Yanagisawa Serial Numbers | Instrument Serial Number Locations 상위 292개 베스트 답변

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Serial numbers are the unique number on the back of saxophones, usually inscribed under the right thumb holder. They help identify the instrument’s exact production year and model.Yanagisawa has always been known for their craftsmanship, reliability and value. They are among the best saxophones in the world and are also the best BUILT saxophones in the world having perfected the art of manufacturing a saxophone by providing unparalleled consistency.Yanagisawa saxophones are handmade in Japan and are some of the finest saxophones ever to be built. However, as they are a specialty sax maker, they rely on specialty sax shops to get customers to experience the awesomeness of their saxophones.

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d여기에서 Instrument Serial Number Locations – yanagisawa serial numbers 주제에 대한 세부정보를 참조하세요

This is a guide to help you find where the serial number is located on your instrument

yanagisawa serial numbers 주제에 대한 자세한 내용은 여기를 참조하세요.

Serial numbers – Yanagisawa – Adams Musical Instruments

Serial numbers – Yanagisawa ; up to 00102143, to end of 1980 ; 00102144-00106981, to end of 1981 ; 00106982-00111892, to end of 1982 ; 00111893-00117142, to end of …

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Source: www.adams-music.com

Date Published: 3/22/2021

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YANAGISAWA Models – Saxophone.org

Serial Range ; 1973 – 1974, 12731254 – 12745399 ; 1974 – 1975, 12745400 – 12753381 ; 1975 – 1976, 12753382 – 12764552 ; 1976 – 1977, 12764553 – 12775789.

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Source: www.saxophone.org

Date Published: 12/25/2021

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Yanagisawa serial numbers – Sax on the Web Forum

Recently bought a Yanagisawa 9932j alto sax and would like to know the year of manufacture. Where can I find this out on the net?

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Source: www.saxontheweb.net

Date Published: 6/3/2022

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Serial Numbers | The Woodwind Forum

The 2 Series horns have a five- or six-digit serial number. … I think it’s most likely that it’s the 278th Yanagisawa made in March 1972, …

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Source: www.woodwindforum.com

Date Published: 8/14/2022

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Yanagisawa Saxophone Serial Numbers – diylasopa

YANAGISAWA Serial Numbers. YANIGASAWA SAXOPHONES: During the 1970′s, the 3rd and 4th digit of the serial number indicate the year of manufacture.

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Source: diylasopa776.weebly.com

Date Published: 1/19/2022

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Year of manufacture for my Yanagisawa soprano please

I cant seem to find the year of manufacture for my Yanagisawa 991 soprano, first 3 digits are (00) 302 *** I can only find serial numbers up …

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Source: cafesaxophone.com

Date Published: 1/21/2022

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Yanagisawa Serial Numbers – Vinden

Serienummers – Yanagisawa. Serial Number: Year Manufactured: up to 00102143: to end of 1980: 00102144-00106981: to end of 1981: 00106982-00111892: to end …

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Source: www.vinden.nl

Date Published: 1/13/2021

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Register – Yanagisawa Saxophones UK

Since their founding in 1896 Yanagisawa has held true to a singular passion: handcrafting the world’s finest saxophones unrivalled in both tone and ease of …

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Source: www.yanagisawasaxophones.co.uk

Date Published: 5/2/2021

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주제와 관련된 이미지 yanagisawa serial numbers

주제와 관련된 더 많은 사진을 참조하십시오 Instrument Serial Number Locations. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.

주제에 대한 기사 평가 yanagisawa serial numbers

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How do I know what model my saxophone is?

Serial numbers are the unique number on the back of saxophones, usually inscribed under the right thumb holder. They help identify the instrument’s exact production year and model.

Are Yanagisawa saxophones good?

Yanagisawa has always been known for their craftsmanship, reliability and value. They are among the best saxophones in the world and are also the best BUILT saxophones in the world having perfected the art of manufacturing a saxophone by providing unparalleled consistency.

Who makes Yanagisawa?

Where are Yanagisawa saxophones made?

Yanagisawa saxophones are handmade in Japan and are some of the finest saxophones ever to be built. However, as they are a specialty sax maker, they rely on specialty sax shops to get customers to experience the awesomeness of their saxophones.

How do you read a saxophone serial number?

What is my saxophone worth?

Your modern student saxophone is worth around $100-$400 if you sell it on Craigslist or eBay, but you will have to compete with cheap, shiny new versions of these instruments. You could also try consigning it with a local music store, if you still have a local music store.

Is Yanagisawa a good brand?

Like its competitors such as Selmer, Yanagisawa saxophones are some of the best on the market, with unparalleled reliability and build quality. The company produces saxophones with an excellent tone and a build quality that your technician will thank you for.

Are Yanagisawa saxophones Good for jazz?

Anyone who plays a Yanagisawa loves them because of the consistency of the tone and the response over the entire range at all dynamic levels. No one would ever say that this saxophone is better suited to jazz or classical or rock music. It just allows the player to play whatever they want to do with total freedom.

What is the best sounding saxophone?

The Alto Saxophone is the #1 type in terms of worldwide sales. It has become very popular due to the size and versatility of tone. The Alto is used in all types of musical scenarios, from jazz to classical. It has a higher ‘voice’ compared to the Tenor, but is not as high pitched as the Soprano.

Which saxophones are made in Taiwan?

What is the best brand of tenor saxophone?

How many saxophones are sold each year?

Among the famed users are: Art Porter, Warren Hill, Richard Elliot and Horace Alexander Young. Some 27,000 saxophones are produced in the United States each year About 80 percent of these are bought by amateurs.

How long does a saxophone last?

But, you should keep this point in mind: these saxophones are most likely disposable, meaning they’ll probably only last 2-5 years.

Where are Selmer saxophones made?

The Seles Axos saxophone is made in the Henri Selmer Paris factory located in Mantes-la-Ville, France, in the same factory as all other models since 1922. Like all top-of-the-range Henri Selmer Paris instruments, this model continues the tradition of craftsmanship manufacturing integrating new industrial techniques.

What are Yamaha saxophones made of?

They are designed with the young learner in mind as the model is made of a relatively lightweight brass-alloy, has an adjustable thumb-rest, and ergonomically designed keys. The 280 is a study and durable saxophone, which produces a clear and strong sound that is ideal for building the confidence of new players.

How can you tell if a saxophone is real?

The finish of the instrument is only the first step for determining the instrument’s legitimacy. Look closely at the engraving on the bell of the saxophone, and compare the brand mark, model, and any other distinguishing marks on the instrument against a verified photograph of a Selmer Paris saxophone.

How do you identify Selmer Mark VI?

The French-assembled Mark VI engraving is usually of a butterfly and floral motif, and the engraving typically extends to the bow. Some French-assembled Mark VIs lack any engraving other than the brand stamp. Nickel or silver-plated keys with a lacquer-finish body were offered among the French-assembled horns.

How old is my Conn saxophone?

Note: From 1987, the prefix number plus 50 gives you the year of manufacture.

Where is the serial number on a Vito saxophone?

Formerly 1958SelmerMarkVI

I think all Vitos have the serial stamped in the usual place, which is to say on the back of the body tube just under the thumb hook.

Yanagisawa Serial Number Chart :: SaxPics.com

Yanagisawa Serial Number Ranges By Model

Before 1980 the 3rd and 4th digit of the serial number represents the year of manufacture.

