Top 33 How To Growl On Tenor Sax The 178 Top Answers

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Put your saxophone in your mouth and form an embouchure as if you are about to play a note. Instead, just start blowing enough to get your tongue moving. Then, gradually increase your air until your reed engages and starts to vibrate. You’ll have both the reed sound AND your tongue roll or flutter.hum loudly at the same time from the back of your throat. The note you hum is up for debate, some say the same note as you are playing, others say an interval above, in truth though any old note works. This technique is called “growling”, but on a high note it screams!

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How do you make a saxophone scream?

hum loudly at the same time from the back of your throat. The note you hum is up for debate, some say the same note as you are playing, others say an interval above, in truth though any old note works. This technique is called “growling”, but on a high note it screams!

How do you growl?

Open your jaw and make an “O” shape with your lips. Pull your tongue back to the back of your throat. The tighter you pinch the back of your throat, the higher the pitch of your growl will be. Move your tongue forward slightly and loosen the pinch, and your growl will be a little lower.

How do I get better at tenor saxophone?

Six Tips for Playing the Saxophone

Practice Your Breathing. Not only does playing the saxophone require more breath than most instruments, but the flow of breath needs to be constant. …
Practice Consistently (and Often) …
Stick With a Position. …
Don’t Forget the Dynamics. …
Choose Reeds Carefully. …
Take Care for Your Saxophone.

What is the side effects of playing saxophone?

Health Concern. Mild. Severe. Depression.
30.54% 17.73% Headache. 47.78%
10.34% Acute Anxiety. 37.93% 9.36%
Fatigue. 52.22% 8.87% Stage Fright.
34.98% 7.88% Tinnitus. 27.59%
5.91% Respiratory Allergies. 26.11% 5.42%
TMJ Syndrome. 12.32% 4.43% Sleep Disturbances.
32.51% 3.94% ADD. 9.85%

Why does my sax sound airy?

If the reed size is too big and the reed is too hard, it can make the sound appear to be “more air” and “less music”. Do you have some size 1.5 or maybe size 2 reeds ? Similar to 1 above, the mouthpiece itself can have the same effect. A large bore mouthpiece can also produce an airy or breathy sound.

HOW TO GROWL ON THE SAX • 4 EASY STEPS

2 Easy Growl Techniques for Saxophone – Sax School Online

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How do I get that cool growling effect on my sax

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Summary of article content: Articles about The saxophone growl – a lot easier than you think if you follow this guide How to practise growling – the exercise · Play a clean note, then while holding the note steady, hum any old note in the back of your throat. · Alter the pitch of … …
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Growling

If you want to growl don’t growl!

How to practise growling – the exercise

Practical Use

Growling as a Part of Your Tone

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Summary of article content: Articles about How to Growl on Saxophone: The Dirty 4-Step Formula Step #1 — Lower Your Tongue · Step #2 — Hum, Gurgle or Sing whilst Blowing · Step #3 — Turn Your Growl in an “O” Sound · Step #4 — Growl into Your Saxophone. …
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How to Growl on Saxophone: The Dirty 4-Step Formula

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2 Easy Growl Techniques for Saxophone

How do I get that cool growling effect on my sax?

I’m asked this question constantly from Sax School students! Growling or a growl sound is a brilliant effect when playing Blues, Jazz or Pop / Smooth Jazz saxophone but it can be tricky to get right.

In this video you’ll learn my two favourite growl techniques. These are the best way to get an authentic growl sound on alto or tenor sax. You can also use this skill on soprano or baritone sax too – it works everywhere!

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What is the best way to growl on my sax?

This depends on your preference. In the lesson above I show two different techniques that I use regularly. Each has its own sound so I use them differently depending on the style of music I am playing.

Let me explain:

Technique 1: Growling on sax with your voice

The most common way to growl on alto or tenor saxophone is to “sing” through your saxophone when you play. This sounds complicated and can feel uncomfortable at first.

Stick with me!

