Sony Mdr Cd1700 | Mr. Ears – 헤드폰 🎧 소리 비교! E-Mu 티크, Sony Z7M2, Tascam Th-02, Hd6Xx, Sony Cd1700 상위 179개 답변

당신은 주제를 찾고 있습니까 “sony mdr cd1700 – Mr. Ears – 헤드폰 🎧 소리 비교! E-MU 티크, Sony Z7M2, Tascam TH-02, HD6XX, Sony CD1700“? 다음 카테고리의 웹사이트 https://chewathai27.com/you 에서 귀하의 모든 질문에 답변해 드립니다: https://chewathai27.com/you/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Bert Reviews 이(가) 작성한 기사에는 조회수 10,526회 및 좋아요 438개 개의 좋아요가 있습니다.

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d여기에서 Mr. Ears – 헤드폰 🎧 소리 비교! E-MU 티크, Sony Z7M2, Tascam TH-02, HD6XX, Sony CD1700 – sony mdr cd1700 주제에 대한 세부정보를 참조하세요

Welcome to our second headphone listening test! You can listen to these headphones through Youtube thanks to Mr. Ears, a professional binaural microphone that “wears” headphones and can make you hear what different headphones sound like!
Watch Bert’s first headphone listening test: https://www.youtube.com/watch?v=DHLFZQzRSAg

SOUND TESTS
▶️ E-MU Teak: 6:00
▶️ Sony MDR-Z7M2: 7:28
▶️ Tascam TH-02: 8:53
▶️ Massdrop X Sennheiser HD 6XX: 10:16
▶️ Sony MDR-CD1700: 11:56
Sound tests as seen in this video require use of headphones. You can use any headphones you like. For best results, we recommend using studio monitor headphones such as the Audio Technica ATH-M50x, Sony MDR-7506, Sennheiser HD 280 Pro, Shure SRH 440/840/1540, AKG K240/K702, Beyerdynamic DT770/DT880/DT990, etc. Sennheiser HD650/6XX/800/800s are also suggested.
HEADPHONE RECORDING DEVICE (Mr. Ears)
Free Space Pro II Binaural Microphone: https://3diosound.com/products/free-space-pro-binaural-microphone
NOTE: The 3Dio microphone is not meant to be used for professional headphone measurements, only to give you an impression of a headphone’s sound characteristics. It is an excellent, high quality microphone. Headphone audio recordings were not enhanced in any way, you are hearing the raw audio file.
HEADPHONES USED
E-MU Teak – Creative Website: https://sg.creative.com/p/headphones-headsets/e-mu-teak
E-MU Teak – Massdrop Website: https://www.massdrop.com/buy/e-mu-teak-headphones
Tascam TH-02: https://tascam.com/int/product/th-02/top
Massdrop X Sennheiser HD 6XX: https://www.massdrop.com/buy/massdrop-sennheiser-hd6xx
Sony MDR-Z7M2: https://www.sony.com/electronics/headband-headphones/mdr-z7m2
Sony MDR-CD1700: Sorry, no website currently exists
SOUND TEST AUDIO TRACK
TracK: Syn Cole – Feel Good [NCS Release]
Music provided by NoCopyrightSounds
Watch: https://www.youtube.com/watch?v=q1ULJ92aldE
Free Download / Stream: http://ncs.io/feelgood
Contact: [email protected]

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Sony MDR-CD1700 – Over-ear Mania

Sony MDR-CD1700 … The CD1700 was the top of the second line of Sony CD headphones, all released around 1996. The CD3000 was part of the first …

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Source: overearmania.com

Date Published: 4/21/2021

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Sony MDR-CD1700 Biocellulose headphones – Reddit

The Sony MDR-CD1700, a biocellulose flagship from the 90s, came along as a very pleasant surprise. Its excellent mrange tuning and timbral …

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Source: www.reddit.com

Date Published: 1/23/2021

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Sony MDR-CD1700 (report for a newbie)

The Sony MDR-CD1700 headphones are made with closed-type acoustic design. Due to the closed type the headphones have passive noise isolation and for the …

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Source: reference-audio-analyzer.pro

Date Published: 7/16/2022

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Review: Sony MDR-CD1700 – Cocoon. – Systematic Sound

Introducing a newly developed 50 mm driver composed of biocellulose embedded into a polymer substrate called “Vectran”, the CD1700 was Sony’s …

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Source: systematicsound.wordpress.com

Date Published: 6/17/2021

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Used sony mdr-cd1700 for Sale | HifiShark.com

Used Sony Mdr-Cd1700 for sale on 300+ second hand hifi sites & shops. Use Hifi Shark to monitor pricing and global availability.

