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H.Wolf Er ist’s
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Er Ist’s – Wolf | PDF – Scribd
Er ist’s – Wolf – Read online for free.
Source: www.scribd.com
Date Published: 3/30/2022
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Mörike-Lieder (Wolf, Hugo) – IMSLP: Free Sheet Music PDF …
Er ist’s! 7. Das verlassene Mägdlein: 8. Begegnung: 9. Nimmersatte Liebe: 10. Fußreise: 11. An eine Äolsharfe: 12. Verborgenheit. Heft II.
Source: imslp.org
Date Published: 4/9/2022
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’tis spring. – er ist’s. – PDFCOFFEE.COM
ER IST’S. Molto animato giubilando. … This PDF courtesy of Art Song Central – The singer’s resource for free sheet music – www.ArtSongCentral.com.
Source: pdfcoffee.com
Date Published: 12/19/2021
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Wolf – (Mörike) – El Atril
Wolf. Er gen, ich den. Mörike Songs ihm als pdolciss. * S. 7. F. (nachlassend) was wüss-te, was viel sü sser ist: P den als wenn man herzt.
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Date Published: 8/18/2021
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Er ist’s – Download Sheet Music PDF file – Score Exchange
Er ist’s by Wolf. Written for Voice + keyboard with a duration of 1 min. Purchase, download and print sheet music PDF file now!
Source: www.scoreexchange.com
Date Published: 7/4/2021
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Wolf – Er ist’s – Art Song Central!
PDF: Er ist’s. Key: G Major; Range: D4 – G5; Source: World’s Best Music ©1904. Elsewhere on the Internet:.
Source: artsongcentral.com
Date Published: 11/24/2022
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독일가곡 [Er ist’s – Hugo wolf] 가사 해석 /pdf 악보 공유 – 블로그
바바라보니의 Er ist’s 감상해보실까요. . . 가사/해석. . 시 – Mörike. . . Frühling lässt sein blaues Band. 봄은 자신의 푸른 띠를.
Source: blog.naver.com
Date Published: 3/15/2021
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Er ist’s | Song Texts, Lyrics & Translations – Oxford Lieder
This song was recorded live at the Oxford Lieder Festival as part of Hugo Wolf: The Complete Songs on Stone Records. Click here to listen to this song with …
Source: www.oxfordlieder.co.uk
Date Published: 3/11/2022
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Wolf-Er ist’s in F Major,for Voice and Piano (German Edition …
This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Wolf (Hugo Wolf), 1860-1903, for Voice and …
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Date Published: 11/9/2021
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- Author: 송승현
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- Date Published: 2017. 7. 5.
- Video Url link: https://www.youtube.com/watch?v=bo3vLtHiD_I
Er Ist’s – Wolf
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Mörike-Lieder (Wolf, Hugo)
Movements/Sections Mov’ts/Sec’s
53 songs in 4 volumes: Heft I. 1. Der Genesene an die Hoffnung 2. Der Knabe und das Immlein 3. Ein Stündlein wohl vor Tag 4. Jägerlied 5. Der Tambour 6. Er ist’s! 7. Das verlassene Mägdlein 8. Begegnung 9. Nimmersatte Liebe 10. Fußreise 11. An eine Äolsharfe 12. Verborgenheit Heft II. 13. Im Frühling 14. Agnes 15. Auf einer Wanderung 16. Elfenlied 17. Der Gärtner 18. Citronenfalter im April 19. Um Mitternacht 20. Auf eine Christblume I 21. Auf eine Christblume II 22. Seufzer 23. Auf ein altes Bild 24. In der Frühe Heft III. 25. Schlafendes Jesuskind 26. Karwoche 27. Zum neuen Jahr 28. Gebet 29. An den Schlaf 30. Neue Liebe 31. Wo find’ ich Trost 32. An die Geliebte 33. Peregrina I 34. Peregrina II 35. Frage und Antwort 36. Lebe wohl 37. Heimweh 38. Lied vom Winde 39. Denk’ es, o Seele! Heft IV. 40. Der Jäger 41. Rat einer Alten 42. Erstes Liebeslied eines Mädchens 43. Lied eines Verliebten 44. Der Feuerreiter 45. Nixe Binsefuß 46. Gesang Weylas 47. Die Geister am Mummelsee 48. Storchenbotschaft 49. Zur Warnung 50. Auftrag 51. Bei einer Trauung 52. Selbstgeständnis 53. Abschied
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Wolf – Er ist’s
Title: Er ist’s
Composer: Hugo Wolf (1860-1903)
Author: Eduard Mörike (1804-1875)
Free at Art Song Central:
PDF: Er ist’s
Key: G Major
Range: D4 – G5
Source: World’s Best Music ©1904
Elsewhere on the Internet:
Mp3:
MIDI:
Frühling lässt sein blaues Band
Wieder flattern durch die Lüfte;
Süsse, wohlbekannte Düfte
Streifen ahnungsvoll das Land.
