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Reviewed in Guitarist issue 400
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Martin 00-15E Retro Guitar Specs – Maury’s Music
The Martin 0015E Retro is the first 00-14 fret instrument in the successful Retro Series product family. This acoustic-electric, non-cutaway model features …
Source: www.maurysmusic.com
Date Published: 5/8/2022
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- Date Published: 2015. 10. 29.
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Martin 00-15E Retro – Mahogany Burst
Where the Best of Martin from Yesterday and Today Meet
Part of Martin’s Retro Series, the 00-15E 6-string acoustic-electric guitar bridges the gap between a modern performing acoustic-electric guitar and everything that makes vintage pre-war Martins so magical. You’ll absolutely love the feel of the 00-15E’s body and newer neck profile, which are aimed at providing the ultimate in playing comfort. And the sounds emanating from the Fishman Aura VT Enhance electronics are straight out of some of the most desirable Martin guitars in history. Grab the Retro 00-15E when you hit the stage, and remember why Martin Guitars are who they are.
There is no denying the majesty of a great vintage acoustic, but taking them out of the house can be a nerve-wracking experience. On your 00-15E Retro you’ll get the great tones the classics are known for, but with modern appointments made to today’s construction and performance standards, such as the Fishman Aura VT Enhance electronics and a super-comfy neck profiles. So you get vintage vibe and tones without putting a true vintage instrument at risk at the gig, but on an instrument that’s been designed with the modern player in mind.
Fishman is just as much a leader in acoustic amplification as Martin is in guitar manufacturing. Martin has spec’d Fishman’s Aura VT Enhance electronics system for this 00-15E Retro to give it a natural and expressive voice when performing live through an amp or PA system. The Aura preamps have been favorites of Sweetwater guitarists for years. But VT Enhance raises the bar by using discreet soundhole-mounted controls for the pickup’s volume and tone. You can rest easy knowing that the natural sound of your 00-15E Retro will come through the speakers loud and clear.
There are only a precious few names that come to mind when thinking of the truly legendary steel-string flat-top acoustic guitar companies in history, and Martin is one of them. This 00-15E Retro comes from a very long line of instruments that came to life at the hands of craftsman that know what a great acoustic should be, with such innovations to their credit as the dreadnought body style, X-bracing, and joining the neck to the body at the 14th and 15th frets. The Martin 00-15E Retro takes it cues from the past, but is a modern masterpiece.
Acoustic-electric guitar that plays modern, but sounds vintage
Fishman Aura VT Enhance sings with natural acoustic tone
Modified low oval neck profile is comfortable for hours of playing
All solid mahogany construction
Ebony fretboard makes the notes jump out
24.9″ Scale length balances string tension and tone
Hard shell case included
The Martin 00-15E Retro is a beautiful blend of modern performance and vintage perfection.
Martin 00-15E Retro review
For once, we have some serious choice from a very serious guitar.
Image 1 of 3 Image 1 of 3 Martin 00-15E Retro Image 1 of 3 Martin 00-15E Retro Image 1 of 3 Martin 00-15E Retro
Martin might have the reputation as the heritage acoustic guitar company, but on so many levels, it remains remarkably advanced.
It’s this wolf-in-sheep’s clothing ‘deception’ that’s at the heart of Martin’s seven-strong all-non- cutaway 14-fret Retro series, to which this 00-15E was added earlier this year.
It’s flanked by four dreadnoughts, one 000 and an OM, but is the only mahogany-topped Retro model, and also the most affordable. The old-meets-new duality of these Retro guitars is highly evident here: an old-school Depression-era design married with the sort of electronics than will take you to the moon and back. Well, almost…
But before we get to the spaceship bit, unplugged, the actual guitar might simply bowl you over on first strum. Why? As we remarked in our earlier review of the 00X1AE, the 00 is a pretty rare bird in Martin’s line-up.
Yet if you prefer a smaller body guitar but don’t want to drop right down to a ‘parlour’, it’s a highly comfortable choice for the seated player – although Martin fits a second strap button on the heel and with these expanisve electronics onboard, you wouldn’t want to waste that power if all you planned to do was strum and pick at home.
It’s a beautifully simple, unadorned guitar with a single ring rosette, no edge binding, minimal inlays between the 5th and the 9th frets and a deep brown-hued satin finish with subtle sunbursting to the top only.