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Source: www.hifishark.com

Date Published: 8/24/2022

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sony mdr-cd1700: Search Result – eBay

4 results for sony mdr-cd1700 ; Sony MDR-CD1700 Dynamic Stereo Headphones w/ DENON Cable F/S Operation Confirmed · C $500.61 ; SONY Mdr-Cd1700 Removable Cable …

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Date Published: 5/6/2021

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SONY MDR-CD1700 Dynamic Sterao Headphones Free …

MDR-CD1700. Microphone Type: On-Cable. Connectivity: 3.5mm Jack. Type: Ear-Cup (Over the Ear). Color: Black. Brand: Sony. Form Factor: Headband …

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Sony mdr cd1700 Headphones user reviews : 4.7 out of 5

The CD1700’s reproduce an expansive range of frequencies…more than most amplifiers can prove for them. Typically an amp is around 20hz – 20,000hz. The …

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TAI NGHE SONY MDR CD750 CD850 CD950 CD1700 MDR …

TAI NGHE SONY MDR CD750 CD850 CD950 CD1700 MDR CD Tai Nghe Tai Thay Thế Miếng Lót Tai Đệm Tai Ly Che Tai nút tai nghe bằng Chi Tiết Sửa Chữa,Mua từ người …

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주제와 관련된 이미지 sony mdr cd1700

주제와 관련된 더 많은 사진을 참조하십시오 Mr. Ears – 헤드폰 🎧 소리 비교! E-MU 티크, Sony Z7M2, Tascam TH-02, HD6XX, Sony CD1700. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.

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주제에 대한 기사 평가 sony mdr cd1700

• Author: Bert Reviews
• Views: 조회수 10,526회
• Likes: 좋아요 438개
• Date Published: 2019. 2. 6.
• Video Url link: https://www.youtube.com/watch?v=z0NfB-5Ck_0

Sony MDR-CD1700 – Over-ear Mania

Sound Impression

The CD1700 sounds quite different from most Sony CD I had previously (CD950 & CD2000, CD1000 & CD3000). It’s mostly warm, with a gentle downward slope. The CD3000 is a much brighter and leaner headphone in comparison.

Bass is not emphasized, and light next to modern closed-backs. There is a small midbass boost, but not so much extension below 60hz. Overall bass presentation is close to the HD600, except that the Sony sounds barely more tighter.

Midrange is very nice. It remains full but not shouty, upper-mids are not strong like some vintage AKGs or even the HD600. They are quite balanced yet they have a tendency to sound “euphonic” or romanticized. Treble is pretty relaxed, a bit too much to my liking. The difference with the CD950 and CD2000 is huge, those 2 sounded harsh (CD2000) or very tizzy in the mid-treble (CD950). Even the HD600 has more treble presence than the CD1700. The Sony has a treble behavior close to the HD650/6XX, the Audeze LCDs or the Koss ESP950. Very smooth treble relative to the bass and mids.

Presentation is slighty wide but not as good as the CD950 (which might be close to how wide is the CD3000 ?), and a bit better than the CD2000. I’ve heard closed-backs with better openness and staging (stock Fostex TH900 or JVC DX700 and DX1000 as examples). The CD1700 sounds a bit slower next to an HD600, but it’s still not bad for a 23 year-old closed-back. Resolution is correct.

I easily take the CD1700 over a huge majority of closed headphones I have heard, because they’re very comfortable and offer a nicely tuned warmish presentation (yet lacking bass extension and a bit of resolution). Back in the day, they were called the “baby R10” because both had a warm sound, as opposed to the brighter CD3000 (also called baby R10 just because they both came around the same time (1989/1991) and the CD3000 as directly below the R10 in Sony’s line).

