are debated by others but this has been my experience as an actor/director/writer.
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How long should a scene be in a stage play?
The average scene should be somewhere between 1.5 and 2.5 pages. Anything over that needs justification. If you’re writing a big set piece, that’s justification. If you’re writing the climax, that’s justification.
How many pages is a typical stage play?
You should keep your full length script to about 100 pages which equals 1.6 hours of stage time. For a one act divide that by 2. For a ten minute play your script should be from 10-15 pages. These times and figures are debated by others but this has been my experience as an actor/director/writer.
How long is a scene in a play?
And remember this, too: The average scene in a screenplay is two to three pages long. You can mix things up sometimes. Maybe there’s a five-page dialogue scene in the middle of your script that simply has to be that length no matter what.
How long is a short play?
When writing a short play, you will have no time to ‘set up’ the story. It’s only ten to twelve minutes long, remember? Rather, think of it as walking into the middle of the story; more like a scene…but in this case it must have a beginning, middle, and end, all in roughly ten-twelve minutes.
How long is a 30 page play?
There’s a rule you’ll see over and over again in script writing that states that one page of script is about 1 minute of stage or screen time. You’re told that a 30 minute play should be 30 pages or a 90 minute movie would be a 90 page script.
What is a full length play?
Full-length plays are also called evening-length plays, because they’re long enough to be their own evening. How long is that? Anywhere from around seventy or eighty minutes and up.
How many pages is a 40 minute play?
I looked it up and it said: “It depends, but your 40 minute script should be around 22-45 pages.” Is this correct?
How long do school plays last?
The most common musicals can last from one hour and a half to three hours long (not including intermissions). Most operas feature a few plays on stage during the night.
How many words is a full length play?
| Type of Work | Words | MS Pages |
|---|---|---|
| Novel | 80,000 – 150,000 | 140 – 600 |
| Epic (no real limit) | 200,000+ | 600+ |
| Stage Play (varies by dialogue) | 5,000 – 10,000 | 60 – 120 |
| Movie Script (varies by dialogue) | 7,500 – 20,000 | 90 – 130 |
How many pages is a 30 minute script?
For novice writers, it’s best to shoot for 22-25 pages to get you under that 30-minute gauge.
How short can scenes be?
A scene that takes place in ten or fewer pages can comfortably be considered short. Some scenes are as short as a couple of pages. Short scenes often make readers hungry for more.
How long is an opening scene?
A good opening scene is one that draws the audience in and makes them want to continue watching. There are many different ways to do this, depending on the type of film or movie you are making. The starting scene of a movie can range from being a single shot lasting only a few seconds to several minutes long.
What is a ten minute play?
What is a ten-minute play? This new dramatic form is a short but complete play, with a beginning, middle, and end. It is not a scene from a larger play or a comedy sketch with a single gag; rather, it presents deep character transformation within a specific time limit.
What makes a good 10-minute play?
Writing a 10-Minute play is easy! All you have to do is come up with an ingenious idea, figure an inventive and enthralling stage mechanism, employ riveting and tender characters, serve boiling hot action, and implant sensational dialog.
How many words is a 10-minute play?
The general rule for speech giving is 100 to 200 words per minute. With this in mind, a 10-minute speech would require 1,000 to 2,000 words.
How many scenes are in an act of a play?
There’s no rule, but there is an average. Most acts include three to five scenes, and most TV shows have four acts, so that’s anywhere between 12 and 20 scenes in a single episode. The big caveat here, though: I don’t even want to suggest a number because, honestly, it’s unique to each script.
How many words is a full length play?
Word Count
Just take the text from the opening scene-setting direction through to the final curtain and count all the words2. All you need to know is that 10,000 words of script will occupy around an hour of stage time and pro rata from there – so 1000 words take six minutes3.
How many acts does a play have?
The three-act structure is commonly referred to in film adaptations of theatrical plays.
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How Long is a Piece of Theatre? | beewaxing
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How Long Should A Scene Really Be?
How Long Should A Scene Really Be?
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Recently, I’ve been reading a lot of consultation scripts with scene issues. Writers are staying inside of their scenes for too long. My advice for this has always been the same. The average scene should be somewhere between 1.5 and 2.5 pages. Anything over that needs justification. If you’re writing a big set piece, that’s justification. If you’re writing the climax, that’s justification. If you’re writing a big confrontation between two characters, that’s justification. Otherwise, you should be keeping your scenes lean and mean.