The best way to start is to begin by playing an easy note on your sax – an octave G is a good starting point.

Once you are playing the note, try engaging your vocal chords to get an “Aaahhhh” sound. It doesn’t need to be in tune or pretty. If you get it right, your sax tone will become very rough and “growly” – that’s what we are going for.

If you are struggling with this, try doing it in reverse (I find this more difficult!)

To do this, put your sax in your mouth as if you are going to play a note. Form your embouchure as normal but start by singing through your sax.

Again, it doesn’t need to be in tune or pretty, just an “Aaaahhh” sound will do.

Next, increase your air until your reed begins to vibrate at the same time.

With practice this will become easier to do. Once you have it, experiment with using your growl over as much of your range as possible.

A great example of this “vocal growl” is Sam Butera playing “Night Train”:

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Technique 2: Rolling your tongue while playing sax – the “One Step Beyond” sound!

Most of us have heard the iconic sax part from “One Step Beyond” by British SKA band Madness.

It’s “down and dirty” but such a brilliant sound. Lee Thompson gets that effect by rolling his tongue instead of using his voice.

Here is how to try this on your saxophone:

Firstly, the “rolling” effect with your tongue is exactly the same as the sound used in certain languages. It’s also called “trilling”.

The effect is created by keeping your tongue very relaxed and using a stream of air to make your tongue “flutter”.

Here’s a great video to help you with this:

Once you can get a flutter (or roll, or trill!), then move onto your sax.

Put your saxophone in your mouth and form an embouchure as if you are about to play a note. Instead, just start blowing enough to get your tongue moving.

Then, gradually increase your air until your reed engages and starts to vibrate. You’ll have both the reed sound AND your tongue roll or flutter.

To develop a decent sound you’ll need to practice combing your tongue and reed with some long tones. Low notes work better here, but it’s a good idea to stretch yourself over as much of your range as possible.

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Which technique works best for you?

Experiment with both of these to find which works best on your sax. Ideally it’s best to be comfortable using either so you are prepared next time you need to get an awesome growl sound on your sax!

Enjoyed this and want more lessons?

Check out the full range of step by step lessons inside Sax School. Find out more and get started here: saxschoolonline.com

a lot easier than you think if you follow this guide

Growling

Before we get down to the nitty gritty of actually learning to growl, you need to listen and learn from some of the greats. This was originally one of the many saxophone effects often used as a novelty.

Apart from the fact that it is now one of the main hallmarks of rock and blues saxophone playing, it was also used in mainstream jazz: notably Ben Webster, Illinois Jacquet and Earl Bostic. Charlie Parker also did it on occasions as did avant-garde pioneers John Coltrane and Archie Shepp.

Audio clips

Growl Example 1

Voodoo Chill (Mr Lucky)

Ben Webster

Lee Allen Lucille

In the soundfiles listen to how Ben Webster uses varying degrees of growl, and how Lee Allen uses it on only the first couple of notes to make an opening statement. It is very effective to use any effect in this way and not necessarily as a permanent part of the sound which can lessen its impact.

If you want to growl, don’t growl!

The first mistake people often make is to think you actually growl (or even roar) into your saxophone. You can try your best lion, dog or badger impressions, but they are unlikely to be as successful as just plain humming while you play, which is generally accepted as the best way to make a saxophone growl.

OK, so humming a long with what you play seems easy enough, but it’s also a common mistake to think you hum the notes you play. However the pitch of the note you need to hum is not necessarily the same note as you are fingering/playing, in fact if you hum exactly the same note in tune, then the chances are this will not work at all. We don’t need to get into too much acoustic theory, but very simply the reason we hear a growling sound is that note you sing causes interference with the note you play, and the result is the distorted tone.

The ideal note to sing can vary, it could be a harmony note or the same note slightly out of tune. However I’ have not yet found any real rules about whether there is a specific harmony or pitch relative to the saxophone note, so I find the best method is a kind of trial and error which, before you realise it, becomes automatic.

