Top 41 How Much Do Rockbridge Guitars Cost Best 279 Answer

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But every Rockbridge I played had that effect. And the more I played, the better they sounded.” The company has produced about 650 guitars to date. While base models start at $5,100, specialty jobs often sell for more than $10,000.Rockbridge makes great sounding and well-built guitars. Dave Matthews is not the only artist who enjoys playing them – Warren Haynes and Jim Hurst come to mind right away.Rockbridge Guitar Company is a four-man custom guitar shop in Charlottesville, VA. Rockbridge’s limited annual production of 60 guitars allows for painstaking attention to detail, resulting in instruments with exceptional tone and beautiful craftsmanship.

Are Rockbridge guitars good?

Rockbridge makes great sounding and well-built guitars. Dave Matthews is not the only artist who enjoys playing them – Warren Haynes and Jim Hurst come to mind right away.

Where are Rockbridge guitars made?

Rockbridge Guitar Company is a four-man custom guitar shop in Charlottesville, VA. Rockbridge’s limited annual production of 60 guitars allows for painstaking attention to detail, resulting in instruments with exceptional tone and beautiful craftsmanship.

What is a fair price for a guitar?

Most guitarists, in my experience, will buy somewhere in the $500 to $1,500 range. Beginners usually spend between $100 and $500. More serious guitarists who have a high budget can spend anywhere from $1,500 to $10,000.

What guitar does Amos Lee play?

Amos Lee:It’s a Gibson J-100. I think it’s all maple. Spruce top, maple back and sides. It’s not real fancy, it’s just — you know a lot of people know the Jumbo guitar, the Gibson Jumbo — they think of the J-200, which is sort of a fancier model.

Where are Blue Ridge guitars made?

To be sure, there is no shortage of guitars being made in China these days, including some of the most recognizable and best-selling brands: Washburn, Yamaha, Guild, Epiphone, Eastman, the Loar, Fender, Ovation, Blueridge, Recording King, Alvarez, Luna, Sigma, and Gibson all manufacture guitars, or components of them, …

What region is Rockbridge County VA in?

Rockbridge County is located in the beautiful Shenandoah Valley of West Central Virginia, nestled between the Allegheny Mountains to the west and the Blue Ridge Mountains to the east.

Which guitar is best for beginners?

  1. Fender CD-60S All-Mahogany Acoustic Guitar. The best acoustic guitar for beginners seeking a big brand name. …
  2. Yamaha LL6 ARE. The best acoustic guitar for beginners under $500. …
  3. Epiphone Hummingbird Studio. …
  4. Yamaha FG800. …
  5. Taylor GS Mini Mahogany. …
  6. Ibanez AW54CE. …
  7. Martin LX1E Little Martin. …
  8. Epiphone DR-100.

Is guitar hard to learn?

Guitar is hard to learn in the beginning, but gets easier the longer you stick with it. The more you practice, the easier guitar will feel to play.

Is a good guitar worth it?

The answer is yes, expensive guitars will most likely always be of better quality than cheaper guitars. The detail in which the guitars are made, the type of materials used and how well the adjustments are made is what increases the quality of a guitar, therefore the price.

What Rockbridge guitar does Dave Matthews play?

Most of his tunes call for the six string, and at the time of this writing Dave’s go-to player is a Custom Rockbridge SJ Sunburst (pictured below). Dave Matthews performs with his Custom Rockbridge SJ alongside Tim Reynolds.

Does Dave Matthews use a pick?

Dave Matthews uses Tortex® Picks, the MXR® Carbon Copy® Analog Delay, and MXR® Bass Envelope Filter to write, record, and perform his music worldwide.

How did Tim Reynolds learn guitar?

Eventually, I started to play real guitar. My Uncle Bill came to live with us for a while and he played guitar. So, he got me started on playing chords and then I was off. I was still taking piano lessons.

How much are decent guitars?