Measurements & Resources

http://rinchoi.blogspot.com/2013/08/sony-mdr-cd1700-heir-of-throne.html

Test report a newbie-dummies Reference Audio Analyzer

The sensitivity of the Sony MDR-CD1700 headphones is 114.59 dB/V SPL by the voltage and 100.54 dB/mW SPL by the power. The sensitivity by voltage reflects the relative “loudness” of the headphones among others – the higher is the value, the louder are the headphones. The sensitivity by power reflects the efficiency of the headphones. High sensitivity of the headphones means less energy need from the source (for portable devices – less power from the battery).

Depending on the sensitivity, headphones are best to use with sources of optimum power. If the source is too powerful, then there is a high probability of constantly hearing background noise. If source power is weak, there will be insufficient volume level.

In a quiet environment for the Sony MDR-CD1700, an amplifier with a voltage level of at least -10.59 dBV at 39 Ohms is recommended for listening to music with a level of 90 dB SPL (without noise isolation). An amplifier with a level above 27.41 dBV is not desirable if the volume control is digital, not analog.

For noisy environments, an amplifier with a voltage level of at least 1.41 dBV at a load of 39.33 ohms is desirable.

If you want to listen to music at a different volume level, you just need to add or subtract a change in dB to 90 dB SPL (for example, for a desired level of 105 dB SPL, add 15 dB and the minimum voltage level for the amplifier is -10.59 dBV + 15 dB = 4.41 dBV).

Review: Sony MDR-CD1700 – Cocoon.

I always look forward to hearing new closed back headphones. Their design implies important tuning challenges in comparison to open counterparts, with cup reverb introducing questionable, sporadic frequency response quirks, along with a distracting sense of timbral incohesion that makes most models unintentionally eccentric.

High end closed backs, which usually isolate poorly in comparison to IEMs, make weak arguments for purchase given their design targeted at home use, a context in which less restricted open backs are typically appropriate. Upon listening to countless sealed models through the help of show demos, personal ownership and avid audiophile friends, anticipation would usually be followed by disappointment. No matter the price range, one word always came to mind: compromise. I have rarely ever considered a closed headphone to offer good value, and even less commonly thought them worth owning long term.

A few years ago, some friends in a vintage headphone exploration phase laid their hands on the Sony MDR-CD1700. Knowing them as potentially harsh critics, they recounted positive experiences with it, making it somewhat of a curiosity for me ever since.

History, Design & Ergonomics

This biocellulose headphone was preceded by the legendary MDR-R10 (1989), a proof of concept for this unorthodox material’s implementation in headphones, with the less expensive MDR-CD3000 coming along two years later. Both were plagued with reliability issues mainly due to tightly mounted and fragile voice coils that sheared under the drivers’ repetitive excursion. Indeed, I recall witnessing Kaldas Research’s founder, Aumkar Chandan, having both his R10 and CD3000 drivers failing within a span of weeks – an appalling tale.

The legendary Sony MDR-R10.

Introducing a newly developed 50 mm driver composed of biocellulose embedded into a polymer substrate called “Vectran”, the CD1700 was Sony’s flagship from 1996 to 2000. Costing 25000 JPY at launch, this equated to $230, or $390 corrected for inflation, it can nowadays be found used for around $150-250 – much less than its predecessors. With a low impedance of 32 ohms and a high sensitivity of 106 dB/mW, it is easily driven by most sources. The hardwired single-entry 10 foot LC-OFC cable on my pair was substituted for a detachable 3.5 mm solution by a friend of mine, Zerousen, creator of the increasingly popular PhilPhone. Please note that there have been different revisions (black or white baffle paper) that are said to sound different – my pair is white, but I am unsure how it sounds relative to others.

This Japan-made rarity certainly won’t impress through its build quality. Despite the use of aluminum in the ear cups, headband pleather flakes away and creaky plastic forms a yoke with potential failure points. Nevertheless, through its light weight of 325 g distributed on a wide, self-adjusting head strap, light clamp and soft, breathable velour ear pads, it remains exceptionally comfortable through extended listening sessions.

The soft velour ear pads can be removed and sanitized effectively with water and detergent. The commonly flaking head strap pleather can also be rubbed off.