How to practise growling – the exercise

This is a very simple exercise, don’t try to force the hum.

Play a clean note, then while holding the note steady, hum any old note in the back of your throat.

Alter the pitch of this hummed note by sliding it up or down until the interference with the saxophone note creates a distortion and hold it there for as long as you can.

Repeat the process with different notes, (if you want to be really disciplined you can go slowly up and down the chromatic scale) doing the same on each note. You will gradually get a feel for which note to sing or hum, and after a while you should be able to do this without thinking about it.

Practical Use

As with any effect, the growl can lose its “effectiveness” if overdone. That isn’t to say there aren’t contexts in which you can usefully use the growl constantly, but these are often kept to short solos in an appropriate genre, e.g. Rock & Roll. It’s useful to be able turn it off and on, or vary the intensity.

Growling as a Part of Your Tone

Ideally you will learn to control your growl to such an extent that you are able to add just a very very slight amount to your sound. You should be able to do this so instead of being heard as an actual growl, what it does is just give your tone a little bit of edge or brightness. So you could think of the growl as total, ie 100% growl, down to. about 10% growl – just a slight bit of edge or grit.

How to Growl on Saxophone: The Dirty 4-Step Formula

Today we are going to talk about how to growl on the saxophone.

For me, one of my favorite thing about playing the saxophone is the sheer range of sounds and color we can get from this great instrument.

When I first heard the dirty growling rock-and-rock kinda wailing sound on the saxophone, I was hooked. I had to learn it right away.

It turns out that growling is one of those techniques that’s pretty easy to do but it’s a little difficult to teach because you have to do some things that are really unnatural to playing the saxophone.

There are three ways growl on saxophone, you can either ROLL YOUR R’s (like a horse) whilst blowing out on a very loose embouchure, you can HUM or SING whilst blowing out, marry these two together and you get the ultimate growl. But if neither of these is for you, the third technique is almost like GURGLING whilst playing a note. It hurts your head because your head is full of sound, but it’s a vicious growl.

Let’s explore each of these approaches.

How to Get a Vicious Growl on Saxophone

When you growl on saxophone, it sounds as if you are actually splitting your pitch, and then those two pitches are fighting to bring out that dissonant sound.

We have a note that we are singing with a dirty, raspy tone and the actual note that you are fingering on the saxophone. Those are the two notes that are clashing to create the dissonance.

We are going to do this on concert pitch C, which is an A on the alto or bari (that would be a D on the tenor or soprano). This is the note we are going to finger on saxophone.

Here’s the fingering chart on alto sax:

Here’s the fingering chart on tenor sax:

Here’s the fingering chart on bari sax:

And here’s the fingering chart on soprano sax:

If you are having a problem with transposition, or need a little more background, I made this saxophone transposition guide for you, and there is a simple transposition chart at the start for quick reference.

So we have to figure out how to get a growled A.

Step #1 — Lower Your Tongue

When you lower your tongue, obviously that will make the pitch flat but because we have these dissonant fighting notes, it doesn’t really matter. When you play it won’t sound flat.

You can practice your note, A in my case, with your tongue lowered. That will get your tongue in the right position for the growl to start.

Lowering your tongue is what makes everything work way better. If you have your tongue a little bit deeper and further down in your mouth, it’s just going to make all the growling and all the crazy stuff you are doing way easier to function on your saxophone.

Step #2 — Hum, Gurgle or Sing whilst Blowing

The next thing you’re going to do is make is hum into the back of your throat and blowing at the same time. Do not blow your saxophone yet, just air from your mouth.

The two common techniques here are: one is almost like gurgling, to produce a throaty sound, and the other is singing a note throatily.

You will notice that this will form a note that has a pitch to it.

When first do it, it will probably feel really strained, it might even hurt a little bit and feel hoarse in your throat. But that’s what you need, that raspy growly sound.

It will take a little while to get used to that raspy humming going while you are blowing air through your saxophone. But once you get used to it, using that functionally in your playing will get really really easy.

