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Cornelius urges the 13-year-old Caspian to flee for his life, for Miraz will certainly perceive Caspian as his son’s rival for the throne. Cornelius gives Caspian Queen Susan’s magic horn, which will bring help to whoever blows it.Caspian is 16 years old in The Voyage of the Dawn Treader. Three years have passed since Caspian last saw Edmund and Lucy, although only a year has…Prince Caspian
Edmund is also there to witness Peter’s duel against Miraz. In the book Edmund is around 11 years old at the time of their return, but in the movie he is probably between 13 and 15 years of age.
Contents
How old is Caspian in Voyage of the Dawn Treader?
Caspian is 16 years old in The Voyage of the Dawn Treader. Three years have passed since Caspian last saw Edmund and Lucy, although only a year has…
How old was Edmund in Prince Caspian?
Prince Caspian
Edmund is also there to witness Peter’s duel against Miraz. In the book Edmund is around 11 years old at the time of their return, but in the movie he is probably between 13 and 15 years of age.
How old were Peter and Susan in Prince Caspian?
In Prince Caspian Peter and Susan are different ages (14 and 13). In Dawn Treader we’ll see that Edmund and Lucy are told they also are getting too old for Narnia—Edmund’s 12 and Lucy’s only 10 at the time. And in their final Narnian adventure, Eustace and Jill are 16.
How much older was Edmund than Lucy?
[a] Lewis’s timeline lists the birth-years of Edmund and Lucy as 1930 and 1932, but The Lion, the With and the Wardrobe says “there was really only a year’s difference” between them (ch. 4). It is possible that Edmund was born in late 1930 and then Lucy was born in early 1932.
Who did Caspian marry?
Caspian later married Lilliandil in the Narnian year of 2310, and made her the Queen of Narnia. In 2325, fifteen years later, she gave birth to a son, Prince Rilian, the heir apparent to the Narnian Throne.
How old was Susan in Narnia?
Susan was born in 1928 and is 12 years old when she appears in The Lion, the Witch and the Wardrobe. By The Last Battle, she is 21 years old, as the final novel takes place in 1949.
How old is Peter in Narnia?
Prior story. Peter was born in 1927 and is 13 years old when he appears in The Lion, the Witch and the Wardrobe. As a monarch of Narnia’s Golden Age, he rules with his brother and sisters for 15 years, reaching the approximate age of 28 before returning to the age of 13 in England at the end of Wardrobe.
How old is Mr Tumnus?
| Mr. Tumnus | |
|---|---|
| Age: | Appears 27 (actually several centuries) |
| Gender: | Male |
| Species: | Faun |
| Canon: | The Chronicles of Narnia |
Will there be a Narnia 4?
‘The Chronicles of Narnia’ will finally have a fourth installment. Six years after the last installment of Chronicles of Narnia, The Voyage of the Dawn Treader, the franchise is finally being revived with an adaptation of the fourth book.
How old is Lucy in the third Narnia movie?
Luckily in the next film Caspian gets 3 years older in comparison to 1 year for Edmund and Lucy, so if the film gets out 2 years after this one by then Edmund will be 17 (instead of 12), Lucy – 14 (10), Caspian – 29 (16).
Why is Peter and Susan not in Narnia 3?
In the Prince Caspian novel, Peter and Susan are told they will not return to Narnia simply because they are “getting too old.” Later, in the final book of the Chronicles Of Narnia series, The Last Battle, Susan is said to be “no longer a friend of Narnia” and “interested in nothing nowadays except nylons and lipstick …
Who did Peter Pevensie marry?
*warning this story contains sexual content, this story is set after they became kings and queens of narnia* High Queen Davina the warrior of narnia is the wife of the high king peter and the daughter of aslan.
How does Lucy Pevensie dies?
She had two more adventures in Narnia, and when she eventually died in a train accident at the age of seventeen, she was transported to Aslan’s Country.
How old is Georgie Henley Narnia?
What does Lucy Pevensie look like?
…
| Lucy Pevensie | |
|---|---|
| Race | Human |
| Gender | Female |
| Title | Queen Lucy the Valiant |
How old is Edmund in The Lion the Witch and the Wardrobe movie?
Prior Story. Edmund was born in 1930 in Finchley, England, (according to the film series) and he is 14-years-old when he appears in The Lion, the Witch and the Wardrobe.
Is Prince Caspian King of Narnia?
Prince Caspian (also known as Caspian X, King of Narnia, Lord of Cair Paravel and Emperor of The Lone Islands, and as Caspian the Seafarer or Caspian the Navigator) is a fictional character in The Chronicles of Narnia by C. S. Lewis.
How long is the BBC Prince Caspian?
| Prince Caspian/The Voyage of the Dawn Treader | |
|---|---|
| Running time | 27-28 min. per episode (approx.) |
| Release | |
| Original network | BBC |
| Picture format | 4:3 |
Where was Caspian filmed?
Filming began in February 2007 in New Zealand, but unlike the previous film, the majority of shooting took place in Central Europe, because of the larger sets available in those countries.
