당신은 주제를 찾고 있습니까 “proac response 2 review – #Spendor #ProAc #Speakers Two-way British Speaker Shoot Out“? 다음 카테고리의 웹사이트 https://chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: https://chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Ditton Works 이(가) 작성한 기사에는 조회수 6,156회 및 좋아요 115개 개의 좋아요가 있습니다.
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COLISEUM DEVELOPMENTS ‘THE CARILLON’
Ribbon Tweeters, Dynaudio 8” Bass Units
Specifications… unknown.
ProAc Studio 100’s
Specifications.
Nominal Impedance: 8 ohms.
Recommended Amplifiers: 30 to 150 watts.
Frequency Response: 35hz to 30Khz.
Sensitivity: 88db linear for 1 watt at 1 meter.
Bass/Midrange Driver: 6 1/2\” treated cone with special center pole plug.
Tweeter: 1\” (25mm) soft fabric dome with ferrofluid and rear loading.
Spendor SP2/2
Scanspeak Tweeters
Spendor Polypropylene Bass units.
Specifications
Power rating 15 -100 watts
Sensitivity 88dB / 1W / 1m
Frequency response 60 Hz to 20 kHz, ± 3dB
Dimensions(w x d x h) 26.5 x 32 x 50.5 cm
Weight 14 kg per side
Celestion Sl700se
Description: two-way, sealed-box loudspeaker with Aerolam enclosure. Drive-units: 1.25\” aluminum-dome tweeter, 6.5\” Kobex-cone (PVC) woofer. Crossover frequency: 3kHz (2nd-order, 12dB/octave, low-pass slope, 3rd-order, 18dB/octave, high-pass slope). Frequency response: high-end not specified; low-end, -3dB at 63Hz. Sensitivity: 82dB/W/m. Nominal impedance: 8 ohms. Amplifier requirements: up to 120W on program.
Dimensions: 14.75\” H by 8\” W by 9.5\” D. Enclosure volume: 12 litres (0.4 cubic feet). Weight: 13.75 lbs each (stands weigh 41.5 lbs each)
proac response 2 review 주제에 대한 자세한 내용은 여기를 참조하세요.
That Was Then… ProAc Response Two review – What Hi-Fi?
The strengths of the ProAc Response Two are a wonderfully expressive mrange that brings out the nuances and texture in vocals as well anything …
Source: www.whathifi.com
Date Published: 7/8/2021
View: 5681
What Hi-Fi? Looks Back at the Original ProAc Response Two …
Swap to the new Response D2Rs and it’s clear that ProAc has made major advancements. Despite sharing much sonic DNA, the new speakers are …
Source: soundorg.com
Date Published: 9/6/2022
View: 5160
ProAc Response 2s Floorstanding Speakers user reviews
Strength: Sweet, fast, clear, disappearing boxes with terrific imaging, great m-bass punch. No listening fatigue! Weakness: No deep bass – no big loss …
Source: www.audioreview.com
Date Published: 7/30/2021
View: 9561
TESTED: ProAC Response D Two Loudspeaker
With the D Two your music will never know a dull moment. It’s lively and energetic yet non-fatiguing over extended listening. To my mind, the …
Source: www.theabsolutesound.com
Date Published: 10/16/2022
View: 7087
Cặp loa huyền thoại của ProAc, model … – Phố Âm Thanh
Cặp loa huyền thoại của ProAc, model Response 2, hàng về từ Nhật. 19.500.000 … Link tham khảo đánh giá và review của trang audio nổi tiếng …
Source: phoamthanh.phomuaban.vn
Date Published: 6/2/2022
View: 5562
ProAc response 2 and 2 `S` – Audiogon Discussion Forum
Hello AudiogoN,I got a great offer on a pair of ProAc response 2S. I´ve read a review of the ProAc response 2, but i cant find any …
Source: forum.audiogon.com
Date Published: 10/28/2022
View: 2670
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주제에 대한 기사 평가 proac response 2 review
- Author: Ditton Works
- Views: 조회수 6,156회
- Likes: 좋아요 115개
- Date Published: 2021. 4. 12.
