당신은 주제를 찾고 있습니까 “nht s 00 – Mr Siro Gương Mặt Lạ Lẫm – Những Ca Khúc Hay Nhất Của Mr Siro 2016“? 다음 카테고리의 웹사이트 Chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: Chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Mr. Siro 이(가) 작성한 기사에는 조회수 15,622,733회 및 좋아요 74,627개 개의 좋아요가 있습니다.
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NHT S-00 sub woofer – Reverb
NHT Pro S-00 subwoofer. Excellent working and physical condition. Great reviewed audiophile speakers. … Affectionately known as the “Moo,” the NHT M-00 has been …
Source: reverb.com
Date Published: 6/15/2022
View: 1115
NHT Pro M00 & S00
Designed to complement the M00 powered monitors, the S00 subwoofer is a powered device with built-in crossover-filtering facilities. The infinite-baffle cabinet …
Source: www.soundonsound.com
Date Published: 3/8/2021
View: 3532
NHT S-00 Powered Owner’s Manual – ManualsLib
View and Download NHT S-00 Powered owner’s manual online. NHT Subwoofer Owner’s Manual S-00 Powered. S-00 Powered subwoofer pdf manual download.
Source: www.manualslib.com
Date Published: 12/17/2022
View: 7542
NHT S-00 Schematic 用户手册 – Manualzz
View online (3 pages) or download PDF (56 KB) NHT S-00 Schematic User manual • S-00 Schematic PDF manual download and more NHT online manuals.
Source: manualzz.com
Date Published: 2/30/2022
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주제와 관련된 이미지 nht s 00
주제와 관련된 더 많은 사진을 참조하십시오 Mr Siro Gương Mặt Lạ Lẫm – Những Ca Khúc Hay Nhất Của Mr Siro 2016. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 nht s 00
- Author: Mr. Siro
- Views: 조회수 15,622,733회
- Likes: 좋아요 74,627개
- Date Published: 2016. 11. 16.
- Video Url link: https://www.youtube.com/watch?v=677y_h-YNMc
NHT S-00 sub woofer
NHT Pro S-00 subwoofer. Excellent working and physical condition. Great reviewed audiophile speakers.HT Pro M-00 Desktop Monitors and S-00 Subwoofer | Dec 8, 2006Affectionately known as the “Moo,” the NHT M-00 has been around since the late nineties. Originally it was a pro product that also appealed to savvy consumers seeking higher quality in desktop audio. Nowadays that secondary mission is more explicit, as the M-00 struts its double zeroes on two different parts of the NHT website: Pro Audio and PC Hi-Fi. And now that everyone and her sister is plugged into an iPod, a third mission beckons. What will this thing do for nearly everyone’s favorite portable signal source?
Let’s define the . It’s a pair of powered monitors measuring seven inches high by 5.5 wide by 7 deep. The enclosure is surprisingly heavy, at 14 pounds, reflecting the cast-metal body, a combination of aluminum and zinc, as well as the internal power amp and supply. Seventy-five watts power each speaker’s one-inch textile dome tweeter and 4.5-inch treated paper woofer. Of course, each one requires a separate power connection.
You can hook up only one signal source at a time, though there is a choice of RCA, XLR, and 1/4-inch phone jacks, the latter two for pro applications like mixing boards. If the lack of a volume control is a dealbreaker on your desktop, NHT offers a passive volume control known as the . However, like the M-00, the PVC accepts only one input, so if you’re like me—my desktop system runs with PC, CD, iPod, iPod substitute du jour, and occasionally even vinyl—perhaps a larger and more conventional stereo preamp would be a better option.
There’s also a subwoofer with eight-inch paper driver backed by 125 watts RMS, 250 watts peak, that’s acquired the inevitable nickname “Sue.” Like the speakers, it accepts two-channel RCA, XLR, or 1/4-inch phone inputs. If you want to use the high-pass filter, you’ll need to run full-range signals from source to sub to sats with cables terminated in pro-preferred 1/4-inch phone plugs.