Prince Caspian (character) – Wikipedia
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how old was prince caspian
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Edmund Pevensie – Wikipedia
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Narnia Character Ages – NarniaWeb | Netflix’s Narnia Movies
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Characters age in Narnia films | Kazhes blogs
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- Summary of article content: Articles about Characters age in Narnia films | Kazhes blogs According to the books in “Prince Caspian” the age of the characters should be the following: Peter – 14. Susan – 13. Edmund – 11 …
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Narnia Character Ages – NarniaWeb | Netflix’s Narnia Movies
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- Summary of article content: Articles about Narnia Character Ages – NarniaWeb | Netflix’s Narnia Movies Narnia Character Ages · Edmund Pevensie: 12 [a] · Lucy Pevensie: 10 [a] · Eustace Clarence Scrubb: 9 · Caspian: 16. …
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How old are the characters in Narnia 2? I wonder because Edmund mentions at the beginning that even though Lucy looked like a child, they all were centuries old. – Quora
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- Most searched keywords: Whether you are looking for How old are the characters in Narnia 2? I wonder because Edmund mentions at the beginning that even though Lucy looked like a child, they all were centuries old. – Quora So in Prince Caspian, Peter is 14, Susan is 13, Edmund is 11, and Lucy is 9. However, they ruled in Narnia approximately 1200 years before the events of Prince … Lucy (holding up a dress she used to wear, which is now much too big for her): “I was so tall!” Susan (practical as always): “Well, you were older then.” Edmund (seeing the humor in the situation): “As opposed to hundreds of years later, when you'…
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How old was Prince Caspian in Narnia? – Celebrity.fm – #1 Official Stars, Business & People Network, Wiki, Success story, Biography & Quotes
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- Summary of article content: Articles about How old was Prince Caspian in Narnia? – Celebrity.fm – #1 Official Stars, Business & People Network, Wiki, Success story, Biography & Quotes Edmund was born in 1930 and (according to the film series) lived in Finchley, England, and he is 10 years old when he appears in The Lion, the Witch and the … …
- Most searched keywords: Whether you are looking for How old was Prince Caspian in Narnia? – Celebrity.fm – #1 Official Stars, Business & People Network, Wiki, Success story, Biography & Quotes Edmund was born in 1930 and (according to the film series) lived in Finchley, England, and he is 10 years old when he appears in The Lion, the Witch and the …
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how old was prince caspian
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Prince Caspian (character)
Fictional character in The Chronicles of Narnia
Fictional character
Prince Caspian (also known as Caspian X, King of Narnia, Lord of Cair Paravel and Emperor of The Lone Islands, and as Caspian the Seafarer or Caspian the Navigator) is a fictional character in The Chronicles of Narnia by C. S. Lewis. He is featured in three books in the series: Prince Caspian, The Voyage of the Dawn Treader, and The Silver Chair. He also appears at the end of The Last Battle.
Biographical summary [ edit ]
Caspian is described as noble, handsome, brave and merry; he strives for fairness and justice at all times and is a devoted King. For his love of the sea he is known as Caspian the Seafarer.
Prince Caspian [ edit ]
Lewis introduces Caspian as the young nephew of and heir to King Miraz of Narnia. By this time 1300 years have passed since the rule of High King Peter and his siblings, and Old Narnians no longer live openly in Narnia, having been driven into hiding by Caspian’s ancestors, the Telmarines. In fact, the talking beasts are believed to be mythical, and stories of them are forbidden in Miraz’s castle.
When Caspian is a small boy (by which time both of his parents are dead), his nurse tells him of these stories, which fascinate him; but when he mentions them in the presence of his uncle, Miraz rebukes Caspian and dismisses the nurse.
Miraz appoints Doctor Cornelius Caspian’s tutor. Cornelius has dwarfish as well as human blood, though Miraz does not know this. Cornelius teaches Caspian the sciences and history that his uncle prescribes, but also tells him secretly the true stories of Narnia’s past.
Cornelius tells Caspian that Miraz murdered Caspian IX, Caspian’s father and Miraz’s elder brother, to take the throne for himself. Although Miraz never cared much for Prince Caspian, he was willing that Caspian should succeed him as king, as he would rather Caspian inherit the throne than a stranger.
When Miraz’s wife Prunaprismia gives birth to a son, this situation changes overnight. Cornelius urges the 13-year-old Caspian to flee for his life, for Miraz will certainly perceive Caspian as his son’s rival for the throne. Cornelius gives Caspian Queen Susan’s magic horn, which will bring help to whoever blows it. Caspian flees and meets creatures he once thought mythical, and the Old Narnians accept him as king. When Miraz attacks, Caspian blows the horn, and the kings and queens of old – Peter, Susan, Edmund, and Lucy – are pulled back into Narnia. With Aslan’s help, they defeat Miraz in what Lewis called the “War of Deliverance” and restore old Narnia. Despite his Telmarine bloodline, Caspian is named the rightful heir by Aslan himself, for he is a member of Adam’s race from Earth. He becomes King Caspian X.
