당신은 주제를 찾고 있습니까 “quatro wood ct – Vandersteen Quatro CT amazing set up with audio research“? 다음 카테고리의 웹사이트 Chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: Chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Seol Park 이(가) 작성한 기사에는 조회수 2,096회 및 좋아요 19개 개의 좋아요가 있습니다.
Table of Contents
quatro wood ct 주제에 대한 동영상 보기
여기에서 이 주제에 대한 비디오를 시청하십시오. 주의 깊게 살펴보고 읽고 있는 내용에 대한 피드백을 제공하세요!
d여기에서 Vandersteen Quatro CT amazing set up with audio research – quatro wood ct 주제에 대한 세부정보를 참조하세요
quatro wood ct 주제에 대한 자세한 내용은 여기를 참조하세요.
Quatro Wood CT (PAIR) – Belhifi
Vandersteen Quatro Wood CT Vandersteen Audio introduces the Quatro Wood CT, the latest evolution in speaker technology and sound quality to derive from the …
Source: belhifi.com
Date Published: 11/7/2022
View: 780
Vandersteen Quatro Wood CT LoudSpeakers – Pair
The Quatro Wood CT, the latest evolution in speaker technology and sound quality, comes from the research & development efforts that delivered the patented …
Source: www.audioadvice.com
Date Published: 2/10/2022
View: 5908
주제와 관련된 이미지 quatro wood ct
주제와 관련된 더 많은 사진을 참조하십시오 Vandersteen Quatro CT amazing set up with audio research. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 quatro wood ct
- Author: Seol Park
- Views: 조회수 2,096회
- Likes: 좋아요 19개
- Date Published: 2020. 5. 7.
- Video Url link: https://www.youtube.com/watch?v=eu_P8wNnqac
Vandersteen Quatro Wood CT loudspeaker & M5-HPA monoblock power amplifier
“Stirring the stew” is what I’ve heard it called when a company introduces a new version of a product every three or four years. When a new product is launched, sales generally rise rapidly to a maximum and then slowly decline. If the stew is stirred every few years, plotting the product’s sales volume against time results in a sawtooth wave, without sales ever dropping close to zero.
Richard Vandersteen doesn’t appear to believe in stews or stirring. Vandersteen loudspeakers stay on the market for a long time, with infrequent updates. Consider the Vandersteen Quatro loudspeaker. The original version was reviewed for Stereophile by Michael Fremer in July 2006 and cost $6995/pair, with the necessary line-level high-pass filters priced at $595/pair for unbalanced operation and $795/pair for balanced. As retailers felt the plain-Jane sock that covered the loudspeaker might be an impediment to sales, Richard introduced not a new version of the Quatro with a wooden veneer finish but a different loudspeaker, the Quatro Wood, which cost $10,700/pair without the filters and which the late Wes Phillips reviewed in December 2007.
Twelve years later, there is a new version of the Quatro Wood, the Quatro Wood CT, which costs $15,499/pair in standard finish. Balanced line-level filters now cost $1295/ pair but are not necessary if the Quatro Wood CT is used with one of Vandersteen’s high-pass monoblock amplifiers, the hybrid M7-HPA ($59,999/pair), which I reviewed in May 2016, or the new solid-state M5-HPA ($15,800/pair), which I am reviewing here with the Quatro Wood CT.
The Quatro Wood CT
The Wood CT looks identical to its predecessor: a slim, truncated pyramid with all surfaces finished in wood veneer. The front baffle features a vertical array of three drive-units beneath a substantial cloth-covered grille that provides the appropriate acoustic environment. Richard Vandersteen strongly believes that a loudspeaker should faithfully preserve the waveform produced by the power amplifier, including “all of the delicate time-domain relationships that comprise the recorded musical performance.” The Quatro therefore uses first-order crossover filters and a sloped-back front baffle to bring the three drive-unit outputs into time alignment on the listening axis.
