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Plinius SB 301 Power Amplifier delivers all the dynamics, finesse and transparency that Plinius is renowned for.
Plinius SB 301 specification:
POWER:
310 watts RMS per channel into 8 ohms.
470 watts RMS per channel into 4 ohms.
Both channels driven from 20Hz to 20kHz at less than 0.2% total harmonic distortion
FREQUENCY RESPONSE:
20Hz to 20kHz ±0.2dB
-3dB at 70kHz
DISTORTION:
Typically lower than 0.05% THD at rated power
0.1% THD and IM worst case prior to clipping
CURRENT OUTPUT:
100A short duration peak per channel
Fuse protected
PHASE RESPONSE:
+0° at 20Hz and -14° 20kHz
HUM \u0026 NOISE:
100dB below rated output 20Hz to 20kHz, A-weighted
INPUT IMPEDENCE:
47k ohms
GAIN:
RCA Inputs: 32dB
Balanced Inputs: 38dB
POWER/CURRENT CONSUMPTION:
900W
1.6A (370W) Class AB Idle
0.2A (46W) Standby
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Power ampli Plinius SB 301 lan tỏa chất âm mạnh mẽ
Để hiệu quả âm thanh của power ampli Plinius SB 301 đạt được chất lượng tối ưu nhất thì người dùng cũng nên kết hợp sản phẩm này cùng những …
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Used Plinius SB-301 Power amplifiers for Sale | HifiShark.com
Used Plinius SB-301 Power amplifiers for sale on 400+ second hand hifi sites & shops. Use Hifi Shark to monitor pricing and global availability.
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Plinius SB 301 Amplifiers user reviews : 4.7 out of 5
The SB-301 also has tremendous dynamic range and powers the Salon 2s from a whisper to a roar effortlessly. Soundstage is deep and we, and stereo separation …
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Date Published: 8/16/2021
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- Author: High End Audio
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- Date Published: 2017. 2. 14.
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Plinius SB-301 stereo power Amplifier
I spend a lot of time cheerleading for integrated amplifiers. I like their spacesaving footprint. I like eliminating the interconnect and with it the ancillary circuitry required for preamp and amp to shake hands electrically. In recent months I’ve partied with some of the best— MBL, Plinius, Chapter, and conradjohnson, all splendid ambassadors of the breed. Indeed, I was feeling pretty smug. And then the MBL 121 Compact Radialstrahler loudspeaker took up residence in my listening room. Its lust for power was unnerving; at 82dB sensitivity it was even more voracious than my own 83dBsensitive ATCs. Clearly it was a remarkable speaker, but I felt that I wasn’t taking its full measure. The last thing I needed to do was to inadvertently put it on a wattage diet. This glutton needed a bigger trough. It needed the power and reserves only a dedicated power amplifier can provide.
Enter the Plinius SB-301, a good old Class AB solid-state stereo power amplifier bristling with 310Wpc. Because of its heavy Class A bias, it’s been wisely outfitted with enough heatsinking to cool a reactor—so don’t count on it to earn any Energy Star compliance medals. The beefy grab handles testify to its eightyplus pounds—enough to blow the zipper on Jack LaLanne’s jumpsuit. However, for those expecting the re-styled curvilinear treatment of Plinius’ new integrated amps and its multichannel Odeon, forget it. The old-school look of the brawny Kiwi reflects electrical DNA that stretches back to the Class A SA-102. In fact, the SB-301 essentially mimics the 102’s circuit topology and raises the ante with a more robust output stage with double the output devices, a larger power supply, and larger twin toroidal transformers.