- Video Url link: https://www.youtube.com/watch?v=cs7SjIzGhw4
That Was Then… ProAc Response Two review
We recently reviewed ProAc’s Response D2R standmounters and were blown away by their musical excellence and immensely likeable nature. On the surface, they are relatively unassuming boxes, with only the use of a ribbon tweeter to separate them from the hoard of other premium two-way standmounters out there. But start listening and you’ll find that they’re in another class to most of the competition as far as sound quality is concerned.
We weren’t surprised at their talent though. ProAc has a long history of turning out musically captivating speakers that look ordinary on paper. Don’t forget, this is a small company that simply doesn’t have the resources of the biggest players in order to push the boundaries of technology.
What it does have, though, is an engineering team that is expert in mixing relatively conventional (but high-quality) ingredients with skill – and getting a brilliant sound from them.
The ProAc Response D2Rs are an excellent example, as were their great grandfathers, the original Response 2s from 1989. ProAc was just a decade old back then, but with the introduction of the Response range, the company ventured upmarket to an area where most similarly-sized British speaker companies simply didn’t compete.
The first model in the range was the Response Two, but a bigger tower and smaller, pint-size sibling, predictably named the Three and One respectively, quickly flanked it.
The Two’s initial price of £1500 may not seem high-end today, but in 1989, a Linn LP12 turntable was just £506 (£1770 for a base one today). The then-current generation Quad ESL-63 Electrostatic speakers cost around the same as the ProAc speakers, at £1538. Today’s equivalent of the ESL-63 speakers are the Quad ESL-2812, which retails for £6500.
The Response Two’s mid/bass driver was made by Scanspeak (Image credit: Future)
Look at the ProAc Response Two today and the level of build still impresses. Thanks to 25mm thick MDF panels, the cabinet feels immensely rigid, and at over 13kg on our scales, it’s pretty hefty too. The attention to detail is admirable, from enclosure edges that are crisp enough to put most current speakers to shame, to the carefully applied real veneer and the high-quality Michell rhodium-plated bi-wire terminals. The Twos remain a class act.
Both drive units were sourced from OEM giants Scanspeak. There’s the 19mm D2010 dome tweeter that was common on many high-end speakers of the time and a purpose-built 17cm polypropylene mid/bass that was made to ProAc’s specifications. The bass was tuned by a front-firing port, but unusually this was stuffed with straws to provide resistance to the airflow.
Despite being pitched at the top end of the market, these speakers are easy to drive. Their impedance barely drops below 8ohms and is benign overall. Sensitivity is fairly low by current standards at a claimed 86dB/W/m, so if you want really high volume levels a bit of power is necessary.
Even so, we get by just fine using an original metal-cased Mission Cyrus One (from 1989), which is rated at just 25W per channel, alongside more suitably talented high-end amplification from Naim, Krell and Audio Research.
The Two’s lovely Michell-manufactured bi-wire terminals (Image credit: Future)
These speakers sound best when used well away from walls where their excellent sound staging can be optimised. While it’s fine to experiment, we find the ProAcs sound best with the offset tweeters positioned on the inner edges. This gives a little more focus and solidity to the stereo image in our room.
By current standards, the Twos don’t go down particularly deep in the bass, but there is enough in the way of substance for a convincing presentation. If you’re looking for the last word in tonal neutrality, analysis or agility, these are not the speakers for you – that would have been true even when they were new.
The strengths of the ProAc Response Two are a wonderfully expressive midrange that brings out the nuances and texture in vocals as well anything we’ve heard in modern equivalents, and the ability to make music sound like a performance rather than simply a recording.
That distinction is important. When we listen to the Ghosteen set from Nick Cave and the Bad Seeds we’re instantly aware of the sadness and pain that’s part and parcel of this lovely album. More modern speakers may reveal more information in this recording but most fail to organise it in such a musically coherent way.
Some of the basslines aren’t as taut or weighty as they could be, and there’s certainly a lack of outright precision to the way these ProAcs draw the edges of notes, but it doesn’t matter when the music’s emotions are communicated so effectively.