Yanagisawa Serial Number Chart

Yanagisawa | Serial numbers

Serial Number Year Manufactured up to 00102143 to end of 1980 00102144-00106981 to end of 1981 00106982-00111892 to end of 1982 00111893-00117142 to end of 1983 00117143-00122663 to end of 1984 00122664-00128485 to end of 1985 00128486-00134903 to end of 1986 00134904-00141658 to end of 1987 00141659-00148774 to end of 1988 00148775-00156006 to end of 1989 00156007-00162968 to end of 1990 00162969-00170073 to end of 1991 00170074-00177117 to end of 1992 00177118-00184318 to end of 1993

Numbers listed in the left hand column of the table denote the approximate number range and the relevant production years are in the righthand column.

During the 1970s a date code was put into the serial number. The third and fourth digits reveal the last two digits of the date; for example, 1272903 = 1972, 12781317 = 1978, and so on. Serials from 1980 to 1993 are shown below.

A Guide to Saxophone Serial Numbers

Searching for a vintage saxophone? Understanding saxophone serial numbers can help you distinguish between a great instrument and one that’s best to avoid.

Serial numbers are the unique number on the back of saxophones, usually inscribed under the right thumb holder. They help identify the instrument’s exact production year and model.

In this article, we will guide you through the different serial numbers used by six popular saxophone makers:

Buescher

Conn

Keilwerth

King

Martin

Selmer

For companies such as Buescher, Conn, Martin and King who today mainly produce stencil and/or student models, knowing the serial number can tell you if you are looking at a potentially great instrument or something that is aimed at less experienced players.

We’ve chosen these six brands for a number of reasons.

Firstly, they are some of the most well-documented saxophone manufacturers in the world. There is also a big difference in quality between their models so knowing the best serial numbers will prevent you from picking out a poor-quality horn.

You might be wondering why we’ve left the likes of Yamaha and Yanagisawa from this list?

The reason for this is that modern sax makers such as these don’t have a history long enough to judge the quality of the horns based on their serial numbers.

Beuscher Saxophone Serial Numbers

So, let’s jump right in, starting with one of the oldest manufacturers on this list: Buescher.

Top Hat & Cane / Super 400

The sax maker’s most famous and arguably best model is the Buescher 400 ‘Top Hat & Cane’ / ‘Super 400’, which include both alto and tenor models produced between 1941 and 1963

These instruments are the very best of the Bueschers as they put all their knowledge and experience previously acquired with the Buescher Aristocrat series and improved the design, material and comfort.

Serial numbers: 296000 to 360000

Big B

An honorary mention from the Buescher Aristocrat series, the ‘Big B’ model which was produced between 1940 and 1951.

These horns are different from the Super 400 in design, have a smaller bell, and the bell keys are found on the left instead of the right rear as on the 400. In addition, the octave key is placed on the top of the neck as on modern saxes.

The Big B engraving on the bell is an obvious sign that we are looking at an Aristocrat model, not a Super 400. As you can see there is an overlap with the serial numbers, but the above-mentioned differences between these two instruments should help you recognise whether you are dealing with the 400 or the Big B.

Serial numbers: 292000 to 336999

What to avoid

After 1963, H&A Selmer company bought Buescher and from then on, they focused mainly on beginner and intermediate level horns so best to avoid anything with a serial number 381000 to 875000 if you’re looking for a vintage classic.

Conn Saxophone Serial Numbers

Next in line is another American maker from Elkhart Indiana, the Conn saxophones.

Conn made some great saxophones, including these two models that we’re looking at here: the Transitional and the M series.

Transitional

The name “Transitional” refers to the models produced between the New Wonder series and the M Series (1931-1934).

It’s not an official model name, rather a blanket term employed by collectors and players for Conn saxophones produced during this particular era.

It can get a bit tricky to tell the difference between a Transitional and an M series. Some of these horns have some features of the M Series ‘Naked Lady’ model, and other features from the Transitional New Wonder model.

The differences are subtle like differing engraving or split bell keys, so knowing your serial numbers will help you find the sax you’re looking for.

Serial numbers: 244700 to 259999

M Series

These instruments are also referred to as ‘Naked Lady’ because of the lady on the bell engraving.

The 6M refers to the alto saxophone version and the 10M is the tenor saxophone.

This model can be broken down into 4 versions. The saxophones with rolled tone holes (regarded as the best versions) were made between 1935 and 1947.

Then there are the straight tone hole models from 1948 to 1959, the redesigned model with wire keyguards from 1960 to 1971 and a version with sheet metal keyguards instead of the wire keyguards produced from 1963 to 1971.

These instruments are right up there in sound quality and versatility with the Selmer Super Balanced Action and the legendary Mark VI.

1934-1962 serial numbers: 260000 to 949464

What to avoid

If you’re looking for a classic pro horn, it’s probably best to avoid instruments made after 1963 with serial number c00501; Conn stopped making professional horns from this year and moved their factory line to North Carolina, Texas and Mexico.

Keilwerth Saxophones

We are going to jump over to Europe for our next manufacturer as we take a look at Keilwerth saxophones.

The company was founded by Julius Keilwerth. They were mainly stencil makers for other German brands until 1986 when Keilwerth hired jazz saxophonist Peter Ponzol to help develop more professional models.

SX90R

The result of Ponzol’s work is the SX90R (≈1992 to present) with this saxophone’s serial number starting with 97251.

This instrument was endorsed by musicians such as Branford Marsalis, David Liebman, Courtney Pine and James Moody among others.

It is a great alternative for professionals if you want something different from the well known Yamaha, Yanagisawa and Selmer saxophones.

King Saxophones

Next, we have King saxophones, and their two most famous models the Zephyr and Super 20.

Zephyr

The Zephyr had a long run of production, however, the best models in our opinion are the ones with serial numbers from 180000 up to 340000.

It’s also worth noting that there is an overlap with the Voll-True II model which was made before the Zephyr. This means the very first Zephyrs are identical to the Voll-True II.

1935 – 1975 serial numbers: 180000 to 511000

The Zephyr has an upgraded version which is known as the Zephyr Special. These had a solid silver neck, a different bore and engraving on some of the key works.

1937-1945 serial numbers: 209000 to 271999

Super 20

After World War II, King launched the legendary Super 20.

The Super 20 had a redesigned neck compared to the Zephyr, along with a better key layout and better intonation.

The best ones are those with serial numbers from 275000 to 425999. After that the production was moved to Eastlake, Ohio. Generally, these horns are of lower quality and less valuable.

1945 – 1998 serial numbers: 275000 to 800000

Martin Saxophones

Martin is the third saxophone maker from Elkhart Indiana on this list, and maybe the lesser-known. But that doesn’t mean that Martin horns are any less impressive than the Bueschers or Conns!

The most popular models are the Handcraft Committee (1935 – 1938 serial number: 114000 to 125000), Committee II (1938 – 1945 serial number: 125000 to 150000) and the Magna (1956 – 1971 serial numbers: 200000 to 350000).

The Handcraft Committee and Committee both have beautiful engraving and a sweet tone.

The fact that the bore diameter is small doesn’t mean the sound is; they can really fill up the room.

The Magna is generally considered the best of the Martin saxes.

It’s based on the Committee II, but with a few upgrades such as an adjustable octave mechanism screw and enlarged left-hand thumb pearl.

The best Martin Magna horns are those produced between 1956 and 1963 with serial numbers ranging from 196213 to 218854. After 1964 Wurlitzer bought the rights to Martin and slowly shifted the focus to student and intermediate horns.

Anything built after 1971 are Yanagisawa stencils.

Selmer Saxophone Serial Numbers

That’s all for American horns now as we take a trip to France to take a look at one of the most famous saxophone makers of all time, the Henri Selmer company.