Moo and Sue have some adjustment options, in the form of toggle switches, that might seem unusual to consumers. The M-00 can be set for NF (near-field) or MF (mid-field) listening. The NF setting is for desktop use, when the listener is within one meter of the speakers, and gently reduces output above the midrange frequency of 3kHz.
Both speakers and sub have a sensitivity adjustment of +4dB (for use with pro equipment) or -10dB (for use with consumer equipment). I used -4dB for the M-00 and -10dB for the S-00 to get the most volume out of the sub. The sub’s crossover is switchable at 95Hz, taking full advantage of the speaker’s modest bass response, or 120Hz, which places more of the bass-making burden the sub. You might get better dynamics out of the latter setting, but it also gives the sub more of an impact on vocals, making placement more critical (and possibly more problematic). The sub also has a bypass switch that can be operated by foot pedal via 1/4-inch jack.
For the first several weeks, I settled for Mooing my first-generation iPod nano at my desk. It was a slightly awkward arrangement, with all those power cables, plus a mono interconnect coming out of each speaker, united in a Y-adapter that plugged into the iPod. But I was pleased at the variety of texture the speakers could coax out of the little player. I deliberately misused the NF setting for across-the-room armchair listening because I liked the way it allowed a gentler midrange to play at higher volumes.
By itself, the M-00 was satisfying for background music. But the longer I lived with it, the more I began wanting a more substantial a drum sound—the Moo is rated -2dB down to 98Hz and rolls off more quickly below that point. Then I brought the S-00 into the equation. Running it off the nano’s flea amp didn’t provide satisfactory results. So I moved it into my surround system, fed by an Integra DPS-10.5 universal player via a Marantz SR8001 surround receiver, in this case serving as a stereo preamp.
The S-00 is one of the more rigorously accurate subs I’ve ever heard. There is very little upper harmonic inflation surrounding fundamental tones. Pitches are deep and true. This gives the sub a less aggressive character than most. Reticent, even. I never used less than two-thirds of its volume capability, in a room where most subs suffice with one-third. To get enough drums and bass out of Gentle Giant’s In a Glass House—an album mixed with generous amounts of rhythm section—I cranked the sub all the way. It sounded extremely musical, though, and tailored beautifully with the speakers. Whether you’d use it with the Moo for 2.1-channel home theater may depend on your attitude toward bass-aggressive action-movie soundtracks. If you want understatement, some relief from all that monotonous pounding, you’ll find it here; if you want monstrous thudding impact, Sue is not for you.
The Moos were slightly forward and invariably revealing. They didn’t pull punches when I fed them with garbage. But given at least decent recordings, they sounded at least decent, and they exceled with the best-recorded items in my music library. It was a little like having another listener in the room, one with a good ear, urging me on, begging for the best my library had to offer.
One old favorite is the CD of the Brahms cello sonatas Op. 38, 99, and on a bonus disc, Op 78. The full range of Karine Georgian’s cello, from its deep-voiced open bottom string on up to its warm midrange and bowing detail, was wonderfully well served by the NHTs, never bloating or losing its gentle leading edge. The somewhat distantly miked piano of Pavel Gilelov floated in air, as the engineer must have intended. I discovered this gem at the now-defunct Annex in Lower Manhattan.
For desktop use, the NHT M-00 and S-00 easily outperform most multimedia speakers on the market. And they don’t do it at an inflated price. Considering the sheer build quality of the Moo, as well as its scrupulous performance, it’s a bargain. The only caveat is cabling—remember, each speaker needs a power connection as well as a line-level input. You’ll need to add something for volume control, and maybe an iPod dock. Where I see Moo and Soo exceling is in a small music room, stuffed with LPs and CDs, good source components, and a really nice stereo preamp, perhaps something with tubes for added warmth.
NHT Pro M00 & S00
This new infinite-baffle 2.1 monitoring system incorporates some unusual technology, including cabinets cast from aluminium-zinc alloy. But do these innovations translate into a cutting-edge sound?