The Voyage of the Dawn Treader [ edit ]
Early in the book, King Caspian X has just won several decisive victories over the Giants of the North.[1] Caspian, in his own words, “gave those troublesome giants on the frontier such a good beating last summer that they pay us tribute now.”
The titular voyage of the novel takes place exactly three years after Prince Caspian.[2] Order has been re-established in Narnia, and Caspian has constructed the ship Dawn Treader to sail the eastern seas in search of the seven Telmarine lords who had remained loyal to his father and were sent away by Miraz. On the way to the Lone Islands, the sailors discover Edmund, Lucy, and their cousin Eustace in the water. They have been magically transported to the Narnian world, and help Caspian and the ship’s crew sail east towards the end of the world to find the missing lords. When they reach the end of the world, the mouse Reepicheep (who had fought to liberate Narnia in Prince Caspian) goes on to Aslan’s Country, described as a blissful paradise. During the voyage, Caspian meets the unnamed daughter of the retired star Ramandu. They marry and have a son, Rilian.
The Silver Chair [ edit ]
In this novel, Caspian is an ailing elderly man. About ten years earlier, his wife died of a serpent’s bite, and their son Rilian rode to exact revenge but disappeared.
Eustace and his school friend Jill Pole arrive in Narnia while fleeing a gang of bullies at their school, Experiment House. They arrive to witness the aged Caspian set off to sea. He had told his people that he wanted to revisit the places of his youth, but many believe that Caspian fears his son is lost forever and has gone on the voyage to seek Aslan to ask who could be the next king of Narnia. Meanwhile, Eustace and Jill rescue the lost Prince from the underworld where he had been held captive by his mother’s murderer, the shapeshifting Lady of the Green Kirtle. Caspian returns to Narnia in time to embrace his son before dying. After his death, Caspian is rejuvenated by Aslan in Aslan’s Country, and he accompanies Eustace and Jill back to their world for five minutes, where they deal with the Experiment House bullies.
The Last Battle [ edit ]
Caspian makes a very brief appearance with his wife and son Rilian at the end of this novel, the final book in the Narnia series. He is present with all the other major characters who reappear in Aslan’s Country at the end of the Narnian world.
Portrayals [ edit ]
In the 1989 television serial of Prince Caspian produced by the BBC, the teenaged Caspian was played by Jean Marc Perret. In the Voyage of the Dawn Treader (also 1989), the slightly older Caspian was played by Samuel West, and in The Silver Chair the aged Caspian is played by Geoffrey Russell (and the rejuvenated Caspian by Jean Marc Perret).
In Walden Media’s 2008 release of The Chronicles of Narnia: Prince Caspian, the character is portrayed by English actor Ben Barnes. In this version, the Telmarines are of Spanish descent so Caspian is portrayed with a Mediterranean accent, dark hair and dark eyes; he is older than he is in the book as he is already coming of age and is wrestling with his youthful desire for revenge against Miraz. The film also introduces an incipient attraction between Caspian and Queen Susan; before she returns to her own world for the last time, Susan gives Caspian a farewell kiss.
Caspian is again portrayed by Barnes in Walden’s sequel, The Chronicles of Narnia: The Voyage of the Dawn Treader, this time with a beard to show that time has passed and the Mediterranean accent has been changed to Barnes’ natural English accent. Now in his early twenties, Caspian has grown and matured into a wise young man and is on a voyage to find the seven lost lords of Narnia that were banished by his uncle. During the voyage, he is tempted by an evil green mist of Dark Island, which appears to him as his greatest fear: that his father feels nothing but disappointment in him. After defeating the evil, he is offered the chance to travel to Aslan’s Country to find his father, but chooses to stay in Narnia and continue his reign as King. Caspian also finds a new love interest, who will later become his wife. After confessing that he has not found a Queen and before reaching Dark Island and the World’s End, he falls in love with Lilliandil, the beautiful daughter of Ramandu, whom he meets on Ramandu’s Island.
Notes [ edit ]
^ According to the Narnian timeline, in the Narnian year 2304. ^ Again, according to the Narnian timeline, though the defeat of the Giants in 2304 would then not have occurred “last summer”.
References [ edit ]
Edmund Pevensie
Fictional character in the Narnia universe.
Fictional character
Edmund “Ed” Pevensie is a fictional character in C. S. Lewis’s The Chronicles of Narnia series. He is a principal character in three of the seven books (The Lion, the Witch and the Wardrobe, Prince Caspian, and The Voyage of the Dawn Treader), and a lesser character in two others (The Horse and His Boy and The Last Battle).
In the live-action films The Lion, The Witch and The Wardrobe, Prince Caspian and The Voyage of the Dawn Treader, Edmund is portrayed by actor Skandar Keynes. Actor Mark Wells portrays an older Edmund at the end of the first film.
In The Lion, the Witch and the Wardrobe, Edmund betrays his siblings to the White Witch while under her influence, but as the story goes on, he accepts the error of his ways. He is redeemed with the intervention of Aslan and joins the fight against the witch. Fulfilling an ancient prophecy, he becomes King Edmund the Just’, King of Narnia, and with sisters Susan and Lucy, co-ruler under High King Peter. Edmund is described in one book in a scene in Tashbaan as being part of a group of men “as fair-skinned as [Shasta], and most of them had fair hair”,[1] although whether Edmund is one of the fair-haired ones is not clear. In the illustrations of him in the final book[2] he is drawn as having fair hair.