Mount The Air by The Unthanks plays to the Response Two’s strengths, with the group’s superb vocals coming through with passion, while the backing instrumentation complements and emphasises where necessary. Whether with voices or instruments, these standmounters reveal sonic textures and dynamic nuances brilliantly, and it’s all tied together in a wholly musical and engaging way.
The Twos are no rhythmic champs, but they still manage to convey the drama and drive in music well enough so that even the likes of Kanye West’s Yeezus comes across with the right attitude and aggression. There’s a decent amount of bite in the Response Two’s treble and it’s artfully balanced by a touch of excess richness lower down.
When you’re not in that mood though, you can simply turn the volume down to a whisper and still be enchanted by Olafur Arnalds’ magical Living Room Songs. That’s a neat trick that few modern speakers can emulate in our experience. Most sound absolutely lifeless at low volume levels.
ProAc’s latest version of the Response 2, known as the D2R (Image credit: ProAc)
Swap to the new Response D2Rs and it’s clear that ProAc has made major advancements. Despite sharing much sonic DNA, the new speakers are cleaner, crisper and far more detailed. They deliver dynamics – both large and small scale – in a notably more emphatic manner and rhythms with considerably greater skill.
Despite being a little smaller, the D2Rs dig far deeper in the bass than the originals, and with much more insight. Neither speaker would qualify as tonally neutral though.
For us, none of these shortcomings diminish the ProAc Response Two’s appeal. We would expect no less after 30 years of evolution. The important thing is that the originals still sound good enough to make us want to listen to another song every time the one we’re enjoying finishes. There aren’t many modern alternatives that manage that trick, regardless of the high-tech engineering solutions they employ.
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That Was Then… Wilson Benesch A.C.T. One review
That Was Then… Apple iPod review
What Hi-Fi? Looks Back at the Original ProAc Response Two Speakers
Late in 2019, we shared What Hi-Fi?’s spectacular review of the ProAc Response D2R loudspeakers. The ProAc Response D2R the ribbon tweeter version of the Response D2. Inspired by this review, What Hi-F? writer Ketan Bharadia hooked up some vintage ProAc Response Twos from 1989 to compare to the newest iteration of the speakers.
After an informative synopsis of the history of the Response speakers and the components that went into their construction over 30 years ago, Bharadia notes that the original Response Twos give the best sound staging when used away from any walls and with their offset tweeters positioned inside, rather than outside. He notices that the speakers don’t have the range as modern speakers, either due to age or advancements in technology, but that their expressiveness has “the ability to make music sound like a performance rather than simply a recording.”
Photo courtesy of What Hi-Fi?
Some of the highest praise comes when he decides to test the speaker’s performance at lower volumes. Turning the dial down kept all the expressiveness and life of higher volumes, something that is rare in more modern speakers. In comparison to the most recent the iteration of the speakers, the Twos certainly take a backseat to the new Response D2Rs.
Swap to the new Response D2Rs and it’s clear that ProAc has made major advancements. Despite sharing much sonic DNA, the new speakers are cleaner, crisper and far more detailed. They deliver dynamics – both large and small scale – in a notably more emphatic manner and rhythms with considerably greater skill. Despite being a little smaller, the D2Rs dig far deeper in the bass than the originals, and with much more insight.
Bharadia finishes on a high-note pointing out that comparing the current model to the original doesn’t take away from the experience of listening to a ProAc speaker. “None of these shortcomings diminish the ProAc Response Two’s appeal. We would expect no less after 30 years of evolution. The important thing is that the originals still sound good enough to make us want to listen to another song every time the one we’re enjoying finishes.”
Though we don’t carry the ProAc’s original Response Two speakers, we encourage you to go to your local hi-fi shop and ask to try out the Response D2 with either the ribbon or the dome tweeter. But, if happen upon a set of vintage ProAc Response Two at a garage sale or antique store, know you won’t be disappointed in the ProAc’s amazing craftsmanship!