I’ll cut to the chase. The SB-301 is the best amplifier I’ve reviewed to date. Hugely powerful yet lithe and graceful, it’s like Godzilla in Capezios. It launches dynamics that you thought your speakers weren’t capable of. Time and again, it put some of the world’s most demanding models through their paces—like the aforementioned MBL 121, my own ATC SCM20-2, and, in a brief listening session, the Wilson Duette. In the case of the Wilson (which Paul Seydor reviewed in Issue 176), I listened to Leonard Bernstein conducting Carmen [DG], and the Wilsons seemed to enlarge and bloom like the time-elapsed images of a vase of roses. The Duettes, already formidable in the dynamics department, sent forth a rush of uncompressed energy the likes of which I’ve never heard in a compact speaker. In every instance, the Plinius managed to fill the Duettes with more energy and drive and to bring out dynamic shadings and pitch references that other amps struggled to retrieve.
For the record, the SB-301 is neutrally balanced, conveying just a hint of ripeness in the midrange and an element of warmth in the lower mids and upper bass. I prefer the darker, richer energy in the mids for the way it makes voices sound as if they are originating from the diaphragm, rather than the throat. Also purged in this design is the whitish rise in the treble that I noted in earlier Plinius models. The result is a treble that is nearly romantic, yet not so roundly euphonic that one would be reminded of a retrobrand of tube sound. Its performance will be as luminous and unconstricted as your tweeter and cabling allow; if you don’t hear a cushion of air beneath harmonics, something is awry. Low-end resolution and control are models of solid-state excellence—a breathtaking example being the chocolaty bottom octave of Peter Wispelwey’s cello during Kol Nidre [Channel Classics].
But it’s when the Plinius turns its attention to the subtleties of sound reproduction that it truly shows its greatness. To begin with, backgrounds are eerily quiet and raven-black. This allows the Plinius a palette of tonal colors that is as vivid as anything I’ve heard. It simply heightens performance and timbral details like few others, making any instrument at any volume instantly identifiable. Imaging is articulate and uncluttered (no surprise since the Plinius’ larger power supply/ dual transformer combo means superior channel separation). Like past Plinius amps the SB-301 also has the timing down. On the macro-level it drives the music forward, locks onto rhythm sections, and propels hip-hop pulses. On a microlevel it has the ability to align, focus, and sustain the fundamentals and harmonics of a solo grand piano [The Lark, Kissin, RCA]. The SB-301 articulates dynamic gradations and transient information with astounding delicacy. Whether I was listening to an a cappella line of Laurel Massé [Feather and Bone] or the firecracker mandolin virtuosity of Chris Thile of Nickel Creek [This Side, Sugar Hill] or Edgar Meyer digging deep into his acoustic bass [Appalachian Journey, Sony], I became keenly aware of the “touch” of the performer always modulating volume and attack. Weaknesses? Soundstage depth and layering might be improved, but not by much. As for its competition, my listening room door is always open.
Plinius SB-301 MKII power amp
It is reassuring sometimes to test a piece of equipment that, substantially and at home, has exactly all the watts we need, and far beyond.
A sort of tranquility that, at high volumes, raises us from the subtle anxiety of perceiving the start of the clipping in a musical peak or, at best, the timbric hardening that is a symptom of an audible distortion very unpleasant to our eardrums and to the coils of the drivers.
The Plinius SB-301 MKII amp fits perfectly to this target since it is one of the stereo amplifications with more watts: beyond 500 into 4 ohms, and capable, on paper, to drive any loudspeaker in whatever domestic environment.
The object represent a kind of bet for the New Zealander manufacturer who tries to come closer to the Plinius top range – the SA Reference model, operating in pure class A – by designing a power amp operating in class AB, therefore technically disadvantaged in containing the distortion. Another goal pursued and achieved has been offering more power supply than with the SA-103 power amp, whose cost and power are lower, but preserving the high refinement and fine grain that the SA-103 guarantees.
Hence, an electronic device that would set itself like a sort of crossover, at an intermediate cost between the other two class A amplifiers, with the same quality and very high skills of output power that are typical of the class AB amps.
The price is about 13,000.00 euro in Italy, not a budget price but far from the products of many top competitors, some of which, I must say, with a so exaggerate cost that makes raise the customer’s expectations and mine for this test.