So, how much does an electric guitar cost? An average/decent guitar would cost something around $500. Beginner guitars cost between $100-$400. Intermediate guitars cost between $400-$900.

How much does it cost to buy a guitar?

Those who are still fairly new to the guitar should expect to pay between just over $100 and $500 for their instrument, depending on the brand name, the quality of materials and workmanship, and the included accessories. Even at the lower end of that range, guitars should include quality woods like spruce and rosewood.

How much is a cheap guitar?

Guitar Cost vs. Materials and Manufacturing
Guitar Cost Materials
$500-$1000 Mid-level components, still good quality
$300-$500 Budget components, some alternative and less expensive tonewoods
$100-$300 Beginner guitars. Budget all around, but some are very good
Under $100 Very low quality components all around
30 thg 11, 2021

How much is a used guitar worth?

USA Prices
Model New Price Second-Hand Price
Epiphone Standard $650 $500
Epiphone Classic $550 $450
Epiphone Traditional $500 $350
Epiphone Junior $420 $300

Marcus Eaton – Rockbridge OOO review
Marcus Eaton – Rockbridge OOO review


Rockbridge, not everybody’s candy – The Unofficial Martin Guitar Forum

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What is the Average Price of an Acoustic Guitar?

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The Range of Guitar Prices

Should You Buy a Used Guitar

Over To You

What is the Average Price of an Acoustic Guitar?
What is the Average Price of an Acoustic Guitar?

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Rig Rundown – Dave Matthews – YouTube

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Rig Rundown - Dave Matthews - YouTube
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Rockbridge SJ – Cocobolo back, PLENTY of upgrades, Dave | Reverb

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  • Most searched keywords: Whether you are looking for Rockbridge SJ – Cocobolo back, PLENTY of upgrades, Dave | Reverb Updating If you are looking at this guitar – you know exactly what you are looking at. This guitar was delivered Jan of 2015. The guitar is a BEAST. Absolutely sounds amazing. The folks @ Rockbridge know exactly what they are doing. I can see why Dave Matthews loves these guys so much. Price for the guita…
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Rockbridge SJ - Cocobolo back, PLENTY of upgrades, Dave | Reverb
Rockbridge SJ – Cocobolo back, PLENTY of upgrades, Dave | Reverb

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Rockbridge – where does it rank? – The Acoustic Guitar Forum

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 Rockbridge - where does it rank? - The Acoustic Guitar Forum
Rockbridge – where does it rank? – The Acoustic Guitar Forum

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Rockbridge, not everybody’s candy – The Unofficial Martin Guitar Forum

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  • Most searched keywords: Whether you are looking for Rockbridge, not everybody’s candy – The Unofficial Martin Guitar Forum Rockbrge makes great sounding and well-built guitars. Dave Matthews is not the only artist who enjoys playing them – Warren Haynes and Jim … A few years Rockbridge was making a big impact with many pro players. Today almost every week I see one for sale. I once asked a endorser why he sold
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Dave’s Sunburst Guitars [Archive] – These Days Continue

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 Dave's Sunburst Guitars [Archive]  - These Days Continue
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Rockbridge guitars (Page 1) — Joe’s Guitars, Amps and Gear — Joe Bonamassa Forum

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Rockbridge Guitars, some of the most sought after instruments in the industry

by Eric J. Wallace

Larry Keel, a world-renowned progressive-bluegrass guitarist, dropped by a small music shop in Lexington in 2003 and was immediately smitten by a big dreadnought acoustic guitar hanging above the counter.

Its sunburst coloring was reminiscent of a 1930s Gibson. An inlay of colorful vines spanned the length of the fretboard. And “Rockbridge” was emblazoned across the headstock in cursive, mother-of-pearl lettering.

“I was immediately drawn to the guitar because of its incredibly beautiful craftsmanship,” says Keel. “Then I played it and the sound was equally as beautiful. I knew then and there, I had to have one.”