ProAc Response 2s Floorstanding Speakers user reviews : 4.8 out of 5
[Jul 05, 1999]John Texeira
an Audio Enthusiast
My 18 year old Paradigm 3Ss were due to be replaced; they still sounded very nice to me but it was time for me to get something more accurate and with better dynamic range. My budget was about $CDN 1500 ($US 1000). I of course started out by looking at Paradigm – the Reference Studio 60s. The 60s produced a warm, detailed and pleasing sound that put a smile on my face – I heard high and lows that I had never heard before. I checked out the Energy 6Cs but I was not happy with its ability to stay together on the low end. I listened to the B&W 603s but I found the sound a bit too bright and harsh.
I went to listen to PSB Stratus Silvers (C$1700/US$1100) but they were out of stock. Instead, I listened to the Golds (C$3000/US$2000). The Golds sounded warm and detailed but at that price were out of my budget. Given that I was already at the audio store and I had some time to listen to more speakers. Looking at the size of the towers, and assuming that the larger the tower the higher the price, I picked a speaker about 2/3 the height of the Golds. The sound of this speaker was phenomenal and all I could do was mouth a “WOW”; I had NEVER heard Holly Cole sound so good, so real – it was as if there was her trio was there in person playing for me. Turned out that these speakers were the ProAc Response 2.5 at C$6500! As much as I loved these speakers, I knew I would not be able to sell my wife on $6500 speakers when the budget was $1500. Anyway, I ended up listening to the 1SC (MRP C$3000) and the 2S (C$4400) – both beautifully sounding speakers with the 2S being larger with a better low end. The 2S was amazing in terms of highs, lows, musical detail and sound stage imaging. If you listen to vocals with musical accompaniment (3 – 4 instruments), you will be astounded at the level of detail and the quality of the sound in a good CD; and here’s the kicker – you will actually be able to hear a good CD from a bad one! Also note that other types of music also sound great on this speaker.
My audiophile friends tell me that I have to start upgrading my components (amp and cables) upstream to start seeing more improvements.
I got a really good deal: 2S for C$3000 (US$2000)! (I had to do a bit of a selling job with my wife but even she would admit that the speakers sound incredible).
ProAc is phasing out the 2S with the line going from the 1SC to 2.5 and on through the Response 5. So there are probably some good deals to be had. I bought my speakers from Distinctive Audio in Ottawa (613-722-6902); Joel, who posted on this site put me in touch with Harrington Audio (705-742-7716) – great price also, but I ended up buying locally.
There were a few other speakers on my list to listen to: Vandersteen, NHT, Kestrel, but after hearing the 2S, I knew it was unlikely that I would hear better (IMHO).
TESTED: ProAC Response D Two Loudspeaker
The Consumer Electronics Show in Las Vegas is not just an insider’s peek at what’s new and exciting in the field; it’s also a four-day sprint that challenges even the most intrepid reporter’s endurance and spirit. However, as I dragged a pair of very tired dogs towards the ProAc room this past January, my overloaded ears signaled that they were hearing something eerily familiar and musically satisfying. “I know that sound,” I mumbled to no one in particular. It was a sound I’d rarely heard since I let go of my original Response Two—that old ProAc magic. The speaker, it turned out, was ProAc’s newest Response model, the D Two.
ProAc speakers and I have had a steady affair that goes back to my earliest days in the high end. From the sinewy, miniscule Tablette to the broad-chested Studio 3 to the sweetly balanced and lyrical Response Two (a sale I regret to this day), the designs of founder Stewart Tyler have always perked up my ears and opened wide a fresh window onto the music. Of course, there’ve been some hiccups along the way that have caused me to question a model or two, but taken as a whole ProAc speakers encapsulate what the magic of high-end audio is all about.
The Response D Two is a compact two-way in a bass-reflex enclosure. Its profile is classic ProAc from the small lip at the front base to the inset Michel rhodium-plated bi-wire posts in back. As per tradition, the soft dome tweeter is offset on the front baffle. For the D Two, it’s also been increased in size to a 1″ (up from the ¾” unit of old). The larger tweeter also allows the crossover point to be set slightly lower. Replacing the polypropylene midbass driver of fifteen years ago is a 6.5″ midbass driver sourced from ProAc’s current D15 floorstander. It’s a woven-glass-fiber diaphragm with copper phase plug and the SEAS Excel magnet system that uses heavy copper rings above and below the gap to reduce eddy currents and distortion. The cocktail-straw-filled “resistive port” of the past has been replaced by a more familiar open port. The straw port produced some high-Q resonances in the low bass, although it excelled at restricting port noise. Overall, ProAc believes the open-port technique is a superior solution.