The SB-301, click here to download the brochure, has the same silver satin livery and looks (and is) imposing and heavy. The sensation of solidity is tangible and real, both under the manufacturing and operational point of view.
An internal relays acts as a timing device for the power on. It puts the machine in stand-by mode after a short interval signaled by the blinking of a LED on the frontal. When the LED is on, the power amp is operational.
Inside, we can see a good manufacturing level, good components if compared with the expected budget and a good engineering of the boards.
The power supply avails itself of two separate high power toroidal pieces, some bridge rectifiers and 6.800 microfarad electrolytic filter capacitors in a number of ten, with a consequent total capacity, considered the power at stake, surely not overabundant.
My impression is that this object communicates a sense of energy although the components – it is my personal opinion – are not up to the selling price.
The scheme of the final stage of all the Plinius devices is rather unusual under the circuitry point of view. 32 NPN transistors are employed here. A high number indeed. You have to consider that in the push pull output stages, usually employed in the traditional modern amplifications, the NPN transistor is used with the complementary PNP so that the two semi-waves are amplified by the two complementary and symmetric transistors in order to cut down the distortions of the even harmonics.
On the contrary, in the Plinius only this last type, in a circuitry typology called “quasi-complementary symmetry”, amplifies the two branches. This typology was used in the solid state power amps of more than forty years ago, when the PNP – a transistor with a base supplied through a tension with negative polarity- was not yet been invented or was not yet satisfactory in comparison with the older NPN. By the way, the first complementary pairs were very expensive for the audio scope.
So, why this choice, today not anymore compulsory, which has some problems and, on paper, only one real advantage?
Let us say that some designers were and are convinced that such configuration of the output stage involves, against some problems that can be easily solved – on the Plinius for sure solved, considered as it performs – a certain advantage in acoustic terms. In fact, in the counterphase scheme, the direct consequence of amplifying the two semi-waves with not perfectly symmetric transistors, is a sort of – moderate – increase of the distortion of the second harmonic. Its effects are, most of all in a solid state, discretely positive, as there is a correct harmonic structure of the total distortion with appreciable repercussions on the listening pleasure.
All this pertain to the personal beliefs that each designer has about how to get the best performances by using different solutions. Otherwise, we will always have the same amplifications.
I think that the final user has not to worry about the implementation. The important is that every piece has to be well designed and perfectly operating: and the Plinius SB-301 certainly is.
The amp is in class AB with a reasonable polarization current. It follows that, there is a certain warmth when the amp is operating, also due to the considerable number of final stages. Anyway, the first watts – how many it depends from the loudspeaker load – are given with the interdiction of the transistors, hence in class A.
This is very important because, in the majority of the real cases and mostly with speakers that have an impedance module not very low, the SB-301 can give all the advantages of this functioning class at medium volumes too.
Listening session
I have replaced my PassLabs XA 30.5 with the Plinius. As known, PassLabs XA 30.5 declares 30 watts in pure class A and then commutes to class B giving about 200 watts into a load of 4 ohms with distortion levels that are still contained: a power value that in my listening room is quite enough, also considering the great current supply of the American power amp.
However, at very high volume levels, more fluidity and more facility in the emission is perceptible since the Plinius is more generous.
Practically, this amplifier satisfies all the requisites that a today’s solid state of quality can offer in terms of undistorted power and clean sound, fluidity of emission and timbric correctness, and listening pleasure.
We are dealing with a rigorous, solid amplifier with a well articulated harmonic structure, although inferior if compared with several tubes competitors and with the best, even if much more expensive, solid state realizations.
The first impression, always reconfirmed by successive listening tests, is a great sensation of sound cleanness, together with a remarkable timbric rigor, outcome of a linearity of emission of great level.
An exception is, with some poor recordings or by using not very synergic cables, a slight hint of hyperventilation on the mid high range, sometimes too enlightened by an intense white light that can represents the strings not very fluidly, mainly in the orchestral ensembles where in some instances you may desire more sweetness.