I have never particularly worried whether the pitch of my growl matches the note that I’m going to play—it doesn’t work like that.

Just hit the growl in one pitch and then blow your note.

If you find yourself struggling, try just humming at the back of your throat without blowing, then get the air going, and then finally put the rasp on it.

I would say to you that it’s harder to get the growl and to sustain the growl, the lower than you go. Fortunately, the higher you go, the more effective your growl sounds, so feel free to experiment with something a little higher if you can’t get anything going at all.

You want to be able to hear the raspy note and feel the air coming out.

The harder and raspier you get that hum in your throat, the growlier everything’s going to sound.

Step #3 — Turn Your Growl in an “O” Sound

When we play the saxophone, we will need air coming along with that raspy sound.

What you want to do now is that make that dirty, raspy sound and then position your lips and tongue to make an “O” sound.

As you are making that “O” sound, you should feel the air blowing out at the same time. Place your hand in front of your mouth to see if you can feel air blowing past.

When you make the “O” sound, obviously your lips will move a little bit forward, yet when you playing the saxophone your lips shouldn’t move forward (because that will mess up your embouchure and pitch). To solve this, when you move your lips forward, your tongue should come out just a little bit and that’s what gets the air going for you.

And that’s pretty much how your growl is created.

I know all this sounds crazy but we are trying to make a crazy on the saxophone we have to make those sounds in order for these to work.

Step #4 — Growl into Your Saxophone

So now, let’s put that together on the saxophone.

Put the saxophone in your mouth and finger A, or whatever note you chose, and make the raspy sound.

Now make that raspy sound into your saxophone again. Once you get it going strong, move into the “O” position and get air moving through your saxophone.

As soon as you get enough air moving through your saxophone to vibrate the reed and make a note, you’re going to get the beginning of your growl.

You won’t get the best sound growl, but this will be the way to start if plan on ending up with a vicious growl.

Once you get that growl sound, really concentrate on your tone while keeping it going.

When you first get started, you need to work on straightening your tone out to make your growl nice and even.

Now obviously, every time you growl, you don’t have to repeat all these steps to get it started, but after you learn how to do it, starting right on the growl will be really easy.

But before you can do that, you have to get used to that throat movement.

Practice getting the growling sound through your saxophone first before blowing and you will be able to start the note right on the growl with no problem at all.

Growling is actually pretty easy once you get the hang of it.

It gets quite important that you listen to players and you try and pinpoint and become aware of the different types of growls as you learn the technique.

I hope that helps. Bye for now.

So you have finished reading the how to growl on tenor sax topic article, if you find this article useful, please share it. Thank you very much. See more: how to growl on alto saxophone, growling sax, how to growl on clarinet, is growling on saxophone hard, growling sax brand, tenor saxophone lessons, the growling sax reviews, how to growl sing

Top 33 How To Growl On Tenor Sax The 178 Top Answers

How do you make a saxophone scream?

How do you growl?

How do I get better at tenor saxophone?

What is the side effects of playing saxophone?

Why does my sax sound airy?

2 Easy Growl Techniques for Saxophone – Sax School Online

HOW TO GROWL ON THE SAX • 4 EASY STEPS – YouTube

Growling to get That Nasty Dirty Rock & Roll Sax Sound – Saxophone lessons – YouTube

🎷 How To Growl on Sax!! 🎷 – How to practice it & What to avoid! – Saxophone Lesson by Paul Haywood – YouTube

The saxophone growl – a lot easier than you think if you follow this guide

How to Growl on Saxophone: The Dirty 4-Step Formula

How to Growl on the Saxophone (Natural Distortion Pedal) – Better Sax

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How to Growl on an Alto Sax (+ Video Tutorial) – SaxHQ

2 Easy Growl Techniques for Saxophone

a lot easier than you think if you follow this guide

How to Growl on Saxophone: The Dirty 4-Step Formula

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