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Choreography: Melissa McInnis
Dancers: DCA Contemporary Ensemble
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Royal Blue Bon Bon Dressing Guide
COSTUME REQUIREMENTS: Royal Blue Class Bon Bons will perform in the 1pm and 5pm Nutcracker performances: Annabelle Hankinson, Katherine Sharpe,.
Source: statesboroschoolofdance.com
Date Published: 9/17/2022
View: 1527
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- Author: Dance Creations Academy
- Views: 조회수 199회
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- Date Published: 2020. 12. 17.
- Video Url link: https://www.youtube.com/watch?v=_yEQwyUh9tI
Georgie Girl Costumes
THE NUTCRACKER BALLET
BON BONS
CXS-CL CXL-AL XL-2XL $88 $98 $108
BON BONS – This adorable leotard with attached sparkling lace top skirt and organdy tutu adds a new twist to “Land of the Sweets.” Choose orange, lemon, strawberry or pretty pear, mini fruit headpiece included. Made in all child and adult sizes.
Nutcracker Ballet Costumes
As thousands of lucky children learn every Christmas, The Nutcracker Ballet costumes are some of the most fanciful and fun you’ll ever see on stage. Designed to bring a beloved fairy tale to life delighting audiences of all ages, the costumes are a wonderful balance of the practical for dance and the fantastic for the story.
The Classic Nutcracker Ballet Costumes
The Nutcracker ballet, based on the 1816 tale by E.T.A. Hoffman (or, more correctly, the softer version later written by Alexander Dumas), was first presented in St. Petersburg by the Russian Imperial Ballet in 1892, with music by Tchaikovsky. George Balanchine danced the role of the Prince in 1919. After he founded the New York City Ballet, he decided to present the ballet himself with new choreography. The first performance was in 1954 and it has been a staple of the NYCB ever since.
The Balanchine version uses children (students from the adjoining dance school) for much of the roles, although many other companies prefer to use teens or adults. The Nutcracker ballet costumes are therefore child-appropriate, whether they are playing the children of the party scene or the various toys of the dream and fight scene, or the fanciful characters in the Land of Sweets in the second act.
True to the original fairy tale, the costumes for the human characters are Victorian. Of course, they are designed to look heavier than they are, so that they can be danced in with ease. The costumes for the toy soldiers have a classic Victorian style, as do the dolls and the Nutcracker himself. Whereas the Bunny, soldiers and other toys danced by children (except the Nutcracker during the fight) wear costumes that keep their faces free, the mice, danced by adults, wear mouse heads. The mouse bodies are large and round to the hips, leaving the legs free for running and dancing. The effect of the heads make the mice menacing – even downright frightening for some of the tiniest members of the audience.
The Nutcracker’s costume is based on the classic Russian nutcrackers, although with a less pronounced beard. The head is very carefully designed so that the boy wearing it has the full visibility necessary for the demanding fight scene. It is also designed so that it can be easily removed onstage for the transformation.
A ‘Nutcracker’ Dressed in Bon Bons, With a Pineapple Throne
“Isabel wanted them to be really modern and almost floating from outer space,” Ruben said of the Snowflakes’ headpieces.
“So they’re not as ‘princess,’” she explained. “They’re a little bit more atmospheric.”
And for her Sugarplum Fairy — she oversees the Land of the Sweets — Isabel wanted more pop. At the couple’s Manhattan studio, she pointed to a swatch of tulle covered with iridescent pastel dots. When she watched a dancer perform the part, she said, she was struck by her joy: “I kept thinking, how do I express that in cloth?”
Ruben added: “You kept saying, ‘It’s effervescent. Like bubbles flying out of the body.’ ”
The Toledos’ new sets and costumes will be unveiled on Dec. 7 at the Music Center in Los Angeles, which co-commissioned the production, before it continues to Florida. The production features projections by Wendall K. Harrington that help make the house, where the first act party scene takes place — and the Christmas tree — come to life. The second act, in which the Sugarplum Fairy takes over, is all about color and candy. “You know you’re in a place that’s a bit tropical,” Ruben said. “It’s very alive.”
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