Every Chance That I Get Lyrics? The 191 Correct Answer

DJ Khaled is an American record producer, radio personality, rapper, DJ and record label executive who has a net worth of $75 million. DJ Khaled is also a radio host for Miami-based urban music radio station WEDR and DJ for hip hop group Terror Squad. DJ Khaled also makes tens of millions from endorsement deals with companies like Weight Watchers, T-Mobile Ciroc, and Apple.

Early life

Khaled Mohamed Khaled was born on November 26, 1975 in New Orleans, Louisiana to Palestinian parents who immigrated to the United States. He describes himself as a devout Muslim. His brother Alec Ledd (Alaa Khaled) is an actor. His parents were musicians who played Arabic music. Khaled developed an interest in rap and soul music as a young boy, and his parents were supportive of his interest. He worked at a local record store, which helped lay the groundwork for his music career.

Career

Khaled first rose to prominence in the 1990s when he was a DJ at Miami hip-hop radio station 99 Jamz. His job at the radio station prompted the group Terror Squad to hire Khaled as their DJ. After having a few credits with Terror Squad, Khaled switched to curating albums and released his debut studio album, Listennn…the Album, in 2006. Khaled released We The Best, We Global in 2007. 2008, Victory in 2010, We the Best Forever in 2011, Kiss the Ring in 2012, Suffering from Success in 2013, I Changed A Lot in 2015, Major Key in 2016, Grateful in 2017 and Father of Asahd in 2019. His album Khaled Khaled is due out in 2020.

One of Khaled’s most successful songs on “All I Do Is Win” with Ludacris, Rick Ross, Snoop Dogg and T-Pain. The song was taken from Khaled’s 2010 album Victory and was the album’s second single. The song was certified three times platinum by the RIAA.

In late 2015 and early 2016, a few Snapchat videos of Khaled discussing his “key to success” garnered a lot of attention due to his larger than life personality. He became an internet star and some people called him a “living meme”. Today, Khaled is one of the most in-demand producers in hip-hop and a hugely popular social media personality.

In 2018, he joined Demi Lovato as the opening act for her Tell Me You Love Me Tour, which began in February 2018 in San Diego, California and ran through July 2018.

On May 21, 2019, DJ Khaled shared a new video for “Wish Wish” with Cardi B and 21 Savage. Directed by Khaled and Eif Rivera, the clip features lots of explosions, fire and motocross riders in what looks like an early 2000’s B-level street racing film that went into production to capitalize on the success of the first Fast and The Furious .

Khaled wrote the book The Keys, which made the New York Times bestseller list. The book contains his opinions on success, tells life stories and describes contributions from other musicians.

He has also worked as an actor, starring in Pitch Perfect 3 (2017), Spies in Disguise (2019) and Bad Boys for Life (2020).

awards

In 2008 he was named DJ of the Year at both the Ozone Awards and the BET Hip Hop Awards. In 2016 he won the ASCAP Rhythm and Soul Awards for Best R&B/Hip-Hop Song for “Hold You Down” and “How Many Times”. Both songs feature Chris Brown, August Alsina, Future and Jeremiah. In 2017, he won the ASCAP Rhythm and Soul Awards for Best R&B/Hip-Hop Song for “I Got the Keys” (featuring Jay-Z and Future) and Best Rap Song for “For Free” (featuring drakes). Also in 2017, he won the American Music Awards for Favorite Rap/Hip-Hop Song for “I’m the One” (featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne).

legal issues

In November 2018, Khaled agreed to a $750,000 aggregate settlement with the Securities and Exchange Commission for failing to disclose payments from issuers of an initial coin offering, citing a $50,000 personal endorsement payment from struggling cryptocurrency firm Centra Tech Inc. , whose co-founders were charged with fraud in May 2018. According to the SEC, “These are their first cases in which charges have been filed for violating rules advertising investments in so-called initial coin offerings, or ICOs.” Boxer Floyd Mayweather Jr. was also involved in this event.

Personal life

Khaled and his wife Nicole Tuck have a son, Asahd Tuck Khaled, who was born on October 23, 2016. Khaled gained national attention after live streaming the birth on his Snapchat account. On January 20, 2020, Tuck gave birth to their second son.

Salary Highlights

Between September 2017 and September 2018, DJ Khaled earned an impressive $30 million from touring, producing, and most importantly, advertising. The vast majority of its earnings in any given year come from endorsement deals with companies like Ciroc, Apple, and even Weight Watchers. He’s one of the highest paid people in hip-hop, and his money doesn’t really have that much to do with hip-hop or music in general.

DJ Khaled’s career earnings by year

2014: $7 million

2015: $8 million

2016: $15 million

2017: $24 million

2018: $27 million

2019: $39 million

2020: $35 million

Total (so far): $155 million

property

In January 2017, Khaled bought Robbie Williams’ former home in Mulholland Estates, a gated community in Los Angeles for $9.9 million. He sold this home in April 2021 for $12.5 million, $1.5 million above its original asking price!

In 2018, Khaled bought a waterfront home in Miami for $25.9 million.

DJ Khaled earned his third No. 1 on the Billboard 200 chart with Khaled Khaled, reports Billboard. His 12th studio album achieved 93,000 album equivalent units, of which 76,000 were SEA units, equivalent to 106.87 million on-demand streams of the album tracks and 14,000 album sales. Although Khaled Khaled doesn’t fare as well as his previous opus, Father of Asahd, which amassed 136,000 units in its first week, it was enough to dethrone last week’s #1, A Gangsta’s Pain by Moneybagg Yo.

Khaled has already taken to Instagram for his lap of honor.

Speaking of Moneybagg Yo, his fourth studio album fell just one spot after moving 70,000 units. Morgan Wallen’s Dangerous: The Double Album rounds out the top three. Elsewhere on the charts, Young Thug and YSL’s Slime Language 2 slipped from second to fifth after sales fell 34 percent from last week.

Khaled Khaled features performances from Drake, Lil Baby, Jay-Z, Nas, Justin Bieber, Justin Timberlake and more. While it seems like everyone under the sun has worked with Khaled at some point, there’s still an artist he’d want to work with. “But I would love to work with André 3000,” he told Lil Baby for XXL. “Maybe you’ll get us on this bitch together,” Lil Baby replied. “Maybe you put us together there, me and André 3000.”

In the process, Khaled has coined several terms and phrases that help better communicate what the DJ producer is all about. Ahead of Khaled’s ninth studio album, Major Key, out June 29th via We The Best/ Epic Records, here’s a handy guide to the ins and outs of Khaled-isms. Bless you.

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Anotha One (song tag, /Ah-nutha one/)

On his tracks, Khaled screams “anotha one” to assure listeners that yes, you are hearing another DJ Khaled production. This is usually followed or preceded by DJ Khaled shouting his own name. The sound of an air horn can also be heard.

Used in one sentence: “DJ Khaled… Anotha one!”

Alert (adjective, /?-?l?rt/)

Word used by Khaled to indicate the importance of a statement or phrase, whether it be “Major Key Alert,” “Big Talk Alert,” or “Special Cloth Alert.” When Khaled sounds an alarm, you better listen or risk being left sad.

Used in one sentence: “Big key warning: Always keep your head above water.”

DJ Khaled shares “I Got The Keys” with Jay Z & Future: Watch

Bless Up (compliment, praise /bless-up/)

One of Khaled’s signature sayings. Bless up is Khaled language for “blessed” or alternatively “God bless you”. Used to express feelings of gratitude and happiness. Recent topics of Khaled’s blessing on Snapchat include Rita Ora, album success and the weather.

Used in one sentence: “The sun will shine, but some days it won’t. The key is to say thank you for each day. Bless you.”

Fan love (Action, /fan-love/)

This one is for the fans…literally. Let’s say Khaled is Snapchatting in public and some people on the street are asking him for an autograph? This is Fan Luv. What if Khaled is bragging about a recent #1 single? This is also Fan Luv. And what if Khaled plans a meet and greet? You better believe that’s Fan Luv too.

Used in one sentence: “Major Key is number one on the iTunes pre-order charts. fan love!”

lion (animal, /Ly-on/)

The lion is the king of the jungle, so it’s only fitting that Khaled has a statue of one in his garden. Khaled frequently features the majestic beast in full view on Snapchat while yelling “Lion!!”. In addition, a real lion features prominently on the cover of his Major Key album.

Used in a sentence: “LION…!!!”

DJ Khaled Poses With A Real Life Lion For The Major Key Album Cover And Plans The Birth Of Snapchat Son

Major key (slogan, /May-jur-kehy/)

Not only the title of Khaled’s latest album, “Major Key” is the very expression on which he has built his career and personality. Major keys relate to the important things in life, or at least things that are temporarily important. For example, in January, Khaled issued a Major Key Alert for enrolling in Obamacare. Also, Ice might be a major key on a hot summer day.

Used twice in a sentence: “Major Key Alert: My album Major Key is out July 29th.”

I like that (proclamation, /I-like that/)

When Khaled enjoys something, you better believe he’ll take to Snapchat and explain to his loyal followers that that’s actually how he does it.

Used in one sentence: “Cocoa butter? I like it.”

Play (adjective, /puh-lay/)

The word “play” is a multifaceted term in Khaled’s language and is used in two of his most iconic phrases: “Never play yourself” and “You played yourself”. A word to the wise: obey the former and never do the latter.

Used in a sentence: “As soon as we get them back, I’ll give it back to them and say, ‘Congratulations, you played yourself.'”

DJ Khaled supports Hillary Clinton and offers important keys to electoral success on ‘The Nightly Show’

Snapchat (App, /Snapchat/)

Khaled has become the undisputed champion of Snapchat, using it to reach fans, promote projects, chronicle his life and reinvent his career.

Used in one sentence: “Follow DJ Khaled on Snapchat. That is an important key.”

speaking (noun, /?to?k/)

Khaled has a lot to say, and you better listen as he does one of his famous “talks” to the rich and famous. Conversations can be anything from sneaker talk to mogul talk. Khaled even had a special cloth talk that he describes as the “truest conversation ever with icons,” including one with President Barack Obama. A conversation with Professor Khaled is like a beginner’s course on how to become a GOAT.

Used in one sentence: “We’re talking about new moguls, we’re talking about stuff moguls. We talk about it.”

You (pronoun, /?th?/)

Khaled dislikes “they” because “they” refers to the haters, the liars, and the cheats. “They” are everyone who doesn’t want you, yes you, to win. Khaled’s routine warning is to stay away from the “you” in your life and career. They will only drag you down.

Used in a sentence: “They don’t want you to have breakfast, so we will have breakfast.”

Kent Jones’ “Don’t Mind” jumps to #1 on the Rap Songs chart

#WeTheBest (hashtag, /We-Da-Bess/)

We The Best isn’t just a boast, it’s Khaled’s label. Established in 2010, the roster currently includes acts such as Kent Jones and Ace Hood. The term is often seen as a hashtag on Khaled’s Snapchat story.

Used in one sentence: “Did you know the guy singing ‘Don’t Mind’ is signed to Khaled’s We The Best?!”

win (verb, /win/)

According to his 2010 posse hit All I Do Is Win, that’s all DJ Khaled does. See also: “For Victory” and “Winning”.

Used in one sentence: “Khaled’s career has been an absolute win since he joined Snapchat.”

Producers and beatmakers don’t have to be the same person

On several occasions, Khaled has referred to himself as “the Quincy Jones of hip-hop”. As you probably know, Jones was the puppeteer who propelled Michael Jackson’s music career, the TV show Fresh Prince of Bel-Air, and countless other projects. Jones was the executive executive producer, but he hired people to implement his vision. That’s how most executive producers work.

In hip-hop, the roles of lead producer and beatmaker are often merged. For example, Timbaland and Pharrell often do both jobs. Khaled’s role—a lead who hires others to do the real work—exists in countless other industries. It is the basic management structure of the corporate world! This shouldn’t be too surprising.