I’ll take the three most famous and loved models:

Balanced Action (1935 – 1948 serial numbers: 20101 to 35800)

Super Balanced Action (1946 – 1954 serial numbers: 33000 to 55200)

Mark VI (1954 – 1975 serial numbers 55201 to 233900)

These are the most famous and possibly the best saxophones in the world.

Selmer set the bar high first with the innovative Balanced Action (bell keys on the right side, bell turned by 14 degrees, and new design neck), then the slightly updated version, SBA followed by the further developed Mark VI which is the longest-run production in Selmer history.

There are no bad horns among these (alto or tenor), although some of the earlier SBA models have had some intonation issues reported; generally, the Mark VI sopranos aren’t the best intonation-wise, either.

The engraving and key work plating are widely varied between the American ensembled and European ensembled Mark VI’s. There is a higher demand for the ‘5 digits’ horns (i.e. a serial number with less than five numbers).

The models before these (Modele 22, Modele 26, Super Series aka ‘Cigar Cutter’) are more like collector’s items than instruments to be played as they have intonation problems and are not as comfortable as the preceding models.

Alternatives to the Mark IV

The models that followed the Mark VI (Mark VII, Super Action 80, Super Action 80 Serie II &III) stayed in the shadow of their ancestors, but are still very good saxophones.

In 2000 Selmer came out with the Reference 54 saxophone which is the closest to the quality, sound and feel of the Mark VI.

Much more recently, Selmer announced a new alto sax, the Supreme inspired by John Coltrane’s masterpiece “A Love Supreme” which is taking the place of the Reference – it’s well worth keeping an eye out on that one!

Thanks for reading and feel free to get in touch with questions!

If you’re looking for more info about the best saxophones, head to our saxophone homepage for all the articles and accessories.

You can also get some inspiration from our pick of the most famous saxophone players ever!

Yanagisawa WO Series Saxophones

Yanagisawa WO Series Saxophones

Yanagisawa has always been known for their craftsmanship, reliability and value. They are among the best saxophones in the world and are also the best BUILT saxophones in the world having perfected the art of manufacturing a saxophone by providing unparalleled consistency.

They are among our favorite saxophones ever made, so to hear that they were discontinuing a line of great horns that we have come to know and love over a 20 year stretch was hard to believe. What was also hard to fathom was whether or not it was possible to truly build a better saxophone!

WO Series are only manufactured as Alto Saxes currently

When reading this review, bear in mind that the WO Series is currently only manufactured in Alto saxes. So everything in this review does not apply towards the tenor, soprano, bari or sopranino at this time. While it is logical to assume that Yanagisawa will roll out WO Series models in the other instruments, there is not currently a timetable that has been made public for this.

WO Series now available in Alto and Tenor Models!

April 2015, Yanagisawa officially announced that the WO Series Tenor saxes would replace the T9 models. The same set of improvements and design changes implemented on the WO Series Alto Saxes would be put in to the new WO Series Tenor Saxes.

Model Replacement Guide

So below is a list of what models in the WO Series replaced previous production:

901 replaced by WO1

902 replaced by WO2

991 replaced by WO10

992 replaced by WO20

9930 replaced by WO30

9933 replaced by WO33

9937 replaced by WO37

Of course, there are a slew of other custom models that will be also available in the WO Series like the 9932J will become the WO32.

Yanagisawa is also using two new model branding labels, something that I think should have been done long ago. They are adopting the terms “Professional Model” and “Elite Model”. There has always been confusion among players, teachers, music stores & even distributors in how to label the quality & performance level of Yanagisawa’s lower cost 90x series horns.

Much of this, in my opinion, was from bad marketing via the original US distributor, Leblanc. They, like many people, made the simple mistake of saying “the 901 is less expensive than the 991, therefore the 901 must be intermediate and the 991 professional”. This was a massive mistake that has plagued Yanagisawa’s image on the lower cost 901 (and 902) series horns.

The truth is that Yanagisawa ONLY makes handmade professional saxes. Every instrument that they make, regardless of price, uses the same quality of craftsmanship, materials & attention to details as well as the same bore! The differences between the series has to do with some design elements and the weight of the construction. The 90x series horns use lighter weight “Single Post to Body Construction” (as do vintage American horns and professional Keilwerth models) whereas the 99x uses heavier “Ribbed Body Construction” (like Selmer Paris models).

So to compensate for this misunderstanding, Yanagisawa has started using the term “Professional Model” for the single post models and “Elite Model” for the ribbed construction models.

“Professional Models”

WO1 & WO2

“Elite Models”

WO10, WO20 & all Solid Silver based models

Design Changes in the WO Series

All WO Series models feature a common set of changes/upgrades to the design over the previous 9xx series saxes. However, the “Professional Models” (WO1 & WO2) also feature some additional changes that were not needed on the “Elite Models”.

Common Changes

The WO Series include 6 common changes over the 9xx series saxophones. Most of these changes are minor, but some are going to change the performance of the sax.

WO Series Common Change 1 – Bore

Obviously, a bore change will impact performance. The bore changes on the WO Series are entirely in the bow and the bell of the saxophone. The neck & body tube design are 100% the same as they were on the previous 9xx based models. The rumor is that the bow of the WO Series changed to revert to the previous 8xx series models. I have had no official confirmation of that, but unofficial channels have relayed that to me, and they are trustworthy sources.

In short, the 8xx series bow is a little tighter than the 9xx was. In theory, this should give a little more tonal core and depth to the tone of the sax. The downside is that this could make the bell notes smaller and less powerful than the 9xx series. To compensate, the bell throat on the WO Series has been increased in its overall size and taper. This will allow the bell notes and lower end of the horn to resonate and speak easier.

The combined changes give an instrument that features the same overall feel, blow & impeccable intonation of the comparable 9xx model, but with a more complex overall tone and bigger lower end. Overall, I give this change a resounding thumbs up!

WO Series Common Change 2 – Brass

Yanagisawa has changed their supplier for the Yellow Brass used in the WO Series. They are staying tight-lipped on specifics (trade secrets and all) but I have confirmed that this is not an entirely new supplier. Yanagisawa has used this supplier/alloy in current production in their #66 model necks.

Obviously, the alloy can impact the performance of the saxophone but I personally do not feel that this was a major change to the horns and personally equate the performance changes of the WO Series to the bore changes I described. I am guessing that this brass supplier switch was more of a business decision in reality, though Yanagisawa claims that they chose this brass for tone reasons.

Update June 6, 2014

I had a conversation with my contact at Yanagisawa in Japan about the brass. While he still won’t go in to great detail about the brass, he did tell me that the brass used on the tubes is actually different on the WO1 and the WO10. He says that they tested many brass options and based on their testing results, they decided to use a different brass between the two models.

WO Series Common Change 3 – Front F

This one will either be loved or hated by players. Yanagisawa has changed the sculpting of the front F key. I personally found this odd as Yanagsiawa already had a sculpted key that we felt was the most comfortable of any sax. The new design just wasn’t my cup of tea, but the same time, wasn’t a huge departure from their 9xx key’s concept.

WO Series Common Change 4 – RH Palm Stops

This is another throwback from the 8xx series as Yanagisawa has reintroduced the use of stopping feet on the right hand side keys. The thought is that they will provide a more secure feel as the key foot should stop the key rather than allowing the feeling of the lever flexing under pressure.

However, this commonly becomes a more cosmetic feature as many times, these feet are not setup properly to actually contact the body tube to stop the key! This is a minor issue that can be address with proper setup.

WO Series Common Change 5 – D#/C Alignment

Yanagisawa has changed the angles on the low D# & C key paddles on the WO Series. This is a minor change but feels great under the hand. Overall, the previous design was also fantastic here, but this is just a refinement that shows a company wiling to make a great product better for the sake of the improvement. It’s not cheap to make a change like that, so whether noticed or not, Yanagisawa should be applauded for the attention to detail with this change.

