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✔️ ZERO BASE v5
미술품 구입과 경매에 관심이 있지만 선뜻 시작하지 못한 이들이라면 새로운 경매인 ‘제로베이스(ZERO BASE)’에 주목해 보세요!
📌Online Auction: 2020. 11. 16 (월) 2시 순차마감
서울옥션 홈페이지: www. Seoulauction.com
📌Preview: 2020. 11. 11 (수) – 2020. 11. 15 (일) 10am-7pm
서울옥션 강남센터 B4, B5 (서울특별시 강남구 언주로 864)
📌Artist: 노보, 이호현, 장영은, 연여인, 브리타니 파닝, 장승근, 최우영, 여준환, 문수만, 정여은
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Brittany Fanning (@brittanynfanning) • Instagram photos and …
15.4k Followers, 2666 Following, 437 Posts – See Instagram photos and veos from Brittany Fanning (@brittanynfanning)
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Date Published: 6/7/2021
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Brittany Fanning (@brittanyfanning) – Foundation
I’m an American artist living in Seoul, South Korea. My paintings include comedians, adas tracksuits, serial killers, 90’s hip-hop, wine, plane crashes …
Source: foundation.app
Date Published: 12/3/2021
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주제와 관련된 더 많은 사진을 참조하십시오 ZERO BASE v5: 브리타니 파닝 Brittany Fanning. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 brittany fanning art
- Author: 서울옥션 Seoul Auction
- Views: 조회수 959회
- Likes: 좋아요 25개
- Date Published: 2020. 11. 10.
- Video Url link: https://www.youtube.com/watch?v=e0JLzqoNUQ8
Brittany Fanning
acrylic and oil pastel on canvas
acrylic and oil pastel on canvas
The Last Plane Crash
acrylic and oil pastel on canvas
acrylic and oil pastel on canvas
acrylic and oil pastel on canvas
White Alligator Lying in the Mugwort
We’re All Going Down in Flames
Paintings by Brittany Fanning
Paintings by Brittany Fanning
Paintings by Brittany Fanning
About the Artist:
Brittany Fanning grew up in Florida, bitter from sunburns and fearing alligators. She studied fine art in Dahlonega, Georgia where she was heavily influenced by Appalachian artists and their painterly figurative work. She then moved to South Korea, where she began painting the neighborhoods of Seoul.
In 2020, Brittany began working on more narrative focused paintings. Sometimes pulling compositions from photographer Slim Aarons, Brittany juxtaposes serenity with chaos. Typically a figure sits in the foreground, enjoying a glass of wine or admiring her cat, while a volcano erupts or a fire tornado whirls towards her. Blissfully unaware or simply just used to it. Each scene contains a wry sense of humor and a guilty appreciation for luxury fashion.
Growing up in Florida instilled a particular fear of alligators in the artist. She began including them in her work as an object of alarm for foreboding danger in an otherwise tranquil setting. Overtime, she grew to appreciate the patterns and colors of the reptiles. Now they act as a more positive motif in her work.
After spending 2020 inside her Seoul apartment, it’s evident that much of Brittany’s work is heavily inspired by media consumed during the pandemic; Quentin Tarantino films, comedians, true crime podcasts and 90’s hip hop.
For more information on paintings by Brittany Fanning, contact .
4 Artworks at Auction
Brittany Fanning is an artist who was born in 1991. The artist’s work has been offered at auction multiple times, with realized prices ranging from 1,900 USD to 2,250 USD, depending on the size and medium of the artwork. Since 2021 the record price for this artist at auction is 2,250 USD for Blessing in the Skies, sold at Seoul Auction in 2021.
Figurative Panting by Brittany Fanning
Brittany Fanning grew up in Florida, bitter from sunburns and fearing alligators. She studied fine art in Dahlonega, Georgia where she was heavily influenced by Appalachian artists and their painterly figurative work. She then moved to South Korea, where she began painting the neighborhoods of Seoul.
Brittany juxtaposes serenity with chaos. Typically a figure sits in the foreground, enjoying a glass of wine or admiring her cat, while a volcano erupts or a fire tornado whirls towards her. Blissfully unaware or simply just used to it. Each scene contains a wry sense of humor and a guilty appreciation for luxury fashion.
Alligators were once a symbol of danger, but overtime, Brittany grew to appreciate the reptiles. Now they act as pet-like companions in her work.
After spending 2020 inside her Seoul apartment, it’s evident that much of Brittany’s work is heavily inspired by media consumed during the pandemic; Quentin Tarantino films, comedians, true crime podcasts and 90’s hip hop.
www.brittanyfanning.com
Where are you from? Did you grow up in a creative environment?
