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Beyond being a critique of rigid authority, “For Heidi with Blue Hair” also subtly explores the nature of grief and the power of solidarity. The poem implies that Heidi has dyed her hair not to be particularly rebellious, but because her mother has recently died.


For Heidi with Blue Hair by Fleur Adcock – IGCSE English Literature
For Heidi with Blue Hair by Fleur Adcock – IGCSE English Literature


For Heidi With Blue Hair Poem Summary and Analysis | LitCharts

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The Full Text of “For Heidi With Blue Hair”

The Full Text of “For Heidi With Blue Hair”

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“For Heidi With Blue Hair” Poetic Devices & Figurative Language

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For Heidi With Blue Hair Poem Summary and Analysis | LitCharts
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For Heidi With Blue Hair by Fleur Adcock – Poem Analysis

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For Heidi With Blue Hair by Fleur Adcock - Poem Analysis
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Analysis of ‘For Heidi with blue hair’ by Fleur Adcock |

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  • Summary of article content: Articles about Analysis of ‘For Heidi with blue hair’ by Fleur Adcock | This poem, addressed to a head-strong niece, is sympathetic and understanding in tone. The coloured hair stands for small acts of rebellion … …
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Analysis of 'For Heidi with blue hair' by Fleur Adcock |
Analysis of ‘For Heidi with blue hair’ by Fleur Adcock |

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For Heidi With Blue Hair | Theonlinegoverness

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For Heidi with Blue Hair – Fleur Adcock – Literature and other musings

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  • Summary of article content: Articles about For Heidi with Blue Hair – Fleur Adcock – Literature and other musings Hei had just lost her mother and the poem briefly discusses the conflict between the school authorities and Hei as well as Hei’s father. …
  • Most searched keywords: Whether you are looking for For Heidi with Blue Hair – Fleur Adcock – Literature and other musings Hei had just lost her mother and the poem briefly discusses the conflict between the school authorities and Hei as well as Hei’s father. Context Poet Fleur Adcock was born in Auckland, New Zealand, on 10 February 1934, but spent much of her childhood, including the war years, in England. She studied Classics at Victoria University in Wellington and taught at the University of Otago, moving to London in 1963 where she worked as a librarian at the Foreign…
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For Heidi with Blue Hair – Fleur Adcock – Literature and other musings
For Heidi with Blue Hair – Fleur Adcock – Literature and other musings

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Analysis on the poem «For Heidi With Blue Hair» | Emilia Varela

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Analysis on the poem «For Heidi With Blue Hair» | Emilia Varela
Analysis on the poem «For Heidi With Blue Hair» | Emilia Varela

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FOR HEIDI WITH BLUE HAIR Fleur Adcock Adcock

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FOR HEIDI WITH BLUE HAIR Fleur Adcock Adcock
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For Heidi With Blue Hair Poem Summary and Analysis

“For Heidi With Blue Hair” was written by Fleur Adcock, a poet from New Zealand based in Britain. First published in 1986, the poem focuses on a conflict between Heidi, a British schoolgirl, and the repressive authority figures at her school. When Heidi comes to a school with a black and blue mohawk, the headmistress sends her home. In doing so, the headmistress reveals that her authority is arbitrary, capricious, and cruel. After all, the speaker suggests that Heidi’s mohawk isn’t intended to be rebellious or disobedient; instead, it’s a way of grieving her dead mother. The speaker thus endorses rebellion against—and satire of—the headmistress and her power.

For Heidi With Blue Hair by Fleur Adcock

‘For Heidi With Blue Hair’ by Fleur Adcock is a six-stanza poem that uses action and dialogue to paint a literary picture where little to no physical setting is provided. Rather, the important notions are in the characters’ actions and words. What is garnered from those details is that a young girl named Heidi lost her mother, and while coping with that loss, she “dyed [her] hair” in a manner that her school did not approve of. In response, Heidi found support through her father and friend, commenting on the strength in having a loved one’s support and the “solidarity” found in numbers. This could be noted as the theme of the poem—that those on the outside of a person’s primary circle may not know the most intricate parts of a person’s life, but those who do know can change that person’s world through ongoing support and unity. You can read the full poem here.

For Heidi With Blue Hair Analysis

First and Second Stanza

When you dyed your hair blue

(or, at least ultramarine

(…)

was, apart from anything else,

not done in the school colours.

Although the identity of the person being described in ‘For Heidi With Blue Hair’ is not given within this stanza, more information is provided in regard to who Heidi was. Specifically, the reader can know by the end of the first stanza that she was a student who “dyed [her] hair blue…for the clipped sides,” but “with a crest of jet-black spikes on top.” This combination was certainly something that would stand out, so the action had to be undertaken with the knowledge that the change would be noted by others. Still, Heidi embraced the change and went to school.