As Joe Budden has said on multiple occasions, Khaled is the best A&R in hip hop. He has spent years building the network and connections he uses for each project. Over the past few years, Khaled has spoken about his process of creating a song. First he secures the lesser-known artist, then uses that artist’s name to get bigger artists to publish guest verses, and so on. He followed that process with “Top Off,” where he first got Future, then got Jay Z to jump up, and then asked Jay to ask if Beyonce could join. (Note that supporting Khaled is also in Jay’s best interest. The producer has signed a management deal with Roc Nation.)

Producers typically receive advances, a percentage of the royalties, or a percentage of the release. I don’t have specific data for Khaled, but according to Forbes, Mike Will Made-It earned 4.5% of royalties on a similar compilation album. If Khaled takes a similar cut from every album, there isn’t much money left over.

But it’s not that important. Khaled’s music is a loss maker to everything else he does.

Endorsement deals are where the money is

Khaled’s greatest asset is his network. These compilation albums keep him relevant, which increases his endorsement deals and money he makes outside of hip-hop. He was a regular on Forbes’ hip-hop Cash Kings list. Last year he made $27 million, largely from his endorsement deals with Weight Watchers, Apple, and Ciroc. The year before he made his $24 million from his six-figure DJ gigs and deals from Champs Sports, Mentos and Apple.

Leaders often talk about two things: working smarter, not harder, and the value of strong networks. Khaled is proof of both. He uses his deep rolodex of connections to make those records a reality, fueling his brand of millions in endorsements.

Sure, Khaled is also hated for his obnoxious personality. And the albums themselves usually have a lot of filler tracks, but I guess he doesn’t care anymore. Khaled has clearly figured out his game plan, regardless of what the haters say.

As he keeps saying, “They don’t want to see you win!” Maybe he’s right.

Radio station DJ in a studio

A disc jockey, more commonly abbreviated as a DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work in a nightclub or music festival), mobile DJs (who are hired for public and private events such as weddings, parties or festivals). ) and turntablists (which use turntables, usually record players, to manipulate sounds on vinyl records). Originally the “disk” in “discjockey” referred to shellac and later vinyl records, today DJ is also used as a collective term for people who mix music from other sound carriers such as cassettes, CDs or digital audio files on a CDJ, controller or even a laptop . DJs may adopt the title “DJ” before their real name, assumed pseudonym, or stage name.[1]

DJs typically use audio equipment that can play at least two sources of recorded music simultaneously. This allows you to mix tracks together to create transitions between recordings and create unique mixes of songs. This may include matching the beats of the music sources so that their rhythms and tempos don’t clash when played together, and to allow for a smooth transition from one song to another. DJs often use specialized DJ mixers, small audio mixers with crossfader and cue capabilities, to mix or switch from one song to another. Mixers are also used to preview recorded music sources in headphones and adjust upcoming tracks to mix them with the music currently playing. DJ software can be used with a DJ controller device to mix audio files on a computer instead of a mixer. DJs can also use a microphone to speak to the audience; Effect devices such as reverb for creating sound effects and electronic musical instruments such as drum machines and synthesizers.

role [edit]

Originally, the word “disc” in “disc jockey” referred to vinyl records, but now “DJ” is used as an all-encompassing term to describe someone who plays recorded music from any source, including vinyl records, cassette tapes, CDs, or mixes digital audio files, stored on a USB stick or laptop. DJs typically perform to a live audience at a nightclub or dance club, or to a television, radio show, or online radio audience. DJs also create mixes, remixes, and tracks that are recorded for later sale and distribution. In hip hop music, DJs can create beats using percussion breaks, basslines, and other musical content sampled from pre-existing records. In hip hop, rappers and MCs use these beats to rap over them. Some DJs adopt the title “DJ” as part of their name (e.g. DJ Jazzy Jeff, DJ Qbert, DJ Shadow and DJ Yoda). Professional DJs often specialize in a specific genre of music such as techno, house or hip hop. DJs typically have an extensive knowledge of the music they specialize in. Many DJs are avid music collectors of old, rare or obscure tracks and records.

Types [ edit ]

Club DJs [ edit ]

DJ Pete Rock at Rahzel and Friends – Brooklyn Bowl, 2016

Club DJs, commonly referred to generically as DJs, play music at musical events such as B. Parties in music venues or bars, clubs, music festivals, corporate and private events. Typically, club DJs mix music recordings from two or more sources using different mixing techniques to create an uninterrupted flow of music.

A key technique for seamlessly transitioning from one song to another is beat matching. A DJ who primarily plays and mixes a specific genre of music is often given the title of that genre; For example, a DJ playing hip hop music is referred to as a hip hop DJ, a DJ playing house music as a house DJ, a DJ playing techno as a techno DJ, and so on .

The quality of a DJ performance (often referred to as a DJ mix or DJ set) consists of two main characteristics: technical ability, or how well the DJ can operate the equipment and create smooth transitions between two or more recordings and a playlist; and a DJ’s ability to select the most appropriate takes, also known as “reading the crowd”.[2]

Hip hop DJs [ edit ]

DJ Kool Herc, Grandmaster Flash and Afrika Bambaataa were members of a block party in the South Bronx. Kool Herc played records like James Brown’s “Give It Up or Turnit a Loose”, Jimmy Castor’s “It’s Just Begun”, Booker T. & the MG’s “Melting Pot”,[3] Incredible Bongo Bands “Bongo Rock” and ” Apache” and “The Mexican” by British rock band Babe Ruth. With Bronx clubs struggling with street gangs, uptown DJs catering to older disco audiences with different ambitions, and commercial radio that also catered to a demographic distinct from Bronx teenagers Hercs parties a ready crowd. [6]

DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a brief, heavily percussive part of it: the “pause”. As this was the part of the record that the dancers liked best, Herc isolated the break and lengthened it by switching between two turntables. When one record reached the end of the intermission, he put a second record back at the beginning of the intermission, allowing him to expand a relatively short section of music into a “five-minute loop of rage”.[7] This innovation had its roots in what Herc dubbed “the merry-go-round,” a technique used by the DJ to switch from pause to pause at the height of the party. This technique is specifically called “The Carousel” because, according to Herc, it “goes back and forth with no slack.”[8]

Radio DJs [ edit ]

Radio DJs or radio personalities present and play music that is broadcast on AM, FM, digital or internet radio stations. [citation required]

Dancehall/Reggae DJs [ edit ]

In Jamaican music, a DJ (DJ) is a reggae or dancehall musician who sings and “toasts” (raps) to an instrumental riddim. Deejays are not to be confused with DJs from other music genres such as hip hop where they select and play music. Dancehall/reggae DJs who choose riddims to play are called selectors. DJs whose style is closer to singing are sometimes referred to as singjays.

The term DJ emerged in the 1960s and 1970s when performers such as U-Roy and King Stitt toasted the instrumental versions (dub music) of popular records. These versions were often released on the back cover of the song’s 45 record. This gave the DJs the opportunity to spontaneously create lyrics to the music. Big Youth and I-Roy were famous DJs in Jamaica.

Turntablists [ edit ]

DJ Qbert performing at the Rainbow Warehouse in Birmingham (close-up video on the DJ mixer but no sound)

Turntablists, also known as battle DJs, use turntables and DJ mixers to manipulate recorded sounds to produce new music. Essentially, they use DJ equipment as a musical instrument. Perhaps the most well-known turntablist technique is scratching. Turntablists often compete in DJ competitions such as DMC World DJ Championships and Red Bull 3Style.[9]

residents [edit]

A resident DJ performs regularly or permanently at a venue.[10][11][12] They performed regularly (usually under an agreement) at a specific nightclub, club, event or radio station.[13][14][15] Residents have a decisive influence on the association or a series of events.[16] According to the agreement with management or company, the DJ would have to perform at agreed times and dates.[11][17] Typically, DJs perform as residents two or three times a week, such as on Fridays and Saturdays. DJs who earn a regular income from a venue are also considered resident DJs.[18][19]

Examples of resident DJs are:[20][21]

Other types[ edit ]

Mobile DJs – DJs with their own portable audio sound systems who specialize in performing at gatherings such as street fairs, street fairs, taverns, weddings, birthdays, school and corporate events. Mobile DJs can also offer lighting packages and video systems. [22]

Producer DJs – DJs who create remixes of popular club hits, completely original tracks, or transition-friendly versions of tracks that lengthen the beginning and end of a song. The work of producer DJs is often featured in online DJ record pools. [23]

DJanes – a term describing female DJs used in countries like Germany that use grammatical gender in their languages. [24]

Celebrity DJs – Well-known celebrities who perform as DJs. [25]

Bedroom DJs – a general term for DJs who perform at home, typically recording their sets and posting them online.[26]

Equipment [ edit ]

DJs use equipment that allows them to play multiple sources of recorded music and mix them to create seamless transitions and unique arrangements of songs. An important tool for DJs is the specialized DJ mixer, a small audio mixer with crossfader and cue functions. The crossfader allows the DJ to mix or switch from one song to another. The cue knobs or switches allow the DJ to “hear” a source of recorded music in headphones before playing it to the live club or broadcast audience. Previewing the music through headphones helps the DJ choose the next track to play, get the track to the desired starting position, and align the beats of the two tracks in traditional situations where auto-sync technology isn’t used . This process ensures that the selected song blends well with the music currently playing. DJs can align the beats of music sources so their rhythms don’t clash when played together to create a smooth transition from one song to another. Other equipment can include a microphone, effects processors such as reverb, and electronic musical instruments such as drum machines and synthesizers.

As music technology has advanced, DJs have introduced various types of devices for playing and mixing music, all of which are still in common use. Traditionally, DJs used two turntables connected to a DJ mixer to mix music onto vinyl records. As CDs became popular media for music release, specialized high quality CD players known as CDJs were developed for DJs. CDJs can replace turntables or be used in tandem with turntables. Many CDJs can now play digital music files from USB sticks or SD cards in addition to CDs. With the proliferation of portable laptops, tablets, and smartphones, DJs began using software along with specialized sound cards and DJ controller hardware. DJ software can be used in conjunction with a hardware DJ mixer or in place of a hardware mixer.

Turntable [ edit ]

Turntables allow DJs to play vinyl records. By adjusting the playback speed of the platter, either by adjusting the speed dial or by manipulating the platter (e.g. slowing the platter down by gently running a finger along its side), DJs can match the tempos of different records to their rhythms be played simultaneously without overlapping, or allow for a smooth, seamless transition from one song to another. This technique is called beat matching. DJs typically replace the rubber mat on turntables, which moves the record in sync with the platter, with a slipmat, which makes it easier to manipulate the record’s playback by hand. The Slipmat allows the DJ to pause or slow down the record while the platter is still spinning. Direct drive turntables are favored by DJs. Belt drive turntables are cheaper but not suitable for turntablism and DJing as the belt drive motor can be damaged by this type of manipulation. Some DJs, most commonly those playing hip-hop music, go beyond just mixing records and use turntables as musical instruments for scratching, beat juggling, and other turntablism techniques.

CDJs/media players [ edit ]

CDJs / media players are high quality digital media players designed for DJing. They often have large jog wheels and pitch controls to allow DJs to manipulate playback of digital files for beat matching, much like DJs manipulate vinyl records on turntables. CDJs often have similar features, such as loops and waveform displays, to DJ software. Originally designed to play music from CDs, they can now play digital music files stored on USB flash drives and SD cards. Some CDJs can also connect to a computer running DJ software to act as a DJ controller. Modern media players can stream music from online music providers such as Beatport, Beatsource, Tidal and Soundcloud GO.[27]

DJ mixer [ edit ]

Numark DM2002X Pro Master DJ Mixer. This three-channel mixer can have up to three input sound sources. The volume and tone of each sound source can be adjusted using the gain controls and equalization controls. The vertical faders allow further adjustment of the volume of each sound source. The horizontally mounted crossfader allows the DJ to smoothly transition from a song on one sound source to a song on another sound source.