The low range is excellent, very deep and linear, never pompous or not very controlled, but most of all quick in a natural way, not artifact or cut off, as sometimes happens in some solid state power amps, also famous.
For some aspect, it reminds me that one of the best Krell machines.
The mid low is very clean and controlled. It gives brilliance and harmonic vigor but, very important thing, for its high strictness it removes the reproduction of all these superstructures and timbric contaminations that dirty the sound emission and make less intelligible the instrumental structure. With the Plinius, we perceive only the air and the notes that permeate it.
Thus, many particulars are available. And with a very high degree of listening easiness and transparency that, together with a remarkable care for the detail, let make the listener being able to easily recognize in the musical program what entirely forms it, both for the instruments and the human voices.
All that make the Plinius a universal power amp. It has, besides the skills of transparency and detail, very useful in the small ensembles of acoustic music as well as in the baroque orchestral groups, that sound pressure and that dynamic attitude necessary in both rock and classical music with big orchestras, where sometimes the power and the dynamics, are not quite enough.
Another common aspect in the entire production of the New Zealander brand is the extreme refinement of the sound texture, absolutely without any grain and definitely neutral. The sound fluidity is so noteworthy that it never tires also during prolonged listening sessions at high volume levels, pushed by the desire of replicate the live event: I am talking of acoustic music obviously.
In a few words, nothing is missing.
The image is very wide and deep, very precise in individuating the sound planes and in the focalization. Although turning up the volume, at least with my Martin Logan speakers, there is a sort of sound gigantism that make lose the precision of the contours of the instruments.
In few solid state competitors, there is a slight room for improvement, but only in few more expensive products – Viola Audio and Cello come to my mind, while so far I have never listened to the new Pass – starting from the SA Reference, which, I must say, has a light major harmonic caliber, together with some superior sweetness and subtlety.
Anyhow, everything is represented with an excellent quality in order to satisfy the solid state enthusiasts and who, regardless of the manufacturing technology of an amplifier, is looking for a sound without evident faults and without any listening fatigue. With the Plinius SB-301 you do not have to take a chance.
Conclusions
The Plinius SB-301 MKII is an excellent music machine, enough concrete to face whatever listening exigency, and with the capacity of conjugate the big output powers to a level of sound finesse achievable only with less powerful valuable amps.
I think the Plinius SB-301 represents a great tool able, without any doubt, to drive every kind of loudspeaker, although for some technical choices I suggest to prefer those systems that are not very demanding as for electric needs, I mean module and impedance phase, in whatever contest and with any musical program.
Therefore a damned universal object and so skilled to be considered a definitive object, considering the meaning this adjective has in the hi-fi world though.
I would match it with tube amplifiers and, although obvious to the best solid states exponents, which could be the natural completion, mostly as regard as the timbric neutrality and the control.
Plinius confirms itself, also with an intermediate product of its expensive list, like one of the best manufacturers of solid state electronics, perfectly capable of compete with the most qualified American and European productions.
SCHEME SUMMARY
Top Score ✳✳✳✳✳ ReMusic Sparks
Tone colour: ✳✳✳✳ | Certainly neutral, just notched by a venial bright note on the mid high range. Low frequencies very extended and linear. Excellent grain fineness. Harmonic content of good level.
Dynamics: ✳✳✳✳ | High, both in big excursions and in micro contrast; instruments lively and contrasted. There is a light tendency to “pull out” at high volume, typical behavior of high power amplifications.
Rise time: ✳✳✳✳ | Realistic and extended in every frequency range.
Detail: ✳✳✳✳✳ | Very high and always very homogeneous among the frequencies.
Clearness: ✳✳✳✳1/2 | Very high, it consents to listen to every particular with disarming easiness, most of all the background instruments that are sometimes less intelligible in less revelator electronics.
Image: ✳✳✳✳ | Very wide in every dimension, with a credible and solid scenic recreation. At high volume, the sound objects are just a bit bigger than required.
