Top 23 How Much Do Furry Artists Get Paid The 199 Correct Answer

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The most popular ones can make even more than that. However, the average furry artist makes between $20 and $30 at an hourly rate. This earning may not seem like a lot, but it can add up quickly. A full-time furry artist can easily make over $8,000 to $10,000 per month, resulting in an Annual Income of $120,000.Ava Wos as Akela shows off her furry artwork. Furry culture tends to attract creative types. Unlike most other fandoms, furries are both the creators and the consumers of their culture.

Furry artists in particular are notorious for undercharging for all their time and hard work.
…
Deeper Analysis

$100 -> $200, 60%
$200 -> $150, 88%
$150 -> $125, 100%
$125 -> $137, 100%
$137 -> $144, 100%
$144 -> $147, 90%

Most Frequently Identified Furry Creators / Performers

Rank	Website	Artist/Writer
1	Furaffinity	Blotch
2	SoFurry	Dark Natasha
3	e621	Wolfy-Nail
4	DeviantArt	Jay Naylor

Contents

How do you price furry art?

Furry artists in particular are notorious for undercharging for all their time and hard work.
…
Deeper Analysis

$100 -> $200, 60%
$200 -> $150, 88%
$150 -> $125, 100%
$125 -> $137, 100%
$137 -> $144, 100%
$144 -> $147, 90%

Are furry artists furries?

Ava Wos as Akela shows off her furry artwork. Furry culture tends to attract creative types. Unlike most other fandoms, furries are both the creators and the consumers of their culture.

Who is the most popular furry artist?

Most Frequently Identified Furry Creators / Performers

Rank	Website	Artist/Writer
1	Furaffinity	Blotch
2	SoFurry	Dark Natasha
3	e621	Wolfy-Nail
4	DeviantArt	Jay Naylor

Who is the richest furry?

Yiff Bezos revealed to be world’s wealthiest furry

At last week’s Amazonink Rainfurrest closing ceremony, the mysterious benefactor who organized the event revealed himself to be none other than Yiff Bezos! …
With his gigantic blue dog head under his arm, Yiff Bezos delivered a riveting speech.

Do furries have jobs?

Approximately one third of furries are not currently employed (due, in part, to a lack of searching, disability, or factors such as being a homemaker, travelling, or taking a leave of absence). Approximately one in five furries are unemployed and in the process of looking for a job.

Is it right to be a furry?

There is nothing inherently wrong with being a furry, liking anthropomorphic art, or the fursuit hobby. There’s a negative stigma because it’s an admittedly abnormal fandom and because some furries are disrespectful and/or perverted people, but that isn’t the whole fandom, unfortunately just the best known part of it.

What is a furry kid?

What are Furries? Furries are people who have an active interest in animal characters with human characteristics. These characters are often created by the community members themselves, who take them on as a “fursona” (an alternate persona) who interacts with other ‘fursonas’ in the community via roleplaying and art.

How many furries are black?

83–90% of furries self-identify as White, with small minorities of furries self-identifying as Asian (2–4%), Black (2–3%), and Hispanic (3%).

Who is the most famous Fursuit?

This is a list of the most popular species (phenotypes) in the furry fandom, according to various sources. This data is by no means authoritative or complete, and should be used as a guideline only. The lists have been cropped to the top 30 results for brevity.
…
Contents.

Rank	Species
1	Wolf
2	Fox
3	Domestic cat
4	Dragon

18 thg 4, 2022

Who is the biggest furry Youtuber?

#1. Suggested by Aro Rouon. MajiraStrawberry. …
#2. Suggested by Aro Rouon. Pocari Roo. …
#3. Suggested by Giovanni Maraboli. FurryFoofi (aka TwoFurryBros) …
#4. Suggested by Giovanni Maraboli. …
#5. Suggested by CyrustheWolf Owo. …
#6. Suggested by Juxian Iván Luo. …
#7. Suggested by Giovanni Maraboli. …
#8. Suggested by Giovanni Maraboli.

How are furries rich?

Furries’ animal fursonas are so integral to their lives, it argued, that in addition to paying the several thousand dollar cost to get a full or partial fursuit, they are willing to pay vast sums just to get piece of art made of their character.

How much do fursuit makers make?