The Californian company NHT have been in business for about nine years. Originally established by audio enthusiasts Chris Byrne and Ken Kantor to make hi-fi and home-theatre speaker systems, the company were sold in 1990 to International Jensen, which then sold them to Recoton in 1996. Byrne and Kantor started a new company called Vergence Technology in 1998 to make pro-audio monitors, and three years later the two owners also sold that new business to Recoton! The original consumer and new pro-audio products where then combined under the NHT brand. But the corporate ‘pass the parcel’ game continued as the newly re-combined company was then sold to the Rockford Corporation in 2002. The reason for mentioning all this is to explain why the subjects of this review are variously referred to in their handbooks and on the products themselves as being made by NHT, Vergence, and Recoton!
The units in question make up a compact satellite plus subwoofer system comprising a pair of M00 powered mini-monitors and an S00 powered subwoofer, along with an additional Passive Volume Control unit. Apparently, the M00 is derived from another NHT product, the well-reviewed Super Zero hi-fi speaker — a compact passive model with a conventional wooden cabinet.
The M00 is certainly compact, with a cabinet measuring just 9 x 5.7 x 7.3 inches (hwd), but is relatively heavy at 14lbs. The cabinet is a sealed-box (infinite-baffle) design and, rather unusually, it is cast from an aluminium-zinc alloy, with a mica-loaded polypropylene (ABS) front baffle. The sealed-cabinet design is a good way of achieving an accurate transient response, and the fact that it is constructed from cast metal means that it serves as a good heat sink for the drivers and amplifier. It is also extremely rigid and free from audible resonances. Like most small monitors of this type, there are threaded mounting holes built into the rear panel to enable the speaker to be fixed to a wall or ceiling using a standard Omnimount bracket.
The drivers comprise a 4.5-inch doped-paper woofer and a one-inch fluid-cooled tweeter with a soft fabric dome. Both are fully magnetically shielded, as is the mains transformer. A proprietary NHT design, the woofer features a dual-layer voice coil wound on an aluminium former to enable sustained high-temperature operation. The two drivers are coupled with a passive crossover meeting at 2.2kHz, and a fourth-order (24dB/octave) high-pass filter cuts in below 80Hz to protect the woofer.
While most powered speakers of this kind employ ‘chip amplifiers’, the M00 uses a completely discrete, high-voltage 75W amplifier to drive the system. This is claimed to produce 150W peaks when needed, with a high current capability, driving the system to a substantial peak acoustical power of around 111dBSPL at 1m. The specifications list a frequency response extending between 93Hz and 20kHz (±2dB) when measured at two metres. Clearly, this is not what you would call ‘full range’, but the tight specification limits hint at the linearity of what is provided here. Distortion is also listed as being better than one percent at 90dBSPL — again, a creditable figure for such a compact monitor.
The rear panel is clearly laid out with a trio of connectors, three toggle switches, and a fused IEC mains inlet and power switch. Balanced inputs can be accommodated on XLR or TRS sockets, which are wired in parallel to enable daisy-chaining when the M00 is used for ‘installation’ applications. An unbalanced input can be connected to a phono socket. The three toggle switches cater for nearfield or midfield operation, +4dBu or -10dBV sensitivity, and automatic power switching.
The nearfield/midfield switch is interesting. In the nearfield (in other words, with the speaker within 1m of the listening position) it provides a gentle HF roll-off above 3kHz, reaching -3dB by 20kHz. The midfield setting (speakers between two and three metres from the listening position) provides a nominally flat response. The automatic power-switching mode engages a circuit which monitors the input signal, switching the speaker into a low-power standby mode if there is no input signal for 10 minutes. An LED on the front panel lights red when in standby mode, and when an input is detected the speaker is powered up automatically and the LED turns green.
Passive Volume Control Supplied with the NHT monitors was the Passive Volume Control (PVC), a small metal box which is 1U in height but about a third of the standard rack width. The front panel carries nothing but a single rotary volume control, while the rear panel has two male output XLRs and a pair of Neutrik combi jack/XLR inputs. Also provided were a pair of adaptors converting between phono sockets and quarter-inch tip-sleeve jack plugs, intended to allow unbalanced hi-fi signals to be connected to the PVC. Taking a peek inside the box, it is exactly what it says: a passive volume control using a multi-ganged potentiometer to control signal level. The connectors and pot all sit on a large PCB with no other components other than a few wire links. It is not entirely clear whether the gain control is a true balanced design, but it seemed to work well enough in practice.