DJ mixers are small audio mixers specialized in DJing. Most DJ mixers have far fewer channels than a mixer used by a record producer or sound engineer; While standard live sound mixers in small venues have 12 to 24 channels, and standard recording studio mixers even more (up to 72 on large boards), basic DJ mixers may only have two channels. While DJ mixers share many of the same features as larger mixers (faders, equalizer controls, gain controls, effects processors, etc.), DJ mixers have one feature typically found only on DJ mixers: the crossfader. The crossfader is a type of fader that is mounted horizontally. DJs used the crossfader to mix two or more sound sources. The midpoint of the crossfader’s path is a 50/50 mix of the two channels (on a two-channel mixer). The leftmost side of the crossfader provides only the channel A sound source. The rightmost side provides only the channel B sound source (e.g. turntable number 2). Positions between the two extremes provide different mixes of the two channels. Some DJs use a computer running DJ software and a DJ controller to mix music instead of an analog DJ mixer, although DJ software can be used in conjunction with a hardware DJ mixer.

headphones [edit]

DJs generally use higher quality headphones than those designed for music consumers. DJ headphones have other features that are useful for DJs, such as removing other headphones (so they can monitor the mix in the club) and interchangeable cables. Interchangeable cables allow DJs to purchase new cables when a cable becomes frayed, worn or damaged, or when a cable has been accidentally cut.

Closed-back headphones are highly recommended for DJs to block outside noise as DJ environments are usually very noisy. Standard headphones have a 3.5mm jack, but DJ equipment typically requires a ¼” jack. Most specialized DJ headphones have an adapter to switch between 3.5mm jack and ¼ inch jack. Detachable coiled cords are perfect for DJ headphones.[28]

software [edit]

DJs have changed their gear as new technology has been introduced. The earliest DJs in popular music, in the discos of the 1970s, used turntables, vinyl records and audio consoles. In the 1970s, DJs had to lug heavy direct-drive turntables and crates of vinyl into clubs and shows. In the 1980s, many DJs switched to compact cassettes. In the 1990s and 2000s, many DJs switched to digital audio such as CDs and MP3 files. When technological advances made it practical to store large collections of digital music files on a laptop computer, DJ software was developed so DJs could use a laptop as a music source instead of carrying CDs or vinyl to gigs. Unlike most music player software programs designed for ordinary consumers, DJ software can play at least two audio files simultaneously, displaying the files’ waveforms on screen and allowing the DJ to listen to both sources.

Using the waveforms, the DJ can see what’s coming next in the music and how the playback of different files is aligned. The software analyzes music files to identify their tempo and beats. The analyzed information can be used by the DJ to aid in manual beat matching like vinyl records, or the software can automatically sync the beats. Digital signal processing algorithms in software allow DJs to adjust the tempo of recordings regardless of their pitch (and key, a feature known as “keylock”). Some software analyzes the loudness of the music for automatic normalization with ReplayGain and detects the key. In addition, the DJ software can save cue points, set loops and apply effects.

As tablet computers and smartphones became widespread, DJ software was written to run on these devices as well as laptops. DJ software requires special hardware in addition to a computer to fully utilize its functions. The regular consumer sound card built into most computer motherboards can only output two channels (a stereo pair). However, DJs need to be able to output at least four channels (two stereo pairs, meaning left and right for input 1 and left and right for input 2), either unmixed signals to send to a DJ mixer, or a main output plus headphone output. In addition, DJ sound cards output higher quality signals than the sound cards built into consumer computer motherboards.

Timecode [ edit ]

Special vinyl records (or CDs/digital files played with CDJs) can be used with DJ software to play digital music files with DJ software as if they were pressed on vinyl, allowing turntablism techniques to be used with digital files . No music recordings are pressed onto these records. Instead, they are pushed with a special signal called “timecode” to control the DJ software. The DJ software interprets changes in the playback speed, direction and position of the timecode signal and manipulates the digital files it plays in the same way that the turntable manipulates the timecode recording.

This requires a specialized DJ sound card with at least 4 channels (2 stereo pairs) of inputs and outputs. With this setup, the DJ software typically outputs unmixed signals from the music files to an external hardware DJ mixer. Some DJ mixers have built-in USB sound cards that allow DJ software to connect directly to the mixer without the need for a separate sound card.

DJ controller [ edit ]

Instead of a separate hardware mixer, DJ software can be used to mix audio files on the computer. When mixing on a computer, DJs often use a DJ controller that mimics the layout of two turntables plus a DJ mixer to control the software, rather than the computer keyboard and touchpad on a laptop or the touchscreen on a tablet computer or smartphone. Many DJ controllers have an integrated sound card with 4 output channels (2 stereo pairs) that allows the DJ to use headphones to preview the music before playing it on the main output.[29]

Other gear[ edit ]

techniques [edit]

Several techniques are used by DJs to better mix and mix recorded music. These techniques primarily involve cueing, equalization, and audio mixing of two or more sound sources. The complexity and frequency of special techniques depends heavily on the environment in which a DJ works. Radio DJs are less likely to focus on advanced music mixing techniques than club DJs, who rely on smooth transitions between songs using a range of techniques. However, some radio DJs are experienced club DJs and therefore use the same sophisticated mixing techniques.

Club DJs’ turntable techniques include beatmatching, phrasing, and slip-cueing to conserve energy on a dance floor. Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning, and more to perform the transitions and overdubs of samples in more creative ways (although turntablism is often thought of as using the turntable as a musical instrument rather than a tool for mixing recorded music). Professional DJs can use harmonic mixing to select songs that are in compatible keys.[30][31] Other techniques include chopping, screwing, and looping.

Recent technological advances in both DJ hardware and software may allow assisted or auto-completion of some traditional DJ techniques and skills. Examples are phrasing and beatmatching, which can be partially or fully automated using DJ software that performs automatic synchronization of sound recordings, a feature commonly referred to as “sync”. Most DJ mixers now include a beat counter that analyzes the tempo of an incoming sound source and displays its tempo in beats per minute (BPM), which can be useful when beat-matching analog sound sources.

In the past, being a DJ was largely self-taught, but with the complexity of new technologies and the convergence of music production methods, there are a growing number of schools and organizations offering instruction in the techniques.[32]

facial expressions [ edit ]

In DJ culture, miming refers to the practice of DJs miming the actions of live mixing of a set on stage while a pre-recorded mix is ​​played over the sound system. Miming mixing in a live performance is considered controversial within DJ culture.[35] Some in the DJ community say that miming is increasingly being used as a technique by celebrity model DJs who may lack mixing skills but can draw large crowds to a venue.[36]

During a DJ tour for French group Justice’s A Cross the Universe release in November 2008, controversy erupted when a photo of Augé DJing with an unplugged Akai MPD24 surfaced. The photo sparked allegations that Justice’s live sets were fake. Augé has since said the equipment was unplugged very briefly before being reconnected, and the band posted a set of three photos of the incident to their MySpace page. After a Disclosure concert in 2013, the duo were criticized for pretending to mix live to a rendition of a recorded track. Disclosure’s Guy Lawrence said they did not intentionally intend to mislead their audience, citing facial expressions by other DJs such as David Guetta.

history [edit]

For the history of club DJs, see History of DJing

For the history of radio DJs, see History of Radio Disc Jockeys

The term “disc jockey” was reportedly coined by radio gossip commentator Walter Winchell in 1935, and the phrase first appeared in print in 1941 in a Variety magazine, used to describe radio personalities who introduced phonograph records on the air. Playing recorded music for dancing and parties increased with the mass marketing of home phonographs in the late 19th century. British radio disc jockey Jimmy Savile held his first live dance party in 1943 using a single turntable and a makeshift sound system. Four years later, Savile began using two turntables welded together to form a single DJ console.[42] In 1947, the Whiskey à Gogo opened in Paris as the first nightclub.[43] In the 1960s, Rudy Bozak began manufacturing the first DJ mixers, mixing consoles dedicated to DJing.

In the late 1960s to early 1970s, Jamaican sound system culture, producer and sound system operator (DJ), (Jamaican) King Tubby and producer Lee “Scratch” Perry pioneered the genre known as dub music. They experimented with tape-based composition; emphasized repetitive rhythmic structures (often stripped of their harmonic elements); electronically manipulated space; acoustically manipulated recorded music material from mass media;[44] and remixed music among other innovative techniques.[45] It is well known that Jamaican dancehall culture has had, and still has, a significant influence on American hip-hop culture.[44][45]

Vintage DJ station. A DJ mixer is placed between the two turntables.

Pioneer DDJ-RX controller running with rekordbox on a computer

DJ turntablism has its roots in the invention of direct drive turntables. Early belt-drive turntables were unsuitable for turntablism and mixing because they had a slow start-up time and were prone to wear and breakage, as turning back or scratching the belt would break it. The first direct drive turntable was invented by engineer Shuichi Obata at Matsushita (now Panasonic)[47] based in Osaka, Japan.[48] It eliminated belts and instead used a motor to directly drive a platter on which a record was resting.[49] In 1969, Matsushita released it as the SP-10,[49] the first direct-drive turntable on the market,[50] and the first in their influential Technics line of turntables.[49]

In 1972, Technics began manufacturing its SL-1200 turntable, featuring a high-torque direct-drive design. The SL-1200 got off to a quick start, and its durable direct drive allowed DJs to manipulate the platter as if using scratching techniques. Hip hop DJs began using the Technics SL-1200 as musical instruments to manipulate records using turntablism techniques such as scratching and beat juggling, rather than just mixing records. These techniques were developed in the 1970s by DJ Kool Herc, Grand Wizard Theodore, and Afrika Bambaataa when they experimented with Direct Drive Technics decks and found that even if the DJ wobbled the record back, the motor would spin at the correct speed and forth on the plate.[51]

In 1980, the Japanese company Roland released the TR-808, an analog rhythm/drum machine that has unique artificial sounds like a booming bass and a sharp snare and a metronome-like rhythm. The Yellow Magic Orchestra’s use of the instrument in 1980 influenced hip-hop pioneer Afrika Bambaataa, after which the TR-808 began to be widely adopted by hip-hop DJs, with 808 sounds becoming the focus of hip-hop music ever since . The Roland TB-303, a bass synthesizer released in 1981, had a similar impact on electronic dance music genres such as techno and house music,[54][52] along with Roland’s TR-808[53] and TR-909 drum machines. [55][56]

In 1982, the Compact Disc (CD) format was released, popularizing digital audio. In 1998 the first digital MP3 audio player, the Eiger Labs MPMan F10, was introduced. In January of the same year, at the BeOS Developer Conference, N2IT introduced FinalScratch, the first digital DJ system that allows DJs to control MP3 files via special time-coded vinyl or CDs.[57] While it would take some time for this new concept to catch on with “die-hard vinyl DJs,” it would be the first step in the digital DJ revolution. Manufacturers partnered with computer DJ pioneers to offer professional support, the first being Professor Jam (aka William P. Rader), who later launched the industry’s first dedicated computer DJ conference and tutorial, “CPS (Computerized Performance System) DJ Summit” developed ” to help spread the word about the benefits of this new technology.

In 2001, Pioneer DJ began producing the CDJ-1000 CD player, which made the use of digital music recordings viable with traditional DJ techniques for the first time. Im Laufe der 2000er Jahre wurden Laptops leistungsfähiger und erschwinglicher. DJ-Software, spezialisierte DJ-Soundkarten und DJ-Controller wurden für DJs entwickelt, um Laptops als Musikquelle anstelle von Plattenspielern oder CDJs zu verwenden. In den 2010er Jahren wurden Tablet-Computer und Smartphones, wie zuvor Laptops, leistungsfähiger und erschwinglicher. DJ-Software wurde geschrieben, um auf diesen tragbareren Geräten statt auf Laptops zu laufen, obwohl Laptops nach wie vor die üblichere Art von Computern für DJing sind.