Two 8″ subwoofer drivers, powered by a 250W amplifier, fire through a cloth-covered slot at the base of each sidewall and the back. The speaker’s rear has a large black metal panel with the amplifier’s heatsink fins at its base, above which are 11 trim controls for the subwoofer’s 11-band equalizer, rotary Low Frequency Level and Contour controls, and four screw terminalsone pair for the tweeter and midrange passive drivers, the other for the woofer and the input to the subwoofer amplifier.
The differences between the CT and the earlier version are all inside the box. The baskets of the subwoofers are now die-cast aluminum rather than stamped steel. The front-firing 6.5″ woofer is loaded with a different internal chamber, the driver’s alignment optimized for free-space placement. (The earlier loudspeaker’s woofer alignment was optimized for placement close to the wall behind it, which could result in a lean-sounding lower midrange with the speaker farther out in the room.) The 4.5″ midrange driver still has the minimal-profile basket that Richard Vandersteen pioneered but now has a woven carbon-fiber cone rather than the original’s polypropylene cone. Instead of the earlier Quatro Wood tweeter’s alloy dome, the Wood CT’s tweeter uses the carbon-fiber dome from Vandersteen’s Model 5A Carbon.
The high-pass amplifier
As with other Vandersteen speakers that have active subwoofers, the amplifier used to drive the Quatro Wood CT needs to have its output rolled off with a first-order slope and a 3dB frequency of 100Hz. The subwoofer amplifier then applies a compensatory low-frequency boost. Designed by Richard Vandersteen and Dean Klinefelter and featuring a minimal signal path, the M5-HPA amplifier is a scaled-down, solid-state cousin of the earlier amp, offering a maximum power of 300W into 4 ohms compared with the M7-HPA’s 600W. Unlike the M7-HPA, the M5 has variable high-pass settings, with a rotary switch with 3dB frequency settings of 20, 40, 80, 100, or 200Hz mounted on the main circuit board behind the balanced XLR input jack. (As I found out, the amplifier needs to be turned off before each change in the high-pass frequency.) The review samples were set to 100Hz for my auditioning.
The M5-HPA sits on four spring feet; those at the front are less compliant than those at the rear as the hefty power transformer is bolted to the amplifier’s front panel. There is a Cardas double binding post on its rear panel, beneath the XLR jack, and power is supplied via a 20A IEC receptacle. The amplifier is turned on with a heavy-duty switch on the rear, following which a front-panel LED glows green to indicate the M5-HPA is in standby mode. Pressing the button next to the LED turns it blue and brings the amplifier out of standby.
Setup
Richard Vandersteen and Vandersteen Audio’s Brad O’Toole visited to set up the Quatro Wood CTs in my listening room. With the speakers in what they felt were the optimal positions, Richard then placed a sound-pressurelevel meter at the height of my head in my listening chair, and Brad used a tape measure to ensure that the speakers were the same distance from the SPL meter. Using the “Vandertones,” which can be downloaded from Vandersteen’s website11 narrowband warble tones, one set each for the left and right channels, with center frequencies ranging from 20 to 120Hz, corresponding to the Wood CT’s 11 equalizer frequenciesVandersteen adjusted the setting of each equalizer band until it gave an SPL meter reading that matched his target response. After adjusting the EQ, he tuned in the subwoofers’ level and contour controls. These were respectively set to “0” and “5” for each speaker.
Audio Connection Vandersteen Quatro Wood CT
Description
Vandersteen Quatro Wood CT
The Quatro Wood CT, the latest evolution in speaker technology and sound quality to derive from the research & development efforts that delivered the patented carbon-fiber Perfect-Piston drivers used in the flagship Model 7. While the Perfect-Piston Tweeter used in the Model 7 is the fully embodied deal of high-frequency purity and resolution, the speakers (Carbon Tweeter) feature the superb Carbon Tweeter from the renowned Model 5A Carbon.
Carbon driver cones offer the pistonic linearity of metal drivers without the unnatural sonic colorations inherent in metal drivers. Employing a carbon tweeter allows it to deliver an astonishing amount of the air, space and natural purity previously heard only in the Model 5A Carbon and the Model 7.