Biography [ edit ]
Prior story [ edit ]
Edmund was born in 1930 and (according to the film series) lived in Finchley, England, and he is 10 years old when he appears in The Lion, the Witch and the Wardrobe. By The Last Battle he is 19 years old.
Characteristics [ edit ]
Though Lucy is specifically described as being “golden haired”,[3] she, Susan, and Peter are depicted in the illustrations with dark hair, while Edmund is usually blond. By contrast, in the most recent film adaptions Edmund is played by British actor Skandar Keynes, who has Lebanese and Turkish ancestry and therefore has darker hair and eyes than his siblings.
Edmund is a spiteful and mean-spirited boy at the beginning of The Lion, the Witch, and the Wardrobe. By the end of the book, and throughout the rest of the series, Edmund is seen to be loyal, courageous, logical, and mature. In his adult life, as a king of Narnia, it is revealed that he handles many of Narnia’s negotiations and transactions, as seen in The Horse and His Boy when Shasta runs into Edmund in Tashbaan the capital city of Calormen, where he has accompanied Susan to discuss a marriage proposal from Prince Rabadash. Edmund becomes protective particularly of Lucy, and acts as a voice of reason to Peter, who is more apt to become carried away.
On his return to Narnia in Prince Caspian, he makes friendships with both Prince Caspian and Reepicheep, which develop further in the Voyage of the Dawn Treader.
Edmund acts as confidante and confessor to his cousin Eustace in the novel The Voyage of the Dawn Treader.
Aslan proclaims him King Edmund the Just, but in the letter sent to Miraz in the novel Prince Caspian he styles himself “Duke of Lantern Waste and Count of the Western March, Knight of the Noble Order of the Table”.
The Lion, the Witch and the Wardrobe [ edit ]
In The Lion, the Witch and the Wardrobe, Edmund is one of the main characters, at the age of 10 years, and the character who develops the most over the course of story.
It is implied in the book that Edmund started life as a likeable person, but then changed for the worse and became spiteful after starting at a new school. However, in the 2005 film adaptation of the book, it is implied that he is upset that their father was forced to serve in the war and that they are sent away from home as a result. In the 1988 BBC version, the reason for his change in behaviour is not mentioned.
Edmund makes unjust and hurtful comments to Lucy when she first finds the entrance to Narnia through the wardrobe, and is the second of the Pevensie children to go to Narnia, after following Lucy to mock her during a game of hide and seek.
He walks some distance into the forest, convinced that he will find Lucy, but instead he meets the White Witch (who introduces herself as the Queen of Narnia) and eats some enchanted Turkish delight, which causes an addiction in the person who eats it. As a result, he promises the Witch that he will bring his siblings to her castle, not knowing that she intends to kill them all to prevent the fulfillment of a Narnian prophecy – she had promised to make him a Prince and heir to her throne if he brought his siblings into Narnia. Lucy did mention the White Witch in a subsequent conversation and Edmund realised that the witch was none other than the “Queen of Narnia”, but the magic of the Turkish Delight was so strong that he was still determined to go back to her for more.
Upon returning, he denies having been in Narnia, not wishing to admit that Lucy’s story had been true. When Lucy tells the older siblings that they went to Narnia and told Edmund to tell them too, Edmund betrays Lucy and tells them that Lucy was making Narnia up.
It is when all four of the Pevensie children later go through the wardrobe that he lets slip that he has been in Narnia before. He and the other three children are taken under protection of Mr and Mrs Beaver, but while the others are having an in-depth conversation about the arrival of Aslan, Edmund sneaks away to the White Witch’s castle, where he expects to be made a prince and later a king.
However, his opinion of the Witch changes when she reveals her true character in her castle. She harshly berates him for coming alone, only offers him hard bread and cold water for his efforts, and does not shelter him from the cold on her sledge. She is even more horrified to hear from Edmund that Aslan has arrived in Narnia, and heads straight in the direction of the Stone Table, having first ordered Maugrim to find and kill his siblings and the Beavers. Edmund realises the full extent of her evil on their journey to the Stone Table, when they encounter a group of creatures enjoying a feast provided by Father Christmas. When the creatures continue to affirm that Father Christmas is their benefactor and has entered the land – a clear sign of her waning power – she turns them to stone over the protests of Edmund. (In the 2005 film, after Maugrim catches the fox which helped the beavers and the other three Pevensies elude him, the witch turns the fox to stone and hits Edmund for withholding information about Aslan and his army. In the 1988 BBC version, the scenario shown is the original that is portrayed in the book.)
He has now realized to his horror the full extent of the evil with which he has allied himself. In another sign of the witch’s crumbling power the sledge eventually stalls as the snow melts, so they have to continue their journey on foot. They eventually stop in a wooded valley, where the Witch prepares to put him to death as a traitor. She ties Edmund to a tree and draws her knife, but a rescue party sent by Aslan arrives, frees him, and brings him to his siblings and the rest of Aslan’s army. Edmund becomes fully reformed after a long conversation with Aslan, who afterward commands the Pevensies to consider the matter of their brother’s misdeeds resolved.