Photograph by Todd Wright

The magnificent instrument, essentially a prototype, was crafted by Brian Calhoun and Randall Ray, a pair of locals who had launched the Rockbridge Guitar Company as a part-time business in 2002.

Keel was flabbergasted. “I knew those guys from jam sessions I’d attended back in the ‘90s,” he says. “I had no idea they were making guitars – much less ones that sounded as good as anything you’ll ever run a pick across.”

Keel reached out to Calhoun and commissioned a dreadnought, the most common style of acoustic guitar, customized with a particularly impressive, full-color largemouth bass inlaid on the headstock. The beautiful instrument served as Keel’s go-to tour axe for about 10 years. In addition to his own shows, he played it while moonlighting with Sam Bush, Del McCoury, the Yonder Mountain String Band, Tony Rice and Bela Fleck, among countless others. Following a handful of scares, he realized the guitar was “way too nice a work of art for the road.” The instrument now stays at home and is used for all his songwriting.

The high-profile sale, as well as Keel’s emphatic endorsements, put Rockbridge on the map. Major studio owners and producers requested demos. Orders skyrocketed. Within a year, Calhoun and Ray had quit their jobs and bought a showroom off of Charlottesville’s downtown mall.

Randall Ray makes delicate adjustments to the inside back of a guitar. Photograph by Todd Wright

The company has since grown to include four employees. Offering 10 guitar models, the group crafts about 60 boutique instruments a year. The company has built a star-studded following; their client list includes Dave Matthews, Jason Mraz, Jonathan Russell (The Head and the Heart), Mary Chapin Carpenter, Mike Campbell (Tom Petty and the Heartbreakers), Matt Sorum (Guns N’ Roses), Richie Sambora (Bon Jovi), Ray LaMontagne and Warren Haynes.

The company’s origins lie in what Calhoun calls a high school pipedream gone impossibly right. The story begins in the mid-90s with a math teacher and a homemade violin.

“He brings this thing to class one day, bows out a tune, then starts explaining about the equations he’d used to build it,” says Calhoun, a native of Rockbridge County. A zealous bluegrass guitarist, he was mind-blown. “I could’ve cared less about the math stuff, what got me going was the sound. I could hardly believe it: Here was this dude I thought was just a normal everyday guy, yet he’d managed to make this amazing instrument.”

Inspired, Calhoun lingered after class. He implored the instructor to help him build an instrument. The enthusiasm he showed in the matter was in sharp contrast to his usual lackluster academic interest. The teacher took note and offered to sponsor a program of independent study. Calhoun chose to make a mandolin.

“I dove in headfirst and fell in love, like, immediately,” he says. Working with the wood brought a Zen-like peace. Shaping it into a sonorous box capable of giving birth to music felt magical. “It was romantic and deeply spiritual,” says Calhoun. “I felt like I was discovering the reason for my being.”

Brian Calhoun at home. Photograph by Todd Wright.

Professional apprenticeships followed graduation. Calhoun spent the next three years learning to craft fiddles and mandolins. But while he excelled, something still felt off.

“A violin can be technically perfect and still be missing something,” he says. “World-class instruments have this kind of mystical quality – there’s something special that brings them to life and makes them sing. It sounds wonky, but a trained musician can feel it when it’s in their hands, and they’ll damn sure hear it.”

Calhoun’s violins and mandolins didn’t measure up.

Distraught, he decided to try his hand at a guitar. The results were lifechanging.

“The moment I gave up the other stuff, something clicked,” he says. Strumming his first homemade guitar, a shiver knuckled down his spine. “I knew I was on the right path. I felt with 100 percent surety I was put on this Earth to build acoustic guitars.”

Still, his instruments needed tweaking.

Randall Ray moved to Lexington in 1981 to attend Washington and Lee University and never left. “The bug bit me hard,” he says of the area’s bluegrass scene. Ray took up guitar and started playing about eight hours a day. “By the end of freshman year, I was attending more jam sessions than classes. My life’s big ambition morphed into eking out a living in the country and becoming a reasonably decent flat-picker.”