The average American makes $27/hour. To take that amount home, an equivalent ‘billable rate’ for a fursuit maker is around $40/hour.

How much does a furry costume cost?

In general, a furry costume can range anywhere between $100 to $5,000+ based on the factors above. While that may sound like a massive price range, keep in mind that, as with most consumer products, you can choose the cheapest or most extravagant.

How Much Can You Make in a Weekend by Drawing Furry

How much do Furry Artists make? A Comprehensive Review

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What is a Furry Artist

What Do Furry Artists Do

What type of Work do Furry Artists Do

What Skills do Furry Artists Need

How Much Do Furry Artists Make

What Are the Benefits of Being a Furry Artist

What Are the Challenges of Being a Furry Artist

What Does the Future Hold for Furry Artists

Conclusion

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How much do Furry Artists make? A Comprehensive Review

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Most searched keywords: Whether you are looking for Commission Prices for Furries and Artists – Dhole Moments Updating A frequent source of confusion in the furry fandom is about commission pricing for furry art. This confusion is often driven by (usually younger) furries demanding free or severely cheap art from artists, and the aftermath of such exchanges. There’s a reason @SpicyFurryTakes posts so frequently. In the interest of not adding to the confusion,…
Table of Contents:

Commission Pricing For Artists

Improving the Furry Art Commission Experience

Questions and Answers

By Soatok

4 replies on “Commission Prices for Furries and Artists”

Commission Prices for Furries and Artists - Dhole Moments — Commission Prices for Furries and Artists – Dhole Moments

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2.4 Popular* Artists/Websites - Furscience — 2.4 Popular* Artists/Websites – Furscience

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Most searched keywords: Whether you are looking for How To Make Money As A Furry Artist – Regal Money How much money do fury artists make? The lowest price for a quality furry art is $25. Depends on your … How To Make Money As A Furry Artist. Many people use their furry skills on different platforms such as freelancers or Fiverr and get paid for
Table of Contents:

How To Make Money As A Furry Artist

What is a furry Becoming A Furry Fandom

How much money do fury artists make

1 Creating Arts – Sell your Art to other Furries

2 Fanfiction Content writing

3 Make Fursuits for People

3 Video animations

4 Blogging – Become an Influencer

5 Furry Games

Frequently Asked Questions (FAQS)

Final Verdict

How much do Furry Artists make a Month: Comprehensive Review

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Most people don’t think of furry artists as real artists. They think of it as a hobby, a subculture, sketching, or something that only kids do. But the reality is that furry art is a serious and growing form of creative expression. Like other forms of art, some make a living from it, while others do it for the love of the furry community.

Furry artists can make a pretty good living, depending on their skill level and popularity.

The higher-end artists can earn upwards of $200 per hour for their services. The most popular ones can make even more than that. However, the average furry artist makes between $20 and $30 at an hourly rate.

This earning may not seem like a lot, but it can add up quickly. A full-time furry artist can easily make over $8,000 to $10,000 per month, resulting in an Annual Income of $120,000.

Of course, this is all before taxes. And like other artists, many of them are self-employed, which means they have to pay their taxes, and that takes a significant chunk out of their earnings, but they can reduce their expenses as a deduction from their business income.

What is a Furry Artist?

A Furry Artist or an anthro artist is an artist who specializes in creating artwork featuring anthropomorphic animals.

The animals can include anything from cartoon characters to lifelike portraits. They often take inspiration from real-world animals, using their characteristics to create unique and expressive designs.

Many of these artists also have a deep love for animals, and their work often reflects this.

While Furry Art can be found in many different forms, it is typically united by its positive portrayal of anthropomorphic animals.

People of all ages can enjoy this piece of art, and it often brings joy and laughter to those who view it.

Whether you’re a fan of cute cartoon characters or realistic animal portraits, there’s a Furry Artist out there who can create something you’ll love.

What Do Furry Artists Do?

Furry artists create artwork featuring anthropomorphized animals or animals with human qualities.

The animals include anything from a single drawing of a furry character to an entire scene or story featuring multiple characters.

Furry art can range from the cute and child-friendly to the more adult-oriented and may be created for either personal or commercial purposes.

Many of these artists also create commissioned pieces, which are requests made by fans for specific types of artwork.

