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Ninja Style Kung Fu Grip Fine Art Print Austin Photography – Etsy
This Color Photography item by ThisIsAustin has 14 favorites from Etsy shoppers. Ships from Austin, TX. Listed on Jul 11, 2022.
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Date Published: 7/27/2022
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Who Has The Ninja Style And Kung Fu Grip To Spray-Paint …
Who Has The Ninja Style And Kung Fu Grip To Spray-Paint Austin’s Most Visible Graffiti? ATXplained. Society & Culture.
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Date Published: 4/19/2021
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Ninja Style Kung Fu Grip Poster by Slow Fuse Photography
Apr 13, 2020 – Ninja Style Kung Fu Grip Poster by Slow Fuse Photography. All posters are professionally printed, packaged, and shipped within 3 – 4 business …
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Who Has The Ninja Style And Kung Fu Grip To Spray-Paint …
Who Has The Ninja Style And Kung Fu Grip To Spray-Paint Austin’s Most Visible Graffiti? By: Matt Largey … The artist would come and go like a ninja.
Source: kutkutx.studio
Date Published: 12/4/2022
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Who Has The Ninja Style And Kung Fu Grip To Spray-Paint Austin’s Most Visible Graffiti?
This is a story about trying to inspire strangers – and committing some crimes to do so.
There is some graffiti on the drawbridge that spans Lady Bird Lake, just east of Lamar. Some of it is your average junk, but other pieces stand out.
One piece reads “I’ve Got Ninja Style And A Kung Fu Grip” in big letters. There’s another play where Pac-Man is chased by four ghosts that says, “Never give up.” They’re big – yes – but they’re not particularly detailed or anything. They mainly stand out because they’re kind of inspirational, not just a random tag from someone trying to promote their brand.
This is art that gives greater meaning to this place. And that’s why Melisa Hinojosa was so curious about it.
Julia Reihs/KUT / Melisa Hinojosa asked about the story behind the drawbridge graffiti for KUT’s ATXplained project.
“I took countless pictures here before this scene,” she says while standing on the footbridge over the lake just west of the railway bridge. She even took her wedding photos here.
But something bothers her. How did the artist do it? The bridge, which trains run across fairly regularly, is 40 or 50 feet above the water. Getting out of there and staying there for hours painting sounds really difficult and really dangerous.
“Did he do it backwards? I have no idea,” she says.
And perhaps more importantly, why did this person do it?
I started pondering this question after Hinojosa asked it in 2016, but it took me almost four years to finally get the answer. I’ve been working really hard to uncover it, so read on.
thank you universe
Actually, I didn’t have to work that hard. In fact, it was one of those things where the universe just paves a path for you and you just have to follow it.
The graffiti includes the artist’s initials: S.K.O. I could not find any other graffiti signed like this. Googling turned up nothing. But then a few weeks after Hinojosa asked the question, I got a message from a guy named Patrick Reetz. He had no idea I was looking for the person who drew on the bridge. Out of nowhere he says, “Hey, if you ever want the drawbridge graffiti story, I know who did it.”
He said it was his old roommate, an Army soldier stationed abroad at the time.
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I asked Reetz to connect us. A few weeks passed and I received an email from “John St. John”. This was of course a fake name as the supposed artist wasn’t sure if he wanted to use his real one. Of course I was skeptical at first. Was this just some guy trying to claim credit for what might be Austin’s greatest artistic crime?
We exchanged emails, but then he would disappear for weeks or months without replying. After about a year he disappeared. I thought maybe he was bored and didn’t want to keep lying to me.
It was another year and a half before I heard from him again.
“Hello again,” he wrote. “:)”
“I have to paint it”
In February we finally did a proper interview. Scott Kimble O’Donnell is his name – S.K.O., same as the initials on the bridge.
O’Donnell, 49, is now a sergeant in the US Army, stationed in El Paso. He moved to Austin in 2008, just before the first sections of the bridge went up.
Julia Reihs/KUT/Scott O’Donnell, now a Sergeant in the Army, painted some of the most iconic graffiti on the railroad bridge over Lady Bird Lake.
“I think I ran around Town Lake and it was just covered in S- – — graffiti,” he recalls the first time he saw the bridge. “I remember looking at it and thinking, ‘Well, if other people can get up there and paint, I could do it. I could paint it better.'”
O’Donnell always drew as a child. He later went through a phase building these giant paper mache sculptures, but he never really had any idea what he was doing.
“I just think of something I want to do and just sit down and figure out how to do it,” he says. “And it’s probably not the best way or the way other people have done it. But you know, through trial and error, I managed to make it work.”
O’Donnell had never done graffiti before, but when he first saw the bridge he just knew.
“‘I have to paint it.’ It was like I was almost drawn to it,” he says.
It stood there waiting to be painted, a canvas for all the world to see.
Focus on one point and breathe
One night, dressed all in black, he walked onto the bridge with a long cane, a paint roller, a paint tray, and some paint. He went a little way out onto the railway bridge, climbed onto the metal wall, sat on the edge and looked down into the water.
He tried awkwardly to paint a canvas on the side of the bridge, but quickly realized that wouldn’t work.
But O’Donnell had a plan B.
“If I want to do this right, I have to climb out of here,” he says. “I was like, ‘Okay, let me figure out how to climb.'”
He made his way to REI to buy equipment.
“I knew it was illegal and I didn’t want anyone to tell the police about me,” he says. “So I sounded very vague about … what I wanted to climb. But they sold me a harness and a rope and taught me how to tie certain knots.”
A few days later, O’Donnell returned to the bridge. Dressed all in black. Climbing gear in hand, backpack full of spray paint. He untied the rope and climbed onto the ledge. He was ready to cross over.