Like all Vandersteen speakers, the Quatro Wood CT is a time- and phase-correct loudspeaker, made in the USA. Because such great demands are placed on the drivers in Vandersteen’s first-order speaker designs, all of the Quatro Wood CT’s drivers are the kind of highly advanced transducers typically found in cost-no-object designs. Vandersteen’s patented, Reflection-Free 4.5” midrange driver breaks up energy from behind the driver before it can pass directly back into the room and to the listener’s ears. The 6.5” Tri-Woven woofer offers superior transient response and definition in the crucial lower-midrange/midbass frequencies.
Of course the Quatro Wood CT also provides much of the performance and versatility Vandersteen’s top-end powered-bass speakers in an attractive and compact form factor. The Quatro Wood CT’s foundation is its powered subwoofer section. Each speaker is equipped with dual 8” subwoofers powered by custom-tailored amplifiers that work in conjunction with passive, first-order (6dB/octave) 100Hz high-pass filters and 11-band EQ for the ultimate in-room performance optimization.
Like all Vandersteen speakers, the Quatro Wood CT is a time- and phase-correct loudspeaker, made in the USA. Because such great demands are placed on the drivers in Vandersteen’s first-order speaker designs, all of the drivers are the kind of highly advanced transducers typically found in cost-no-object designs. Vandersteen’s patented, Reflection-Free 4.5” midrange driver breaks up energy from behind the driver before it can pass directly back into the room and to the listener’s ears. The 6.5” Tri-Woven woofer offers superior transient response and definition in the crucial lower-midrange/midbass frequencies. The best of all things.
Quatro Wood CT (PAIR)
Details
Vandersteen Quatro Wood CT
Vandersteen Audio introduces the Quatro Wood CT, the latest evolution in speaker technology and sound quality to derive from the research & development efforts that delivered the patented carbon-fiber Perfect-Piston drivers used in the flagship Model 7.
While the Perfect-Piston Tweeter used in the Model 7 is the fully embodied deal of high-frequency purity and resolution, the Quatro Wood CT (Carbon Tweeter) features the superb Carbon Tweeter from the renowned Model 5A Carbon.
All of this technology allows the Quatro Wood CT to offer the kind of exceptional resolution, imaging, and natural musicality Vandersteens are known for, with deep and powerful yet tuneful bass, virtually anywhere in any room.
Tweeter. 1” Exclusive Aerodynamic Dual-Chamber, Transmission-Line Loaded Carbon Dome with Ferrofluid Voice-Coil Cooling
Midrange. 4.5” Reflection-Free Tri-Woven Composite Cone with Die-Cast Aerodynamic Basket and Magnet System with Ferrofluid Voice-Coil Cooling
Mid-Woofer. 6.5” Woven-Fiber Cone and Precision-Formed Magnet Assembly Copper Faraday Ring
Subwoofer(s). (2) 8″ Carbon-Loaded Cellulose-Cone Drivers with Long-Throw Motor Assemblies
Phase. Positive
Subwoofer Amplifier. 250-Watt High-Current Power-Factor Corrected Amplifier
Recommended Amplification. 40-200 Watts Into 8 Ohms
Frequency Response. 24Hz – 40kHz +/- 2dB
Sensitivity. 87 dB, 1 meter/2.83 volt input
Impedanc. 8 ohms +/- 3 ohms
Crossovers. First order/6dB per octave, 100Hz, 900Hz, 5kHz
Input Terminals. Barrier strips, 7/16″ max width
Dimensions. 25cm” x 109cm” x 48cm”
Weight. 49kg. Ea. Net
For more info’s:
https://www.vandersteen.com/products/quatro-wood-ct
The Vandersteen Audio Quatro Wood CT Loudspeakers
A couple of years ago (wow, make that like 3 years and you can read it HERE) I had the pleasure of reviewing the Vandersteen Audio Quatro Wood loudspeakers here in our home. Yeah, we both fell head over heels for the speakers with the review being as positive as one could ever expect. Shortcomings? None that I could find other than by nature of their design, the speakers will sound their best when sitting in the right spot. For sure they could and did sound very good sitting off to the side, but being time-aligned and phase coherent… well the sweet spot is rather defined as being “right there… sit right there!”