They are anything from a portrait of their favorite character to a scene from their favorite book.

Many are also freelance, which means they don’t have a steady income or benefits like health insurance.

This makes it hard to predict the amount of money you’ll make in a given month and lead to financial instability.

In addition, furry artists often have to spend time and money on materials and travel to conventions, further cutting into their profits.

What type of Work do Furry Artists Do?

Furry Artists typically work either freelance or as commissioned artists.

Freelance artists are self-employed and sell their artwork directly to clients. Selling is done through online platforms such as FurAffinity or conventions and other in-person events.

Clients hire commissioned artists to create specific pieces of artwork. This includes anything from a portrait to an illustration for a book.

Commissioned artists typically have contracts with their clients that outline the project’s scope, deadlines, and compensation.

What Skills do Furry Artists Need?

Furry Artists need to have a strong understanding of anatomy, color theory, and lighting. They also need to be able to translate these concepts into their artwork.

Many Artists use reference photos to help them with their work. This can be anything from pictures of real animals to images found online.

They also should be able to promote their work. The promotion is done through online platforms such as social media and FurAffinity.

Some of them also have their websites, which they use to showcase their portfolios and attract new clients.

How Much Do Furry Artists Make?

There are a few different ways that furry artists make money. The most common is through the sale of artwork, whether through online galleries or at conventions. Other sources of income include commissions, selling prints and original art, and setting up merchandise sales.

Many of them can make a living off their art, but some supplement their income with other jobs. For example, some work as hourly wage employees at conventions or online communities, while others may have a billable rate for their services.

The minimum wage in the United States is $7.25 per hour as of Apr-2022, but furry artists typically make more than that. The average hourly wage for a is $10, but it can range from $5 to $100 per hour, depending on the project.

The average commission for a furry piece is $50, but the price can vary depending on the type of commission, the level of detail, and the time period. For example, a simple black and white drawing may cost less than $30, while a more complex piece with an additional character may cost $200 or more.

The cost of materials is also a factor in the commission price. For example, an artist who uses high-quality paper and ink will charge more than someone who uses cheaper materials.

Some artists also charge for their time, whether for travel time, lost time, or the time it takes to set up and arrange their equipment.

What Are the Benefits of Being a Furry Artist?

Furry art is a rapidly growing niche within online art communities. Furry fans are passionate about their favorite animal’s character and often commission artists to create new and original artwork featuring these beloved furry friends.

For many professional artists, selling furry commissions can be a great way to supplement their income.

Furry commissions can be a great source of extra income, but they can also be fun to create.

Many artists enjoy the challenge of creating new and interesting animal characters, and the furry fandom provides an opportunity to connect with other artists who share this passion.

What Are the Challenges of Being a Furry Artist?

Of course, being a Furry Artist also has its challenges. One of the biggest challenges is getting started.

It can be challenging to break into the furry art scene, and it often takes time and patience to build up a following.

Another challenge of being a Furry Artist is making a living. While there are many ways to make money as an artist, it’s not always easy.

This is especially true if you’re starting. Many Furries find themselves working other jobs and their art to make ends meet.

What Does the Future Hold for Furry Artists?

The future looks bright for Furry Artists. As the social network and the furry communities continue to grow, artists will be more opportunities to sell their work.

Additionally, as furries become more mainstream, there will likely be an increase in the demand for furry artwork.

This demand could lead to more Furries making a living off their art and perhaps even making way for a new generation.

However, it is the future holds, one thing is sure. Furries will continue to create amazing artwork that brings joy to everyone who sees it.

Conclusion

So, if you’re an artist who loves working with animals and wants to make a living doing what you love, furry artistry may be the perfect career for you.

Furry artists can make money by selling their work online or through commissions from fans.

The skills required to become a successful artist are primarily artistic, but other essential qualities will help you succeed.

And finally, the benefits of being a furry artist are plentiful, from making your schedule to having creative freedom.

But like any career, some challenges come along with it.

We hope this article helped give you a better understanding of what it takes to be a furry artist and all that the role entails.

Thank you for reading, and please do leave your comments.

Commission Prices for Furries and Artists

A frequent source of confusion in the furry fandom is about commission pricing for furry art.