Manufacture: ✳✳✳1/2 | Of good level, with a very first choice in the passive components with respect to the budget. Massive aluminum chassis with enormous heatsinks.
Price/quality ratio: ✳✳✳1/2 | Really good, mostly if referred to the quality obtained for the powers at stake.
Official technical specifications:
Both channels driven from 20hz to 20khz
Power: 310Watts continuous per channel into 8ohms
Frequency Response: 20Hz to 20kHz ±0.2dB, -3dB at 1Hz and -3dB at 70kHz
Distortion: typically <0.05% THD at rated power. 0.1% THD and IM worst case prior to clipping Current Output: 50A short duration peak per channel, fuse protected Rise Time: typically 5µs Phase Response: +0° at 20Hz and -14° at 20kHz Hum & Noise: 100dB below rated output 20Hz to 20kHz A-weighted Input Impedance: 47,000 ohms Gain on RCA Inputs: 32dB Gain on Balanced Inputs: 38dB Dimensions: 500x220x455mm, 19.75x8.75x18" (WxHxD) Weight: 38kg, 83lb Official Italian dealer: to Il Tempio Esoterico website Official current price in Italy: 13,490.00 EUR Associated equipment: to Paolo “Miracle” Di Marcoberardino's system
Power ampli Plinius SB 301 lan tỏa chất âm mạnh mẽ
Power ampli luôn là một trong nhũng thiết bị đóng vai trò quan trọng trong một hệ thống âm thanh phòng nghe, bởi đây là sản phẩm có khả năng khuếch đại tín hiệu âm thanh từ mức nhỏ lên mức lớn và mạnh mẽ hơn nhiều lần. Một trong những thiết kế âm thanh khuếch đại công suất nhận được rất nhiều sự yêu thích của Plinius hội tụ đầy đủ những yêu cầu khắt khe của người dùng cả về thiết kế lẫn chất lượng trình diễn âm thanh đó chính là power ampli Plinius SB 301. Sân khấu âm thanh ấn tượng do sản phẩm này tạo nên đã đưa người dùng được đắm chìm trong không gian âm thanh vô cùng thú vị và độc đáo.
Để hiệu quả âm thanh của power ampli Plinius SB 301 đạt được chất lượng tối ưu nhất thì người dùng cũng nên kết hợp sản phẩm này cùng những mẫu loa chất lượng cao đến từ Pylon, Emotiva, AudioSolutions,… và hệ thống dây tín hiệu, dây dẫn AudioQuest để nhận được những màn tái tạo âm tần sắc nét nhất. Thay vì sử dụng power ampli Plinius SB 301 thì người dùng cũng có thể đặt mẫu power ampli Bladelius Mode cho hệ thống âm thanh có nhân của mình. Sản phẩm này có mức công suất đầu ra cho mỗi kênh là 45W, ở mức trở kháng 8Ohm cùng méo hài tổng của mẫu ampli này chỉ nhỏ dưới 0.02% khi đạt tới ngưỡng điểm tần số cực đại ở mức 100kHz mang đến những màn tái tạo âm tần có sự chính xác hoàn hảo nhất.
Giới thiệu chung về thiết kế của power ampli Plinius SB 301
Power ampli Plinius SB 301 được xem là một trong những thiết kế ampli công suất nổi bật hàng đầu của thương hiệu Plinius đến từ New Zealand. Sản phẩm này với thiết kế ấn tượng vào độc đáo đã mang đến không gian âm thanh cực ấn tượng cho mọi phòng nghe. Điểm nhấn đầu tiên của sản phẩm này chính là thiết kế gọn gàng, đầy sức hút với kích thước các chiều lần lượt là 220 x 500 x 455 mm và trọng lượng ampli tới 38 kg. Và để người dùng có thể di chuyển ampli tốt hơn, linh hoạt hơn theo từng vị trí setup thì Plinius đã thiết kế thêm 2 tay cầm chắc chắn ở ngay mặt trước của power ampli.