Veilchen träumen schon,
Wollen balde kommen.
Horch, von fern ein leiser Harfenton!
Frühling, ja du bist’s!
Dich hab ich vernommen!
Ja! Du bist’s!
독일가곡 [Er ist’s – Hugo wolf] 가사 해석 /pdf 악보 공유
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Er ist’s | Song Texts, Lyrics & Translations
Hugo Filipp Jakob Wolf was born on 13 March 1860, the fourth of six surviving children, in Windischgraz, Styria, then part of the Austrian Empire. He was taught the piano and violin by his father at an early age and continued to study piano at the local primary school. His secondary education was unsuccessful, leaving his school in Graz after one term and then the Benedictine abbey school in St Paul after two years for failing Latin. When, in 1875, his lack of interest in all subjects other than music led to him leaving his next school in Marburg after another two years, it was decided that he should live with his aunt in Vienna and study at the conservatoire.
In Vienna he attended the opera with his new circle of friends, which included the young Gustav Mahler, and became a devotee of Wagner. However, after only two years he was unfairly dismissed from the conservatoire for a breach of discipline, after a fellow student sent the director a threatening letter, signing it Hugo Wolf.
He continued to compose and returned to Vienna in 1877 to earn a living as a music teacher, but he did not have the necessary temperament for this vocation and would, throughout his life, rely on the generosity of friends and patrons to support him. The composer Goldschmidt took him under his wing and introduced him to influential acquaintances, as well as lending him books, music and money. It was, however, under Goldschmidt’s guidance that he paid a visit to a brothel in 1878, resulting in him contracting syphilis, which later led to his insanity and early death. This sexual initiation coincided with his first major burst of songwriting.
His mood swings and sporadic creativity were now quite pronounced, and he stayed with friends who could offer him the tranquillity and independence he needed to work. In 1881, Goldschmidt found him a post as second conductor in Salzburg, where his musical talents were greatly appreciated, but his violent quarrelling with the director led to his return to Vienna early the following year. For a while his mood brightened, but by 1883, the year of Wagner’s death, he had stopped writing music.
At this point, his future seemed uncertain. His work had been declined by publishers Schott and Breitkopf, he had writer’s block, and he quarrelled with friends. He had been teaching Melanie Köchert since 1881, and with the influence of her husband he was appointed music critic of the Sunday journal Wiener Salonblatt, for which he spent three years writing pro- Wagnerian, anti-Brahmsian pieces. Although this was useful, it did get in the way of his composition, and attempts to have his own works played were thwarted by musicians who had fallen foul of his sharp criticism.
He began to write music again in 1886, finally confident in his talents. In May 1887, his father died, and although Wolf wrote little for the rest of the year, a publisher did produce two volumes of his songs, one dedicated to his mother, the other to the memory of his father.
Again taking refuge with friends, Wolf now began a sudden, spontaneous burst of songwriting, emerging from years as a music critic and coinciding with the start of his love affair with Melanie Köchert. By March, after 43 Mörike settings, he took a break with friends and then began another spate of songwriting in September resulting in thirteen Eichendorff and more Mörike songs. He returned to Vienna and in February 1889 had finished all but one of the 51 songs of his Goethe songbook. After another summer break, he returned to writing and April 1890 saw him complete his 44 Spanish songs. By June 1890, this creative period of two and a half years had produced a total of 174 songs.
Wolf’s fame had now spread beyond Austria, with articles being written in German publications. His exhaustion and bouts of depression and insomnia meant that he wrote very little for most of 1891, but at the end of December wrote another 15 Italian songs. For the next three years, he barely wrote a note.
In April 1895, spurred on by Humperdinck’s operatic success of Hänsel und Gretel, he again began composing from dawn till dusk. By early July the piano score of his four-act opera Der Corregidor was complete, with the orchestration taking the rest of the year. It was turned down by Vienna, Berlin and Prague but finally staged in Mannheim to great success. He completed his Italian songbook with 24 songs written in the period from 25 March to 30 April 1896.
In March 1897, he wrote his last songs: settings of German translations of Michelangelo sonnets. He was, by now, clearly a sick man, but nevertheless in September he embarked on a new opera, feverishly completing sixty pages in three weeks. It was at this point that he succumbed to madness, claiming to have been appointed the director of the Vienna Opera. Under restraint, he was taken to an asylum, and although he returned home to Vienna briefly in 1898, he was returned to an institution later that year after trying to drown himself. His devoted Melanie visited him regularly until his death on 22 February 1903. He is buried in the Vienna Central Cemetery beside Schubert and Beethoven.
© 2011, Mark Stone
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