We wanted to buy them but things just would not fall into place financially for us to swing it. Yeah, they were that good with our music. Fast forward to 2016 and we have the new(er) and way improved Quatro Wood CTs. Have had them here now for a little over two months. Damn… Richard! What have you done?
The CT is a true trickle-down product in that it now features carbon drivers similar to those found in the way bigger 5 and 7 loudspeakers. That is, the tweeter is now a 1″ aerodynamic dual-chamber, transmission-line loaded carbon dome, the midrange is a 4.5″ reflection-free tri-woven composite cone featuring a die-cast aerodynamic basket and magnet system, and the woofer is a 6.5″ woven-fiber cone and precision-formed magnet assembly copper faraday ring. The speaker uses two 8″ carbon-loaded cellulose-cone drivers with long-throw motor assemblies getting their power from their own 250-watt amplifiers. The subwoofers are “tune-able” to any room via their 11-band EQ controls on the rear and the ability to not only set the contour, but the level of the bass. Carbon as opposed to whatever… faster, harder, lighter… and they sound that way.
Richard has tossed the kitchen sink and anything else he could find into the CTs to insure that they are the best he could do at the price. Actually at a price several times their $13900 asking price. For example the speaker features a cabinet inside a cabinet with non-parallel walls so that nothing could cause a sonic blemish to the sound. Beautifully built, the fit and finish is way, WAY good. And why did Richard have to deliver a pair in the exact wood finish we would fall in love with… already loved the sound of the earlier Quatros and so expected the improvements in not only the drivers but the crossovers as well (needed to work with the new drivers) to push our engagement with our music via the CTs even farther up the ladder… but matched Birdseye maple? Richard, you are killing us here!
So what do they sound like? How do they compare to the older versions? The non-carbon run-of-the-mill Quatros? Which were hardly a run-of-the-mill loudspeaker. Come on man! Give it up.
Well… if you have been reading my previous few Ramblings on either the Entreq or PS Audio BHK-250 amplifier… well the Quatros… they sound like that. Like what I wrote about with respect to these two products. So I have been giving it up. These speakers are revelations. What I wrote about in those reviews is what these speakers do to our music. They go way low and way high—not only in terms of frequency, but volume. And in either direction the music stays true. You lose nothing. The Quatro CTs appear to have no ceiling or basement, if you want to go that way… I mean in the sense of not only bottom-end, but like I said above—volume. Play them loud and you experience no compression, no hardening of the music… things get loud, but are clean and open. Easy and tactile. Smooth and articulate. Play them quietly and they play quietly… but you lose nothing. It is all there. Toss in products like the Entreq or Telos and they just magnify what the CTs can do.
To plagiarize someone, since that seems to be the what is popular right about now in politics… back in 2013 I wrote that…” Pretty much like Richard Vandersteen, the man himself. Besides, what do you mean Richard’s calmness? Friendly and cordial, Richard is a man of a few words. He presents calmness while eschewing excitement or aggravated engagement, unless of course you get him to open up, then you realize that not only is Richard crazy smart about loudspeakers, but also about a lot of other things. Like airplanes (he built his own and flies everywhere) and anything else requiring an engineer’s intellect on how best to make something ‘work’ better. Richard is a loving family man with a keen wit and big sense of living life right. Open-minded but with a strong opinion on what is what, Richard is a cool guy.”
“Just like his speakers! The Quatros are so thoroughly engineered, so tweaky in how to deal with the room and upstream electronics, so well thought out with respect to working ‘right’… that they sing as one piece. One piece of musical ‘completeness’… a loudspeaker lacking seams, colorations, or anything that I could put my analytical finger on and say this about that.”
“They can play as loud as any sane, or insane person, would ever want while never faltering. Believe me when I say I pushed them really hard… hard enough to get to the Quatro’s limits (with Richard’s assurances that I would not hurt them in any way) but nada. They played loud I tell ‘ya… the bass held tight and controlled, the Quatros never got hard or glary… they retained their coherency and dynamics … damn! The two 8″ subs were seamless and loaded the room like no other speaker I have had here; a ‘complete’ speaker with no discernible identifiable transitions between the top and the bottom frequencies… way cool. A true rattle and roll experience. No bottom or limit to their excursion… they play bass deeply and are controlled. Fully integrated, fully realized. Toss them some Hecq or Ben Frost and see what real extension is all about. Scary neat.”