This confusion is often driven by (usually younger) furries demanding free or severely cheap art from artists, and the aftermath of such exchanges. There’s a reason @SpicyFurryTakes posts so frequently.

In the interest of not adding to the confusion, I’d like to offer a simple algorithm for artists to use for their standard commission prices, and then some guidelines for artists and commissioners to make the art commissioning experience better for everyone.

As my goal here is to simplify, I will be taking liberties and eschewing a lot of the economic details. If you feel that I made a mistake but aren’t sure because I’m not showing my work, feel free to leave a comment.

Original art by Khia, poorly edited by myself.

Commission Pricing For Artists

If you’re an artist reading this, you should almost certainly raise your rates.

Furry artists in particular are notorious for undercharging for all their time and hard work. We’re talking single-digit percentages of what industry professionals charge for roughly equivalent quality.

And then when one encounters a financial emergency, they desperately scramble to take on a lot more work just to pay for whatever life event happened. If the artist hadn’t been leaving so much money on the table with their commissioners, they probably wouldn’t need to do emergency commissions in the first place–let alone endure the mental toll of delivering on them.

It’s tragic.

If you’re not sure how much you should charge at all, I recommend the following algorithm:

Calculate your floor. Increase your rates. Are you able to consistently fill your commission slots? Yes -> Go to step 2 above.

No -> Be patient.

Calculating Your Floor

Art by Swizz.

First, benchmark how long it takes you to complete a typical item on your price list. For example, a sketch of one character might take N hours to complete on average (with variance granted for complex character details).

Next, decide on a fair hourly rate for your work as a professional.

Don’t undersell yourself! For example, your hourly rate should never be less than $24 per hour (in 2020 dollars), in the United States. This number is based on what the federal minimum wage should be, if it was pinned to productivity. If that seems too high for you, don’t go below $15.

Whatever number you landed on, immediately double it. Roughly half of your income will be eaten by taxes (income taxes–including state income taxes if applicable–plus payroll taxes since you’re self-employed as an artist), unless your tax accountant tells you otherwise.

Now that you have a number in mind, you’re going to want to go through the rest of your price list and make a mental note of how many hours each item will take you to complete.

For example: If a complete illustration of one character with a detailed background takes you 8 hours, and each additional character takes an additional 2 hours, you can setup your pricing as follows:

where

is the number of additional characters beyond the first one,is your minimum hourly rate, andis the price of a commission.

If you decided

$400 + $100 per additional character

, then your price list entry for this type of commission might look like this:

You should do this for every item on your commission price list.

Increase Your Rates

Once you have a price list figured out, you will want to occasionally increase your prices.

Art by Khia.

When To Increase Your Commission Prices

Generally: If you’re utilizing 100% of your allocated time for art, it’s time to increase your rates. This means you have sufficient demand to justify a price increase.

If you’ve allocated 40 hours of your time per week for commission work, and you’re consistently allocating all 40 of those hours, it’s time to increase your rates.

(This logic also applies to commission “slots”, but not all slots are equal. Use your best judgment here.)

How to Increase Your Prices

There are different schools of thought on pricing strategies. As a computer programmer, my generally recommended strategy is similar to a git bisect:

Double your prices. Are you able to fill at least 50% of your commission time allocation at the new prices? (Let’s call your old price N, and your new price 2N.) No: Go exactly halfway between the old prices and the new prices (1.5N).

Yes: Are you able to consistently fill 100%? Yes: Go back to step 1. You haven’t doubled them enough. No: You may have found your prices, but don’t bail out just yet.

You know that 2N yields between 50% and 100% utilization. If you dropped down to 1.5N, you’d very likely see 100% utilization, so your ideal rate is probably somewhere between 1.5N and 2N.

So try 1.75N.

If you’re below 50%, you need to go down (1.625N). If you hit 100%, you know you need to go up (1.875N).

Recursively iterate this process, increasing half as much as the previous step.

Keep this up until the difference between this step and the next step is smaller than some threshold (e.g. $5) or you’re at a comfortable utilization between 50% and 99%.

Working Through An Example

Let’s say you were charging $50 for sketches, $150 for lined art, and $300 for full colored illustrations, and your commission queue is always filled.

First, double your prices (sketches: $50 -> $100, line art: $150 -> $300, full colored illustrations: $300 -> $600).