Tuners here are the not-overly-special open-backed Grover type, while the ‘Modern Belly’ ebony bridge, with ebony pins, has a compensated Tusq saddle – preferred for its use with the under-saddle pickup – and beautifully cut bone nut. Old-style small frets and a pretty low setup again hint at vintage, but the neck shape is more contemporary: a slightly V’d deep-but- not-big profile (21mm at the 1st fret; 23.4mm at the 10th) with Martin’s wider nut width, just over its 44.45mm (1.75-inch) specification at 44.8mm.
“It’s a really anti-Taylor-like statement: old-looking and utilitarian, butwith the sort on onboard technology that’s pretty much state-of-the-art.”
Typically, the string spacing over that nut is maximised with a 39mm spread, while bridge spacing is airy at 54mm. The neck also has the shorter Martin standard scale of 632.5mm (24.9 inches).
In terms of detail, the top is braced with Martin’s A-Frame ‘X’ bracing and the neck is joined with a ‘simple’ dovetail. It’s all crisp and clean yet remarkably unshowy.
Set Your Controls
A quick gander inside the soundhole reveals a large PCB and multi-coloured ribbon wires, not to mention the circular control panel and dual multi-function control knobs placed above the waist on the bass-side upper bout. This all tells us we’re on for something special: Fishman’s F1 Aura+. “Aura Acoustic Imaging technology,” says Fishman, “uses digital algorithms developed in Fishman’s audio laboratories to restore a studio-mic’d sound to an acoustic instrument.
To achieve this, we’ve recorded this instrument using world-class microphones and techniques to capture an ‘image’ of the natural sound that it emits when mic’d in a professional studio. This image, when recorded direct or played through an amp, mixer or PA, blends with the under-saddle pickup to produce an incredibly accurate recreation of the original recording.”
But don’t worry if you’re a technophobe: the typically clever design has an Easy mode where the upper knob is simply volume. When you press it down, it mutes the output and engages the tuner. The lower control, rotated, adjusts a mid-scoop or, pressed, selects one of the three onboard Aura images or the standard undersaddle ‘dry pickup’ sound.
For the more “adventurous player”, says Fishman, we also have the Performance mode with its Play and Edit functions. In Play, we still have the tuner and volume, blend (between the Aura image and the dry pickup) and phase can be adjusted – plus, there’s a neat anti-feedback circuit. In Edit you can specifically tailor, and save, each Aura image with three-band EQ, image/pickup blend, compression and anti-feedback. And once you’ve carried out any tweaks you want to make, you can return to Easy mode. Got that?
Feel and Sounds
Electronics aside, this is a really characterful instrument, which might surprise you, even if you’ve played smaller bodied all-mahogany guitars. It did us. The hardwood top (as opposed to softwood spruce, or even cedar) imparts a more fundamental tone without the sparkle or explosiveness of spruce. It has a lovely rounded high end, with a balance in the bass that has more ‘classical guitar’ to it than the design might suggest.
Mids are solid but far from over-cooked, so we avoid the mid-honk of many smaller body designs. The shorter scale means a subtly relaxed string tension and a more intimate voice, perhaps – it’s certainly a picker’s dream, especially for more reflective styles.
But use a pick and that evenness is going to win you admirers in a studio or live setting as a rhythm player, helped by a compression when you hit it hard that won’t have the sound engineer reaching for a limiter. We’re swayed, and we haven’t gone near an amp.
Beginning in Easy mode, you can listen to the ‘dry’ pickup sound. It’s a fairly accurate representation of the acoustic voice – though a little dark for some tastes perhaps – and certainly benefits from adding a little mid- scoop from the tone control. The three images, which subtly vary, all add more acoustic-like ‘reality’.
The ability to change phase and add the mid-scoop (treble and bass boost) actually means you have plenty of control. If you’re working with outboard EQ (and/or a sound person) you might never need to enter the more complex Performance mode.
When you do, however, you have the chance to tweak each of the now nine images, three- band EQ on both the dry pickup and image, pickup/image blend, compression and anti- feedback (a neat auto system). Changes are automatically stored so you could easily have either subtly or quite contrasting ‘voices’. Use is everything, however: the more familiar you are, the more you’ll be able to maximise the frankly vast and good-sounding potential.