Tiếp theo nhưng không kém phần quan trọng là toàn bộ phần Plinius đã thiết kế thêm 2 tay cầm chắc chắn ở ngay mặt trước của power ampli đều được thiết kế từ chất liệu nhôm. Vật liệu này nổi bật với đặc tính cứng và tản nhiệt tốt giúp power ampli tản nhiệt nhanh chóng và không bị quá nóng trong quá trình hoạt động. Ngoài ra, bề mặt chassic phía trước của mẫu Plinius SB-301 này là một bản kim loại dày làm từ chất liệu nhôm ánh bạc có thiết kế satin giúp nâng cấp vẻ ngoài đầy tính sang trọng của sản phẩm này. Trong khi đó, hai bên hông của power ampli được thiết kế hệ thống tản nhiệt được lấy cảm hứng từ hình dạng xương cá với các đường nét rõ ràng vừa giúp ampli tản nhiệt vừa giúp ampli có được thẩm mỹ độc đáo hơn.
Ngoài ra, power ampli Plinius SB 301 còn được thiết kế với hệ thống chân đế từ chất liệu đặc biệt cho phép kháng rung để ampli hoạt động với hiệu suất ổn định hơn và giúp thiết bị đứng vững chắc trên mọi về mặt setup. Đây cũng là một trong những thiết kế giúp power ampli có được công suất khủng để người dùng cảm nhận được chất âm tự nhiên, cân bằng nhất.
Những tính năng nổi bật về hiệu suất trình diễn của mẫu power ampli Plinius SB 301
Một trong những thiết kế sáng giá nhất của power ampli Plinius SB-301 đó chính là hệ thống linh kiện của sản phẩm này đều được chọn lọc từ những chất liệu cao cấp và được lựa chọn tỉ mỉ nhằm đưa hiệu suất âm thanh đạt mức tròn trịa nhất. Đồng thời duy trì tuổi thọ của sản phẩm tốt hơn. Thiết kế ấn tượng nhất của mẫu ampli công suất này chính là mạch công suất class AB với công suất lên tới 310W mỗi kênh ở trở kháng 8Ohm, hoặc 470W mỗi kênh ở trở kháng 4Ohm. Trong khi đó, méo hài tổng của SB 301 lại chỉ ở mức <0.05% nên mọi bản thu đều được bóc tách với chất âm chi tiết và chân thực nhất. Tuyệt vời không kém là power ampli Plinius SB 301 còn được tích hợp chức năng chuyển đổi Selector ( ACS). Chức năng này cũng không quá khó sử dụng khi mà người dùng có thể vặn nút màu đen ở mặt sau của power ampli là đã có thể chuyển đổi được chế độ nghe mong muốn. Ngoài ra, thì sản phẩm này cũng được trang bị chế độ lựa chọn lift và ground giúp người nghe có được nhiều tiện ích âm thanh hơn. Cộng thêm việc để khắc phục những hạn chế như là hiện tượng tỏa nhiệt nhiều từ ampli thì mẫu SB 301 sở hữu một bộ tản nhiệt lớn giúp đẩy nhiệt lượng ra môi trường ngoài, đồng thời giúp ampli có tuổi thọ lâu bền hơn. Cũng giống như những mẫu power ampli cao cấp khác của hãng, power ampli Plinius SB 301 ghi điểm với hàng loạt thiết kế cao cấp như tụ Auricap Xo, dây G7 silver /gold của Siltech, WBT RCA… Những chi tiết thiết kế hi-end này giúp ampli có được những màn trình diễn âm thanh siêu đẳng cấp với cung âm chân thực, tự nhiên, hiếm có. Power ampli Plinius SB 301 vừa tối ưu về giá lại vừa tối ưu về mặt trình diễn âm thanh, đã mang đến cho người dùng những phút giây giải trí đích thực. Thiết bị này xứng đáng với sự yêu thích của các audiophile trên toàn thế giới. Nguồn: whathifi.vn/Thanh Anh
PRE / POW Plinius M8 / SB-301
PRE / POW Plinius M8 / SB-301
Bộ PRE / POW Plinius M8 / SB-301
Bộ Kéo đẩy Plinius (pre M8, Pow SB301) đến từ Newzealand, thuộc hàng Hi-End, công suất khỏe, chất âm miễn bàn. Chuyên trị các dòng loa Châu Âu, đặc biệt thuốc trị các dòng loa như Dynaudio, Tannoy… Tôm Audio mới về Plinius hàng đẹp xuất sắc, đầy đủ khiển zin, xốp sách.