He made his first guitar in 1989, a labor that had more to do with money than passion. Working as a part-time housepainter, he was broke. Top-notch instruments were expensive; vintage Martin and Gibson guitars, coveted by bluegrass pickers, can cost more than $10,000.

“The only way to get my hands on something like that was to make it myself,” says Ray. Raised in a family of woodworking tinkerers, the idea seemed feasible – especially with practice. “I learned so much working on the first one, I started planning for the second before it was finished,” he says.

Then came a third and fourth. Correspondences with luthiers to obtain information about obscure techniques and antique instruments ensued. “The more I learned, the more I saw there was to know. It became a crazy addiction.”

Ray started selling his guitars to finance better tools and materials. By 2000, he was building four or five a year. An influx of commissions led him to approach Calhoun.

“Brian was super-dedicated and extremely enthusiastic,” says Ray. The two had been jamming together on-and-off for about five years. “All he cared about was picking tunes and trying to build a phenomenal instrument. I figured, who better to help me out?”

The relationship started with Calhoun shaping a few necks and applying finishes.

“Then one day he comes in and says, ‘Check out this inlay job, isn’t it awesome?’” says Ray.

Unfortunately, it was not good. The would-be Western-style festoons looked more like tentacles than vines.

“I told him, ‘Don’t quit your day job, cowboy.’”

“Hearing that now, I think, ‘Man, that’s harsh,’” says

Calhoun with a chuckle. “But back then, I was just starting out. And Randall was, like, the guru. The fact he’d even take the time to criticize my stuff felt profound. So, I took it as a challenge.”

The incident went unmentioned for about six months. Meanwhile, Calhoun obsessed over the project, carving inlay patterns for four to six hours a day. Eventually, he unveiled work that he was really proud of, for instance, a cowboy on horseback lassoing the neck of a raging bull.

“I took one look and my heart sort of skipped a beat,” Ray says. “It was as good, if not better, than anything I’d ever seen.” Gauging by the reaction, Calhoun urged Ray to partner with him and go into business full-time. Ray agreed, but was skeptical.

“Nobody builds their own guitars full-time,” Ray says. “That’s rarer than becoming a rock star. But Brian was too naïve to know that, and I didn’t have the heart to say no. Instead, I heard myself say something like, ‘You get the orders and we’ll quit our jobs and live our real-life American Dream.’”

Photograph by Todd Wright.

The year was 2002. That summer, Calhoun took some prototypes and hit the road. He roamed the campgrounds of Southeastern bluegrass festivals looking for jam sessions.

“I’d sit in on a few songs and people would get intrigued by the guitar’s look and sound and ask what it was,” he says. Within two months, he’d more than quadrupled orders from the year before. Rockbridge Guitar Company was born.

According to Keel, Rockbridge guitars sell themselves. Put one in the hands of a seasoned veteran and they can’t help but to be impressed.

“They’re incredible to look at and then, when you play one, that sound is as good as anything you’ve ever heard,” he says. The tone is clear and robust as a 100-year-old Gibson or Martin. Yet the instruments are fundamentally unique. “I’ve played thousands of guitars and can say with surety: You won’t come across this sound anywhere else.”

While most boutique guitar makers peddle copycats, Calhoun and Ray took a different approach. Their goal was to craft heirloom instruments that would be handed down through the generations.

“Randall spent 10 years analyzing blueprints from every big-name guitar maker there ever was,” says Calhoun. For his part, Calhoun researched innovations like carbon-fiber bracing and water-based finishes, which respectively reduce weight and allow the wood to resonate more fully. “We took what we liked about different vintage models and created new combinations. Then we used modern technology to make them even better.”

The effect has pros hooked. Warren Haynes, the longtime Allman Brothers Band and Government Mule frontman, recorded with five Rockbridges on his 2015 acoustic album, “Ashes & Dust.” He subsequently bought three.