Sound

The Sony MDR-CD1700 is, in my opinion, a thoroughly enjoyable headphone – my pair’s only acoustical modification is removal of a disintegrating foam disk covering the driver. It excels through its cozy tuning whereby a minor mid-bass bump is followed by a warm-tilted midrange and relaxed treble in a manner that exudes some of the finest balance I have heard in any closed back.

Bass

Despite Sony’s pioneering efforts, biocellulose drivers have only recently been popularized by Denon’s AH-D line and Fostex’s TH series, which typically offer thunderous, yet tight and remarkably articulate bass. This is, however, not the CD1700’s style. Rolling off around 50 Hz, with a conservative mid-bass hump, it delivers extension that bests most open dynamics, but is certainly not bottomless. Low end is bloomy and soft in texture, failing to demonstrate the authority and speed of the basshead classics previously mentioned. Still, the extended decay imparts a sense of richness to the overall presentation – bass lines are liquid, yet not particularly one-notey or flabby. While some may prefer a more linear, clean and dynamic presentation, I thought the lush, reverberant lows of the CD1700 played finely into its laid-back approach.

Midrange

Richness further extends into the midrange, which is the star of the show. Closed backs usually fall prey to inconvenient bumps and dips at various parts of FR that often make things wonky. Yet surprisingly, the CD1700 uses this restriction to its advantage, offering a delicately tuned, warm-tilted presentation that remains mostly linear. Lower midrange displays concretely slow-decaying fundamentals. This is followed by a tastefully light middle midrange resonant bump that imparts romantic “honk” to vocals. Leading edge is blunted and notes are weighty, making this an evidently sweet-sounding headphone. Whilst instruments are globally rendered smooth, a slight sense of bite can nevertheless break through in higher registers before dipping around 2-3 kHz. This minor inclusion of grain does transmit a slight sense of textural incoherence that is typical of closed backs, but that hardly shakes my high esteem of the CD1700’s captivating tonal and timbral characteristics. I am dazzled by its ability to convey a natural acoustic performance. Soft guitar plucks reverberate generously, piano strikes are thickened and hefty, yet high-pitched brass can still exhibit zing through the upper midrange resonant characteristics.

Whilst I enjoy this, it certainly isn’t for everyone. There is an undeniable sense of haze that will turn away those who seek technical prowess. Detail retrieval is respectable, but resolution is middling and layering gets fuzzy on busier passages. Dynamic contrast is decent, but there certainly are snappier headphones that will deliver sharper, more potent attack (beryllium driver Focals immediately come to mind). The stereo image is intimate, but despite the respectable depth it offers, this won’t project the diffuse staging of cavernous closed backs such as the JVC HA-DX10000 or MDR-CD3000.

MDR-CD1700 pictured with its predecessor, the CD3000, and the JVC HA-DX1000, two closed headphones recognized for staging abilities.

Treble

Top end is undeniably relaxed on the CD1700. Some of the upper midrange textural grit is present in the lower treble, manifesting itself as added tang to cymbals, which counters its overall FR recession relative to midrange. Extension is also proper, preventing it from sounding too stuffy. However, this isn’t a particularly airy or sparkly headphone, at the possible cost of excitement. Top end resolution is similarly appropriate but will fail to impress demanding listeners. The CD1700 does its job but pulls no fancy tricks in the treble – and I didn’t care.

Frequency response measurements

Here is how the MDR-CD1700 measures on my MiniDSP EARS. Keep in mind that this is only an approximation, as there are more accurate measurement rigs out there.

Source pairings

I used the CD1700 on my main desk stacks: a Dangerous Music Convert 2 DAC into a Bryston BHA-1 solid state amplifier (sharp, dry and dynamic) and a Bryston BDA-1 DAC into an Apex Sangaku nu-tube hybrid unit (warmer, bloomier). While this headphone’s microdynamics scaled well on the DC2/BHA stack, I found myself reaching more for the BDA/Sangaku combo, which further enriched lower registers and helped polish its upper midrange textural grit. That being said, its high efficiency allows it to be appropriately driven by most sources.

CD1700 plugged into Apex Sangaku amplifier.