Time and technology have trimmed some weight from the enclosure, but at a mere 17″ tall the D Two is one stout little compact. In a telephone conversation, Stewart Tyler spoke about the most salient differences in cabinet composition between the D Two and its elder cousin the Response Two: “The new D Two has got what we call a BBC-type design, which is a thin wall—15mm marine-ply with very heavy 15mm bituminous damping. It’s still an inch thick, but the cabinet works differently than just a 25mm MDF cabinet. Any break-up modes are pushed way down in the bass, but you make up for it by the fact that the driver has a stiffer cone, and that moves the bottom end air much better.” Tyler later added that the glass-fiber driver improves bass control and speed, versus the older polypropylene cone.
Does it ever. With the D Two your music will never know a dull moment. It’s lively and energetic yet non-fatiguing over extended listening. To my mind, the original Response Two was a bit darker in character with a shaded, less dynamic treble. It also gave up a good half-octave of usable midbass in comparison with the D Two. Its cabinet might also have been a bit more resonant, because there was a looser, warmer quality to the low-end that was very appealing. The D Two is much tighter and handily has more slam in the bass, but the trade-off is that the port is less discrete in its low-frequency reinforcement, and at times I could hear the output that the port-tuning added to a bass line or to a section of bass viols. For an enclosure that was so quiet, this was the only region where it wasn’t utterly invisible.
As with all fine speakers it’s not just how closely a speaker hews to tonal honesty (and to be honest the D Two is not always unwaveringly faithful on that point); it’s also the way it expresses that tonality. The Response D Two actively refuses to sound like a lightweight by virtue of a cannily crafted tonal balance that produces a warm, full-bloom midrange and a convincing sense of weight into the upper bass and midbass. Singers of all stripes, from Shelby Lynne to Tom Waits, are rooted within their bodies. You can feel the singer’s breath being expended from the diaphragm. Although there is a bit of dryness in the lower treble (perhaps a small bump in the sibilance range), there’s little doubt how well this soft dome tweeter can sing. When a coloratura soprano like Anna Netrebko hits a high C during Donizetti’s Lucia di Lammermoor [DG], there’s little compression or perceived tension of any kind—just an open voice in acoustic embrace with the surrounding air and space.
This ProAc’s transient speed captures the immediacy of a performance and leaves many other speakers sounding veiled and uninvolving. It’s a speaker that reinvigorates the three-dimensional soundstage, without the penalty of a recessive midrange balance. Images appear to materialize in the phantom airspace in and around the speaker and not from an enclosure at all. No, it’s not up to the speed of a Maggie or Quad, and it still has the heavier personality of dynamic cone transducers, but in its relative freedom from cabinet coloration it will, at certain symphonic moments, remind you of a fine planar or electrostat.
As a diagnostic tool for the audiophile clinician, the D Two is like adding a very fast macro lens to your Leica. I compared CD and vinyl versions of Billy Joel’s 1978 classic The Stranger [Columbia/Legacy]. On a cut like “Vienna,” the sound from the Columbia half-speed-mastered LP was smoother and more harmonically lucid than the leaner and less integrated 30th Anniversary CD version. This was especially true on this virtually live-to-analog recording, where the ProAc reveals the harmonic and vibrational activity of the bass guitar strings, as well as the tactile skin cues and resonances from the kit of kinetic drummer Liberty DeVito. Forty-cycle bass comes easily to the Response D Two. There’s more output and extension but with that comes a little less sophistication. The D Two’s bass is certainly not wooly or imprecise, but when pushed nearer the edges of its surprising limits, it can sound a little ripe, shading some of the finer details. Solo piano, the most difficult full-range instrument to reproduce, has convincing soundboard weight and dynamism, although the bone-rattling weight of bottom-octave chord clusters are, naturally, somewhat truncated. Of course, you can’t expect the scale of a true symphonic hall—this is just a single 6.5″ transducer, after all. Ultimately, it will hit the wall dynamically and shed some of the pure brick-and-mortar foundational weight of a performance.