However, it occurred to me, that as often as I gave this advice, I’d never actually tested it. I was going mostly on feel and, admittedly, the advice that had been handed down to me long ago. So today I decided to change that. Get some real world data. What I did was I chose three screenplays, and counted how long each scene was. I then divided the scenes by the page number to get an actual average of pages per scene.
This process was trickier than I expected. There’s some subjectivity in what constitutes a scene. For example, Deadpool does a lot of bouncing back and forth in time. Sometimes, when we bounce to the past, it’s for an isolated scene. Other times, it’s part of a series of scenes you could argue are one continuous (montage) scene. So I had to use my judgement on which was which.
Also, I didn’t want to break down scene numbers into quarters, as it would get too messy. So if a scene was, say, 65% of a page, I would round down to half a page. If it was 75% of a page, I rounded up to a full page. I didn’t measure down to the millimeter or anything, which, when going through the whole script, gave me some imperfect page counts. That’s why the numbers don’t add up EXACTLY to the official page count. With that said, it’s accurate enough for the purposes of this article.
Here’s what I came up with…
DEADPOOL (ORIGINAL SPEC DRAFT)
1.5, .5, 3, 10, 3, 2.5, 2.5, 1, 1.5, .5, 4, 2.5, 2, 1.5, .5, 2, 4.5, 3.5, 1.5, 1, 2.5, 1, 2, 1.5, .5, 1, 3, .5, 2, 2, 2, 1.5, 1.5, 4, 3, 1, 2, .5, 1, 3.5, 2, 14, 6, 3
Page Count: 113
Number of Scenes: 44
Average: 2.6 pages per scene
THE BABADOOK (SHOOTING SCRIPT)
3.5, 3, .5, 1, .5, 2.5, 3, .5, 1, 3, 1, .5, 2.5, 1, 3, .5, 2, 1, 1.5, 1, 1, 1, 2.5, .5, 1, 1, 1, 2, 6.5, 1, 2.5, 1.5, 2, 1.5, 1, 2, 1, 3.5, 1.5, 1, 3, .5, 1, .5, 1, .5, 3, 1.5, 2, 2.5, 6, 2, 5, 2.5, .5, 2.5
Page Count: 100
Number of Scenes: 56
Average: 1.8 pages per scene
THE HANGOVER (ORIGINAL SPEC DRAFT)
1.5, 4, 2.5, 3, 3, 2.5, .5, 2.5, .5, 5, 4.5, 1, 1.5, 4.5, 1, .5, 3.5, 1, 4, 7, 3.5, 4, 4.5, 1, 1.5, 8.5, 3, 2.5, 5, 1, .5, 6, 2.5, 1.5, 1, 1.5, 1, 2, 5.5, 1
Page Count: 111
Number of Scenes: 40
Average: 2.7 pages per scene
So what did I learn here? Well, writing style has a lot to do with how many scenes you’re going to have. Jennifer Kent (The Babadook) had a lot of brief scenes with her protagonist in a car coming back home. Or sitting in a room while her kid was asleep. She seemed to be drawn to moments, as opposed to writing fully fleshed out scenes.
On the flip side we’ve got The Hangover, which has the most long scenes of our three examples. A reason for that may be that comedy needs to rev up in a scene before it gets going. And also, there’s more dialogue in a comedy, since the characters are making lots of jokes. This naturally leads to longer scenes.
Deadpool is such a crazy script with all the jumping around. But I wanted to include at least one action script. Not surprisingly, the long scenes in the script are the major set-pieces. But I was surprised how short some of the scenes were. I remembered being in the theater and watching Wade Wilson yap his mouth off in a bar for awhile. But in the script, those scenes are under 3 pages.
Despite all of this, the average scene length is surprisingly close to the advice myself and others have been giving. Deadpool and Hangover are a little over 2.5 pages per scene. But that might have dropped had I been stricter about what a scene is and isn’t. Likewise, with Babadook being a very stream-of-conscious type movie, you could make the argument that many of those individual scenes were part of bigger scenes. With those adjustments, all of these movies would be in that 1.5-2.5 page sweet spot for how long the average scene should be.
I want to make it clear though that this doesn’t mean every scene should be 2 pages. A scene should be as long as it needs to be. If all you need to convey is that a character is an asshole, take half a page and show him cut someone in line at Starbucks. Boom, you’re done. But if you’ve got your hero and your villain, who you’ve been building up for 80 pages, finally confront each other in a diner (Al Pacino and Robert DeNiro in Heat), of course that scene should be longer.