Weibliche DJs [ bearbeiten ]

In der westlichen Popmusik haben Musikerinnen große Erfolge in Gesangs- und Songwriting-Rollen erzielt, es gibt jedoch relativ wenige weibliche DJs oder Turntablists. Ein Teil davon kann auf einen allgemein niedrigen Frauenanteil in audiotechnologischen Berufen zurückzuführen sein. In einem Artikel von Sound on Sound aus dem Jahr 2013 heißt es, dass es „… nur wenige Frauen in der Plattenproduktion und Tontechnik“ gibt Obwohl sie großartige Leistungen in der Musik erbringen, sind sie weniger bekannt als ihre männlichen Kollegen.“[58] Die überwiegende Mehrheit der Studenten in Musiktechnologieprogrammen ist männlich. In der Hip-Hop-Musik kann der niedrige Prozentsatz an weiblichen DJs und Turntablistinnen auf die allgemeine männliche Dominanz der gesamten Hip-Hop-Musikindustrie zurückzuführen sein. Die meisten Top-Rapper, MCs, DJs, Plattenproduzenten und Musikmanager sind Männer. Es gibt eine kleine Anzahl hochkarätiger Frauen, aber sie sind selten.

Im Jahr 2007 stellte Mark Katz in seinem Artikel „Men, Women, and Turntables: Gender and the DJ Battle“ fest, dass „sehr wenige Frauen [Turntablism] kämpfen [s]; die Angelegenheit ist seit Jahren ein Gesprächsthema unter Hip-Hop-DJs .“[59] Im Jahr 2010 erklärte Rebekah Farrugia, dass „die männliche Zentrierung der EDM-Kultur“ zu „einer Marginalisierung von Frauen in diesen [EDM]-Räumen“ beiträgt Die allgemeine Nutzung oder Nichtnutzung des Plattenspielers durch Frauen aller Genres und Disziplinen wird durch das beeinflusst, was er als “männliche Technophilie” definiert. Die Historikerin Ruth Oldenziel stimmt in ihrem Schreiben über das Ingenieurwesen dieser Idee der Sozialisation als einem zentralen Faktor für die mangelnde Auseinandersetzung mit Technologie zu. Sie sagt:

ein ausschließlicher Fokus auf das angebliche Scheitern von Frauen, das Feld zu betreten – reicht nicht aus, um zu verstehen, wie unsere stereotypen Vorstellungen entstanden sind; es tendiert dazu, die Beweislast ausschließlich auf Frauen abzuwälzen und ihnen die Schuld für ihre angeblich unzureichende Sozialisation, ihren Mangel an Streben und ihren Mangel an männlichen Werten zu geben. Eine ebenso herausfordernde Frage ist, warum und wie Jungen dazu gekommen sind, technische Dinge zu lieben, wie Jungen historisch als Technikbegeisterte sozialisiert wurden.[61]

Lucy Green hat sich auf das Geschlecht in Bezug auf Musiker und Schöpfer konzentriert und insbesondere auf Bildungsrahmen, die sich auf beide beziehen.[62] Sie schlägt vor, dass die Entfremdung von Frauen von “Bereichen mit einer starken technologischen Tendenz wie DJing, Tontechnik und Produktion” “nicht unbedingt mit ihrer Abneigung gegen diese Instrumente zusammenhängt, sondern mit der unterbrechenden Wirkung ihrer dominant männlichen Abgrenzung zusammenhängt”.[63] Trotz Aus diesem Grund engagieren sich Frauen und Mädchen zunehmend in Turntable- und DJ-Praktiken, einzeln[64] und kollektiv,[65] und „schaffen sich Räume in der EDM- und DJ-Kultur“.[60] Ein Artikel aus dem Jahr 2015 zitierte eine Reihe prominenter weiblicher DJs: Hannah Wants, Ellen Allien, Miss Kittin, Monika Kruse, Nicole Moudaber, B.Traits, Magda, Nina Kraviz, Nervo und Annie Mac.[66] Zwei Jahre später bringt ein weiterer Artikel eine Liste weltberühmter DJs heraus, darunter Nastia, tINY, Nora En Pure, Anja Schneider, Peggy Gou, Maya Jane Coles und Eli & Fur.[67]

Die DJin The Black Madonna wurde als „eine der aufregendsten Turntablists der Welt“ bezeichnet.[68] Ihr Künstlername The Black Madonna ist eine Hommage an die katholische Lieblingsheilige ihrer Mutter.[69] In 2018, The Black Madonna played herself as an in-residence DJ for the video game Grand Theft Auto Online, as part of the After Hours DLC.[70]

There are various projects dedicated to the promotion and support of these practices such as Female DJs London.[71] Some artists and collectives go beyond these practices to be more gender inclusive.[72] For example, Discwoman, a New York-based collective and booking agency, describe themselves as “representing and showcasing cis women, trans women and genderqueer talent.”[73]

In Japan, the newest Bushiroad franchise: D4DJ focuses all-female DJ unit.

health [edit]

The risk of DJs working in nightclubs with loud music includes noise-induced hearing loss and tinnitus.[74] Nightclubs constantly exceed safe levels of noise exposure with average sound levels ranging from 93.2 to 109.7 dB.[75] Constant music exposure creates temporary and permanent auditory dysfunction for professional DJs with average levels at 96dB being above the recommended level, at which ear protection is mandatory for industry. Three quarters of DJs have tinnitus[76] and are at risk of tenosynovitis in the wrists and other limbs. Tenosynovitis results from staying in the same position over multiple gigs for scratching motion and cueing, this would be related to a repetitive strain injury.[77] Gigs can last 4-5 hours in nightlife and the hospitality industry, as a result there are potential complications of prolonged standing which include slouching, varicose veins, cardiovascular disorders, joint compression, and muscle fatigue.[78][79] This is common for other staff to experience as well including bartenders and security staff for example.

In film [ edit ]

See also[edit]

References[edit]

Notes [edit]

Assef, Claudia (2000). Todo DJ Já Sambou: A História do Disc-Jóquei no Brasil . São Paulo: Conrad Editora do Brasil. ISBN 85-87193-94-5.

. São Paulo: Conrad Editora do Brasil. ISBN 85-87193-94-5. Brewster, Bill, and Frank Broughton (2000). Last Night a DJ Saved My Life: The History of the Disc Jockey . New York: Grove Press. ISBN 0-8021-3688-5 (North American edition). London: Headline. ISBN 0-7472-6230-6 (UK edition).

. New York: Grove Press. ISBN 0-8021-3688-5 (North American edition). London: Headline. ISBN 0-7472-6230-6 (UK edition). Broughton, Frank, and Bill Brewster. How to DJ Right: The Art and Science of Playing Records . New York: Grove Press, 2003.

. New York: Grove Press, 2003. Graudins, Charles A. How to Be a DJ . Boston: Course Technology PTR, 2004.

. Boston: Course Technology PTR, 2004. Lawrence, Tim (2004). Love Saves the Day: A History of American Dance Music Culture, 1970–1979 . Duke University Press. ISBN 0-8223-3198-5.

. Duke University Press. ISBN 0-8223-3198-5. Miller, Paul D. a.k.a. DJ Spooky, Sound Unbound: Writings on DJ Culture and Electronic Music , MIT Press 2008. ISBN 0-262-63363-9 ISBN 978-0-262-63363-5.

, MIT Press 2008. ISBN 0-262-63363-9 ISBN 978-0-262-63363-5. Poschardt, Ulf (1998). DJ Culture . London: Quartet Books. ISBN 0-7043-8098-6.

. London: Quartet Books. ISBN 0-7043-8098-6. Zemon, Stacy. The Mobile DJ Handbook: How to Start & Run a Profitable Mobile Disc Jockey Service, Second Edition. St. Louis: Focal Press, 2002.

Drake is a Canadian-born actor, producer and rapper who has a net worth of $250 million. Drake is consistently one of the highest paid entertainers in the world. Before becoming a major rap superstar, Drake was a child actor appearing on the Canadian teen drama Degrassi: The Next Generation. Since he first found mainstream success, Drake has earned more than $430 million in career earnings before taxes and lifestyle expenses.

Between June 2017 and June 2018, Drake earned $45 million. In 2017, he earned a total of $95 million. Between June 2018 and June 2019, he earned $75 million. In the following 12 months, he earned $50 million. Scroll down for a full year-by-year breakdown of Drake’s annual earnings.

Universal Music Group Agreement

At the company’s Q1 earnings call in May 2022, Universal Music Group confirmed it had re-signed Drake for a “long-term worldwide partnership.” The deal included everything from “recorded music to music releases, film, television and brands.” Drake has alluded to this deal in some lyrics. In one song, he rapped about signing a deal that came with “360 Up Front.” Given Universal’s confirmation, some have taken this text to mean that the deal netted him $360 million upfront. Other sources have put the deal’s value at $400 million or more. In the years leading up to the signing, Drake’s music catalog alone had generated $50 million in annual revenue for the company.

Assuming the deal was actually worth $400 million, Drake would theoretically have received $200 million up front after tax.

Early life

Aubrey Drake Graham on October 24, 1986 in Toronto, Canada. Drake’s father, Dennis, was a drummer who played with musicians such as Jerry Lee Lewis throughout his career. Drake’s mother, Sandra, aka Sandi, worked as an English teacher and florist. Drake attended a Jewish day school and had a formal bar mitzvah.

Sandi and Dennis divorced when Aubrey was five. His father then moved to Memphis, where he was eventually arrested for drug offenses and imprisoned for several years. Aubrey stayed with his mother in Toronto, although he visited his father in Memphis every summer (when his father was not incarcerated). Drake later described Dennis as absent-minded throughout his childhood, claims Dennis had vehemently denied, claiming they were embellished to sell records.

From the sixth grade, Drake and his mother lived in the lower half of a two-story town house in an affluent suburb called Forest Hill. His mother lived downstairs, Drake in the basement. They were not rich, in fact, money was very tight.

While attending Forest Hill Collegiate Institute, Drake discovered an affinity for acting and singing. He later attended Vaughan Road Academy, where he was bullied because of his multiracial and religious background. He dropped out for a time but eventually graduated in 2012.

Degrassi

When he was 15, a childhood friend’s father — an acting agent — helped Drake land a role on the long-running Canadian television series Degrassi: The Next Generation. On the show, he played Jimmy Brooks, a basketball star who became disabled after being shot by a classmate. He was a cast member from seasons 1 to 7, with guest appearances in 2008.

While Drake was showing up on Degrassi, his mother became ill and was unable to work. His Degrassi paychecks were her only income for several years. At the time, he was making $50,000 a year in salary from the show. That’s about $2,000 a month after taxes. He later described this period as follows:

“My mother was very ill. We were very poor, like broke. The only money I made came from Canadian television.”

music career

Inspired by rap icons like Jay-Z, who snagged record deals after finding success as independent artists, Aubrey – now using his middle name “Drake” as his stage name – began releasing mixtapes in 2006.

In February 2005, he released his first mixtape, Room for Improvement, through his website and official MySpace page. He managed to sell more than 6,000 copies outright. The following year, he released his second mixtape, Comeback Season. He released the mixtape through his own recently formed label, October’s Very Own (aka OVO Records). This mixtape featured a hit underground single called “Replacement Girl”. The music video for the song was the first video by an unsigned Canadian rapper to be featured on BET. One version of the song featured a spliced ​​sample of the song “Man of the Year” by Brisco, Flo Rida and Lil Wayne.

Houston-based producer and founder of Rap-A-Lot Records, Jas Prince, heard the single and passed it on to Lil Wayne. Impressed, Lil Wayne called Drake and invited him to fly out to Houston to take part in his Tha Carter III tour. Over the course of the tour, Drake and Wayne wrote and recorded several songs including “Brand New”, “Forever” and “Ransom”.