WO Series Common Change 6 – New Case

So this one is also just a packaging aesthetic change, but it is a nice change nonetheless. Yanagisawa has always had exceptionally well made cases that fit their saxes well. However, their cases have not left much for portability or storage. The new case on the WO Series is a nice improvement on that.

It is basically the same shell of a case that was used on the 9xx models but with an improved exterior. The old cases were prone to heavy scuffing and potential tearing of the vinyl, whereas these cases should be much more resilient. Additional music storage was added on the exterior and integrated backpack straps on the back of the case. I do wish that a more traditional shoulder strap was also included as there will be many who do not care to wear the case as a backpack.

“Professional Model” Changes

Personally, I believe that the WO Series change was more geared towards improving the performance of the lower price models from Yanagisawa. As I mentioned earlier, many people would label the lower priced Yanagisawa 901 and 902 as “intermediate” models, primarily due to the price. However, in performance, these 90x models were also brighter and thinner in tone than the more expensive ribbed 99x models.

So along with the changes mentioned above, Yanagisawa made 2 further changes that were specially geared towards improving the WO1 & WO2 to a higher level than the 901 & 902 models that they replaced.

Professional Model Change 1 – Palm Key Rib

This feature was already in place on the 99x series and likewise on the WO Series “Elite Models”. On the 90x series models, all of the left hand palm keys were individually mounted to the body tube as part of the single post construction concept. On the WO Series counterparts, Yanagisawa has upgraded the palm keys to use a fully seated palm key plate.

This plate adds more mass to the top of the body tube which will increase the tonal depth of the horn.

Professional Model Change 2 – Neck Plate

The lower priced model Yanagisawa’s have always used a standard top mounted octave key mechanism whereas the more expensive models (99x or WO Series Elite Models) utilize an underslung mechanism. For many, the underslung was considered cosmetic. What these people don’t take in to mind is the additional metal bracing that Yanagisawa installed along the top and underside of the neck. The end result is that the underslung necks were heavier and produced a richer overall tone.

With the Professional Models, the WO Series adds a plate on to the back of the neck tube that sport the Yanagisawa logo. This plate might appear to be cosmetic but in reality it was geared towards increasing the mass of the neck in order to produce a richer overall tone from the horn.

When these two changes were paired together, it has turned the Professional Models in to a better saxophone than the models they replaced.

In fact, with the additional Professional Model changes, one of our favorite saxophones on the planet now is the WO2. The combination of these changes with the heavier bronze alloy gives an instrument that is amazingly rich, resonant and wonderfully responsive. Combined with the lower price point of these models, the WO2 will redefine saxophone performance and value for anyone who plays it!

Final Thoughts

We (everyone at KesslerMusic) love Yanagisawa saxophones. They are amazingly well-built and in my opinion, present the most amazing value of any professional sax maker on the market. This does not mean that they are the best because in the end, this depends on the player. However, everyone who has played one of the new WO Series altos in our store has been blown away with most of them purchasing one on the spot.

The WO Series was not a complete redesign of a new model, but rather a well executed improvement over an already outstanding design. Yanagisawa held true to what makes them special (build quality, performance, value, intonation & ergonomics) and simply improved the horns overall. They are an exceptional company that makes exceptional products and I consider it an honor to represent their products in our store.

This post was edited 4/15/15 in order to include reference to the WO Series Tenor Saxophones release.

Yanagisawa Wind Instruments

Japanese manufacturing company

Yanagisawa Wind Instruments Co., Ltd. is a Japanese woodwind instrument manufacturing company known for its range of professional grade saxophones. Along with Yamaha, they are one of the leading manufacturers of saxophones in their country of origin. The company currently manufactures sopranino, soprano, alto, tenor, and baritone saxophones.

In the United States, Yanagisawa products are commercialized and distributed by Conn-Selmer,[2] a subsidiary of Steinway Musical Instruments.

History [ edit ]

The history of woodwind manufacturing in Japan had its origins in 1894 when Tokutaro Yanagisawa began repairing imported woodwinds for military band members. Within that wartime setting, Tokutaro’s repair shop soon evolved into an instrument factory—the first to build woodwind instruments on Japanese soil. Tokutaro’s son Takanobu followed in his father’s footsteps, choosing to pursue a career in the craft of instrument-making, and built his first prototype saxophone in 1951.[3]

Starting in the late 1960s, Yanagisawa exported saxophones sold under various distributor’s names, providing a large portion of the instruments sold under the Vito (Japan) brand and representing Leblanc’s Martin brand for saxophones starting in 1971.[citation needed] In 1978, the 800 series models were introduced, which became the first Yanagisawa saxophones exported under Yanagisawa’s own name.[citation needed]

In 1980, the 500 series was introduced for sale under other brands in the student/intermediate market. The Yanagisawa name soon became known for the impeccable workmanship, accurate intonation, and playability of its products.[citation needed] With the growth of Yanagisawa’s reputation, interest in finding Yanagisawa instruments sold under other brands has become heightened in the used instrument market.[citation needed]

The Yanagisawa soprano saxophone designs became influential throughout rest of the industry, comparable to the influence of Selmer (Paris) and Yamaha saxophones in other ranges.[citation needed] Yanagisawa introduced innovations including detachable straight and curved necks and a high G key for its 990 series soprano saxophones.[citation needed]

Product development timeline:[4]

1954

First tenor saxophone (the T-3 model) enters production

1956–1966

First alto saxophone (A-3) is unveiled, and A-5 alto and T-5 tenor models are introduced. Development work is completed on a low-A baritone model (B-6).

1968

Japan’s first soprano saxophone (S-6) is placed on the market. The SN-600 sopranino model with high-E key is finished and released.

1978–1985

The Elimona (Elite Monarch) series (800 series) is launched. Japan’s first curved soprano model is unveiled. The world’s first straight soprano model with detachable neck (S-880) is announced.

1990–1996

Yanagisawa’s 900- and 990-series soprano and baritone models are introduced. The first Silver Sonic model (9930 series) is unveiled in soprano, alto, tenor, and baritone ranges, in Japan. Alto and tenor models are added to the 900 and 990 series, which later evolve into the 900μ and 990μ series.

1999

The A-9937 alto model with sterling silver neck, body, bow, and bell is announced.

2000

The sterling T-9937 tenor model hits the market and Yanagisawa introduces its top baritone model, the B-9930BSB. Yanagisawa launches the bronze-bodied 992GP series with gold-plated finish.

2001

The bronze 992PGP series debuts with new pink-gold plated models.

2002

The 9937PGP series is born, rounding out the all-sterling lineup with pink-gold plated models. Yanagisawa unveils its bronze A-902 alto.

2003

Yanagisawa unveils the T-902, the tenor version of its bronze alto model.

2004

The SC-991 and SC-992 curved soprano models are announced.

2006

Yanagisawa builds the A-9914, the world’s first alto saxophone with neck, body, bow, and bell crafted entirely in 14K gold. Reference prototypes are exhibited at the Frankfurt Musikmesse trade show.

2008

The SC-9937 curved soprano sax with all-sterling neck, body, bow, and bell is introduced

2012

The WO series Alto is launched.

2014

The WO series Tenor is launched.

Production [ edit ]

The company is notable for making saxophones from materials other than the standard brass (i.e., phosphor bronze and solid silver, and combinations thereof).[citation needed] Their first solid silver saxophone was produced in 1972 and instruments made from phosphor bronze began to be produced in 1992.[citation needed] The 8830 model alto and tenor saxophones, introduced in 1988, combined silver necks and bells with a brass body tube, reminiscent of the King “Silversonic” instruments. Similar combinations are offered in current production, as illustrated by Yanagisawa’s 2015 range of alto saxophone offerings:[citation needed]

AWO1 – made entirely from solid brass. The entry level professional saxophone from Yanagisawa.