The next day, the Witch arrives and reiterates her claim to Edmund’s life. She and Aslan work out an agreement that Aslan will die in Edmund’s place (though the other Narnians do not know this); but unknown to her, the magical nature of this contract allows Aslan to be brought back to life. Susan and Lucy witnessed Aslan’s sacrifice and resurrection.
While Aslan and Edmund’s sisters race to free the cursed prisoners in the Witch’s castle, Edmund consolidates his reformation by aligning himself with Peter’s army in battle, where he plays a critical role in neutralizing the White Witch’s most dangerous advantage, her wand, and is gravely wounded in the attempt.
However, he is saved from death by the timely arrival of reinforcements led by Aslan, who leaps upon the Witch and kills her and by Lucy, who gives Edmund a dose of a magic cordial which can quickly heal any injury. The remnants of the enemy then either give themselves up or take to flight.
Eventually, a completely reformed Edmund Pevensie is crowned by Aslan as King Edmund, co-ruler of Narnia with Queen Lucy, Queen Susan and High King Peter, and is knighted as Duke of Lantern Waste, Count of the Western March, and Knight of the Noble Order of the Table.
After fifteen years in Narnia, he and his siblings return to England, where they all magically appear as children again.
The Horse and His Boy [ edit ]
King Edmund, Queen Susan, Tumnus the Faun and a raven named Sallowpad are visitors in the country of Calormen, where Crown Prince Rabadash wants to force Susan to marry him. Mistaking Shasta for the missing prince Corin Thunderfist of Narnia’s ally Archenland, Edmund scolds the young boy for running off and making everyone worry. The Narnians manage to escape, which leads Rabadash to convince his father the Tisroc that they should take Narnia by invading Archenland.
Shasta brings warning of Rabadash’s invasion to Narnia, and meets Edmund once again. Edmund gently reminds Shasta that he should not eavesdrop, but is clear that all is well before they march to Anvard to stop Rabadash. Edmund, Shasta, and Corin’s father, King Lune of Archenland, lead the fight against the Calormene army and defeat them. Shasta is then recognized as Prince Cor, the long-lost heir of Archenland.
Edmund’s own redemption lends him perspective during the judgment of Rabadash; despite the fact that Rabadash has acted treacherously, Edmund argues against killing him, saying (in reference to himself) “Even a traitor may mend. I have known one who did.”
Prince Caspian [ edit ]
Edmund and his siblings return to Narnia to aid Caspian, rightful King of Narnia, against King Miraz the Usurper. He convinces Trumpkin the dwarf that they are the Kings and Queens from the legend by defeating him in a sparring practice. He later helps Peter and Trumpkin defend Caspian against Nikabrik, a hag, and a werewolf, which Edmund kills. Edmund is also there to witness Peter’s duel against Miraz. In the book Edmund is around 11 years old at the time of their return, but in the movie he is probably between 13 and 15 years of age.
He has since become more caring and protective of Lucy, and is the first person to believe her when she sees Aslan, supporting her against the disbelief of Trumpkin and her other siblings. Edmund is shown in a more positive light in this book than in The Lion, The Witch and The Wardrobe. His demeanor is more cooperative and loyal, even under the guidance of Peter, who is unprepared for the new Narnia and its current status. He rarely stands up to Peter openly but often subtly takes charge.
In the movie, Edmund proves to be much more mature than Peter and Caspian both, but he stays out of their arguments. Edmund is indispensable in all the battles, to Peter especially; sneaking into Miraz’s castle ahead of the army to signal that it was safe to enter, and presenting Peter’s proposition for a duel to Miraz and goading him into accepting, thereby buying them time. Also in the movie, he is able to stop the White Witch from being brought back from the dead by forcing his sword into the ice wall through which she is trying to re-enter Narnia and he smashes it. Peter continually robs Edmund of the credit he deserves by insisting, “I had it sorted.” This does not appear to bother Edmund until halfway through the movie when, after preventing the White Witch’s return, he says to Peter, “I know. You had it sorted,” before walking away.
Edmund, along with Trumpkin, Reepicheep, and others, provides some comedic relief throughout the story.
In destroying the White Witch once again, it can be thought that Edmund has at last overcome his dark past with her, which seemingly everyone but him has long since forgotten. It can also be thought that Edmund’s repeated heroism and nobility is an attempt at compensating for betraying his siblings, regardless of whether or not they still hold it against him.