I grew up in Florida. My family always fostered my creativity, although no one made art themselves. One summer vacation started with my grandma giving me a massive box of A4 paper and markers to draw with. I remember feeling elated. I moved to North Georgia when I was 16 and fell in love with the outsider artists Appalachia had to offer. I think that’s when I knew I wanted to paint for a career.
Who or what has compelled and/or encouraged you to create your art?
It’s all I want to do, to a fault sometimes. I’ll hide away in my studio for weeks and avoid all social engagements if possible. Of course family and friends encourage me, but it’s more of my own eagerness to see certain concepts and color palettes on a canvas.
What is the key topic or issue that your work addresses?
Recently, my work has been about impending doom. There’s typically some type of disaster happening in the background, like a tornado or volcano. The figure in the foreground is usually drinking. I think it’s somewhat representative of how I handled the pandemic.
What is your biggest source of inspiration?
In 2019, California was burning down, I saw a fire tornado (on TV) for the first time and I had to paint it. I paint a lot of things I’m afraid of, such as plane crashes and alligators. While I’m painting, I listen to comedy and true crime podcasts. Themes from both are starting to meld their way into my work. I love films by Quentin Tarantino; how he can make extreme violence palatable because of the humor behind it. I painted a few flame-throwing scenes similar to the one in Once Upon a Time in Hollywood. I also love Slim Aarons’ photography.
If you weren’t creating art, what would you be doing?
I don’t want to think about it. I’d hate doing anything else.
Brittany Fanning
What led you to pursue your current line of work?
Is it bad to say dissatisfaction with every other job led me to pursue my career? I also have a burning hot love for painting. As I’ve grown up, I’ve been able to see a clearer way to make it into a career. A large part of that is taking commissions as I mentioned before. I’m constantly evolving them to be more appealing to consumers. It can be fun even if I’m not painting exactly what I want.
Do the skills and knowledge that you gained as a student in the Department of Visual Arts contribute to your current occupation? If so, in what way?
No. Only joking. My education at UNG is everything to me. Critiques at the end of projects was always my favorite part. I still write professors today and ask them how I can make my work better. Everything I know about curating and hanging exhibitions comes from my time at UNG. Oh, and surprisingly enough, those art history classes that everyone begrudgingly takes come in handy when you’re marketing your own work and attempting to enter the art world. I love flexing my knowledge of art.
There’s so much, really; creating a cohesive collection, understanding how to discuss art of all kinds, the importance of keeping up with current artists, taking criticism, and how to stretch a canvas. I feel like one of the few people who actually use their college education in the “real world.
Brittany Fanning on Her Paintings, Florida, Creative Process & More
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Brittany Fanning spent her childhood in Florida, fighting off mosquitoes, alligators, and an interest in racing. She later moved to a small north Georgian town, Dahlonega. Set in the foothills of the Blue Ridge Mountains, Brittany studied painting at the University of North Georgia. She was heavily inspired by Appalachian outsider artists and their painterly techniques and humor.
After graduating, Brittany moved to South Korea. She quickly became enamored with the architectural elements found in Seoul neighborhoods. Many of them combined the traditional Korean houses, or hanoks, with new geometric contemporary structure-things. She gained notoriety for painting these neighborhoods and then completely stopped to continue painting what interested her; violence, wine, food, luxury fashion and natural disasters. Recalling her childhood fear of alligators, she began adding them as a motif in her work in 2020. While they represented danger in the beginning, she slowly became fond of the creatures, and now they act as more of a companion to the figures in her paintings.
After seven years in Korea, Brittany moved back to the states. Now she resides in Los Angeles, California where she continues to be inspired by the unnatural disaster that is America.
Orange Wine Volcano, Acrylic and oil on canvas 97x130cm 2021
Hi Brittany, thank you for sitting down with me. First question. What was it like growing up in Florida? And What was your favorite thing to do?
I recall a lot of Nascar, reptiles, and pink flamingo yard ornaments. My family and I evacuated several hurricanes during my childhood. I always loved the excitement around bad weather. My favorite thing about growing up in Florida was swimming. My sisters and I spent every summer in a lake, river, or above ground pool. We moved to Georgia when I was 15. Oddly enough, I feel more tied to appalachia- perhaps because those were my more formative years. A little Florida woman still lives within me, though.
Tennis And A Crashing Cessna, Acrylic on canvas 91x116cm 2021
Is there a specific reason as to why you moved to South Korea?
I graduated from the University of North Georgia in 2014. At the time, jobs for recent graduates were rare- especially with a bachelor’s degree in painting. I applied to teach English in Daejeon, South Korea. While teaching, I was able to travel and keep making art.
American Landscape Acrylic on canvas 89x116cm 2021
How did a regular day look like for you in Seoul?