What you don’t want is to make newbie mistakes like coming into a scene too early. Or leaving a scene well after the scene is clearly over. I’ll see this happen in comedy specs a lot. The writers want to get as many jokes in as possible and therefore a 3 page scene becomes a 6 page scene with half the impact. The lesson I would take away from today is that if your scene is over 2.5 pages long, there better be a good reason for it. It has to be an important scene in some capacity.
I hope that helps!
Carson does feature screenplay consultations, TV Pilot Consultations, and logline consultations. Logline consultations go for $25 a piece or 5 for $75. You get a 1-10 rating, a 200-word evaluation, and a rewrite of the logline. If you’re interested in any sort of consultation package, e-mail [email protected] with the subject line: CONSULTATION. Don’t start writing a script or sending a script out blind. Let Scriptshadow help you get it in shape first!
How To Write A Play…9 Tips
Ideas have come to me in the visiting area of a state prison, a haunted lighthouse, my days in Hollywood, or listening to stories of my mother, growing up with 13 siblings ….. the ideas come to me in a little kernel of truth and I am inspired to write.
I am frequently asked ‘how can you be so prolific?’, ‘how do you write so many plays?’ ‘where do you get your ideas?’
So I thought what a perfect time to give my readers nine tips about writing their first stage play. After all, 45 play scripts ago and seventeen years earlier I began writing my first play script. And that led me to create the Creative Writers’ Journals and Handbooks which includes ‘how to write a play’ and ‘how to create exciting characters.’ I went on to create a book of writing tips.
NINE TIPS TO GET YOU STARTED … and more
1. Format is very important. If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but I found them lacking. The character’s name is centered. Blocking (action) is indented and placed in parentheses. Setting (indent once), Rise (indent once) and Dialogue is far left. Double space between character’s name and first line of dialogue. Blocking (action): is placed below the character’s name in parentheses. (indent x 3). A ‘beat’ is a dramatic pause to enhance the pace of the speech and is placed in the dialogue where you wish the actor to pause for a beat or two. Or you might want to buy a play script from a publisher. Samuel French is the best.
2. Each page represents approximately one minute of time on stage. So if you have a play that is 200 pages long, that won’t work. Audiences aren’t going to sit for more than one and a half hours unless you are providing a circus, a fire drill, sex, and an earthquake. Audiences are even reluctant to sit through “The Iceman Cometh” a classic by Eugene O’Neill. It runs close to 3 hours.You should keep your full length script to about 100 pages which equals 1.6 hours of stage time. For a one act divide that by 2. For a ten minute play your script should be from 10-15 pages. These times and figures are debated by others but this has been my experience as an actor/director/writer.
3. Leave lots of white space on the page. One day when your play is being produced, actors will need a place to make notes in the script during rehearsal. This is a sample of an actor’s (mine) working script. The actor usually ‘highlights’ their lines and writes the director’s blocking in the margins. (in pencil, as blocking frequently changes)
4. The blocking is indented, in parentheses, and directly below the character’s name. This is where the playwright gives the characters instructions on when and where to move. But, keep it short and sweet. Remember there will be a director who has their own ideas of where he/she wants their actors to be. Be aware of costume changes in your writing. An actor can’t exit stage left and enter stage right, seconds later, if you haven’t written in the time it will take for them to accomplish a costume change.
5. Your script has to work on a stage. If your story takes place in more than one locale, you have to be aware of the logistics of set changes. So keep it simple to start. If you are ambitious in your setting buy a book on set design to research if your set is feasible. There are some wonderful ‘envelope’ sets that unfold when you need to change the scene. But you have to consider the budget; would a theatre have the money to build it? Always a worry.
6. Dialogue: Now here’s the sometimes hard part: everything you want the audience to know about the story and the characters, is conveyed in the dialogue. Unlike a short story or a novel, where you can write as much description as you’d like, a play script has none of that. NO description. Here is a Sample.Dialogue.Sugarek of dialogue demonstrating how to move the story forward.
7. The ‘Arc’ of your story: The Oxford English Dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.
Simpler Examples: In Parkland Requiem the ‘arc’ of my story is when the teacher leaves the safety of his classroom to reconnoiter the position of the shooter.