Verdict

I purchased the Sony MDR-CD1700 a year ago and was charmed at first listen. Its mellow yet versatile tonality was an invitation to dive deep into various parts of my music library, and its intangible fluidity with top tier comfort provided many care-free hours of listening pleasure. To spread the joy, I sent it on an extended loaner tour to some friends. Whilst happy to read their impressions, I found myself dearly missing its imperfect sound.

As it recently returned from its trip south, I rediscovered its agreeable essence. While this headphone certainly won’t enthral everyone, no closed back has generated this level of charm for me. In a market where my experiences were marked by a natural progression of hope to disillusionment, the Sony MDR-CD1700’s unassuming elegance mollified my analytical approach…

… leaving ample place to appreciate the diversely marvellous art of music.

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SONY MDR-CD1700 Dynamic Sterao Headphones Free shipping Used in Japan #2202e-g23

International shipping – items may be subject to customs processing depending on the item’s customs value.

Sellers declare the item’s customs value and must comply with customs declaration laws.

As the buyer, you should be aware of possible:

• Delays from customs inspection.

• Import duties and taxes which buyers must pay.

• Brokerage fees payable at the point of delivery.

Sony mdr cd1700 Headphones user reviews : 4.7 out of 5

[Mar 22, 2001] Randall Leong Audiophile Strength: Sound quality, comfort Weakness: Big and bulky I bought these Sony MDR-CD1700 headphones because I was looking for a pair of high-end sealed-back headphones to replace the Sony MDR-V900’s that I returned to Guitar Center. And I knew I found that near-ideal pair of sealed-back headphones from my first listen.

Initially, I had ordered a pair of Sony MDR-CD2000 headphones – the successor of these – from the same vendor. Boy, was I disappointed in the MDR-CD2000! The mids and highs were there, but once you get to the bass – “HEY! WHERE’S ALL MY BASS?” No, I am not one of those so-called “Duh-m-Basses”; they should buy one of the Sony MDR-Vxxx Studio Monitor headphones instead. Also, the MDR-CD2000 is open-back, so they leak some sound to the outside – and they also leak outside noises inward. No thanks; my Sennheiser HD 590’s are WAY better than those Sony MDR-CD2000’s, so I returned the MDR-CD2000 and exchanged them for these MDR-CD1700 (the ancestor of the MDR-CD2000).

When I received these MDR-CD1700’s, I had expected boomy bass and muddy, veiled mids and highs. Boy, was I wrong! I was astounded by the surprising lack of coloration for such a pair of sealed-cup headphones! My pair initially lacked detail in the highs, but 14 hours of burn-in fixed that problem. The bass is surprisingly tight for such a set of big, closed cans; the mids are clear and musical. Sure, nearly all sealed-cup headphones will have some resonance problems; the MDR-CD1700’s (and most Beyerdynamic sealed-cup headphones) do a good job at keeping these resonances to a minimum. (By comparison, the same-generation MDR-CD570, 770 and 870 headphones I had demoed at the Sony Gallery last year sounded somewhat boomy, and the MDR-V900’s I used to own sounded boomy and tinny both at once.)

Despite the really large size and bulk of these headphones (in fact, the new Koss UR-20 and UR-30 closed headphones are as big as these MDR-CD1700’s), the MDR-CD1700’s are very comfortable to wear. This is due in part to the self-adjusting headband and soft velour-covered ear pads, and the self-adjusting headband doesn’t put as much pressure on the top of my head.

Other little things include the single-sided cord that is straight rather than coiled (I prefer straight cords over coiled ones because straight cords are less likely to get in the way) and measures 3.5 meters (11.5 feet) long, and a large vinyl-and-fabric pouch to store and carry the headphones around. The 3.5mm plug tip is gold-plated, and the plug housing is metal (not plastic). A gold-plated screw-on 6.3mm plug adapter is also supplied.

Since these Sony MDR-CD1700’s were discontinued last year, they are now hard to find new. But if you can get your hands on these gems at a good price, I recommend buying them. Why did Sony replace these great closed headphones with an inferior (and more expensive) pair that’s open-backed? Similar Products Used: Sennheiser HD 590, Sony MDR-CD570/770/870/2000, MDR-V900

OVERALL

RATING 5 ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ VALUE

RATING 5 ★ ★ ★ ★ ★ ★ ★ ★ ★ ★

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