Designed to complement the M00 powered monitors, the S00 subwoofer is a powered device with built-in crossover-filtering facilities. The infinite-baffle cabinet is made from 0.7-inch-thick MDF and measures 13.25 x 10.25 x 13 inches (hwd). It weighs 30lbs and houses a single long-throw eight-inch doped-paper driver. Like the M00 monitors, the amplifier is a discrete, high-voltage design capable of delivering 125W continuous power with 250W peaks.
The rear panel is equipped with a fused IEC mains inlet and power switch, a mains-voltage changeover switch, and a comprehensive collection of I/O connectors and configuration controls. The unit accepts two input channels, with balanced inputs on XLR or TRS plugs and unbalanced inputs on phono connectors. High-pass-filtered outputs are provided on a balanced TRS socket for each channel. A tip-sleeve quarter-inch socket accepts a footswitch to bypass the subwoofer if required. The signal inputs are simply plugged into the S00, and then the filtered outputs routed on to the M00 satellites.
The configuration facilities comprise three toggle switches and two rotary controls. As on the M00, the input sensitivity can be set on the first toggle switch to +4dBu or -10dBu, and this applies to the entire system — the high-pass outputs are always provided at a nominal +4dBu. The second toggle switch changes the high-pass filter’s turnover from the 120Hz setting intended for use with the M00, to 95Hz for use with satellites which have a more extended bass response. The last toggle switch provides the same automatic standby facility as available on the M00 monitors.
The two rotary controls determine the subwoofer’s output. The first controls the output level over a range from maximum to -20dB, while the second determines the subwoofer’s low-pass filter turnover (70-110Hz) with a default 95Hz setting at a centre-detent position. The overall response is claimed to extend between 40Hz and 115Hz (±2dB), with a peak acoustical output of 108dBSPL at 60Hz.
The M00 is obviously designed for use in applications where good-quality, magnetically shielded compact monitoring is required — for example, video and audio DAW editing suites, small home studios, and installations in pubs and restaurants. The infinite-baffle enclosure lends a very smooth, natural quality to the bottom end, and the treble is detailed but well controlled. The lack of complex room correction equalisation is no real loss — the nearfield/midfield switch works well to correct excessive brightness when used very close — and the rest of the frequency range is very well balanced indeed. The M00 delivers a clear, detailed sound with good levels of resolution for the size and price. It also produces believable dynamics with an extraordinary peak level capability — especially if used in the nearfield. Small monitors like the M00 tend to provide good stereo imaging, but I felt the impression of depth was rather restricted, giving a rather two-dimensional sound.
The S00 subwoofer has clearly been optimised to work perfectly with the M00, and the interaction between them is virtually seamless. Setting up is very straightforward, with only the level control to adjust to fine-tune the overall frequency response of the system. Like all sat + sub systems, the location of the subwoofer in the room is critical to the end result. The easiest approach is to place the subwoofer in the listening position, and then crawl around the walls listening for the place where the smoothest, most consistent bass signals can be heard — the subwoofer can then be located in that position and the level adjusted to match the satellites. With a subwoofer measuring less than a cubic foot in volume, dragging the S00 around the room is not an onerous a task at all.
The volume controller works well enough as a front end to the system, and would be very useful in situations where the M00/S00 is fed directly to a computer soundcard, for example. However, it does seem rather expensive for what it is. Proper monitoring units like the Samson C*Control cost little more and offer a lot more facilities, including input switching and talkback. Overall, I found the complete M00/S00 system to be a very competent performer, delivering a full-bandwidth soundscape with excellent dynamics, resolution, and balance — far better than the size and UK price would initially suggest.
Pros Good sound quality for the size and price.
Rugged and robust.
Useful nearfield/midfield EQ switch.
Flexible connectivity. Cons Stereo image provides restricted depth cues.
Summary Compact powered monitors with a dedicated subwoofer, the combination providing a highly competent sound stage, a well-balanced tonality, good dynamics, and the ability to resolve fine detail.
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