AWO1U – same as AWO1, but unlacquered

AWO1B – same as AWO1, but black lacquered

AWO1S – same as AWO1, but silver-plated

AWO2 – made entirely from solid phosphor bronze (except keywork, which is brass)

AWO2S – same as AWO2, but silver-plated

AWO10 – made entirely from solid brass (underslung neck)

AWO10U – made entirely from solid brass (underslung neck – unlacquered)

AWO10S – same as AWO10, but plated with silver

AWO10GP – same as AWO10, but gold-plated

AWO10B – same as AWO10, but coated with black lacquer

AWO20 – made entirely from solid phosphor bronze (except keywork, which is brass)

AWO20U – same as AWO20, but unlacquered

AWO20S – same as AWO20, but silver-plated

AWO20PG – same as AWO20, but plated with “pink gold” (80% gold and 20% silver)

AWO20GP – same as AWO20, but gold-plated

AWO30 – solid silver crook and body with solid brass bell and bow

AWO32J – solid silver crook and bell, solid phosphor bronze body and bow (designed exclusively for jazz, so no ‘lyre’ socket)

AWO33 – solid silver neck and bell; solid brass body, bow, and crook

AWO35 – solid silver neck, body, and bell; solid brass bow

AWO37 – solid silver crook, body, bow, and bell

AWO37PG – same as AWO37, but pink gold-plated

AWO37GP – same as AWO37, but gold-plated

The permutations are increased by the fact that it is possible to buy a solid brass, silver, or bronze neck from Yanagisawa and fit it to any of the nine instruments listed above (e.g., adding a solid silver neck to the AWO10 or AWO20 or a phosphor bronze neck to the AWO10, AWO32J, or AWO37).[citation needed]

Musicians [ edit ]

Professional saxophonists performing on Yanagisawa instruments include Gary Bartz, Jay Beckenstein, Plas Johnson, Ed Wynne, Steve Slagle, Peter King, Vincent Herring, Snake Davis, Greg Osby, Antonio Hart, Jean Denis Michat, Paul Corn (Composer of the Paul Corn Jazz Collective), Pascal Bonnet, Jess Gillam, David Pons, Jeroen Vanbever and another classical and jazz players. Arno Bornkamp has performed occasionally with Yanagisawa Soprano. Raaf Hekkema use a Elimona Soprano as Standard instrument.

Dave Kessler’s Music Blog

Dave Kessler’s Yanagisawa FAQ

Yanagisawa saxophones are handmade in Japan and are some of the finest saxophones ever to be built. However, as they are a specialty sax maker, they rely on specialty sax shops to get customers to experience the awesomeness of their saxophones. Here in the USA, that has become a problem as the number of specialty sax shops has grown smaller and smaller over the years. Combine that with the fact that their distributor in the USA for a few decades was a clarinet maker that unintentionally mis-informed customers about the models and you have a recipe for disaster!

So to help clear things up, I give you my own Yanagisawa FAQ. Of course, if you have any questions, please feel free to ask!

If you are simply wanting to know about the design changes between the previous 9 Series and the new WO Series from Yanagisawa, please check out the separate blog post about it here.

Difference between 901 & 991 series -or- WO ‘Professional’ & ‘Elite’ Series

This is a question that we get asked a lot. First for the sake of this post and simplicity, we are going to merge the 9 Series (901, 991, etc…) and the WO Series in to 1 common terminology set… otherwise this will get more confusing.

For the purpose of this post, we are going to use the terminology adopted by Yanagisawa in the WO Series of “Professional” and “Elite”. Models in these series are:

Professional Series – 901, 901 – WO1 & WO2

Elite Series – 991, 992, 9930, 9933, 9932J, 9935, 9937 – WO10, WO20, WO30, WO33, WO32, WO35 & WO37

While there are several differences on the Professional & Elite series, it is important to note that they are built around the same fundamental design. In fact, on the alto, tenor & bari sax (this issue does not apply to the soprano), if you take just the bare tube parts of the horn (neck, body, bow & bell) without any keys or key posts on them, these parts are the same design & quality level.

The principle difference is the overall mass to the sax, primarily through the construction style of the key posts to the body. With the Professional series (alto, tenor & bari), each post is individually soldered on to the body. On the Elite Series (alto, tenor and bari), large groups of posts are first attached to a large brass “rib” and then that entire rib is attached to the body. This “ribbed construction” places more metal on to the body tube thus increasing the mass of the sax. This extra mass produces a richer, more focused tone. The single post models produce a brighter, more open tone.

The Elite Series altos and tenors also change the orientation of the octave key on the neck. The Professional Series uses a standard top mount octave key whereas the alto & tenor in the Elite Series use an underslung mechanism. Most would think this is merely a cosmetic/technical improvement. The reality is that the braces used on the underslung design change the weight distribution on the neck and change the overall weight. The neck itself is the most sensitive to weight/mass changes and so the increase of weight on the Elite Series neck also gives a warmer tone.

Please note that on the soprano models, both the S901 and S991 use ribbed construction. The difference between the S901 and the S991 is that the S901 is a 1 piece body with range to high F# and the S991 is a dual neck model with range to high G.

Another change that we find throughout the line is the pads. While both series of pads are of an exceptional, the Elite Series series uses a higher end pad.

There are other smaller changes as well but they are not there as much for a performance improvement but rather more of a technical improvement. Some of these features include double arm construction of the low B & C keys & C#-B connected roller. These features while nice, are not going to change the performance of the saxophone.

Is the 901 / WO1 series an Intermediate or Professional model?

This is a loaded question to begin with. The first thing to consider is what do those terms really mean? Sadly, these days it seems that the industry uses those words in many cases not as a true indicator of quality but rather as a justification of the price. Also keep in mind that the term “professional” is misleading. There really is no such thing as a “professional” sax, only professional players.

However, in keeping in the spirit of the question, really the 901/WO1 is no less of a horn than the 991/WO10. As I answered in the first question, the difference in the 2 has to do with the weight of the construction. Both are handmade and both use the same tubes. The difference is that the 901/WO1 is brighter than the 991/WO10 (excludes soprano, see the first question above).

I too have seen other websites that will list the 901/WO1 as an “Intermediate” model. A lot of this has to do with the previous distributor in the USA’s dealer materials. Many years ago, the distributor listed the 901 series as “Intermediate” and the 991 series as “Professional” in order to explain the price difference to dealers. This really did an injustice to the 901 reputation in my opinion. Many retailers have never updated this in their own databases and catalogs.

This is why with the release of the WO Series horns, Yanagisawa adopted the use of the terms “Professional” and “Elite” to differentiate between the designs. The lower cost models are still professional handmade horns. They offer the different designs to fit a wider variety of players’ needs.

What is the difference when using Bronze or Solid Silver?

The various metals used in a sax fundamentally change the acoustic principles of the instrument. Most will find that Bronze and Sterling Silver will add warmth and darkness to the tonal character of the sax. Both Bronze and Sterling Silver (92.5% pure silver) are heavier than standard brass. This extra weight is the reason behind the warmer/darker tone. However, it is really a personal preference as it is not always “better”.

The downside to Bronze for some people is that they find that the sax does not seem to “respond” as easily as with Brass. Sterling Silver seems to respond as easily as (if not easier than) brass, but still gives the warmer tone. However, Silver is more expensive as a material and more delicate to manufacture with.