The Voyage of the Dawn Treader [ edit ]
Edmund, Lucy and their cousin Eustace enter the world of Narnia through a magic painting, and end up in the ocean. They are rescued and brought on board the Dawn Treader, where they are reunited with King Caspian, who is on a quest to search for the missing Lords that his uncle had sent to explore other lands some years before. This is Edmund and Lucy’s last adventure in the world of Narnia since Aslan told them they were getting too old to come back. By this point Edmund’s character has matured a great deal which can be seen in the way he deals with his cousin Eustace and in the power struggle with Caspian. Edmund and Lucy are noticeably close in this installment, as can be seen in the way they defend each other against Eustace. When Eustace changes his behavior after being changed back from a dragon, Edmund mentions his own betrayal and says that Eustace was not worse than he was. While on Ramandu’s Island, Edmund says to Ramandu’s daughter that when he looks at her, he cannot help believing what she says, but the same might happen with a witch.
In the 2010 film, Edmund is haunted by a green mist in the form of the White Witch and becomes jealous of Caspian’s status as the current Narnian king (being overruled by him). He and Caspian become violent at one point, over the enchanted pool that turns everything submerged in it to gold, which Lucy quickly breaks up and reprimands them both for. After this, Edmund no longer appears to be bothered by Caspian’s status as king. He is also greatly distressed when the Dufflepuds appear to have taken Lucy, and when he believes Eustace to have been eaten by a dragon. He is also the person who imagines and defeats the sea serpent, and helps Caspian to rescue the slaves from Narrowhaven slave market on the island of Doorn.
The Last Battle [ edit ]
After seeing a vision of King Tirian of Narnia pleading for their help in England, Peter and Edmund go to the Ketterleys’ old home in London to dig up the magic rings that Professor Kirke buried in the yard as a boy in The Magician’s Nephew to be used by Eustace and Jill to reach Narnia. They are waiting for the others at the train platform when the accident happens.
When King Tirian sees the Seven Friends of Narnia in his dream/vision, he thinks that, as with Peter, that Edmund ‘had already the face of a King and a warrior’.
Edmund accompanies everyone, except Susan, into Aslan’s country. Like his brother and younger sister, he is killed in the train crash and is transferred to Aslan’s country, where they all live forever.
Portrayals [ edit ]
References [ edit ]
“Too Old for Narnia”: Belief, Fandom, and the End of Wonder
Cover: Pauline Baynes
Not too long ago, my eldest daughter decided it was time for my youngest daughter to join her in one of her favorite fandoms: Jurassic Park. Toward the end of the movie, my youngest got deeply agitated and asked, “Does it hurt the actors when those dinosaurs bite them?” No, we explained, those are just special effects. Robots and computer generated drawings. “Well,” she asked, “Does it hurt when the robots bite them?” All of us older folks had a good laugh about that. She was so young and full of wonder, and the world was full of living dinosaurs and strange things.
At the end of Prince Caspian, Peter announces that he will not be returning to Narnia, and neither will Susan, because Aslan has told them they are too old. As a kid this upset me, because I worried that I wouldn’t find a portal to Narnia before I aged out. As an adult, this had gotten all wrapped up in a variety of questions about what exactly Lewis means by this declaration, and especially how it connects to that big question that is lurking out in front of us in this series: What exactly happened to Susan Pevensie that she wasn’t invited into Narnia for the Last Battle?
Now, we know that there’s not a hard-and-fast age limit for Narnia. (Skip this paragraph if you’re reading along and haven’t read all the Chronicles yet… some major spoilers here.) In Prince Caspian Peter and Susan are different ages (14 and 13). In Dawn Treader we’ll see that Edmund and Lucy are told they also are getting too old for Narnia—Edmund’s 12 and Lucy’s only 10 at the time. And in their final Narnian adventure, Eustace and Jill are 16. In another weird quirk of Narnia, the royal Pevensie family all grew up once in The Lion, the Witch, and the Wardrobe, and Aslan didn’t kick them out because they were too old at that time. In fact, we see Susan, Edmund, and Lucy in Narnia during this time period in The Horse and His Boy, when they are 26, 24, and 22… a strange and sad fact when we realize that Edmund and Lucy will die on Earth when they are 19 and 17.
I’m going to suggest in this article that what Lewis is getting at in Prince Caspian isn’t so much Peter and Susan’s age in terms of the number of years they’ve lived, but rather the way they process information and, most specifically, the nature of their belief in Narnia and Aslan. As we’ve reminded ourselves in each article for Caspian, Lewis told us that this novel is about the restoration of true religion after it has been corrupted. There’s a major theme exploring the battle between belief and skepticism running through this book, another duality in the narrative.
Lewis gives us a major clue, a key, that he’s driving at something more than age early on in the book. Caspian is talking with his uncle, King Miraz, and telling him all about the stories he has heard about Narnia’s Golden Age. In those days there were talking animals and Naiads and Dryads and Dwarfs and Fauns and so on. Miraz sternly replies that this is nonsense “for babies.” He repeats that. “Only fit for babies, do you hear?” Then he tells him, “You’re getting too old for that sort of stuff. At your age you ought to be thinking of battles and adventures, not fairy tales.”
Miraz grills one of his noblemen, Lord Glozelle, on this topic, too. “Does your Lordship believe those old wives’ fables about Peter and Edmund and the rest?” Glozelle replies, “I believe my eyes, your Majesty.” As we move through the book we see that skepticism and even pragmatism is consistently shown as something that prevents our heroes from achieving their goals, and can even become truly dangerous… as when the enemies of Aslan suggest resurrecting the White Witch. And, as was implied in a previous article, the re-establishment of the old religion seems to be centered around the question of belief in Aslan and the re-awakening of magic.