“You can pretty much tell a great guitar when you can strum a G-chord and it speaks to you,” says Haynes. “I can try 20 old guitars and that might not happen once. But every Rockbridge I played had that effect. And the more I played, the better they sounded.”

The company has produced about 650 guitars to date. While base models start at $5,100, specialty jobs often sell for more than $10,000. Ray and Calhoun hope the instruments will remain in circulation for centuries. They envision a day when, like the great masters of the past, Haynes and Keel will bestow their go-to axes upon the next generation of players.

“It’s fun to think of my great-great-grandkids seeing one of these guitars on stage somewhere 100 years from now and saying, ‘Hey, I know where that thing came from!’” says Ray.

A handful of patriarchs have already passed instruments down to their children and grandchildren.

Photograph by Todd Wright.

“Don’t get me wrong, getting to make guitars for my heroes has been amazing,” says Calhoun. “But what’s affected me the most is hearing from a 20-year-old saying this guitar represents her grandfather better than anything he could’ve left her. He’s moved on, but when she plays the songs he taught her as a kid? It’s like he’s right there with her. To me, that’s incredible. That’s what Rockbridge is all about.”

The Unofficial Martin Guitar Forum

Noble, not everybody’s cup of tea..

Collings, not everybody’s plate of meat…

Martin……Gibson…Circa…Greven… you see guitars of all brands for sale all of the time by amateurs and pros.

A lot of “pro” players go through more guitars than people on these forums because they can. They also change their preferences over time.

Two players I admire have changed their performing models:

Pierre Bensusan now has two different Lowden signature guitars – an O and an F.

Ed Gerhard had a Breedlove signature jumbo and now has a signature dread.

Granted they did not change makers, just body size, but they did change.

People sell different guitars for a lot of reasons, not just because the guitar (or is it the player?) is not versatile enough.

The local “pro” I am most familiar with can make ANY guitar sound good, although he does have his favorites for different material.

He owns some nice vintage Fender electrics and American acoustics, but plays out with Asian-made knock-offs. Sounds great using whatever he plays.

Rockbridge makes great sounding and well-built guitars. Dave Matthews is not the only artist who enjoys playing them – Warren Haynes and Jim Hurst come to mind right away.

I am as far from being a “pro” player as can be, but I have had a 2006 Braz/Adi dread since 2008. It has a super set of Brazilian and superior OSW top and will probably be the only BRW guitar I ever own. I might eventually sell it, but it won’t be because it is not versatile enough. This guitar does seem to like a flatpick better than bare fingers, but it is a dread after all. It looks like a Martin herringbone, but it has Gibson inspired bracing and a larger sound hole Under the right conditions (cool and dry, rather than hot and muggy) it is the best sounding guitar I own – played with bare fingers or a pick. It has improved over time in that regard, and I attribute the original limitation to the rosewood body and my ears. I find all rosewood bodied guitars to be somewhat muddy compared to similar mahogany bodied models with spruce tops. But that is me. YMMV

Before purchasing my rosewood dread I read whatever I could about Rockbridge. People who had purchased their mahogany bodied slopes seemed to be most effusive in their praise of Rockbridge. I bought the BRW dread because I had not owned a BRW guitar of any type and I thought that the price was right. The shop owner also had high praise for the guitar. I wish I had also bought a Mahogany/red spruce Rockbridge Smeck model Steve Swan had for sale a while back.

Rick and Lefty, have you played more than one Rockbridge ?

I do not particularly care for the sound of Collings rosewood dreads, but I love just about every mahogany/red spruce model of theirs that I have tried.

Find what works for you and use it until it no longer pleases you. There are lots of great guitars out there right now.

Mark

What is the Average Price of an Acoustic Guitar?

Hey! This site is reader-supported and we earn commissions if you purchase products from retailers after clicking on a link from our site.

I was wondering to myself the other day about what the average price of an acoustic guitar is.

So I set out to discover this.