In some models, Yanagisawa mixes the various setups of metals for various tonal and response reasons. For instance, the A9933 is one of our favorite models that Yanagisawa makes. It features the neck and bell tubes made from Sterling Silver with the body and the bow still made from brass. There is even a model that is not promoted much called the A9932 that uses the same silver neck and bell but uses bronze on the body and bow instead of brass. Neither is definitively better than the other, just different. The model with the bronze tubes plays with a darker tone in comparison.

The downside to these materials is weight. Both are heavier than brass. So especially when you go to the heavier construction of the 99x series with one of these materials throughout the whole horn, the weight change can be a negative aspect to them.

Difference in the S901 vs S991 (and S981) Sopranos

The Yanagisawa soprano models do not share the same differences as the alto/tenor/bari counterparts do. Unlike the alto/tenor/bari, the S901 (straight) is actually built with the same ribbed construction and the same advanced features of the 991 series instruments. So tonally, the S901 and S991 (as well as the less known S981 model) are identical.

The difference is neck & range.

S901 – Solid One Piece Body, Range to High F#

S981 – Dual Neck Design, Range to High F#

S991 – Dual Neck Design, Range to High G

Every other aspect of the design is the same. The S901 does feature less engraving than the others.

*The S981 is a model not commonly seen in the USA, but can be made on special order.

Difference in the SC901 vs SC991 Curved Sopranos

Unlike the rest of the Yanagisawa line, Yanagisawa did not manufacture both the SC901 and SC991 simultaneously. The SC991 is the model made today and has replaced the SC901.

The SC991 has 2 distinct changes in the design compared to the SC901. The biggest is the fact that the SC901 had the bell keys on the left side of the bell (like many vintage altos and tenors) and the SC991 was designed to position the bell keys on the right side of the bell like modern models. Yanagisawa did have to shift the bell further to the left in order to accommodate the new key position. This change was made so that they could update the left hand pinky cluster to the modern design used throughout the rest of the 991 series lineup.

The other change that we noticed was in the angle of the neck. Yanagisawa increased the neck angle on the SC991. This allows the horn to be held closer to the body in a more natural alto sax position. It also gives the saxophone a little darker tone.

If there is a question about Yanagisawa saxophones that has not been answered for you here or elsewhere on our site, please feel free to give me a call or send an email!

*Revised 12/16/15 for cosmetic display reasons.

Serial Numbers

4

75

April

1975

12

75

December

1975

2

3

64

February (2)

3rd (3)

1964 (64)

12

3

64

December (12)

3rd (3)

1964 (64)

===================

3

72

March (3)

1972 (72)

12

72

December (12)

1972 (72)

10

70

October (10)

1970 (70)

===================

Horns produced after 1980 seem to follow the original chart, which I’ll include below. However, I’ve just gotten through to the 500 Series and 6 Series, as of June 8, 2014, so I haven’t gotten beyond 1980 in my research.

EDIT on 07-18-2014: Chris J’s A-600 was confirmed by Yanagisawa to have been made in April of 1980. His horn’s serial number is

EDIT Jan. 8, 2017: added info about last 3/4 numbers of pre-1980ish serials.

The 2 Series horns have aorserial number. The form is essentially, mmyynn.23 =13 ====================The 3 Series horns have aorserial number.the first number is the month the horn was made in. This would therefore mean that a seven-digit serial number would mean the horn was made in October through December. The second and third numbers arethe year. The last two or three digits of the serial number may also be stamped on the neck and other parts. Examples:313 =313 =All other horns produced until about 1980 have aserial number.the first one or two numbers are the month the horn was made in. This would therefore mean that a seven-digit serial number would mean the horn was made in October through December. The second and third numbers arethe year. The last two or three digits of the serial number may also be stamped on the neck and other parts. Examples:278 =278 =1101 =I had someone ask, so I wanted to expand on this:Thosethree or four numbers possibly mean something, but what, exactly, is a good question. The only definite is that Yani used those numbers to match up parts, in other words, “Oh. Serial number 372278 needs a altissimo E key? Stamp the key with ‘278’ to make sure it stays with the horn.”Sticking with the example horn of 372(and I’ll call it a series 4 alto),* It’snot the 278th Yanagisawa ever made* It’s probably not the 278th series 4made* It’s probably not the 278th series 4made* It’s probably not the 278th Yanagisawa made in 1972that it’s the 278th Yanagisawa made in March 1972, but I could be wrong* It’s possible that “278” means something completely different. 278th order that month/year?I probably could confirm my “most likely” scenario if I had a series 4 and series 5 (they were produced at the same time) where one had the serial number72278 and the other had the serial number72278. However, I’m not currently that interested in wading through all the pictures I have03803xxx, so that means there were some 1980 horns that followed the old serial number format. Why doesn’t Yanagisawa say the horn was from March (i.e. the “03” that starts the serial number)? It could be that “April 1980” is when the horn was sold. Or when it was completed. Or something like that.1980 – 001021431981 – 001069811982 – 001118921983 – 001171421984 – 001226631985 – 001284851986 – 001349031987 – 001416581988 – 001487741989 – 001560061990 – 001629681991 – 001700731992 – 001771161993 – 001843181994 – 001890501995 – 001974001996 – 002054001997 – 002130001998 – 002195001999 – 002282502000 – 00235000—————

Saxophones – Year of manufacture for my Yanagisawa soprano please

This is the best resource to find about your Yanagisawa models.The serial number will identify the year when it was made BUT not necessarily identify the model.Please note that some models co-existed so there are a lot of Series 500 saxophones misidentified and put for sale by unknowing sellers as 800 or 900 because they coexisted with model 500 ( a cheaper student’s model) and have similar serial numbers.To separate models you need to look very carefully at what the horn really looks like, for that you need to read the article well and compare characteristics.

Yanagisawa Serial Numbers

Yanagisawa | Serial numbers | Adams Musical Instruments www.adams-music.com Search for the serial number of the brand Yanagisawa to determine the age of your instrument. Language: Adams Musical Instruments – Together in Music. Menu. … Serial Number: Year Manufactured: up to 00102143: to end of 1980: 00102144-00106981: to end of 1981: 00106982-00111892: to end of 1982: 00111893-00117142:

Yanagisawa Serial Number Chart :: SaxPics.com saxpics.com Yanagisawa Serial Number Ranges By Model. Before 1980 the 3rd and 4th digit of the serial number represents the year of manufacture. Model: Start # End # T3 Tenor: unknown (1954) unknown (1965) A3 Alto: unknown (1956) unknown (1960) A5 Alto: unknown (1965) unknown (1969) A4 Alto: unknown (1966) unknown (1969) T4 Tenor: unknown (1966) unknown …

Yanagisawa | Serienummers | Adams Musical Instruments www.adams-music.com Serienummers – Yanagisawa. Serial Number: Year Manufactured: up to 00102143: to end of 1980: 00102144-00106981: to end of 1981: 00106982-00111892: to end of 1982: 00111893-00117142: … During the 1970s a date code was put into the serial number. The third and fourth digits reveal the last two digits of the date; for example, 1272903 = 1972 …

Yanagisawa serial numbers | Sax on the Web Forum www.saxontheweb.net 5,785 Posts. #2 · Oct 16, 2016. If you want a definitive answer, email Yanagisawa. That’s the only way. The serial number tables available online are not up-to-date, and in any case are not necessarily official. It’s usually possible to extrapolate from the closest reliable numbers to arrive at a good estimate of the year of manufacture.