“It’s scary. How heartbreakingly scary because you have to throw your legs over the side,” he says, describing lying on his stomach with his feet hanging and slowly moving down trust. ”
That night he drew a little thing on the bridge, but when he went back to look at it the next day he noticed how small it was. He had to get BIG.
This was his first major.
David Ingram/Flickr CC BY-NC 2.0 / O’Donnell’s first big piece on the railway bridge as seen in 2010.
It did not last long. A few weeks later the whole bridge was painted over.
“But whoever was on the color crew left the sign that said ‘Focus One Point And Breathe.’ They painted over everything except that,” says O’Donnell.
So he said to himself, “That’s a sign. All right, I’ll be back.”
Life is change, be flexible
The next piece was a nod to the bridge, which was painted over.
“Life is change, be flexible,” he painted, alongside a yin-yang symbol and a koi fish.
Seth Anderson/B12 Partners, LLC / Seth Anderson O’Donnell painted this piece in 2009 after his first major mural on the bridge was painted over.
He also painted over the portions of Focus One Point And Breathe that were erased.
The murals each lasted about two weeks. O’Donnell went out for a night, took a few days off, then came back and did some more painting.
“I’ve always been aware of the audience,” he says. “I knew people would see this because hundreds of people walk by the footbridge every day, so I wanted to put something there that would please, inspire, or just please, help someone.”
But he ran into trouble with his next play.
The robot
“I like to dance, the robot. Pretend you’re a robot,” says O’Donnell. “So I thought it would be just funny to put it there: pretend you’re a robot.”
So he went back. He painted the words “Let’s Pretend We Are Robots”. Then a robot. And then he started drawing another robot.
David Ingram/Flickr CC BY-NC 2.0 / Flickr O’Donnell was arrested before he could finish the second robot in this 2011 mural.
A train passed halfway. Hanging from the bridge by his rope, he was kind of leaning back to watch the train go by. Then O’Donnell sees the conductor. The conductor sees him.
“Next thing I know, flashlights and I’m being taken to the Travis County holding cell,” he says.
Police charged him with graffiti graffiti.
That’s a problem, and not just because he’s in prison. O’Donnell had joined the army and was due to leave for basic training in a few weeks. A felony charge would complicate matters further.
He posted bail and called an attorney. The charges were dropped in exchange for O’Donnell paying a few thousand dollars in damages.
I asked if that made him reconsider if it was still worth it.
“No no. You know why? Because probably like maybe a year and a half later the railway company came and painted over everything. The bridge was wiped clean,” he says. “So I literally flew back and painted more.”
Back then he painted the Pac-Man scene with the words “Never Give Up”.
Julia Reihs/KUT/O’Donnell painted “Never Give Up” after the bridge was completely painted over.
On the one hand, says O’Donnell, he meant it as an inspirational message.
“Whatever you’re going through, don’t give up. When you train, don’t give up. If you’re having suicidal thoughts, don’t give up,” he says. “You know, just don’t give up.”
But for him it was also a message to Union Pacific, ‘like, I’m not giving up.’
About a year later he came back to do the Ninja Style.
Julia Reihs/KUT/O’Donnell came back to Austin in 2012 to paint “I’ve Got Ninja Style and a Kung Fu Grip” on the drawbridge.
And what does that mean to him?
“I’m like a ninja; I move at night. Because I’m hanging out here, I have to hold on really tight. A kung fu hold is a strong hold, right? And it just sounds kind of cool,” he says.
But it can mean something different for the audience.
“Like I have to do this every day…have to dress ninja style,” says Hinojosa. “You have to figure it out and work your way through your day…and have a kung fu grip with you.”
O’Donnell’s last two tracks – Ninja Style and the Never Give Up Pac-Man – are still around. In a place that seems ever-changing, they’ve remained constant—at least for now.
“I think it’s part of what it means to live in Austin,” says Hinojosa. “We have this motivational message sent by a random stranger who motivates thousands of people every day.”
Focus on one point (again)
When I first spoke to O’Donnell, he hadn’t been to Austin since painting Ninja Style in 2012. Coincidentally he was here for Thanksgiving so we met on the footbridge and I asked him how it felt to still see his work eight years later.
Julia Reihs/KUT /
“It makes me happy. Dizzy. I’m just glad to see it’s still around,” he says. “I just want to see that and know that I’m making an impact on the community. … It’s part of her life now. Something I made is in there. And to know that people are benefiting from it is really – wow – just very exciting.”
O’Donnell knows it won’t last forever, but he’s okay with it.
“I don’t like that it will go away, but I accept that it will change,” he says. “And this is also another opportunity to get back up and do something else.”
Under state law, O’Donnell cannot be charged with painting Ninja Style and Never Give Up because too much time has passed.
He still makes art. He is currently creating collages of dots from color patterns and a hole punch.
And you may have noticed that a new version of his play “Focus One Point And Breathe” appeared on the railway bridge last month. It looks good – but that’s all I’ll say about it.
Ninja Style Kung Fu Grip
A few years ago graffiti became a big problem in Austin and on some bridges. The government decided to paint over the graffiti and remove all maintenance railings to make it more difficult for the graffiti artist to paint the side of the bridge. One day the mural below appeared featuring Pac-Man. The artwork made the local news, everyone baffled as to how exactly this person was able to get onto the bridge and paint with no railings or a ledge to stand on. A few days later, the graffiti artist further down the bridge replied, “I have ninja style and kung fu grip.”
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Ninja Style Kung Fu Grip Fine Art Print Austin Photography
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