“As I mentioned earlier, the Quatros due to their respective design (time and phase coherent) are so… so ribbon-like from top down… all the way down into the lower midrange. Each speaker is fine tuned in an anechoic chamber… measured to a standard. The result is a killer sense of dynamics and resolution… that seamless togetherness (er… cohesion) that only such a design will produce. Not that other speakers can’t get close, and many are scary close, but dude, the Quatros do it right. The Quatros are silky right with all the definition and resolution one would ever need, let alone desire… and without a hint of grain, edge, brightness, or whatever to make one look away. Vocals, individual instruments, all the little things, all the subtle hidden things… nothing was missed, nothing was forced on you… the Quatros gave you the space, the ambiance, the dimensional air that made my music so engagingly fun.”
The carbon drivers and matching crossover has taken all that I wrote about earlier considerably further. Of course my system has changed considerably as well. Back in 2013 my amplification was the Clayton M200 monoblocks, cabling was PAD Proteus Provectus, and I was using a tweaked MacBook as a means of getting this to that.
Today things have evolved a whole lot… to the Auralic Aries or Aurender N100H, the Certon Integrita NAS as opposed to a Drobo, the PS Audio BHK-250, and numerous changes in terms of power, AC, tweaks, and room treatments. All covered in various Ramblings since then. Toss in various best of speaker cables from WyWires and Skogrand (ran single wired with their jumpers), and Purist Audio and Audioquest (both cables ran as true bi-wired)… and things get really good, really fast. As a side note, the Quatros, as do all Vandersteen speakers, use a barrier strip for wiring. Sadly, the spacing between the screws is rather small, meaning that while some spades fit just right, others are simply too wide to fit. That is the issue with the Skogrands, though Knut made me some jumpers with the narrower spades so I could use his cables. Way cool. The WyWires Diamonds were terminated with narrower spades, ditto the PAD (Neptune) and Audioquests (Castle Rock). I did run the speakers with and without jumpers (meaning single-wired with jumpers using either the WyWires, Skogrands, Sablons, or my older PAD Proteus, or bi-wired without the need for jumpers with the new PAD or Audioquest) and other than differences in the cables, I heard little if any difference to worry about between single runs and jumpers versus bi-wiring. The bigger differences came about as a result of using different cables. For sure the various cables used here all brought something to the table—each with a characteristic that made them fun to have here in the system. Preferences? Well… yeah, for sure. But that is another article, one about cables.
Okay so back to the task at hand. Our music in our current system is considerably better than before when I first reviewed the Quatros. More musical in all aspects… and respects. But slide the Reimers into the other room and set-up the CTs… wow. This is a major upgrade in every way. With the Reimers we had to use the DEQX PreMate+ to get things just right. I wrote about that HERE if you are interested. If you are not, then shame on you as the DEQX unit is such a killer DAC, preamp, and speaker/room correction all in one, that you owe it to yourself to give it a listen. It made our Reimers, which were really good, into something really way good.