Serial numbers Yanagisawa : SaxCompany WebShop saxcompany.nl SaxCompany WebShop : Serial numbers Yanagisawa – Reeds Mouthpieces All accessories SALE! Cases Saxophones saxophone, mouthpiece, reeds, case, selmer, yamaha, king, conn

YANAGISAWA Saxophone Models | Saxophone.org www.saxophone.org Saxophone.org – created by saxophone players for saxophone players. Features an active saxophone forum, buy sell trade your sax, saxophone museum, sax teachers and more.

Yanagisawa Serial Numbers – Vinden www.vinden.nl Serienummers – Yanagisawa. Serial Number. Year Manufactured. up to 00102143. to end of 1980. 00102144-00106981. to end of 1981. 00106982-00111892. to end of 1982.

Yanagisawa History :: SaxPics.com saxpics.com → Full Yanagisawa serial number chart available. Click here to view. Yanagisawa History. The Yanagisawa Wind Instrument Company has been manufacturing and repairing wind instruments in Japan since 1893. The years of American occupation following the second world war also brought with it American music i.e. Jazz and Be Bop.

Yanagisawa Saxophones UK

Product*

Please select Baritone Ligature (Metal Mouthpieces) (YLBM) Baritone Ligature (YLB) Sopranino Ebonite (Rubber) (No 6) (YSN6R) Alto Ligature (Metal Mouthpieces) (YLAM) Sopranino Ligature (Metal Mouthpieces) (YLSN) Soprano Ligature (Metal Mouthpieces) (YLSM) Tenor Ligature (Metal Mouthpieces) (YLTM) Alto Special Ligature (YLA) Soprano Ligature (YLS) Tenor Ligature (YLT) Alto Metal (No 5) (YAS5M) Alto Metal (No 6) (YAS6M) Alto Metal (No 7) (YAS7M) Alto Metal (No 8) (YAS8M) Alto Metal (No 9) (YAS9M) Alto Ebonite – (Rubber) (No 4) (YAS4R) Alto Ebonite – (Rubber) (No 5) (YAS5R) Alto Ebonite (Rubber) (No 6) (YAS6R) Alto Ebonite (Rubber) (No 7) (YAS7R) Alto Ebonite (Rubber) (No 8) (YAS8R) Baritone Metal (No 5) (YBS5M) Baritone Metal (No 6) (YBS6M) Baritone Metal (No 7) (YBS7M) Baritone Metal (No 8) (YBS8M) Baritone Metal (No 9) (YBS9M) Baritone Ebonite (Rubber) (No 5) (YBS5R) Baritone Ebonite (Rubber) (No 6) (YBS6R) Baritone Ebonite (Rubber) (No 7) (YBS7R) Baritone Ebonite (Rubber) (No 8) (YBS8R) Baritone Ebonite (Rubber) (No 9) (YBS9R) Sopranino Metal (No 5) (YSN5M) Sopranino Metal (No 7) (YSN7M) Sopranino Ebonite (Rubber) (No 5) (YSN5R) Sopranino Ebonite (Rubber) (No 7) (YSN7R) Soprano Metal (No 5) (YSS5M) Soprano Metal (No 6) (YSS6M) Soprano Metal (No 7) (YSS7M) Soprano Metal (No 8) (YSS8M) Soprano Metal (No 9) (YSS9M) Soprano Ebonite (Rubber) (No 5) (YSS5R) Soprano Ebonite (Rubber) (No 6) (YSS6R) Soprano Ebonite (Rubber) (No 7) (YSS7R) Soprano Ebonite (Rubber) (No 8) (YSS8R) Soprano Ebonite (Rubber) (No 9) (YSS9R) Tenor Metal (No 5) (YTS5M) Tenor Metal (No 6) (YTS6M) Tenor Metal (No 7) (YTS7M) Tenor Metal (No 8) (YTS8M) Tenor Metal (No 9) (YTS9M) Tenor Ebonite (Rubber) (No 5) (YTS5R) Tenor Ebonite (Rubber) (No 6) (YTS6R) Tenor Ebonite (Rubber) (No 7) (YTS7R) Tenor Ebonite (Rubber) (No 8) (YTS8R) Tenor Ebonite (Rubber) (No 9) (YTS9R) Alto A902 Neck (YNA902) Alto A901 Neck (YNA901) Baritone B901 Neck (YNB901) Curved Soprano SC901 Neck (Brass) (YNSC901) Curved Soprano SC991 Neck (Brass) (YNSC991) Curved Soprano SC992 Neck (Bronze) (YNSC992) Tenor T901 Neck (Brass) (YNT901) Tenor T902 Neck (Bronze) (YNT902) Alto Neck (Gold Plated Brass) (YNA100) Alto Neck (Brass) (YNA64) Alto Neck (Brass) (YNA65) Alto Neck (Brass) (YNA66) Alto Neck (Pink Gold Brass) (YNA100PG) Alto Neck #92 (Unlacquered Bronze) (YNA92UL) Alto Neck (Gold Plated Bronze) (YNA192) Alto Neck (Bronze) (YNA92) Alto Neck (Pink Gold Plated Bronze) (YNA192PGP) Alto Neck (Silver Lacquer Bronze) (YNA92S) Alto Neck (Silver Pink Gold) (YNA195PG) Alto Neck (Silver Gold Plated Sterling) (YNA195) Alto Neck (Silver Lacquered Sterling) (YNA95) Baritone Neck (Brass) (YNB64) Baritone Neck (Brass) (YNB65) Baritone Neck (Brass) (YNB66) Baritone Neck (Gold Plated Bronze) (YNB192) Baritone Neck (Bronze) (YNB92) Baritone Neck (Pink Gold Bronze) (YNB192PG) Baritone Neck (Solid Silver) (YNB95) Curved Soprano Neck (Solid Silver) (YNSC95) Curved Soprano Neck S991 (Brass) (YNS991C) Soprano Neck S991 (Brass) (YNS991S) Soprano Soprano Neck (Solid Silver) (YNS95S) Straight Soprano Curved Neck (Solid Silver) (YNS95C) Tenor Neck 192 (Gold Plated Bronze) (YNT192) Tenor Neck (Gold Plated Brass) (YNT100) Tenor Neck (Brass) (YNT64) Tenor Neck (Brass) (YNT65) Tenor Neck (Brass) (YNT66) Tenor Neck (Pink Gold Brass) (YNT100PG) Tenor Neck (Bronze) (YNT92) Tenor Neck (Pink Gold Plated Bronze) (YNT192PG) Tenor Neck (Gold Plated Silver) (YNT195) Tenor Neck (Pink Gold Silver) (YNT195PG) Tenor Neck (Solid Silver) (YNT95) Alto Sax – Brass (A901) Alto Sax – Brass (A991) Alto Sax – Bronze (A902) Alto Sax – Bronze (A992) Alto Sax – Pink Gold Plated Bronze (A992PG) Alto Sax – Solid Silver (A9937) Alto Sax – Solid Silver B,N,C – Bronze Body & Bow (A9932J) Alto Sax – Solid Silver Bell & Neck – Brass Body (A9933) Alto Sax – Solid Silver N,B – Brass Bell & Bow (A9930) Alto Sax – Black (A901B) Alto Sax – Black (A991B) Alto Sax – Silver (A901S) Alto Sax – Silver (A991S) Alto Sax – Unlacquered (A901U) Alto Sax – Unlacquered (A991U) Alto Sax – Unlacquered (A992U) Baritone Sax – Brass (B901) Baritone Sax – Brass (B991) Baritone Sax – Black Brass (B901B) Baritone Sax – Silver Plated Brass (B901SP) Baritone