If your next batch of commissions gets filled to 100%: double them again (sketches are $200, line art is $600, full illustrations are $1200). Keep doing this until you’re not at 100% utilization.

If, after you’ve finished a cycle of doubling, your next batch of commissions is between 50% and 100% utilization, sit tight at your current rate. Demand for your art will increase as you grow your audience, and you’ll find yourself needing to start the process over with again.

However, if you’re at below 50% utilization, it’s time to step halfway between the old and the new. If going from the initial ($50, $150, $300) to the new ($100, $300, $600) dropped demand to below 50%, your new prices would be ($75, $225, $450). If you’re still below 50%, you can keep decreasing it further.

(Feel free to round these numbers, but err on rounding them up.)

If you started at 100% utilization, this process will end up at some price greater than your starting point.

Note:

Every time I’ve said “your prices” above, what I’m talking about are your standard rates, not what you’re offering on a particular day.

You should absolutely feel entitled to offer discounts, sales, and special deals whenever it suits you.

Deeper Analysis

Computer science majors will recognize this strategy as approximately a binary search algorithm.

A true binary search would zero in on your 100% utilization prices if you were capable of going above 100% utilization, but I wrote this with the assumption that 100% utilization is a market signal that you need to raise your rates. This is the guideline we’re using, because I’m assuming you cannot go above 100%. (That’s how you get burn-out!)

If you replace 100% utilization in the “true” binary search algorithm with another target percentage (say: 75%, and you bail out when you’re within 2.5% of this value), you will zero in on prices that meet your threshold.

The reason we’re increasing/decreasing by powers of 2 with each recursive iteration is that it’s the most efficient algorithm available.

A more naive approach would be to, instead of going from 2N down to 1.5N, decreasing by 0.1N until you hit your goal.

If you’re going from $100 and trying to hit a 90% utilization, and the magic number that hits that number is $147, the comparative strategies might look like this:

$100 -> $200, 60%

$200 -> $150, 88%

$150 -> $125, 100%

$125 -> $137, 100%

$137 -> $144, 100%

$144 -> $147, 90% $100 -> $200, 60%

$200 -> $190, 65%

$190 -> $180, 70%

$180 -> $170, 76%

$170 -> $160, 82%

$160 -> $150, 88%

$150 -> $140, 94%

backtrack, smaller increments

backtrack, smaller increments $140 -> $149, 88%

$149 -> $148, 89%

$148 -> $147, 90%

The efficiency here is important: More price changes in a short time interval can make customers nervous.

In the example above, if 88% was acceptable, you could have stopped at $150. That would have been two total operations for the binary search and six for the gradual step-down approach.

In all but the most contrived scenarios, you want to use a binary search strategy.

Consider Hourly Commission Rates

Price lists have a tendency to get complicated, especially when complex character details (your fursona is a wolf, but with wings!) enter the mix.

One alternative to this is, after applying the price algorithm above, simply express your prices in terms of how much time a piece of art typically takes and advertise your standard rate.

Then your commissioners will know they’re hiring you for e.g. $50/hour for a project that typically takes N hours.

Improving the Furry Art Commission Experience

Guidelines for Artists

Communicate with your commissioners. If you’re not using something like Trello to track your projects, you should send them updates more than you’d normally feel comfortable. The more complex the work, the more updates you should send.

Dates Rule Everything Around Me. We understand that you have multiple projects–often running in parallel–that need to be completed to keep your clients happy. We know we’re not the only iron in your fire. Give estimate completion dates as soon as you can. If you can’t give a completion date, give an estimated date for a date. (I’m serious. This will virtually eliminate commissioner anxiety.)

Be transparent. If you need more time to get a piece done, tell your commissioners as soon as you can. Shit happens. We all get sick. We all have unproductive days/weeks. Anyone who doesn’t understand this is someone you probably want to decline accepting work from in the future.

Guidelines for Commissioners

Be polite. It’s difficult to understate how important basic manners are, even moreso when nobody seems to practice them.