Young money entertainment

Despite what you might suspect, Drake had not signed to Wayne’s record label at the time. In 2009, he released a third mixtape, So Far Gone. He released the mixtape as a free download on his OVO website. The mixtape featured performances from Lil Wayne, Lloyd, Trey Songz, Omarian and Bun B. After being downloaded 2000 times in the first hour, the mixtape was eventually certified Gold by the RIAA and peaked at #2 on the Billboard Hot 100. The Mixtape was eventually released as an EP, debuting at number 6 on the Billboard 200 and winning the 2010 Juno Award for Rap Recording of the Year.

Still an independent artist, Drake was now in high demand in the music industry. A bidding war ensued, with various labels trying to sign him. Desperation has been described as “the biggest bidding war in music history”, although this has not been verified.

On June 29, 2009, Drake signed a deal with Lil Wayne’s Young Money Entertainment. The record deal was actually a joint venture between Young Money and its parent company Cash Money, with Universal Music handling distribution.

mainstream success

Drake’s debut studio album, Thank Me Later, was released on June 15, 2010. The album reached #1 in Canada and the US. In the US, it reached #1 on the Billboard 100, #1 on the R&B/Hip-Hop chart, and #1 on the US Rap chart. It was eventually certified platinum by the RIAA.

His second studio album, 2011’s Take Care, also reached #1 on multiple charts in multiple countries and eventually went 6x platinum.

Since then, each album has been certified at least 4 times platinum.

Drake is one of the most successful and powerful forces in hip-hop and the music industry as a whole. He has worked with dozens of the music industry’s biggest stars, including Kanye West, Eminem, Jay-Z and Travis Scott. Drake has been nominated for countless awards. To date, he has won more than 180 major awards, including four Grammys from more than 40 nominations.

Drake earns approximately $1 million per concert.

sold singles

Drake has sold more digital singles than any other artist in history. As of this writing, he has sold more than 163 million digital singles. That’s 40 million more than runner-up Rihanna. In terms of album sales, he is the 80th best-selling musician of all time with an estimated 26 million albums sold. This makes him the third best Canadian musician of all time after Shania Twain (48 million) and Celine Dion (50 million).

Drake’s income by year

2010: $10 million

2011: $11 million

2012: $21 million

2013: $11 million

2014: $33 million

2015: $40 million

2016: $40 million

2017: $95 million

2018: $47 million

2019: $75 million

2020: $50 million

Total: $433 million

property

Although he was born in Canada, Drake has made his home in Hidden Hills, California, since 2012, when he bought a palatial mansion from the former owner of Saddle Ranch Bar in Los Angeles for $7.7 million in cash. Nicknamed the YOLO Estate, the property features multiple residences, including a 12,000-square-foot main house and a 2,000-square-foot party house. The property features horse stables, a 25-seat movie theater, a large basketball court, a sand volleyball court and one of the largest privately owned pools in Southern California. Its lagoon-style pool, which meanders around the property’s exterior, features multiple waterfalls, a swim-up bar, an 80-foot waterslide, and a Playboy-mansion-style grotto.

In a Rolling Stone interview, Drake explained that he had his eye on this mansion for years after googling “craziest private swimming pools” and seeing this as one of the results. For years, he used a photo of the pool as the background image on his computer for motivation. The former owner listed the home for $27 million in 2009. In 2012, the former owner was experiencing a cash crisis, so Drake came in and bought it for $7.7 million:

In 2015, he expanded his estate by purchasing the adjacent 4-acre estate for $2.8 million. In 2018, he expanded the property again when he spent $4.5 million to purchase another neighboring home. His private estate now encompasses 6.7 acres of contiguous property at the end of a cul-de-sac that alone represents $15 million in real estate acquisition costs.

Drake listed the YOLO Estate for $22.7 million in March 2022. A buyer could buy just the main mansion for $14.8 million.

In 2016, Drake spent $6.7 million to buy a property in suburban Toronto in an area called The Bridle Path. He went on to build a 50,000 square foot mansion on the two acre lot. The home features a 10 car garage, full size NBA basketball court, exercise room, awards room and much more. The master bedroom alone is 3,200 square feet.

On March 8, 2022, it was reported that Drake had inked a deal to purchase British singer Robbie Williams’ 50-acre Beverly Hills mansion. The price Drake paid in an off-market deal? “Mid-$70 million,” according to a source speaking to the LA Times.

He also owns a condo in downtown Toronto.

Overall, Drake owns at least $100 million worth of real estate.

Private jet

In May 2019, Drake posted a video on Instagram revealing his newly acquired Boeing 767 private jet, which he dubbed (and painted) “Air Drake”. According to the video, Drake is proud to own the jet clean and tidy and proclaims it owns it all with no “rentals, no timeshares, no co-owners”. A similar model and a high quality private jet would be worth $75 million to $100 million.

Drake’s Net Worth Milestones

We first added Drake to Celebrity Net Worth in November 2009 with an estimated net worth of $1 million. He had signed to Lil Wayne’s Young Money just a few months earlier. By 2012, his net worth exceeded $25 million. By 2014, it surpassed $45 million. In late 2016, it surpassed $80 million for the first time. Thanks to his incredible earnings of nearly $100 million in 2017, he easily surpassed the $100 million mark in early 2018. In May 2019, his net worth surpassed $150 million for the first time.

things to do

Over the years, Drake has endorsed many big brands, most notably Sprite, Burger King, Whataburger, Nike and Apple. When Apple Music launched, Drake signed an exclusive $19 million deal. This deal allowed Apple to be the exclusive original home of all future Drake solo releases.

In 2012, Drake founded his own record label, OVO Sound, which is distributed by Warner Bros. Records. In addition to Drake, OVO Sound today represents music for artists such as PartyNextDoor, Majid Jordan, Kash Doll and producers such as Boi-1da, Future the Prince, Mike Zombie and more.

He is the Toronto Raptors’ “Global Ambassador” and hosts an annual Drake Night with the team.

In 2016, Drake launched his own brand of bourbon-based whiskey called Virginia Black. The company sold 4,000 bottles in the first week after launch. Later in the year, the company shipped another 30,000 units.

tours

Drake’s first headlining tour was 2010’s Away From Home Tour. He embarked on five more headlining tours through 2019. He has also co-headlined four tours, including his 2018 tour with rap group Migos.

His 2016 Summer Sixteen Tour was the highest-grossing hip-hop tour of all time, grossing $84.3 million across 54 shows. That’s an average gross of $1.56 million per concert. His Migos co-headlining tour broke that record in 2018, grossing $80 million over 43 dates. That’s an average gross of $1.86 million per concert.

Every summer, Drake hosts a festival in Toronto called OVO Fest, which sells out instantly.

Drake has an ongoing residency at XS Nightclub in Las Vegas, which can easily net him $500,000 for a single gig. He now earns more than $2 million for a more formal concert.

Personal life

Drake has had a number of high profile relationships over the years. He dated Rihanna on and off between 2009 and 2016. He later described Rihana as “the woman I’ve been in love with since I was 22 years old.”

In October 2017, a French model/actress/artist named Sophie Brussaux gave birth to his son Adonis. Drake only confirmed his paternity in 2018.

DJ Khaled also uses a different “producer tag” to brand the music he works on. Producer tags, also known as producer drops, are short audio samples that play during the opening moments of a hip-hop track to indicate who produced it. When used as a ‘producer tag’, the catchphrase implies that DJ Khaled is delivering another hit.

Another’s fans usually mimic DJ Khaled’s distinctive intonation when using the phrase. It’s often used as a playful way of expressing a compulsive desire for more, with people knowing that DJ Khaled uses it in the same context. It can also be used to indicate the continuation of something positive or valuable. DJ Khaled himself once applied the term to personal fitness. His advice for push-ups or sit-ups? do one more

With the past year coming to an end, it’s always fun to see if the top 10 richest musicians list has changed or shifted entirely. The dates for this year are in, so it’s time for an update. Keep in mind that these values ​​and fluctuations are estimates based on a variety of variables and publicly available documents, but they must be pretty close!

This is an interesting concept because it proves two things to aspiring and ambitious musicians:

It is possible to build immense sums of money as a music artist. It allows you to increase your wealth and income even more by breaking into Hollywood and Broadway and becoming an entrepreneur.

The struggle is real and many artists pay their dues and never make it into the mainstream. If you want to take the plunge, get ready to become a marketer in addition to writing songs and playing instruments like the following top 10 richest musicians have done…

#10 – Julio Iglesias

Net worth: $600 million

Change: +$50m & ↓1- Julio is one of the top 10 record sellers in history and has sold over 250 million albums worldwide. As you can imagine, his accolades are too numerous to list. His first album was released in 1969 and he has rarely missed a year to release another, most recently in 2017.

There is hardly a country in the world where he has not been voted the most popular artist. In addition to these album sales, he is said to have given over 5000 concerts.

Fun fact: Julio was once a professional soccer player who retired due to a car accident injury. His last name “Iglesias” means “churches”. After failing to sell his $28 million home, he had it bulldozed and rebuilt!

No. 9 – Bono

Net worth: $700 million

Change: ↓1 – Bono is a weird guy. U2’s lead singer Bono gets straight to the point, marketing himself as the guy who wears those glasses while also tackling environmental and social activist issues. I can joke all day, but the fact of the matter is Bono is a boss. In addition to his work as a singer-songwriter and musician, he is also a venture capitalist, philanthropist, and general businessman.

He is such a big figure for the Irish people (and bluntly open) that he has been the target of terrorist threats and action. Like many on this list, Bono was knighted. How many dragons have you killed?! Address him as “Paul David Hewson, KBE OL.”

Trivia Fact: Being a huge philanthropist and social activist, it came as a surprise when his name appeared in the Paradise Papers which provided evidence and exposed many wealthy people around the world involved in tax evasion.

#8 – Celine Dion

Net worth: $800 million

Change: ↓2 – No wonder Ms. Dion made the top 10 list. She is Canada’s richest female music artist of all time having sold over 200 million records! After her smash hit on the Titanic soundtrack, she took advantage and launched Auto-Tune’s popularity (for better or for worse) and rode that wave straight into the top 10 list!

She has released albums in French and English, won countless competitions and awards, and holds the record for highest concert residency of all time, where she can command $500,000 per show in Las Vegas. Take this information and do the math: She performed her 1000th show in Las Vegas in 2016.

Fun fact: Celine is the youngest of 14 (yes, you read that right) siblings! She has also been honored with Canadian and French titles for her civil services and contributions. Address her as “Celine Dion, CC OQ ChLD”.

#7 – Herbal Alpert

Net Worth: $880 million

Change: -$30M & ↓3 – Hubert Alpert (and the Tijuana Brass Band) have released five #1 albums and a total of 28 albums on the Billboard charts. His other notable accolades include 9 Grammys, 14 certified platinum albums and 15 additional gold albums.

Its total sales are over 72 million worldwide! Alpert is the “A” at A&M Records, which no doubt contributes to his incredible wealth (he sold it in 1987 for a reported $500 million along with partner Jerry Moss). They later sued for breach of contract and were awarded an additional $200 million. His other ventures have included professional sculpting and a line of perfumes that he likens to music for their “high and low tones.”

Fun fact: Herb Alpert is the only musician to have number one on the Billboard Hot 100 in 1968 as a singer and in 1979 as an instrumentalist (trumpet).

#6 – Sean “Puffy” Combs

Net worth: $900 million

Change: +$80M & ↓1 – P. Diddy, A.K.A. Puff Daddy, Puffy, Diddy, Sean Combs, Sean John etc. I’m sure there are more. This type of marketing keeps you relevant, silly as it is. We could all learn from this master, which earned him sixth place on the list. He went beyond his own recordings and ran his own label, Bad Boy Entertainment.

This label launched the careers of guys like The Notorious B.I.G. and mase. Other notable achievements include his Sean John clothing line, his perfume line and the hit TV show Making the Band on MTV.