As I’ve already intimated, the D Two is, for me, a back-to-the-future speaker. Tyler and the merry men of ProAc have taken everything that I admired about the original Response Two, and channeled that spirit—and then some—into the revitalized, present-day D Two. Perhaps comeback is too strong a term, but in its size class the Response D Two represents something pretty special. All the more special since ProAc has managed to hold the line on costs—not easy when the dollar bumps up against the British pound. Finally, an economic stimulus package that’s truly music to the ears.
Cặp loa huyền thoại của ProAc, model Response 2, hàng về từ Nhật
Bản tin bị ẩn hoặc không tồn tại.
Cặp loa huyền thoại của ProAc, model Response 2, hàng về từ Nhật
Cặp loa huyền thoại của ProAc, model Response 2, hàng về từ Nhật
Tình trạng cả 2 loa trùng số serial:
– Thùng loa zin nguyên bản, có xước xát cấn mẻ ít, tình trạng chung là còn khá.
– Ê-căng zin, tuy nhiên 1 bên mất logo, 1 bên có vết xước rách nhỏ như hình.
– Loa mid-bass zin nguyên bản được hãng đặt hàng gia công riêng từ hãng ScanSpeak, tuy nhiên đã được cho thay viền loa do lâu năm bị mục rách tại Việt Hùng. (lưu ý Celef Audio là tên tiền thân của ProAc và cũng là Cty mẹ của ProAc tại thời điểm đó nên trên củ loa có logo Celef Audio)
– Loa treble nguyên bản sử dụng của ScanSpeak, được mấy anh Nhật độ chế thay bằng loa treble của Fostex model FT28D.
– Cọc loa, phân tần zin nguyên bản.
– Kích thước 23x27x46cm, nặng 14kg/loa.
Loa hoạt động ngon lành, ko lỗi lầm.
Giá: 19.500.000 VNĐ
Liên hệ: DUY-Audio Thủ Đức, 79 Tam Hà, P.Tam Phú, Thủ Đức, HCM, 0989.033.077
Thông tin chi tiết:
Model loa Response 2 ra mắt khoảng năm 1992 với giá hàng new rất cao tại thời điểm đó là 3,000/cặp (gần 70 triệu), được xem là huyền thoại của hãng ProAc khi được giới audiophile đánh giá rất cao với khả năng trình diễn và chất âm đặc biệt đem lại.
Response 2 được đánh giá rất nhạc tính, trình diễn tốt nhiều loại nhạc khác nhau như Classic, Pop, Jazz, Rock…
Và dễ dàng phối ghép với nhiều thể loại amply bán dẫn hay đèn.
Response 2 được đánh giá là đôi loa tốt nhất với tầm tiền dưới 4,000 tại thời điểm ra mắt 1992, và rất xứng đáng với số tiền bỏ ra.
Link tham khảo đánh giá và review của trang audio nổi tiếng stereophile.com:
https://www.stereophile.com/standloudspeakers/792proac/index.html
Loa Response 2 rất đáng chơi, rất ít gặp hàng 2nd, và giá hàng 2nd của Response 2 luôn cao trên dưới 2,000 (trên dưới 46 triệu) tùy tình trạng, một số link tham khảo:
https://reverb.com/item/28311102-proac-response-2-ebony-rare
https://www.ebay.com/itm/264665626116
Hình chi tiết:
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Edit Delete I sold ProAc back in my hifi salesman days. It’s been quite a while, but if memory serves, the bass/mid driver and the port were re-worked on the 2S, The changes yielded more bass, but, to my ears, lost a smidge of the speed and vocal range magic of the 2. Still, a terrific speaker, particularly if you’re getting a good deal. One note: you can’t skimp on the stand. To get all that the 2S does, you need the heavy Target stand always recommended for it, or a reasonable facsimile. Good listening!
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주제에 대한 기사를 시청해 주셔서 감사합니다 #Spendor #ProAc #Speakers Two-way British Speaker Shoot Out | proac response 2 review, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