The Range of Guitar Prices

Of course there is a wide range of different prices for acoustic guitars. In fact, it?s one of those things that has one of the largest ranges you can find of anything.

You can pick up a very cheap guitar for around $100 (or even less sometimes but those aren?t usually worth buying) and anywhere up to $15,000.

So a guitar that costs say $10,000 is 9900% more expensive than a $100 guitar!

The most Common Range

$100 guitars and $15,000 dollar guitars aren?t the most common range of prices.

People buying $100 guitars are usually doing so when they buy for someone else and they aren?t sure if that person is going to stick to playing guitar.

And the $15,000 guitar is only for someone who has a lot of extra income and is very serious about guitar.

At a guess I would say that most guitarists (based on people I know, conversations on forums etc) buy somewhere in the $300 to $3,000 range.

The Average Price of Acoustic Guitars

O.k. so let?s get to the average price of an acoustic guitar. Keep in mind that this isn?t necessary the average amount that someone spends on an acoustic guitar. This is the average cost of a range of acoustic guitars that I looked at.

Some things to note:

I only looked at 6 string guitars (no 12 string guitars were included) I only looked steel string acoustics. No classical guitars were included I only looked at flat top acoustics. No arch top guitars were included The average here is based on the ?list? prices or the ?recommended retail prices?. Usually you can get guitars cheaper than their list price.

I took a sample of 312 guitars from a major online music store.

The highest priced guitar of those 312 was $8,000 (USD) and the lowest price was $135 (USD).

The average price of those 312 guitars was $1,809 (US Dollars).

This represents the average price of the 312 guitars that I looked at – not the average amount that someone spends on a guitar. Naturally there will be more lower priced instruments sold.

Now as I said most guitarists buy somewhere in the $300 to $3,000 range – my guess is that the average amount spent on an acoustic guitar is probably somewhere between $500 and $1,500.

Average Actual Price Based on List Price

So the average above is based on the list price. Now, it?s very unlikely that you?ll actually pay list price.

At a very rough estimate based on the actual price being around 75% to 80% of the list price, I would say that the average actual price of the guitars I looked at is closer to $1,400 or $1,500 (rather than the $1,809 above).

Acoustic-Electric

Of course the average price of an acoustic-electric is slightly higher. You are also paying for the electronics on an acoustic-electric.

Of the 312 guitars that I analyzed there were 172 acoustic-electrics and 140 non-electric acoustics.

The 172 acoustic-electrics averaged out at $2,112 (based on list prices). Roughly $1,500 actual price .

averaged out at (based on list prices). Roughly . The 140 non-electric acoustics averaged out at $1,435 (based on list prices). Roughly $1,100 actual price.

Should You Buy a Used Guitar?

There are many reasons to buy a used guitar instead of a new one.

One of the primary reasons to buy a used guitar is cost, you will often get a higher quality of products for a lower cost.

It is also a great decision for beginners and amateur players, as you will not blow the bank on an instrument as you learn to play it. You can also note that good brands produce high-quality products and so your used guitar will age well and give you reliable performance for a long time before you choose to buy something newer as you progress.

Some other reasons to buy a used guitar over a new one;

You can find rare, unique, or discontinued models.

You have a very wide variety to choose from compared to new guitars.

Some used guitars retain or increase their value.

Over To You

This was just rough estimate as to the average price of an acoustic guitar but should give you some idea.

Most guitarists, in my experience, will buy somewhere in the $500 to $1,500 range.

Beginners usually spend between $100 and $500.

More serious guitarists who have a high budget can spend anywhere from $1,500 to $10,000.

There?s certainly a difference in quality as you spend more – but what you need for your purposes will differ depending on your budget and how serious a guitarist you are.

Check out the links below for reviews of different guitars in different price categories.

>>Acoustic Guitars Under $300 Reviews

>>Acoustic Guitars Under $500 Reviews

>>Acoustic Guitars Under $1,000 Reviews

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