Trivia Fact: Like many of the richest people in the world (Steve Jobs, Bill Gates, Kanye West, etc.), Puff Daddy is a college dropout who dropped out of a business major program. Ironically, in 2002, Forbes listed Diddy as one of the top 40 entrepreneurs under the age of 40.

#5 – Andrew Lloyd Webber

Net Worth: $1.2 billion

Change: -$80M & ↓4 – You are now looking at the king. You may not know his name, but you know his music. Broadway is almost synonymous with Webber as he wrote the music for 20 of their biggest hits: The Phantom of the Opera, Jesus Christ Superstar, Cats, Evita, Joseph and the Amazing Technicolor Dreamcoat, School of Rock and so on. .. the guy cleans up.

These shows still happen nightly around the world (some have been running for over a decade straight) and allow him to cash in on everything related to his products, including soundtracks, merchandise, film adaptations, and ticket sales. He even collects royalties on two songs he wrote for none other than Elvis Presley (the real king!).

Fun fact: Andrew Lloyd Webber has been knighted and awarded a peerage for his contributions to music, in addition to his 6 Tonys, 3 Grammys, an Academy Award and far too many more to list here. The correct way to address him today is “The Right Honorable The Lord Lloyd-Webber, Kt.”

No. 4 – Paul McCartney

Net Worth: $1.2 billion

Change: +$100m ↓2 – There is no way not to find a member of The Beatles not on this list, particularly Paul McCartney. He and John Lennon basically shared writing credits for their entire run, which guarantees both of them stay rich forever. Throw back Paul’s killer solo career, the band Wings and collaborations with Michael Jackson and most recently Kanye West, and you’ve got a guy who’s been a relevant pop icon since the early ’60s.

The multi-instrumentalist wrote or co-wrote 32 songs to reach #1 on the Billboard Hot 100. Paul’s song Yesterday is the most covered song of all time, having been reissued by over 2,200 artists and bands. Talk about some royalties! He was also knighted and honored in every way imaginable, musical or otherwise. He is reported to own over 25,000 copyrights.

Fun fact: The Guinness Book of World Records twice recognizes Paul McCartney as the most honored composer and performer in music, as well as the most accomplished songwriter of all time.

#3 – Jay Z

Net worth: $1.3 billion

Change: +$300 million – He’s not a businessman, he’s a company maaaan. That comes after winning 19 Grammys, selling over 100 million records, and starting a successful clothing company Rocawear and record label Roc-A-Fella Records. After marrying Beyonce, their combined fortune is over $1 billion. It still wasn’t enough to outbid Notch (creator of Minecraft) for a house he was up against.

All it takes is a few more “retirements” and “returns,” and he should climb a few notches up the list. Maybe an extra comeback cycle to make up for his mistake with Tidal and Aspiro. Of all his shenanigans, Jay-Z admits he shot his own brother when he was 12 for stealing some of his jewelry. I don’t know if that adds to the street credibility or the silliness of being a kid.

Fun fact: Jay-Z was once the president of Def Jam Recordings. He is also a licensed sports agent and works with his company Roc Nation Sports.

#2 – Rihanna

Net Worth: $1.7 billion

Change: +$1.4 billion – She is now the richest musician and has stormed our rankings in recent years. A large portion of her wealth ($1.4 billion) comes from her business ventures. In 2017 she launched a beauty line called Fenty Beauty together with the French luxury group LVMH. She also owns a lingerie company called Savage x Fenty. She benefits greatly from her huge social media presence to promote her brands.

But don’t let their recent business successes fool you. She’s been a pop music powerhouse since her initial success in 2005 and remains one of the most streamed artists despite not having an album out in years.

Fun fact: Born and raised in Barbados, Rihanna is still celebrated in her country of origin. In 2008, the Prime Minister of Barbados declared February 22 “Rihanna Day”. Although it’s not an official holiday, locals celebrate it every year and listen to their music.

#1 – Ye (Kanye West)

Net worth: $6.6 billion ($2.0 billion according to Forbes)

Change: +$4.7B – Another solid artist whose incredible ability has helped launch hugely successful business ventures. His brand Yeezy brings him big revenues thanks to several collaborations with big brands like Adidas and Louis Vuitton. He even owns part of his ex-wife Kim Kardashian’s shapewear brand Skims.

His net worth is disputed, with financial media outlet Bloomberg estimating his net worth at $6.6 billion, with $4.7 billion being from Yeezy. On the other hand, Forbes estimates his net worth at $2.0 billion. Regardless of which is right, he still tops our list in both scenarios. If you want to know more about Kanye West Net Worth, you can read the in-depth article we wrote on the subject.

He is one of the most acclaimed musicians and producers of the last 20 years and has won an impressive 24 Grammy Awards. Like others, he founded his own record label GOOD Music. Although best known for his hip hop and rap tracks, he has experimented in many different genres, from electro to pop to gospel. He is also famous for collaborating with other hip hop stars like Jay-Z.

Fun fact: While Kanye West has achieved iconic status around the world, he has seen music fans attempt to block his participation in various festivals by filling out petitions on Change.org. This was the case, for example, at the 2015 Glastonbury Festival.

Who dropped out of the top 10?

Not everyone keeps their place in the list. Making money is one thing, but keeping it is another story. Whether an artist is wiping out their fortunes, losing momentum in public, or not making the same business investments as other stars, unfortunately some slip out of the top 10. Here’s a list of our fallen friends.

dr dr

Net worth: $500 million

Change: – $100 million – There’s a lot of crap out there trying to make the D.R.E. to subvert, but the fact remains that he influenced rap, music and the culture of the United States. Few can say that about themselves. As a member of N.W.A., Death Row Records and as the operator of his own label, he also founded several protégés including Snoop Dogg, Xzibit, Eminem, Kendrick Lamar and 50 Cent.

dr Dre has only released 2 albums under his own name. Otherwise he is a guest star, prolific beat producer and compilation creator. Few musicians have the power to create other superstars and he might be the most powerful. Like many others, Dre even had some acting roles, although at the end of the day it didn’t seem to be one of his fortes.

He headlined the Super Bowl LVI halftime show with fellow hip-hop singers Mary J. Blige, Kendrick Lamar, Snoop Dogg and Eminem. He probably would still have been in our top 10 if it weren’t for his recent and costly divorce.

Worth knowing: Dr. Dre sold its world-leading headphone company, Beats By Dre, to Apple in 2014, putting it at the top of this list. The marketing and products are impeccable, making it easy for Apple to make a $3 billion decision.

Madonna

Net Worth: $550 million

Change: -$40 million – This lady has been in the game for a long time, pumping pop hits and beyond since the 80’s and experiencing all the ups and downs the industry has faced over the years. In addition to her musicianship, she is a Golden Globe-winning actress, author of several children’s books, fashion designer, owner of Maverick Records, and owner of a number of fitness clubs.

The real wealth comes from her relentless touring as she has played more live shows than any other musician ever, making her the highest-grossing solo touring artist of all time! She is possibly the hardest working woman in show business.

Fun fact: The Guinness Book of World Records lists Madonna as the best-selling female recording artist of all time. The Recording Industry Association of America (RIAA) lists her as the second highest charted artist in the United States, after Barbara Streisand.

Mariah Carey

Net Worth: $320 million

Mariah Carey used to be a permanent member of our top 10, but she’s far from it now and likely won’t return anytime soon. She hasn’t made any big moves lately and her film Glitter was a flop.

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Part of her ongoing income is her constant appearances at Christmas and New Year’s Eve parties. She holds the record for longest-running US #1 single (16 straight weeks!) and is the third best-selling female artist in the US.

She is also the only artist to have topped the Billboard Hot 100 decade-ending chart more than once. Her lists of music awards are endless, including 5 Grammys, 19 World Music Awards, 10 American Music Awards, 14 Billboard Music Awards and more.

Fun fact: Mariah Carey is one of those rare singers with a clean five-octave vocal range and controlled use of the whistle register.

Who will next claim a spot as the richest musician?

It will take some serious power moves for newcomers to oust someone from the top 10 richest musicians list. Each of the above tycoons have their hands in many jugs that extend well beyond music. The next generation better get ready for the hustle!

I see a few possible contenders out there: Eminem, Justin Bieber, and Taylor Swift. But it also works the other way around. Any of those movie or TV stars out there could be making the right investments in their own music career (like Drake) and if they can start trending then boom, instant billionaire status.

Others that almost make the cut are:

Gloria Estafan with $500 million in part for the Broadway play based on her life, film and television appearances, children’s books and restaurants.

in part for the Broadway play based on her life, film and television appearances, children’s books and restaurants. Elton John at $500 million thanks to his constant touring, film music and documentaries about his life. If he didn’t spend so much money, he would be much higher.

thanks to his constant touring, film music and documentaries about his life. If he didn’t spend so much money, he would be much higher. Bruce Springsteen at $500 million thanks to his huge deal with Sony Music for his music rights.

thanks to his huge deal with Sony Music for his music rights. Victoria Beckham at $450 million thanks largely to her fashion deals.

mainly thanks to their fashion shops. Beyoncé at $440 million thanks to her music, touring, clothing lines, and product endorsements.

thanks to their music, touring, fashion lines and product endorsements. Barbra Streisand of $415 million due to her top-grossing tours, Broadway performances and TV specials.

due to her top-grossing tours, Broadway appearances, and TV specials. Jennifer Lopez at $400 million due to her musical success and illustrious Hollywood and television career.

due to her musical success and illustrious Hollywood and television career. Jimmy Buffett at $400 million thanks to his chain of restaurants and massive touring.

thanks to its restaurant chain and massive tours. Taylor Swift at $400 million thanks to her musical success and brand deals.

thanks to their musical success and their brand deals. Dolly Parton at $350 million thanks to her amusement parks and live performances.

thanks to their amusement parks and live performances. Lady Gaga with $350 million thanks to her musical success and top-grossing tours.

thanks to their musical success and their high-volume tours. Justin Bieber at $285 million thanks to his tremendous musical success and business ventures.

thanks to his great musical success and his business ventures. Drake at $250 million thanks to his solid musical record.

Michael Jackson would certainly have been in the top 10 if he hadn’t passed so early, although he was known to rack up debt as well. Tell you what, I’d be lucky just to be in the 10,000 richest musicians list.

Top 10 richest musicians in the world (2022)

This is the table of the 10 richest musicians in the world. It contains their names, wealth and nationality.

But how much money do they make?

We’ve done all the work for you and compiled a list of all the richest rappers in the world as of 2022. Take a look around and see for yourself how much the world’s richest rappers are making.

Top 10 richest rappers in the world

Where else to start but at the top? Here are the ten richest rappers in the world based on their net worth.

1. Kanye West

It should come as no surprise that Kanye West ranks number one. You have to be at least a little rich to land the likes of Kim Kardashian!

Kanye West’s net worth is over $6.6 billion, and he didn’t get it all from just rapping. West also has a clothing brand and is a record producer.

2. Jay Z

In second place is Jay-Z, who, like Kanye West, is not only a rapper but also an entrepreneur. Jay-Z’s net worth is $1.3 billion and he used to be number one until April 2020 when he was overtaken by West.

3. Sean Combs (P Diddy)

Sean Combs is a famous rapper better known by his stage name “P Diddy”. P Diddy’s net worth is currently around $900 million.

4. Dr. dr

Of course Dr. Dre in top 10 richest rappers! The net worth of Dr. Dre is currently $780 million, just behind P Diddy. Most of it is his invention of Beats by Dr. Credit to Dre, which he sold to Apple for $3 billion.

5. Eminem

At number 5 is Eminem, which might come as a surprise to those who thought he would be much further up the list. Eminem’s net worth is currently $230 million making him the richest white rapper in the world.

6. Master P

A little less well known than the top 5, Master P is ranked 5th on the list of the richest rappers. Master P’s net worth is $200 million, some of which comes from his years as a professional basketball player. Like many others on the list, Master P is an entrepreneur with his own record label and has even written a book.