Anyhow, with the Quatros, not sure I need to do any corrections. The bass is working just fine whereas with the Reimers we had issues everywhere we listened. And while the DEQX did wonders to the articulation, timing, phase, and whatever else was amiss with the Reimers… the Quatros sound rather “just right” running sans-DEQX. Now I am not saying that the DEQX might not be the icing on the cake with the Quatros, but all my listening has been with the Quatros minus the DEQX and damn if I am at a loss to point any fingers at anything that stands out as a “gee if only that could be better”. Yeah, the Reimers with the DEQX sound in so many ways like the Quatros without the DEQX. But the Quatros sound even better. Way better. In every way we can think of…
Like the bass is amazingly good… as one would expect with two 8″ subs per speaker that are tuned to the room. The room really is alive with any tracks from say Lustmord, Aleksi Perala, or Haxon Cloak; tight, deep, articulate, tactile… bottomless without a hint of strain or compression. With the Reimers I always felt we were approaching a threshold where “this is it… don’t go any further or things will not turn out well for the speaker’s drivers”. With four 8″ woofers in dual isobaric chambers, the Reimers played loud and deep; tight with the room being filled with air… heck, on some tracks I could feel the air from the ports a good 10 feet away. But the Quatro CTs play on a different field. A field that is way bigger and simply better. You can push these as far as any sane, or insane, person could ever want with what appears to be no limit. They just get loud, go deeper, more oomph and slam… no sense of a limit or a concern that anything is getting close to the edge. The room does not overload… it just gets real fun real fast. For sure they do not load the room as the Riemers (front firing woofers as opposed to downward firing subs). No the Reimers hit you in the chest whereas the Quatros wash over you in the lower registers, filling and shaking the room like never before.. All this while never losing anything from there on up.
That is, everything from the sub bass on up retains its richness, its tactileness, its realness… the resolution and presence are all there. Never in your face or the least bit laid-back or restrained—these are speakers that put the music out into the room in a way that says, “Here is what you have been waiting for.” “Here is your music… done right.” Your right? No idea. But clearly our right. At any volume level. With any of our music.
The Quatros are also as open and airy as all get out with a soundstage as wide as the room (hell, the room fills with music as never before, though I know for a fact that the Atmosphere and such from Synergistic Research helps dramatically in this area). This way cool. Spooky good on many tracks that are more ambient and soundtrack-like.
And clean too. Not sterile clean… not crazy nutty bat-shit clean. No the Quatros’ “clean” is heard in their resolution. Their truth to tone and decay. Their presence and scale. The timing, rhythm, and pace. Tactile and palpable. Texture. Sounds are there in a wonderful sense of being natural and real… even though they were created by a machine or via electronic manipulation—at least on our music. For sure real instruments sound real… well I guess as real as anything recorded and played back in a defined space can sound real. I mean we hear what we feel things should sound like… what we want them to sound like. And for sure our music sounds more musical and less artificial or reproduced. We hear more of what we want and get into it way more than before. Which is what it is all about.
What is cool is that we are able to experience this here, in our home, with our music. With our friends, all of whom have sat there listening to whatever we felt like throwing their way, all with grins from ear to ear the reaction has always been, “This is killer!” “Play more please.” Sweet. Smallish when compared to the larger boxier Reimers and elegantly designed with an eye to detail… the Quatros fit the bill for musicality, extended frequency response, being dynamically spot on, and are drop dead attractive to look at. Thanks Richard. Much love to you and all at Vandersteen. The CT is a real winner. A real keeper.
Oh, and we prefer the sound with grills as opposed without. Nice not having to look at drivers and such. Especially in our living room. Am thinking they were voiced with the grills in place.
As Carol just said, “These speakers are simply awesome.” The Reimers are boxed up in the garage waiting for Peter to get his own place. What else could we do? His future digs will really rock, but ours will rock better.
Vandersteen
http://vandersteen.com
Vandersteen Model Quatro Wood CT (pair)
Vandersteen Model Quatro Wood CT (pair)
Please note the “Standard” Finish for these Loudspeakers is “Walnut”. Please read the full description below carefully:
Standard wood finishes are no additional charge. Speaker finishes, except for Walnut, vary in availability practically daily. Please contact Sound Reference Melbourne, who will work with Vandersteen Audio to determine up-to-the-minute market availability on your desired wood finish and provide an accurate ETA quote.
Vandersteen Audio has done its best to photograph these wood finishes on each product page and in each sample, but please know that while the woods we receive from our vendors are unfailingly high in quality, no two pieces of wood are ever exactly alike. This is dictated by nature. We promise that your speakers will look gorgeous, but not that they will precisely match the photos you see on our website or on our dealers’ in-store demo speakers.