There’s a Jekyll and Hyde character here, which – for certain players au fait with more modern technologies – produces a highly versatile, creative sound palette that looks like it came out of the Great Depression. It’s a really anti-Taylor-like statement: old-looking and utilitarian, but with pretty much state-of- the-art onboard technology.
If you don’t need the technology, you can still use the instrument in Easy mode, which might just be the perfect compromise, especially if you have your own outboard acoustic rig.
Martin 00-15E Retro Specs
The Martin 0015E Retro is the first 00-14 fret instrument in the successful Retro Series product family. This acoustic-electric, non-cutaway model features a solid mahogany top, back and sides and the top is finished with a visually distinctive 15-style burst. Equipped with Martin’s popular SP Lifespan strings and Fishman Aura VT Enhance electronics, the 0015E Retro will appeal to players at all levels who are seeking incredible tone and playability.
Martin 00-15E Retro
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Martin Retro Series 00-15E 2016 – 2019
Built with design nods to the legendary pre-War models that made the company famous, the Martin 00-15E combines warm, vintage presence with a modern build for easy playing without sacrificing tone.
Body: Concert shape with mahogany sides, back, and top in satin finish
Concert shape with mahogany sides, back, and top in satin finish
Neck: Modified Low Oval profile with High Performance Taper and simple dovetail neck joint
Modified Low Oval profile with High Performance Taper and simple dovetail neck joint
Electronics: Fishman Aura VT pickup system
Fishman Aura VT pickup system
Other Features: Sitka spruce “X” bracing, Golden Era Diamonds/Squares fretboard inlays
Martin 00-15E Retro
Martin 00-15E Retro
Martin’s latest 14-fret 00 combines vintage-style design with the latest in amplification technology. A great-sounding small-body.
September 30, 2015
Martin’s Retro line of instruments combines some of the company’s most iconic vintage designs with custom-designed Fishman electronics. Having already introduced several OM and dreadnought models, Martin presented a Retro version of the classic 00-15 at the 2015 Summer NAMM show.
From a distance, the 00-15E Retro could easily be mistaken for a vintage guitar. Like other 15-series Martins, the guitar is built with an all-mahogany body and minimal appointments—there’s no body binding, simple dots are used as position markers in the fingerboard, and the rosette is a single ring. True to vintage 00 specs, the guitar has a short, 24.9-inch scale (some contemporary 00s, including the 00-15M, use a long, 25.4-inch scale), and a neck with a nut width of 1¾ inches. But while the neck on a vintage 00-15 would likely have a pronounced V shape, the 00-15E Retro has Martin’s modified low oval shape and Performing Artist neck taper, which give it a more modern feel.
Like other Retro series guitars, the instrument is outfitted with Fishman’s F1 Aura Plus electronics. Part of what makes the Retro guitars unique is that Martin has closely worked with Fishman to create custom Aura sound images for each specific model. For this guitar, Martin provided Fishman with a 1934 or 1935 (the exact year is unclear) 00-17 (also an all-mahogany instrument) from its museum to create the Aura patches.
The F1 Aura Plus electronics consist of an Acoustic Matrix pickup mounted under the guitar’s saddle and an onboard preamp. A small display shows which Aura patch is being used, and also functions as an onboard tuner. Two multifunction buttons do duty as volume and tone controls, and, with a push function, are used to scroll through settings and create custom sounds.
We found the 00-15E Retro to be a great-sounding small-body. The short scale made it very easy to play, and the mahogany top undoubtedly contributed to its warm, rich acoustic voice. Plugged into a Fishman Loudbox Mini, the guitar had a natural acoustic-electric sound, and the Aura presets added a significant dose of acoustic realism to the straight pickup signal.
In this video, Peghead Nation’s Teja Gerken, Scott Nygaard, and Mark Goldenberg (who used the guitar in two lessons of his Guitar Theory course) demonstrate the instrument played fingerstyle and with a flatpick, acoustically and amplified.
SPECS: 00-size body with 14-fret neck. Solid mahogany top, back, and sides. Hardwood neck. Ebony fingerboard and bridge. 24.9-inch scale. 1¾-inch nut width. Open-gear Grover tuners. Fishman F1 Aura Plus electronics. Made in USA. $2,549 list. martinguitar.com
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