7. Pharrell Williams

Technically, Pharrell Williams’ net worth is also $200 million, which puts him in second place with Master P. He also owns a record label as well as several other companies with involvement in the music and fashion worlds.

8. Drake

Drake’s net worth is $180 million, which puts him at number 8 on our list. Most of his money comes from a combination of acting on a popular television series called Degrassi: The Next Generation and rapping.

9. Ice cubes

Ice Cube net worth is $160 million. He made his fortune not only as a solo rapper, but also through his time in hip-hop groups in the 1980s and 1990s, as well as through his acting career.

10.Lil Wayne

The last of the ten richest rappers is none other than Lil’ Wayne. Lil’ Wayne’s net worth is currently $150 million, just a touch behind Ice Cube.

Other rich rappers

Now that we’ve covered the top 10, let’s take a look at the next 15 richest rappers in the world.

11. Snoop Dogg

You forgot about Snoop Dogg, right? Surprisingly, he is 11th on the list. Snoop Dogg’s net worth is $150 million, which technically ties him at number 10 with Lil Wayne. Snoop Dogg is perhaps best known for his song “Drop it Like It’s Hot.”

12. Swiss Beatz

Swizz Beats net worth is also $150 million, which puts him in the same ranks as Snoop Dog and Lil Wayne. Swizz Beats is best known for its song “Money in the Bank”.

13. LL Cool J

Next on the list is LL Cool J, who didn’t place 10th like the previous 3 rappers. LL Cool J’s net worth is currently $120 million, most of which comes from his breakthrough career in pop rap.

14. Birdman

Birdman is known for his record label Cash Money Record and has a net worth of $100 million. This puts him second on our list.

15. Pit bull

Pitbull is known around the world for his unique blend of rap and reggaeton music, so it should come as no surprise that he made this list. Pitbull’s net worth is $100 million, which puts him level with Birdman.

16. Ad Rock

Ad Rock doesn’t have much of a solo career, but you’ve probably heard of him since he’s part of the group Beastie Boys. Ad Rock’s net worth is currently $90 million.

17. Mike D

Mike D is another member of the band Beastie Boys, so it’s no shock that he’s next on the list. Mike D’s net worth is $90 million which makes him an exact match to fellow band member Ad Rock.

18.Nicki Minaj

The first woman on this list is none other than Nicki Minaj. Known for collaborating with many artists, Nicki Minaj has a net worth of $85 million, putting him right behind the Beastie Boys.

19. Timbaland

It’s a bit odd that Timbaland didn’t make the list before number 19, as his song “The Way I Are” was a huge hit in the early ’00s. Timbaland net worth is $85 million which links him to Nicki Minaj.

20. Akon

Another surprisingly low rapper on the list is Akon, who lands at number 20. Akon’s net worth is $80 million and he is best known for his song “Smack That.”

21. Kendrick Lamar

Kendrick Lamar is not just a rapper as many around the world consider him to be a positive influence on rappers around the world. Kendrick Lamar’s net worth is $75 million but he’s new to the industry so who knows, maybe in a few years he’ll be vying with Kanye West for first place!

22. Will.i.am

Will.i.am is best known for his career, which began with the group The Black-Eyed Peas, but he has since transitioned to solo performance. Will.i.am’s net worth is $75 million which puts him in line with newbie Kendrick Lamar.

23. Nas

Nas has long been popular in the rap world and has released no less than 12 studio albums. Nas net worth is $70 million, which puts him 23rd on this list.

24. Speed ​​run

Rev Run, like many on this list, is not only a rapper but also a producer and TV show personality. With a net worth of $60 million, he’s clearly doing something right, ranking 24th on this list.

25. Ice T

Last on our list is Ice T, who is both a rapper extraordinaire and a longtime character on the TV show Law and Order SVU. Ice T’s net worth is $60 million.

Honorable Mention: Usher

You may have noticed that Usher wasn’t on that list. Although Usher’s net worth is $180 million, many don’t consider him a career rapper but more of an R&B artist. However, the decision is ultimately yours, and if you think Usher belongs in the rapper kingdom, he would be the 8th richest rapper in the world.

Sean Combs (born Sean John Combs; November 4, 1969),[6][7] also known as Puff Daddy, P. Diddy, Diddy, or Puffy, is an American rapper, record executive, and entrepreneur. A native of New York, he worked as a talent director at Uptown Records before founding his own record label, Bad Boy Records, in 1993. Combs has produced and promoted artists such as The Notorious B.I.G., Mary J. Blige and Usher.

Combs’ debut album No Way Out (1997) went seven times platinum. The album was followed by Forever (1999), The Saga Continues…, (2001) and Press Play (2006), all of which were commercially successful. In 2009, Combs formed the music group Dirty Money; Together they released their highly successful debut album, Last Train to Paris (2010).

Combs has won three Grammy Awards and two MTV Video Music Awards and is a producer on MTV’s Making the Band. In 2019, Forbes estimated his net worth at $740 million.[8] In 1998 he launched his own clothing line, Sean John. He was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000 and won in 2004.

Early life[edit]

Sean John Combs was born on November 4, 1969 in the New York borough of Harlem. Raised in Mount Vernon, New York,[9] his mother, Janice Combs (née Smalls), was a model and assistant teacher, and his father, Melvin Earl Combs, served in the US Air Force and was an associate of convicted New York drug dealer Frank Lucas. [9][11] At the age of 33, Melvin was shot while sitting in his car on Central Park West when Sean was two.

Combs graduated from Mount Saint Michael Academy in 1987. He played football for the academy and his team won a division title in 1986. Combs said he was nicknamed “Puff” as a child because he “huffed and puffed” when angry.[14]

Combs studied business administration at Howard University, but dropped out after his sophomore year.[15] In 2014, he returned to Howard University to receive an honorary doctorate in humanities and deliver the university’s 146th inaugural address.[16]

Career [edit]

1990–1996: Career beginnings[edit]

Bad Boy Headquarters on Broadway near Times Square. A Combs billboard is in the distance.

Combs became an intern at New York’s Uptown Records in 1990.[2] While serving as Uptown’s talent director, he helped develop Jodeci and Mary J. Blige.[18] During his college days, Combs had a reputation for throwing parties, some of which drew as many as a thousand attendees. In 1991, Combs sponsored an AIDS fundraiser with Heavy D that took place after a charity basketball game at the City College of New York (CCNY) high school. The event was oversold and a stampede ensued, killing nine people.

In 1993, after being fired from Uptown, Combs formed his new label, Bad Boy Entertainment, as a joint venture with Arista Records, taking with him then-newcomer Christopher Wallace, better known as The Notorious B.I.G.[21][22] Both Wallace and Craig Mack quickly released hit singles, followed by successful LPs, most notably Wallace’s Ready to Die. Combs signed other acts to Bad Boy, including Carl Thomas, Faith Evans, 112, Total and Father MC.[24] The Hitmen, his in-house production team, has worked with Jodeci, Mary J. Blige, Usher, Lil’ Kim, TLC, Mariah Carey, Boyz II Men, SWV, Aretha Franklin, and others.[25] Mase and the Lox joined Bad Boy when a widespread rivalry with the West Coast’s Death Row Records began. Combs and Wallace were criticized and parodied in songs and interviews by Tupac Shakur and Suge Knight in the mid-1990s. Between 1994 and 1995, Combs produced several songs for TLC’s CrazySexyCool, which ended the decade at number 25 on Billboard’s list of the best pop albums of the decade.

1997–1998: “Puff Daddy” and No Way Out[edit]

In 1997, Combs recorded his first commercial singing work as a rapper under the name Puff Daddy. His debut single “Can’t Nobody Hold Me Down” spent 28 weeks on the Billboard Hot 100 chart, peaking at number one. His debut album No Way Out was released on July 22, 1997 through Bad Boy Records. Originally titled Hell up in Harlem, the album underwent several changes after The Notorious B.I.G. was killed on March 9, 1997.[31] Several artists from the label made guest appearances on the album. No Way Out was a huge hit, particularly in the United States, where it reached number one on the Billboard 200 in its first week of release, selling 561,000 copies. The album produced five singles: “I’ll Be Missing You,” a tribute to The Notorious B.I.G., was the first rap song to debut at number one on the Billboard Hot 100; It stayed at the top of the charts for eleven consecutive weeks and topped several other charts worldwide. Four other singles – “Can’t Nobody Hold Me Down”, “It’s All About the Benjamins”, “Been Around the World” and “Victory” – were also released. Combs collaborated with Jimmy Page on the song “Come With Me” for the 1998 film Godzilla.[34]

The album earned Combs five nominations at the 1998 40th Grammy Awards and won the Grammy Award for Best Rap Album. On September 7, 2000, the album was certified seven times platinum by the Recording Industry Association of America for selling over 7 million copies. In 1997, Combs was sued by Inge Bongo for landlord neglect. Combs denied the charges.[38] In the late 1990s, he was criticized for watering down and overly commercializing hip-hop and for using too much guest appearances, samples, and interpolations of past hits in his new songs.

1999-2000: Forever and Club New York[edit]

In April 1999, Combs was charged with assault after an incident involving Interscope Records’ Steve Stoute. Stoute was the manager of Nas, with whom Combs filmed a video for the song “Hate Me Now” earlier this year. Combs was concerned that the video, which showed footage of Nas and Combs being crucified, was blasphemous. He requested that his scenes on the cross be drawn, but after they aired unedited on MTV on April 15, Combs visited Stoute’s offices and injured Stoute. Combs was charged with second-degree assault and criminal mischief[39][40] and sentenced to attend a one-day anger management course.[41]

Forever, Combs’ second solo studio album, was released on August 24, 1999 by Bad Boy Records in North America and the following day in the UK. It peaked at number two on the Billboard 200 and number one on the Top R&B/Hip-Hop Albums chart,[42] where it stayed for a week before being knocked out by Mary J. Blige’s fourth album, Mary. The album received positive to mixed reviews from music critics and spawned three singles that charted on the Billboard charts. It peaked at number four on the Canadian Albums Chart, Combs’ highest-charting album in that country.

On December 27, 1999, Combs and then-girlfriend Jennifer Lopez were at Club New York in Manhattan when gunshots erupted. After a police investigation, Combs and fellow rapper Shyne were arrested on gun violation and other charges.[43] Combs was charged with four gun-related charges and bribing his driver, Wardel Fenderson, to claim possession of his gun.

The high-profile trial began with a gag order.[44] Combs’ attorneys were Johnnie L. Cochran Jr. and Benjamin Brafman.[45] Combs was found not guilty on all charges; Shyne was sentenced to ten years in prison on five of his eight counts[45]. Combs and Lopez split shortly after. A lawsuit filed by Fenderson, who said he suffered emotional damage after the shooting, was settled in February 2004. Lawyers for both sides, who agreed to keep the terms of the settlement confidential, said the matter had been “resolved to the satisfaction of all parties”. .[46]

2001–2004: “P. Diddy” and The Saga Continues[edit]

Combs changed his stage name from “Puff Daddy” to “P. Diddy”.[47] The gospel album Thank You, which was completed just before the gun trial began, was due for release in March this year but has been unreleased as of October 2018.[48] He appeared in film as a drug dealer and acted with Halle Berry and Billy Bob Thornton in Monster’s Ball (both 2001).[49]

He was arrested for driving in Florida with a suspended driver’s license.[50] Combs began working with a number of unusual (to him) artists. For a short time he was the manager of Kelis; they have a collaboration entitled “Let’s Get Ill”.[51] He was an opening act for ‘N Sync on their spring 2002 Celebrity Tour, [52] and he signed the California-based pop girl group Dream to his record label. [53] Combs was producer of the soundtrack album for the film Training Day (2001).[54]

In June 2001, Combs ended Bad Boy’s joint venture with Arista Records and gained full control of Bad Boy, its catalog and artist roster. The Saga Continues…, released in North America on July 10, was the joint venture’s final studio album. The album peaked at #2 on the Billboard 200 and the Top R&B/Hip-Hop Albums[55] charts and was eventually certified platinum. It is the only studio album under the P. Diddy moniker and the first Sean Combs album not to feature guest appearances by Jay-Z or Lil Kim. Combs was executive producer of the reality TV show Making the Band, which aired on MTV from 2002-2009. The show involves interviewing candidates and creating musical performances who would then go into the music business. Acts that got their start this way include Da Band,[57] Danity Kane, Day26,[58] and Donnie Klang.[59] In 2003, Combs ran the New York City Marathon and raised $2 million for New York City’s education system.[60] On March 10, 2004, he appeared on The Oprah Winfrey Show to talk about the marathon, which he finished in four hours and eighteen minutes. In 2004, Combs ran the “Vote or Die” campaign for the 2004 presidential election. On February 1, 2004, Combs (as P. Diddy) appeared at the Super Bowl XXXVIII halftime show.