I moved to Los Angeles about two months ago, and I’m still working out a routine. I’m a very regimented artist. I need a strict routine or I can’t get into a good work flow. In Seoul, I would wake up early, hit the gym, have coffee and make lists for the day. I’d usually start painting around 9am and stop before dinner. I like to paint for long hours during the day and weeks at a time. Weekends in Seoul consisted of eating everything, hiking, and exploring different neighborhoods.
White Alligator Blue Volcano, Acrylic and oil pastel on linen, 72×116.8cm 2022
Florida is heavily represented in some of your pieces, in terms of the alligators. What does the Florida gator mean to you?
Doug Stanhope opened up his last comedy special with a joke about a child that was eaten alive by an alligator at Disney World, Orlando. While funny, the joke also gave me fearful flashbacks to my childhood when we would frivolously go swimming in places that warned about alligators. I wonder if my parents hated us. It seemed like alligators were always nearby, but we didn’t fear them. As an adult, who is very far removed from the Floridian lifestyle, that seems absolutely wild to me. I enjoy painting things that I fear, find exciting, and also a little funny at the same time.
A Time for Martinis, Acrylic and embroidery on linen, 73x100cm 2022
Your paintings often describe some kind of scene, where something is happening. Do you have that scene already thought out, when starting on a new canvas?
Absolutely. I plan them all in advance with sketches and a little writing about the story. I’ll very rarely add a new element to the painting after I’ve started it. Maybe I could try. It could lead to something interesting.
Flame On Im Gone, Acrylic on canvas 130x97cm, 2021
Your pieces often feature women in luxury settings, with something chaotic or alarming happening. Talk to me a little bit about that. Who are the women and does the alarming scene symbolize anything?
The women are anonymous. Their figures are typically relaxed during these chaotic scenes. The imagery came to me during the pandemic. There’s always something horrific happening, especially in America right now, and I think the best way to deal with it is with composure and ease… and occasionally ignoring it and focusing on your own wellbeing.
Skier Watching Fire 1, Acrylic and embroidery, on canvas, 33.5x24cm 2021
When looking at your paintings I get a sense of humor, irony and idgaf vibes. How do you feel about that statement?
That’s perfect. Putting humor into artwork is a bit of a puzzle for me. I want it there, so I’m glad you see it. As for the “idgaf” sentiments- yeah, admittedly that’s my mood at times. While painting, I listen to a lot of comedy podcasts; Your Mom’s House, Two Bears One Cave, Bad Friends, Tim Dillon. I also listen to a lot of true crime. Both have been melding their way into my work.
Avalanche on the Bunny Slopes, Acrylic and embroidery on linen 80x130cm 2022
What do you hope the observer gets out of your paintings?
I like it when someone’s inner psycho comes out a bit and we can laugh about that.
What’s with the serial killers? 😀
Like alligators, I am terrified of those “classic” serial killers from the 70’s and 80’s; the ones that we know so much about, but that also came close to getting away with it because of the lack of forensic evidence and technology. Whenever I’m afraid of something, I also become deeply interested in it. Maybe that’s why so many women are obsessed with true crime podcasts and documentaries. They’re cautionary tales?
Youve Come a Long Way Baby, Acrylic on canvas 91x91cm 2021
What’s your favorite movie?
I really love anything Quentin Taratino makes, but Once Upon a Time in Hollywood is my current favorite. I appreciate the fact that he has strong female characters (well maybe not so much in Once Upon a Time….), but it’s not shoved down your throat. It doesn’t need to be said or celebrated, they’re just absolutely great. Almost all of his scenes could be successfully composed paintings. The attention to detail, the music, the language. Chef’s Kiss*. I’m also a big fan of violence that is so brutal it makes you laugh. Imagine coming up with that concept.
What’s your biggest vice?
I started smoking cigarettes again in Spain last November. It just went so perfectly well with the vermouth. I’ve been quitting on and off. I hate it, but it’s also the greatest.
For more information about Brittany, check out her Instagram and website.
No Cream In My Coffee, Acrylic and oil on canvas 65x53cm 2021
Strawberry Cyclops, Acrylic and oil pastel on linen, 73x91cm 2021
Hell High Water Acrylic and oil pastel on canvas 162x130cm 2021
Yellow Jacket in Pinot Grigio, Acrylic and oil pastel on canvas 53x45cm 2022
Sweet Berry Wine And An Erupting Volcano, Acrylic on canvas, 80x100cm 2021
Pissed Off Baby Tiger
Fire Tornado Acrylic and oil pastel on canvas, 72x100cm 2021
Not Fake, acrylic and oil pastel on linen 60x72cm 2021
Once Upon a Time in Marfa, Acrylic and oil on canvas, 130x90cm 2021
Brittany Fanning (@brittanyfanning)
I’m an American artist living in Seoul, South Korea. My paintings include comedians, adidas tracksuits, serial killers, 90’s hip-hop, wine, plane crashes and fire. Each piece is 1/1.
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