I want to stress the importance of thanking your artists when they complete work for you. Did you know in the last month I’ve had about 15 clients not do so? Not so much as a ‘ta’. They are people I’m unlikely to work with again as they’ve made me feel very poorly about my work. — Silvi Bells 🎄🔔 (@silvixenart) October 14, 2020

Don’t bitch about prices. If you can’t afford their rates, you have three choices: Save up money for this luxury expense, move onto another artist, or learn to make it yourself.

n.b. This includes telling artists they should charge more! If you’re going to do that, your words must be accompanied by a generous tip. If they aren’t, you’re an asshole.

Updates are your opportunity to request changes. If you just say, “It’s coming along great, thanks for the update!” then you’re agreeing with the current direction of their work.

If the artist forgot an important detail (e.g. a marking on your fursona), the sooner you tell them, the sooner they can correct it. You aren’t being rude by informing them (unless you word it rudely; use good judgment!).

Credit your artists. Always. Link to their account too, if reasonably practical.

A lot of an artists’ income is the consequence of their previous commissioners showcasing their work. Word of mouth is the best form of advertising most can afford.

If you credit your artists, you’ll be helping them stay afloat until you decide to commission them again in the future.

Questions and Answers

Art by Khia.

I’ve received a bit of feedback since I first published this article from various sources (Reddit, forum posts in other languages that I can only hope Google Translate got right, etc.) and I thought I’d address some of your questions and concerns here.

“It takes me forever to get art done. Should I bill for my egregiously slow time?”

There are three reasons I’m aware of that could lead an artist to have a glacial work pace.

They have insufficient art practice Their techniques and strategies aren’t time-efficient They live with some sort of disability

For the first two reasons, the solution is simply to practice more, try different techniques, and learn from other artists so you can get your work pace fast enough to earn a living from art. It’s okay if you’re still somewhat slower than your peers, but until you’re able to consistently produce art at a reasonable rate, you’re probably not ready to do art professionally (and that’s okay, not everyone has to be).

For the last one, I don’t have any useful advice. I don’t know your disability and am unqualified to advise you on what to do to overcome the challenges you face as an artist because of it. The advice on this page is intentionally very generalized and I’m sorry it won’t help you.

“My clientele only make poverty wages. How can I raise my rates without betraying them?”

I mean this in the gentlest way possible: If you’re in this situation, you do not have clients, you have friends. Friends are an incredibly good thing to have. Humanity overall severely underestimates the importance of good friendships, especially in America.

But if you’re trying to earn your living through art, you have to distinguish between the two. Clients are people who–whether through income or saving up–can afford to pay you a livable wage for your time as an artist.

That isn’t to say that you can’t continue to give your friends a discount, or even free art. They’re your friends, it’s your time. Do what you will. I mentioned this above. But if you’re doing real work, you should be getting paid a real livable wage.

Your friends might even be able to help you find clients that are able and willing to pay for your time. Don’t write them off or treat them as second-class.

“This advice doesn’t apply to me because my customer base is small, or nonexistent. What now?”

There are a lot of things you can do to change this fact, but I’m not qualified to speak competently to them. (If I knew the secret to a larger social media following, don’t you think I’d have used it for myself?)

Ask artists in your community for help and advice. Some might even help increase your follower counts so you can acquire more business.

“How do I find furries with sufficient disposable income to pay a livable wage?”

The truer but non-helpful answer is, “You don’t, they’ll find you.”

A lot of furries that work in tech fit the bill, but not all of them. Additionally, some well-off furries are righteous assholes and you really don’t want to deal with their bullshit.

The best advice I can offer here is:

Be active on social media. Be kind to people on social media. Don’t be afraid of self-promotion on your own feed.

Everything else boils down to patience and luck.

“I’m not an American, so what should I do differently?”

There are two schools of thought here.

On one paw, you can localize your prices to the cost of living for your area. This will ensure your needs are met and you can comfortably continue to work as an artist in relative comfort.

On the other paw, you could recognize that the Internet is an international marketplace and you are, at least in part, competing globally for clients. Many clients will come from wealthy countries and have the income or savings to facilitate large commissions, and therefore you can earn more money for the same work.

Use which ever you like better as your guiding light. I’m not a dictator, and even if I was, I have no mechanism to force you either way.

“What if I don’t want to make a livable wage as a furry artist, and just want to make art for other furries as a hobby?”

Why’d you click the link to this article?

“What would an increased bill rate look like for an artist that followed this advice?”