Throughout the novel we see little glimpses of Peter and Susan’s “old age” as they focus on practical things or even suggest rational solutions to magical problems. Note that even when they first begin to be pulled into Narnia, Peter’s first thought is that Susan is grabbing him (it’s Edmund who declares this is clearly magic at work… he recognizes the feeling of it). When Lucy asks Peter if they might have possibly returned to Narnia Peter says they could be anywhere, which is a funny thing to say after being magically whisked away from a train station. Susan rather wisely and in a grown-up way suggests they should make sure how many sandwiches they have for lunch. Lucy often sees Susan as the big sister who can’t help but be the annoying second mother.
The most important scenes on this theme center around Lucy seeing Aslan when no one else does. She tries to convince the others to come with her and follow Aslan.
Susan asks, “Where did you think you saw him?”
“Don’t talk like a grown-up,” Lucy says. She didn’t think she saw him, she actually did see him. Notice that, “like a grown-up,” Susan is communicating her basic disbelief. She doesn’t see Aslan, so of course her baby sister must have seen something else. Lucy is mistaken, and elder Susan will decide how exactly Lucy misunderstood.
They settle on taking a vote: follow Lucy and her supposed Aslan, or follow the path that makes sense looking at the landscape. Their dwarf friend is by the far worst of them in the conversation that follows, suggesting it was a regular lion Lucy had seen, or worse, that Aslan is an old, enfeebled, or witless lion by now. None of the children stand for that, but again we have the skeptical reality: Aslan would be over a thousand years old by now, so of course Lucy didn’t see him.
Edmund is the only one who votes with Lucy. “When we first discovered Narnia a year ago—or a thousand years ago, whichever it is—it was Lucy who discovered it first and none of us would believe her. I was the worst of the lot, I know. Yet she was right after all. Wouldn’t it be fair to believe her this time?” He’s a bit embarrassed to vote this way, and he blushes when he says it, but he’s on Team Lucy. He hasn’t seen Aslan but he believes it could be him, and he believes Lucy is telling the truth.
Peter, on the other hand, says—note this—“I know Lucy may be right after all” but he still votes to go in the opposite direction. Lucy caves and they all start down the mountain, away from Aslan, with dangerous results.
Lucy eventually has another encounter with Aslan, who chastises her for giving in to her siblings, and tells her to try again. They are asleep at this point. It’s the middle of the night. Lewis writes, “It is a terrible thing to have to wake four people, all older than yourself and all very tired, for the purpose of telling them something they probably won’t believe and making them do something they certainly won’t like.” (Emphases mine.) Older people are less likely to believe what Lucy knows.
After suggesting that perhaps Lucy is dreaming, they follow her. Edmund is the first to see the shadow of their old friend. He asks what the shadow could be; Lucy responds that it’s Aslan, and Edmund says, “I do believe you’re right, Lu.”
As they continue to follow, eventually all of the siblings see Aslan. He slowly becomes clearer to each of them, with those who believe most seeing him the soonest. There are apologies: Peter to Aslan, and Susan to Lucy.
In fact, Susan says something interesting. She admists that her behavior was even worse than the others realized. “I really believed it was him—he, I mean—yesterday.” She voted against following Lucy even though, on some level, she knew it was Aslan: “And I really believed it was him to-night, when you woke us up. I mean, deep down inside. Or I could have, if I’d let myself.”
Edmund believed Lucy. Susan and Peter both believed, too, or at least believed that Lucy might be right. But they chose the pragmatic thing, the practical thing, the non-magical, the thing that made the most sense. They “believed their eyes,” as Glozelle said. You know, like an adult would do.
Now, Peter is forgiven. Aslan tells Susan that she had made her decision because she had “listened to fears” and breathes on her to give her courage. Then he goes after our Dear Little Friend the dwarf and teaches him what a lion—and especially a magic lion—is really like so he will have no doubts again in the future.
In the final chapter, Susan and Peter tell the others that they’ve been talking with Aslan about a lot of things, including the fact that they need their English clothes back before they return home. Lucy doesn’t even understand what they’re talking about when Peter says they need to change, and Susan explains it to her before exclaiming, “Nice fools we’d look on the platform of an English station in these.” Once again, the older kids had this reasonable (adultish) concern, and they brought it up in pragmatic conversation with the Great Lion. But Aslan also told them they’d not be returning to Narnia. They are “too old” now.
I can’t help but think that this is similar to the normal progression in how children think. When they are four or five, they might ask Father Christmas the names of his elves and reindeer. Around eight or nine, it might be “How do you fit down that chimney?” or “How do you get to every single kid in one night?” A couple years more and it’s narrowed eyes and asking Mom, “Whose handwriting is this?” on the gifts. Susan and Peter are becoming, naturally, more focused on the “real world” around them. They are growing up in the same way that everyone grows up and they’ve lost some of the wonder in the world.