Sax – Bronze (B902) Baritone Sax – Bronze (B992) Baritone Sax – Solid Silver Neck & Body, Brass Bow & Bell (B9930) Sopranino High ‘E’ – Solid Silver (SN9930) Soprano Sax – Black (S901B) Soprano Sax – Black (S991B) Soprano Sax – Brass (S901) Soprano Sax – Bronze (S902) Soprano Sax – Silver Plated (S901SP) Soprano Sax – Solid Silver (S9030) Soprano Sax – Unlacquered (S901U) Soprano Sax Curved – Black (SC991B) Soprano Sax Curved – Brass (SC991) Soprano Sax Curved – Bronze (SC992) Soprano Sax Curved – Silver Plated (SC991S) Soprano Sax Curved – Solid Silver & Brass (SC9930) Soprano Sax Curved – Solid Silver (SC9937) Soprano Sax Curved – Unlacquered (SC991U) Soprano Sax Curved – Unlacquered (SC992U) Soprano Sax High ‘F#’ – Silver Plated Brass (S991SP) Soprano Sax High ‘G’ – Brass (S991) Soprano Sax High ‘G’ – Bronze (S992) Soprano Sax High ‘G’ – Solid Silver (S9930) Tenor Sax – Pink Gold (T992PG) Tenor Sax – Black (T901B) Tenor Sax – Black (T991B) Tenor Sax – Brass (T901) Tenor Sax – Brass (T991) Tenor Sax – Bronze (T902) Tenor Sax – Bronze (T992) Tenor Sax – Silver (T901S) Tenor Sax – Silver (T991S) Tenor Sax – Silver Crook & Bell – Bronze Body & Bow (T9932J) Tenor Sax – Solid Silver Neck & Bell – Brass Body (T9933) Tenor Sax – Solid Silver Neck & Body – Brass Bell (T9930) Tenor Sax – Solid Silver Neck, Body, Bow & Bell (T9937) Tenor Sax – Unlacquered (T901U) Tenor Sax – Unlacquered (T991U) Tenor Sax – Unlacquered (T992UL) Alto Sax – Solid Silver (AWO37) Alto Sax – Bronze (AWO20) Alto Sax – Brass (AWO10) Alto Sax – Bronze (AWO2 ) Alto Sax – Brass (AWO1) Alto Sax – Solid Silver Neck & Bell – Brass Body & Bow (AWO33) Alto Sax – Solid Silver Body & Neck – Brass Bell & Bow (AWO30) Alto Sax – Solid Silver Bell & Neck – Bronze Body & Bow (AWO32) Alto Sax – Black Brass (AWO10B) Alto Sax – Black Brass (AWO1B) Alto Sax – Pink Gold Plated Bronze (AWO20PG) Alto Sax – Silver Plated Brass (AWO10S) Alto Sax – Silver Plated Brass (AWO1S) Alto Sax – Silver Plated Bronze (AWO20S) Alto Sax – Unlacquered Brass (AWO10U) Alto Sax – Unlacquered Brass (AWO1U) Alto Sax – Unlacquered Bronze (AWO20U) Straight Soprano Neck (Bronze) (YNS92S) Straight Soprano Curved Neck (Bronze) (YNS92C) Tenor Sax – Brass (TWO1) Tenor Sax – Unlacquered Brass (TWO1U) Tenor Sax – Bronze (TWO2 ) Tenor Sax – Bronze (TWO20) Tenor Sax – Unlacqered Bronze (TWO20U) Tenor Sax – Pink Gold (TWO20PG) Tenor Sax – Brass (TWO10) Tenor Sax – Unlacquered Brass (TWO10U) Tenor Sax – Silver (TWO37) Tenor Sax – Silver & Brass (TWO30) Tenor Sax – Silver & Brass (TWO33) Tenor Sax – Silver & Bronze (TWO32) Alto Sax – Unlacquered Bronze (AWO2U) Soprano Sax High ‘G’ – Unlacquered Bronze (S992) Soprano Sax High ‘G’ – Pink Gold Bronze (S992PG) Sopranino High ‘E’ – Brass (SN981) Soprano Sax – Unlacquered Bronze (S902U) Soprano Sax – Brass (SWO1) Soprano Sax – Unlacquered Brass (SWO1U) Soprano Sax – Silver Plated Brass (SWO1S) Soprano Sax – Bronze (SWO2) Soprano Sax – Unlacquered Bronze (SWO2U) Soprano Sax – Silver (SWO3) Soprano Sax – Brass (SWO10) Soprano Sax – Bronze (SWO20) Soprano Sax – Unlacquered Bronze (SWO20U) Soprano Sax – Silver (SWO37) Baritone Sax – Professional Brass Lacquered (BWO1) Baritone Sax – Professional Bronze Lacquered (BWO2) Baritone Sax – Elite Brass Lacquered (BWO10) Baritone Sax – Elite Bronze Lacquered (BWO20) Baritone Sax – Elite Brass Silverplated (BWO10SKG) Baritone Sax – Elite Solid Silver Neck & Body – Bronze Silverplated Bell (BWO30BSB) Soprano Sax Curved – Elite Brass Unlacquered (SCWO10U) Soprano Sax Curved – Elite Brass Lacquered (SCWO10) Soprano Sax Curved – Elite Brass Silverplated (SCWO10S) Soprano Sax Curved – Elite Bronze Lacquered (SCWO20) Soprano Sax Curved – Elite Solid Silver Neck, Body & Bell (SCWO37) Baritone Sax – Elite Bronze Unlacquered (BWO20U) Soprano Sax Curved – Elite Bronze Unlacquered (SCWO20U) Soprano Sax Curved – Elite Bronze Silverplated (SCWO20S) Yany Boostar Neck Screw – Yanagisawa & Selmer (YBST1) Yany Boostar Neck Screw – Yamaha (YBST2) “YANY” SIXS LIGATURE & CAP SET – ALTO SAX / BB CLARINET (YLSX1) “YANY” SIXS LIGATURE & CAP SET – SOPRANO SAX (YLSX2) “YANY” SIXS CAP BLACK – ALTO SAX / BB CLARINET (YCSX1) “YANY” SIXS CAP BLACK – SOPRANO (YCSX3) “YANY” SIXS CAP WHITE – ALTO SAX / BB CLARINET (YCSX2) “YANY” SIXS CAP WHITE – SOPRANO SAX (YCSX4) “YANY” SIXS LIGATURE & CAP SET – TENOR SAX / ALTO CLARINET (YLSX3) “YANY” SIXS CAP WHITE – TENOR SAX / ALTO CLARINET (YCSX6) Yany Boostar – Yanagisawa & Selmer – Gold Plated (YBST3) Yany Boostar – Yamaha – Gold Plated (YBST4) Yany Boostar – Yanagisawa & Selmer – Pink Gold Plated (YBST5) Yany Boostar – Yamaha – Pink Gold Plated (YBST6) Alto AKz1 Neck (Brass) (YNAKZ1) Alto AKz2 Neck (Bronze) (YNAKZ2) Alto AKz3 Neck (Silver) (YNAKZ3) Alto AWO37 Neck (YNAWO37) YANY LIGATURE ALTO – GOLD PLATED (YLAGP) YANY LIGATURE BARITONE – GOLD PLATED (YLBGP) YANY LIGATURE SOPRANO – GOLD PLATED (YLSGP) YANY LIGATURE TENOR – GOLD PLATED (YLTGP) YANY MAPKA CAP – SOPRANO SAX (YCSMAP) YANY MAPKA CAP – BARITONE SAX (YCBMAP) YANY MAPKA CAP – TENOR SAX (YCTMAP) YANY MAPKA CAP – ALTO SAX (YCTMAP)

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사람들이 주제에 대해 자주 검색하는 키워드 Instrument Serial Number Locations

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