TÌM ÂM THANH CAO CẤP TẠI TOMAUDIO.VN
Jeff rowland, cary, vtl, burmester, accuphase, mcintosh, esoteric, kharma, avalon,
acapella, wilson, tannoy, B&W, nordots, transparent
Pre Plinius M8, đẹp xuất sắc, khiển zin, xốp sách:
Pow Plinius SB-301, đẹp xuất sắc, fullbox:
Plinius – SB 301 – Power Amplifier
Thank you for visiting The Audio Tailor.
We’re Stuart, Gabby, Nathan and Vaughan. It’s a pleasure to have you here!
The first question we get from customers usually starts with, “What’s the difference between…”
When you’re shopping for new speakers, a turntable, or even thinking of putting together that home theatre of your teenage dreams – you’ll likely be faced with stacks of comparisons.
Why would I buy the Bluesound Pulse 2i when the Flex 2i is half the price?
Is Plinius the best?
Should I wait for a sale? Or get this now? What will I be missing out on when the new model comes out next year?
Endless questions. Lots of FOMO. Loads of hmm-ing and ha-ing.
And there SHOULD be.
Because you don’t go to a Hi-Fi store and drop $2000, $3000, or $15000 on something you’re not 100%, positively, secure-in-your heart sure of.
It’s a lot of hard-earned money on the line.
Imagine doing hours of your own research. Reading up the suppliers’ websites, taking notes from Hi Fi blogs, categorizing the differing opinions as you trawl r/audiophile. You know what you’re getting. You’ve narrowed the online stores down to the final five. You’ve checked and re-checked that you’re getting the best deal. You’re sure you’re not getting ripped off by shipping.
You hit the “Checkout” button. Momentary relief!
That is…
Until your speakers haven’t arrived by the estimated delivery date and you have yet to hear a peep about its progress.
Until your new turntable arrives with a crack in the dust cover.
Until your long-awaited amp set-up fails to deliver the kind of sound you had in mind. Now you’re not even sure if you got the right one anymore, or how to troubleshoot it.
What could possibly be worse?
What about: No after-sales service. No phone number to call. And no one responding to your tickets.
Not to mention the hundreds of man hours you’ve already lost on reading layman opinions from the likes of Graham H. from Melbourne and Sarah D. from Perth; dutifully scrolling through pages and pages of reviews. Torturing yourself by looking for all the ones with less than 3 stars… when you could have been sitting back and diving into a whole new world of immersive sound and deliciously satisfying body vibrations.
Would it make sense to go to audio specialists that know brands, specs, and installation like the back of their hands?
Should you spend less time on weighing up pros and cons and more time enjoying good music?
Want to get the absolute best home theatre for your budget and surroundings without the weight of 100++ brand offerings bogging you down?
We like to think so!
And that’s why we’re here. Two things to know about us:
Thing 1: We were voted Australia’s 2021 Hi Fi Retailer of the Year (Yay! And THANK YOU!)
Thing 2: This is purely because we are sound specialists and audioheads – NOT salesmen.
We got into this business because we genuinely love audio and because we realized there was a lot of faceless dropshipping in the HiFi industry – and not enough expertise out there. People who keep coming back to us do so because they’re getting attention to detail and individualized solutions that they can’t find elsewhere.
Our clients don’t need to worry about budget, brand name, or size.
All they need to worry about, is talking to us.
Because, when you come to us, you’re in for a conversation.