Heidi, though, was “sent home from school” because of this unusual hair color since “the headmistress” said the “dye” was “not done in school colours.” That reason, however, reads like a search for an excuse rather than a concrete rule. The second stanza states that “dyed hair was not specifically forbidden,” which indicates “the headmistress” simply did not care for the alteration, but realized the rationale she delivered for her criticism was not solid enough to stand without a defensive statement to support it—like blaming the “school colours” in a manner that cannot help but feel trivial.

In essence, the reader can move away from these two stanzas with the knowledge that Heidi had “dyed [her] hair,” and “the headmistress” seemed determined to make a large issue of the decision.

Third and Fourth Stanza

Tears in the kitchen, telephone-calls

to school from your freedom-loving father:

(…)

Tell them it won’t wash out –

not even if I wanted to try.

The third stanza of ‘For Heidi With Blue Hair’ leaves the setting of the school for the scene that happened in the home once Heidi returned, and that scene is one of emotion and outrage. For Heidi, she cried “[t]ears in the kitchen,” ones that flowed from “[her] eyes, also not in school colour.” This reference to the rationale of “the headmistress” for “send[ing Heidi] home” is subtle, but it is still a harsh sting directed toward the school. Even though Heidi came home, her rebellion continued because she still did not embrace those “school colour[s].”

On a more vulnerable note, however, this comment stands as an insistence that her separation from the school system ran deeper than a choice to change her hair. There is no indication that she wore contacts or employed any other cosmetic tactic to change her eye colour, so if the issue truly was her lack of embracing the “school colour,” Heidi would never would been suitable for the school because her natural appearance broke from the established “colour.” Furthermore, this concept echoes the irrationality of presenting the “colour” choice of her hair as the problem by pointing out that her natural eye “colour” did not fit with the school’s mold either. If the hair colour needed to reflect “school colour[s],” essentially, why was it okay that her eyes were different? In this one situation then, layers of commentary exist in regard the school controversy.

Beyond this one detail, the reader also learns the father defended his daughter by calling the school to inform them that it was not, in his estimation, a statement of ill behaviour, but “just a style,” as though changing the “colour” was too superficial to cause tension at school.

Right after the father’s dialogue, Heidi’s commentary is provided in a way that hints she was speaking to her father as he was on the phone with the school. During her dialogue, Heidi instructed her father to “tell them it won’t wash out,” which would be a fitting directive if given while her father was conversing with the school. The reader can actually envision the scene, though little detail is provided about the physical setting, with the father holding the phone, but looking at his daughter as she cried and offered her pleas through her father.

Fifth and Sixth Stanza

It would have been unfair to mention

your mother’s death, but that

(…)

an act of solidarity, a witty

tease. The battle was already won.

In the fifth stanza of ‘For Heidi With Blue Hair’, the reader learns the heartbreaking truth of Heidi’s change—that she lost her mother—but no one at the school asked why there had been a change in Heidi’s behaviour. Regardless, that loss “shimmered behind the arguments,” as if its importance could not help but radiate in the circumstance even though no one bothered to address it.

It is interesting, though, that the narrator insists that using the loss as an explanation “would have been unfair to mention.” Considering the frustration the father could have felt for the school, he might not have cared if he were “unfair” toward them by providing such a shocking and impacting detail. Rather then, the reader can assume he felt offering that information “would have been unfair” toward his daughter who potentially would not have wanted so many people to be aware of her recent trauma. This is a level on which to sympathize with Heidi since she carried pain that she quietly shouldered.

Once the father pleaded his case, the school “gave in” because they had “nothing else against [Heidi],” which further insists the rationale for disciplining Heidi was not concrete. Already, it was established that labeling the “school colours” as the problem felt defensive, and the father insisted on the phone that he and his daughter “checked the rules” regarding the hues. That the school had no room to further push the matter speaks to the stretch of regulation that was employed in disciplining Heidi.

What follows in the sixth stanza is a visual of solidarity in “a witty tease” when one of Heidi’s companions altered her hair to reflect “the school colours precisely.” Given that the school’s criticism of Heidi’s hair resided only in its variation from those “school colours,” this action was a moment of subtle mockery, as if the students knew the problem did not rest in “the school colours” at all, but in the general notion of altering hair so drastically. By toeing the line the school provided, but still walking outside of the line the students knew was actually the problem, this moment challenged the school in a way that they could not argue against since their own logic backed them into a corner that the “tease” did not technically contradict. Since the contradiction to the stated rationale was not present, the school could not discipline the student, despite the underlying and unspoken qualms. Essentially, “[t]he battle was already won.”