In My Planet, Your Planet, Our Planet the ‘arc’ is when the activist students march in a world-wide March defying all the rules of the school.
8. How To Know When to Change Scenes. When there is a date/time or character/scene change is a good guide. But be careful, if the time/day changes and there is a costume change needed, always remember the audience isn’t a patient creature and they will not sit and wait for very long. A director can and will set up an area backstage for those quick changes and often the costume mistress will be there to help with shoes, zippers, etc. To save time, you should write the actor entering from the same side as they exited (when possible) to save the time it would take for them to hurry to the other side of the stage.
9. Your play should have a conflict. Your main character should have a conflict that he or she must solve quickly. No conflict = no play. Say you want to write your first play about you and your siblings growing up. That’s easy; have them argue about something. Be certain there is resolution before your play ends. Imagine you want to write a love story between two people. There must be a conflict somewhere in the love story.
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How to Write a Short Play…7 tips
When writing a short play, you will have no time to ‘set up’ the story. It’s only ten to twelve minutes long, remember? Rather, think of it as walking into the middle of the story; more like a scene…but in this case it must have a beginning, middle, and end, all in roughly ten-twelve minutes.
A ten minute play (or one act) is 10-15 pages written in a proper format. It can have costumes and sets, certainly, but ten minute plays are most popular because of their simplicity. It’s more attractive to the director or educator, for economic reasons, if there are no sets, no costumes, and minimal props needed.
The ten minute play does not sacrifice excellent writing and content for brevity. Less is more. And it is a great exercise for the writer to hone and edit their writing skills.
The ideas for my plays come to me in a little kernel of truth and I am inspired. A state prison, a haunted lighthouse, my days in Hollywood, the news of the day or remembering the stories of my childhood.
I am frequently asked ‘ how can you be so prolific?’, ‘how do you write so many plays?’ ‘where do you get your ideas?’
So I thought what a perfect time to give my readers six tips on writing their first stage play. After all, 45 play scripts ago and seventeen years earlier I began writing my first script. And that led me to create five, custom Journals and Handbooks which include how to write a play and how to create exciting characters.
SEVEN TIPS TO GET YOU STARTED
1. Format is very important. If you submit your new play to anyone they will not read it if it is not in a proper format. There is software out there that offer auto-format but I have found them lacking. sample.playwrite.format (here is a format sample)
Notice character name is in CAPS and centered. Blocking (action) is indented and always lower case and double-spaced. If only one word, it is placed next to the character’s name and in parentheses. A ‘beat’ is a dramatic pause or to enhance the pace of the speech.
2. Each page represents approximately one minute of time on stage depending on how complex you make the blocking. For a ten minute play your script should be from 10-15 pages. Each line (dialog) should move the story along…you’ve only got 10 minutes. So chose what your characters have to say very carefully.
3. Leave lots of white space. One day when your play is being produced, actors will need a place to make notes in the script during rehearsal. This is a sample of an actor’s (mine) working script. An actor usually ‘highlights’ their lines and writes the director’s blocking in the margins.
4. The blocking (in italics) is where you give the actors instructions on when and where to move. But, keep it short and sweet. Remember there will be a director who has their own ideas of where they will want their actors to be. Be aware of costume changes in your writing. An actor can’t exit stage left and enter stage right, seconds later in a different costume, if you haven’t written in the time it will take to give them the time to accomplish a costume change.
5. Your script has to work on a stage. If your story takes place in more than one locale, you have to be aware of the logistics of a ‘set’ change. So keep it simple to start. If you are ambitious in your setting buy a book on set design to research if your set is feasible. There are some wonderful ‘envelope’ sets that unfold when you need to change the scene. But you have to consider the budget; would a theatre have the money to build it? Always a worry.
6. 7. The ‘Arc’ of your story: The Oxford English Dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.
7. Dialogue: Now here’s the hard part: everything you want the audience to know, about the story and the characters, is conveyed in the dialogue. Unlike a short story or a novel, where you can write as much description as you’d like, a play script has none of that. NO description. Here is a Sample.Dialogue.Sugarek of dialogue moving the story forward. You will notice that the format differs from the sample I provide. This example is from a published play so it looks different.
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How to write a ten minute play? Click here
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How to Format Your Novel
How to Format a Stage Play
PS. My web site is dedicated to helping new and experienced writers hone their craft. If you have questions, drop me a line. I always love to hear from readers and promise to answer you. T.S.
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