We want to know the picture in your head.
That final portrait of you back from the flea market with Pearl Jam’s Ten, eager to place it gently upon a turntable you haven’t quite decided on yet.
A summer barbeque in your garden with the boys. Having a yarn around a beer-filled cooler while appreciating the crisp, clear, quality of sound streaming through the open doors of your listening space.
The kids having mates over – quiet for once – immersed in a good movie, lights out, in the comfort of the home theatre that is your pride and joy. “I wish we had one of these at our place!”
Once we know precisely what your ultimate scenario looks like, we’ll want to know what you’re working with.
What kind of budget have you set aside?
What’s the existing set-up look like?
How big is the listening room you have in mind?
How much ambient light is coming in?
Are you running drywall or wood panelling? Carpet or hardwood?
What about room resonance and reflection?
No idea what we’re going on about? No worries. We intend to talk you through all that. Our aim is that you get the absolute best sound system for your home, at a price point you’re happy with, and an aesthetic you can’t help but want to show off.
To get to this end goal, an unhealthy interest in all things audio simply isn’t enough. That’s why we spend countless hours behind the scenes sourcing products from only the most reliable brands and trustworthy suppliers – regardless of their branding and marketing.
We don’t rely on them to tell us what’s good about their equipment. We’ve developed our own proactive testing process to judge what’s what. So you get hands-on knowledge every single time. Coupled with our tight networks and stable supply chain meticulously refined over the years, we strive to ensure that the experience you get at The Audio Tailor is personal, seamless, and painless.
Personal, because it’s uniquely you in musicality, design, and taste. Your options are hand picked by us from amongst some of the world’s biggest, best, and most dependable brands.
Seamless, because we’re only small. You get one of us. Not one of dozens of salesmen milling about the place, working for commission and pushing the most expensive products.
Painless, because we don’t recommend anything until we’re clear about your needs. We follow up with you to make sure everything’s arrived in one piece. For us, the transaction isn’t over until your equipment is safely installed and fully satisfying.
TL;DR
Some of the big things we feel are missing in the HiFi world are:
The need for expertise before, during, and after the sale
A vast wealth of comparative knowledge, and
A commitment to end-to-end service.
At The Audio Tailor, we hope we’ve made it clear that service doesn’t shut off when a problem pops up. It’s an opportunity to tighten the ship we run, bolster our 5-star reputation, and most importantly – make someone’s day.
Hi! We see you’ve actually made it to the end of this page. Love it!
We’d like to end this by giving a shout out to all the enthusiasts and audiophiles we’ve been fortunate enough to work with over the years. It has been a privilege to share our desire, passion, and journey for the purest sound and finest entertainment solutions for your homes and businesses.
Thank you to all our customers – past, present, and future – for helping us chase after something above the ordinary.
To make your audio dreams come true – call, email, or hop on down to our Brisbane store.
We’re looking forward to meeting you!
Plinius SB 301 Amplifiers user reviews : 4.7 out of 5
[Dec 03, 2011]p59teitel
AudioPhile
A superb piece of equipment that drives my power-hungry Revel Ultima Salon 2 speakers to tremendous volumes while remaining clean and undistorted. The bass is deep, powerful and controlled; midrange is smooth and liquid-sounding, almost tube-like; the treble clean and well-detailed without being clinical or etched.
The SB-301 also has tremendous dynamic range and powers the Salon 2s from a whisper to a roar effortlessly. Soundstage is deep and wide, and stereo separation is excellent.
In short, this is one great amplifier that stands up well to names like Classe, Pass, McIntosh and Krell. I much prefer the SB-301 with the Salon 2s over a Mark Levinson 532H amplifier that I heard while auditioning equipment – the ML’s bass was markedly inferior, as was its dynamism.
Bargains can be found online for the SB-301 and its immediate predecessor SB-300 that is very similar. If you’ve got large speakers that demand a substantial amount of power to sound their best, the Plinius SB-301 should be on your short list of power amplifiers to consider.
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