The strength of the situation stemmed from those in Heidi’s life who knew her well enough to understand her situation, while the confrontation came from those who never knew what she was dealing with. From that, in this simple story, the reader can see that knowing a person’s situation can help to shape the understanding of that person, and strength can come from honest care among companions.

About Fleur Adcock

A 20th-century poet from New Zealand, Fleur Adcock studied at the University of Wellington and went on to become a teacher, a librarian, and a writer whose simplistic style has been noted in the literary world. She has been honored with several distinguished titles and acclamation, including receiving the Queen’s Gold Medal for Poetry. She has also been credited for her editing work, and she married fellow poet, Alistair Campbell, in 1952.

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For Heidi With Blue Hair – CIE Literature

This is a very simple and straightforward poem and isn’t littered with poetic techniques. However, there are a lot of interesting elements that you should be able to probe and analyse.

Starting with the title. The fact this poem is addressed to its subject, ‘For Heidi’, demonstrates the deeply personal nature of the subject. More than that, it suggests that this event is something to be celebrated and remembered and thus is hugely supportive.

Throughout the poem this idea of admiration for Heidi’s rebellion comes out. There is a romantic humour to the description of her dyed hair actually being two different shades, with ‘ultramarine for the clipped sides’ and ‘jet-black spikes on top’. Although this clearly would look dreadful and is a bodged job, Adcock sees the humour in this.

A little side note here. I have twice dyed my hair black (no idea why or what I was thinking!) and twice ended up with something akin to a tangled ball of liquorice sitting on my head and purple streaks running down my forehead and through my eyebrows.

The fact that Heidi has done should a rubbish job at dying her hair shows that it is not the style or colour that is of significance to her, but the act of rebellion in of itself. It is a conscious decision as she ‘checked the rules’. If she did not think the dye would be controversial she wouldn’t have checked, but she wants to challenge the norms of the school and society, even if ‘it’s just a style’ and not a ‘punk’ style rejection of all forms of authority.

Her mother’s death provides the backdrop to this, with Heidi clearly feeling like she needs to lash out or change something to find meaning in the world again. However, Adcock demonstrates the continued vulnerability and dependency of her niece through her father’s phone call to the school.

Heidi hides behind her father to provide her arguments, ‘Tell them it won’t wash out’ and ‘it cost twenty-five dollars’, rather than challenging the headmistress herself. Although the act of rebellion is her trying to demonstrate her independence and individuality, there are ‘Tears in the kitchen’ and a consoling and supporting arm around the shoulder from her father to help her win the battle.

Adcock recognises that it is her ‘mother’s death’ that ‘shimmered behind the arguments’, but this is something that no one mentions as all parties know that is where the rebellion is coming from.

The most beautiful element of this poem is the support and love demonstrated by her father and her friend. He is described as ‘freedom-loving’, which could merely suggest this is his permanent nature to support free expression and individuality. However, we could also read the fifth stanza’s idea that her ‘mother’s death… shimmered behind the arguments’ as being one of the reasons he is willing to fight her corner. Regardless, he has recognised her need to challenge authority and supported her wholeheartedly, helping her realise what she has left.

Her friend’s ‘act of solidarity’ in dying her hair too and risking her place at the school is further evidence of the love and loyalty she has in her life. Remember this is a time where she may be feeling the world is against her, losing someone dear to her, so to have this level of support is really beautiful.

You must also comment on the depiction of authority in the poem. Even though I recognise the logic of having a uniform policy, in this poem the decision is seen as being arbitrary rather than fair or logical.

Without a specific rule on hair dye, the headmistress offers a feeble justification for her decision that it is not ‘in the school colours.’ At the end of the poem, Heidi’s friend’s dye acts as ‘a witty tease’ at how lousy an excuse this was as she dyes her hair three different colours, presumably looking even more stupid than Heidi. In addition, at the end of the third stanza, in brackets, it is revealed that Heidi’s eyes are ‘also not in a school colour’. Clearly it would be a ludicrous decision if the school were to ban her because of this, and they haven’t, but Adcock includes this to further poke fun at how silly the initial decision was.

However flimsy the grounds for the decision were, we can see the negative impact of arbitrary decision-making by those in authority as Heidi is left in ‘tears’. The school’s decision to suspend is made to seem draconian as Adcock reveals they ‘had nothing else against’ Heidi and thus a good student.

In this poem, sense is seen by the authority figure (not true elsewhere in this collection), but seemingly only in the face of Heidi’s personal tragedy.

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