See this post for a detailed breakdown of furry fandom art spending, accompanied by an analysis based on an arbitrary rate at $50/hour and utilization at 30 hours per week. (Spoiler: It ends up at about $80,000/year.)

“This pricing advice isn’t specific to furry artists, it’s general pricing advice for freelancers in any industry!”

Ding ding ding!

(Art by Khia)

It’s true, I didn’t invent these tactics or pull them out of a magic hat. If you’re trying to make it in the world as a professional, price your work like a professional.

From what I can gather: Roughly half of the people that read this blog post picked up on this nuance immediately. Y’all are pretty sharp.

Furries are artists, and Anthrocon is their Sotheby’s

Furry culture tends to attract creative types. Unlike most other fandoms, furries are both the creators and the consumers of their culture. They’re in charge of creating their own costumes, literature, and art. At least that’s according to Eric Zawrotny, a furry and Anthrocon artist from Brighton Heights.

“Being able to create your own material in a very do-it-yourself fandom, it really draws artists in,” says Zawrotny.

Zawrotny has been a furry since 2001 and dresses in a mascot-like fursuit as Sebastian Silverfox, a “fursona” based on the kitsune, a mythical Japanese fox creature with multiple tails. He’s been attending Anthrocon on and off since 2003, where he sells and auctions off watercolor paintings of what he calls “more stylized wildlife.”

One new artist showing at the 2019 Anthrocon, taking place from July 4-7 at the David L. Lawrence Convention Center, is 12-year-old Ava Wos of Penn Hills. She became interested in furries when she turned 11 years old and has since adopted a wolf-fox fursona named Akela. She also has multiple sketchbooks filled with furry pencil sketches, both personal and commissioned, some of which will be at the convention this year.

click to enlarge Jennifer Opferman Jennifer Opferman of The Garment Goddess

“I’ve always been interested in art,” says Wos. “I’ve been drawing since I was around three. I draw all kinds of different characters.”

Another Anthrocon artist, Caitlin Stone, believes the convention offers a ton of opportunities for attendees to both buy and sell work.

“A big chunk of Anthrocon’s floor space is dedicated to artwork in its various forms,” says Stone, a Shaler resident and self-described “Jill of all trades” who specializes in bird-based multimedia artwork. She has a variety of fursonas that incorporate her own handmade ears and tails, as well as other elements like a floor-length cape with moth wings. This year, she plans on attending the convention dressed in a raven mask and arm wings.

In the past, Stone has contributed her mixed-media sculptures – sort of stuffed animals with soft, posable bodies and sculpted elements like heads, horns, and claws – to Anthrocon’s Art Show, where guests can bid on original or limited edition pieces.

Last year, she donated a griffin sculpture to the convention’s charity auction, which bids off pieces to raise money for animal charities and rescue groups in Western Pennsylvania.

There’s also the dealer room for full-time arts vendors and the more casual Artists Alley for those with a limited inventory or who can only reserve a booth for one or two days.

click to enlarge Photo: Marcus Janke Eric Zawrotny as Sebastian Silverfox

Jennifer Opferman, owner of The Garment Goddess, started selling her hand-sewn ears, tails, and other costume items at Anthrocon six years ago. She also sells at other local fan conventions like Tekko, but looks forward to Anthrocon each year.

“I always have other vendors be like, ‘Oh, you’re doing the furry convention?’” says Opferman, “And I always tell them that it is the highest-grossing convention I work.”

A third of her sales are commissions, including one instance when she made a four-foot long possum tail for a customer.

For the first time this year, Opferman expanded her offerings with leather dragon-wing necklaces and floral headbands outfitted with fake antlers, the latter of which sold out when she debuted them at Tekko.

click to enlarge Eric Zawrotny Watercolor by Eric Zawrotny

Opferman says she feels embraced by the Anthrocon community, despite not being a furry herself (though she does dress in costume at the convention). This sentiment is echoed by newcomer Wos, who is excited to experience what will be her first Anthrocon.

“I like how welcoming everybody is and how friendly it is, and it’s fun because people who aren’t as outgoing and are introverted rather than extroverted, they can be more themselves with their costumes,” says Wos. “It’s kind of like cosplaying, where we can just be somebody else who also represents ourselves.”

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