There is one last interesting moment to consider, here: We’re aware that there’s a conflict between believing in Aslan and believing in what our eyes see. The Telmarines, who have been taught to believe with their eyes, experience a moment of doubt when confronted with Aslan’s magic. Aslan is offering to send them back to the “real world” if they don’t want to live in the new, re-awakened Narnia. He sets up three sticks like a door, and tells them if they walk through they will arrive on a beautiful island back in our world. They can’t see another world on the other side of the threshold, though. They say, “We don’t see any other world through those sticks. If you want us to believe in it, why doesn’t one of you go? All your own friends are keeping well away from the sticks.”
Peter and Susan know that this means they must be the ones to go through (though everyone’s favorite mouse, Reepicheep, offers to be the first to take the leap). As the children walk through they began “seeing three things at once.” A cave on the tropical island. Narnia. And the railway station they had been on before. So now, even believing only what they can see, they see the truth of their own world, the truth of Narnia, and even the truth of Aslan’s word in a place they have never been or seen before. It’s a nice little bow on the present Lewis has been wrapping for us.
Forgive me for this aside, but I couldn’t help but think, as I was writing this article, about how we grow in our various fandoms. Many of us first come across our favorite science fiction and fantasy lands as children, whether Narnia or the Star Wars universe or Harry Potter, and all those things were made for children in one way or another. When I was a child, I didn’t ask whether cannibalistic teddy bears made sense or if the Death Star had construction workers on it or whether the explosion might have destroyed a certain moon of Endor. I didn’t scoff at the computer generated effects in The Last Starfighter, or ask questions about Lewis’s views on gender in The Lion, the Witch, and the Wardrobe.
Star Wars is an interesting flashpoint for me on this topic. I saw A New Hope when I was four. The Phantom Menace came out when I was 25. And while I liked things about it, I didn’t experience the magic again in my twenties. I don’t think it’s because of the movie…my kids, for instance, when I showed it to them, loved Jar Jar Binks. It’s because I became “too old” for Star Wars. And, honestly, it seems to me that some of the current movies are doing their best to make sure Star Wars ages with us instead of inviting us to step out until we find the magic again. The current movies have a lot of talk about politics and how much fuel is needed for starships and where do weapons and blue milk come from and “it’s not realistic” that the heroes would all survive stealing the plans to a battle station. Meanwhile, during The Rise of Skywalker I had so many questions I couldn’t tell what was happening (I’ll keep it spoiler free but the questions were largely “How?” and “Huh?” and “Wha?”). Meanwhile, I’ve talked to a number of kids who told me that they just had a lot fun. And, like the wise Professor Kirke, there are a whole lot of adults who still believe in the magic, too, and they also had a great time. (Okay, look, I still love Star Wars, so don’t haze me in the comments. And if the fine people at Del Rey are reading this, hey, I have a great idea for a novel and I’m glad to say Jar Jar is definitely in it.)
We have choices to make when we outgrow the magic of our favorite fandoms. We can walk back into the real world and acknowledge that for whatever reason we can’t believe anymore… just embrace that this is the truth and be happy with our fond memories of the past. Or we can turn on the creators or other fans because we feel pushed out…upset that this franchise is “no longer for me.” That’s when we get people harassing other fans or actors or directors and saying cruel things to real human beings because we don’t like the way they are treating our fictional constructs.
I don’t think outgrowing our beloved fandoms means we’ll never return to them, and of course Lewis leaves the door to Narnia opened just a crack (Peter, at least, returns eventually). Somewhere down the line we might find that magic again. Maybe there’s another movie coming, or a TV show, or a novel or comic that’s going to have that sudden lightning strike of magic and wonder that makes us believe again, like kids. (I’m told this is called The Baby Yoda Effect.)
Lewis, of course, would say something more profound is happening here. For him this is all about myth and fairy tales and what they signify. The stories we love are all about deeper truths. The myth of Star Wars resonates most where it strikes at the true myth beneath all things. Lewis would, no doubt, hate some of the fandoms we love, love some that we hate, and either way he would keep encouraging us, insisting that if we are seeing some true thing in what we love, if there’s this inexplicable feeling of joy that washes over us when the music begins, or when we turn the first page, then we should follow that joy further up the mountain, even if all we see is the barest shadow of a lion. Because in time that joy will lead us face to face with someone who sang the worlds into being, someone who loves us deeply.
In the meantime, it’s not all bad, Lewis tells us. The children find themselves back in England and although it’s “a little flat and dreary,” it’s also “unexpectedly nice in its own way” with the familiar smells and the sky and summer ahead of them. Being sent home still means that, well, you’re at home.
Being “too old” is a phase, a thing we hopefully grow through. We are young enough for fairy tales as children, and one day we become “old enough” to read them again. As Lewis wrote to Lucy Barfield in his dedication for The Lion, the Witch, and the Wardrobe, “You are already too old for fairy tales… But someday you will be old enough to begin reading fairy tales again.”
Matt Mikalatos is the author of the YA fantasy The Crescent Stone. You can follow him on Twitter or connect on Facebook.
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