Choosing a non standard finish might result in an extended wait time before delivery – for more information contact us on 03 9495 6500
” … the Quatro (Wood CT)s fit the bill for musicality, extended frequency response, dynamically spot on, and being drop dead attractive to look at. Thanks Richard. Much love to you and all at Vandersteen … A real keeper.” -Dave Clark, Editor Positive Feedback Online
Vandersteen Audio introduces the Quatro Wood CT, the latest evolution in speaker technology and sound quality to derive from the research & development efforts that delivered the patented carbon-fiber Perfect-Piston drivers used in the flagship Model 7. While the Perfect-Piston Tweeter used in the Model 7 is the fully embodied deal of high-frequency purity and resolution, the Quatro Wood CT (Carbon Tweeter) features the superb Carbon Tweeter from the renowned Model 5A Carbon.
Carbon driver cones offer the pistonic linearity of metal drivers without the unnatural sonic colorations inherent in metal drivers. Employing a carbon tweeter allows the Quatro Wood CT to deliver an astonishing amount of the air, space and natural purity previously heard only in the Model 5A Carbon and the Model 7.
Like all Vandersteen speakers, the Quatro Wood CT is a time- and phase-correct loudspeaker, made in the USA. Because such great demands are placed on the drivers in Vandersteen’s first-order speaker designs, all of the Quatro Wood CT’s drivers are the kind of highly advanced transducers typically found in cost-no-object designs. Vandersteen’s patented, Reflection-Free 4.5” midrange driver breaks up energy from behind the driver before it can pass directly back into the room and to the listener’s ears. The 6.5” Tri-Woven woofer offers superior transient response and definition in the crucial lower-midrange/midbass frequencies.
Of course the Quatro Wood CT also provides much of the performance and versatility Vandersteen’s top-end powered-bass speakers in an attractive and compact form factor. The Quatro Wood CT’s foundation is its powered subwoofer section. Each speaker is equipped with dual 8” subwoofers powered by custom-tailored amplifiers that work in conjunction with passive, first-order (6dB/octave) 100Hz high-pass filters and 11-band EQ for the ultimate in-room performance optimization.
High-pass filtering allows the main amplifier to perform better, unburdened of reproducing deep bass, and is also the only way to ensure flat frequency response at the crossover to the powered subwoofer. Passive speaker designs always require placement compromises between the areas in the room where the imaging is typically best (farther out in the room) and where the bass is best (closer to the walls for boundary reinforcement). In Vandersteen’s powered-bass speakers the speaker can be placed out in the room where it images best, while the 11-band EQ ensures powerful but perfectly tailored in-room bass performance. The best of all things.
The impedance-compensated crossovers are ultra high-performance designs featuring extreme-quality parts, and individually tuned in an anechoic chamber. Vandersteen’s Minimum Baffle enclosures ensure maximum rigidity free of time-smearing reflections and diffraction.
All of this technology allows the Quatro Wood CT to offer the kind of exceptional resolution, imaging and natural musicality Vandersteens are known for, with deep and powerful yet tuneful bass, virtually anywhere in any room.
Tweeter: 1” Exclusive Dual-Chamber, Transmission-Line Loaded Carbon Dome with Ferrofluid Voice-Coil Cooling
Midrange: 4.5” Patented Reflection-Free Tri-Woven Composite Cone with Die-Cast Aerodynamic Basket and Magnet System with Ferrofluid Voice-Coil Cooling
Woofer: 6.5” Woven-Fiber Cone and Precision-Formed Magnet Assembly Copper Faraday Ring
Subwoofer(s): Dual 8” Carbon-Loaded Cellulose-Cones with Ultra Long-Throw Motor Assembly, Powered by Integrated Purpose-Designed 250-Watt Class B Linear Amplifier
키워드에 대한 정보 quatro wood ct
다음은 Bing에서 quatro wood ct 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Vandersteen Quatro CT amazing set up with audio research
- 동영상
- 공유
- 카메라폰
- 동영상폰
- 무료
- 올리기
Vandersteen #Quatro #CT #amazing #set #up #with #audio #research
YouTube에서 quatro wood ct 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Vandersteen Quatro CT amazing set up with audio research | quatro wood ct, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