2005–2009: “Diddy” and Press Play [ edit ]

Combs that appeared in 2006

On August 16, 2005, Combs announced to Today that he would be changing his stage name again. he would call himself “Diddy”. Combs said fans didn’t know how to address him, which caused confusion.[64] In November 2005, London-based musical artist and DJ Richard Dearlove, who had been performing under the moniker “Diddy” since 1992 – nine years before Combs even started, even “P. Diddy” – an injunction at the High Court of Justice in London. He accepted an out-of-court settlement for £10,000 in damages and more than £100,000 in costs. Combs is no longer permitted to use the Diddy name in the UK, where he is still known as P. Diddy.[65][66] An assault charge brought against Combs by Michigan television host Rogelio Mills was ruled in Combs’ favor in 2005.

Combs starred in the 2005 film Carlito’s Way: Rise to Power. He played Walter Lee Younger in the 2004 Broadway revival of A Raisin in the Sun and the television adaptation which aired in February 2008. In 2005, Combs sold half of his record company to Warner Music Group. He hosted the 2005 MTV Video Music Awards and was named one of Time Magazine’s 100 Most Influential People of 2005. He was mentioned in the Brooks & Dunn country song “Play Something Country”: the lyricist says he “didn’t come to hear P. Diddy”, which rhymes with “something thumpin’ from the city”.

In 2006, when Combs refused to release musician Mase from his contractual obligations so he could join the group G-Unit, 50 Cent recorded a diss song “Hip-Hop”. The lyrics imply that Combs reveals the identity of The Notorious B.I.G.’s killer. knew.[72] The two later resolved the feud.[73]

Combs released his first album in four years, Press Play, on October 17, 2006 on the Bad Boy Records label.[74] Featuring guest appearances by many well-known artists, the album debuted at number one on the US Billboard 200 chart, selling over 173,009 copies. His singles “Come to Me” and “Last Night” both reached the top ten on the Billboard Hot 100.[76][77] The album became available for preview on MTV’s The Leak on October 10, 2006, a week before going on sale in stores. Press Play received mixed to positive reviews from critics and was certified Gold in the RIAA ratings. On September 18, 2007, Combs teamed up with 50 Cent and Jay-Z for the “Forbes I Get Money Billion Dollar Remix.”[80]

In March 2008, the Los Angeles Times claimed that The Notorious B.I.G. and Combs orchestrated the 1994 robbery and shooting of Tupac and backed the claim with alleged FBI documents; The newspaper later retracted the story, acknowledging that the documents had been fabricated.[81] Dexter Isaac, an associate of record executive Jimmy Henchman, confessed in 2012 that he shot Tupac on Henchman’s orders.

In June 2008, Combs’ rep denied rumors of another name change.[84] Combs ventured into reality television in August 2008 with the premiere of his VH1 series I Want to Work for Diddy.[85] He appeared – going by his real name – in two episodes of the seventh season of CSI: Miami: “Presumed Guilty” and “Sink or Swim” in the role of attorney Derek Powell.

2010–2013: Dirty money and acting

Combs formed a rap supergroup called Dream Team in 2010. The group consists of Combs, Rick Ross, DJ Khaled, Fat Joe, Busta Rhymes, Red Café and Fabolous.[87] Combs performed on comedian Chris Gethard’s live show at the Upright Citizens Brigade Theater in New York City in January 2010. In June 2010, Combs had a role (credited as Sean Combs) in the comedy film Get Him to the Greek as Sergio Roma, a record company executive. A representative of the Entourage series announced that Combs would be guest starring in an episode during the 2010 season.

Last Train to Paris was released by Combs’ group Dirty Money on December 13, 2010. The release was preceded by four singles “Angels”, “Hello Good Morning”, “Loving You No More” and “Coming Home”, which achieved mixed success on the Billboard Hot 100. “Coming Home” was the most successful of the songs, peaking at number 1 eleven on the US Hot 100, number four in the UK and number seven in Canada. On March 10, 2011, Diddy – Dirty Money performed “Coming Home” live on American Idol.

On April 18, 2011, Combs appeared on the first season of Hawaii Five-0, in which he guest-starred as the NYPD’s undercover detective. In November 2012, Combs appeared in an episode of the eighth season of the American sitcom It’s Always Sunny in Philadelphia.[93]

2014-present: MMM (Money Making Mitch), No Way Out 2 and “Love”

On February 26, 2014, Combs premiered “Big Homie”, featuring Rick Ross and French Montana, as the first single from his mixtape MMM (Money Making Mitch), originally slated for release that year. The song was released for digital download on March 24 and the trailer for the music video was released two days later. The full version of the music video was released on March 31st. Combs used his former stage name Puff Daddy on the album. MMM was released on November 4, 2015 as a 12-track free mixtape album. In 2014, Combs and Guy Gerber announced that their collaborative album 11 11 would be available for free download.[98] A new single called “Finna Get Loose” featuring Combs and Pharrell Williams was released on June 29, 2015.

In July 2015, Bad Boy Entertainment artist Gizzle told the press that she was collaborating with Combs on his final album, titled No Way Out 2, a follow-up to his 1997 debut. She describes the music as unique: “The mindset is to just be classic and epic. And to really live up to that…we know it’s a tall order, but we welcome the challenge.”[100] In April 2016, Combs announced that after this last Album and Tour plans to retire from the music industry to focus on acting.[101]

On May 20–21, 2016, Combs embarked on a tour of Bad Boy Records’ biggest names to celebrate the label’s 20th anniversary. The documentary Can’t Stop, Won’t Stop: A Bad Boy Story, covering the two shows at the Barclays Center in Brooklyn as well as behind-the-scenes events, was released on June 23, 2017. The show toured to an additional twenty venues across the United States and Canada.

On November 5, 2017, Combs announced that he would go by the name Love, saying “My new name is Love aka Brother Love”. Two days later, he told the press he was joking, but on January 3, 2018, on Jimmy Kimmel Live! that he has changed his mind again and will use the new name after all.[107] The change became official in 2022.[6]

In 2019, Combs announced on Twitter that Making the Band would be returning to MTV in 2020.

Executive Produced by Combs, Nigerian singer Burna Boy’s album Twice as Tall was released on August 14, 2020.[109]

In 2022, Combs hosted the 2022 Billboard Music Awards. Shortly thereafter, he announced the formation of a new record label, Love Records, and the signing of a record deal for an album with Motown.

Career[edit]

Fortune magazine ranked Combs 12th in its 2002 Top 40 Entrepreneurs Under the Age of 40.[111] Forbes Magazine estimates that Combs earned $130 million for the year ended May 2017, making him the number one entertainer.[112] As of 2019, his estimated net worth was $740 million.[8]

Sean John[edit]

A Sean John billboard stands in the distance on Broadway

In 1998, Combs launched a clothing line, Sean John. It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000[113] and won in 2004.[114] California billionaire Ronald Burkle invested $100 million in the company in 2003.[115]

Also in 2003, the National Labor Committee revealed that factories producing the clothing in Honduras violated Honduran labor laws.[116] Allegations included workers being subjected to strip searches and involuntary pregnancy tests. The bathrooms were locked and access strictly controlled. Workers were forced to work overtime and paid exploitative wages.[117] Charles Kernaghan of the National Labor Committee told the New York Times that “Sean Puff Daddy obviously has a lot of influence, he can literally do a lot overnight to help these workers.”[116]

Combs responded with an extensive investigation, telling reporters, “I’m as worker-friendly as they can be.”[118] On February 14, 2004, Kernaghan announced improvements had been made at the factory, including the addition of air conditioning and water purification systems , firing the most abusive bosses and allowing unions to form. In late 2006, department store Macy’s removed Sean John’s jackets from its shelves when they discovered the clothing was made from raccoon dog fur. Combs was unaware that the jackets were made from dog fur, but as soon as he was alerted, he stopped production.[120]

In November 2008, Combs added a men’s perfume called “I Am King” to the Sean John brand. The fragrance, dedicated to Barack Obama, Muhammad Ali and Martin Luther King Jr., featured model Bar Refaeli in his ads. In early 2016, Sean John introduced the brand’s GIRLS collection.[122]

Other ventures[edit]

Combs is the head of Combs Enterprises, an umbrella company for its portfolio of businesses.[123] In addition to his clothing line, Combs owned two restaurants called Justin’s, named after his son. The original New York location closed in September 2007;[124] the Atlanta location closed in June 2012.[125] He is the designer of the Dallas Mavericks backup jersey.[126] In October 2007, Combs agreed to help develop Cîroc vodka brand for a 50 percent profit share. On October 21, 2008, Combs acquired Liz Claiborne’s Enyce clothing line for $20 million. Combs has a large equity interest in Revolt TV, a television network that also has a film production division.[128] It aired in 2014.[129] In February 2015, Combs teamed with actor Mark Wahlberg and businessman Ronald Burkle of Yucaipa Companies to acquire a majority stake in Aquahydrate, a zero-calorie beverage for athletes. John Cochran, former president of Fiji Water, is the company’s CEO.[132]

In 2019, Combs became a major investor in PlayVS, which provides infrastructure for competitive gaming in US high schools.[133] The company was also endorsed by Twitch co-founder Kevin Lin.[134]

Personal life[edit]

Spider-Man 3 premiere (2007) Combs with his sons Christian and Justin at the premiere (2007)

family [edit]

Combs is the father of six children. His first biological child, Justin, was born in 1993 to designer Misa Hylton-Brim. Justin attended UCLA on a football scholarship.[135]

Combs had a recurring relationship with Kimberly Porter (1970–2018) that lasted from 1994 to 2007.[3] He raised and adopted Quincy (born 1991), [137] Porter’s son from a previous relationship with singer-producer Al B. Sure! Together they had a son, Christian (born 1998), and twin daughters, D’Lila Star and Jessie James (born 2006).[138] Porter died of pneumonia on November 15, 2018.[139][140]

Five months before his twins were born, Combs’ daughter Chance was born to Sarah Chapman. In October 2007 he assumed legal responsibility for Chance.

Combs was in a long-term relationship with Cassie Ventura from 2007 to 2018.[4][5]

Combs’ sons, Quincy and Justin, both appeared on MTV’s My Super Sweet 16. Combs threw Quincy a celebrity-studded party and gave him two cars as his 16th birthday present. For Justin’s 16th birthday, Combs presented him with a $360,000 Maybach car.

Combs owns a home in Alpine, New Jersey, which he bought for $7 million.[144]

Charity work and honors[edit]

Combs founded Daddy’s House Social Programs, an organization to support inner-city youth, in 1995. Programs include tutoring, life skills courses and an annual summer camp. In 2005, he along with Jay-Z pledged $1 million to support victims of Hurricane Katrina and donated clothing from his Sean John line to the victims. He has donated computers and books to New York schools.

In 1998 he received a Golden Plate Award from the American Academy of Achievement.[146] Chicago Mayor Richard M. Daley designated October 13, 2006 as “Diddy Day” in honor of Combs’ charity work. In 2008, Combs became the first male rapper to be honored with a star on the Hollywood Walk of Fame.[149]

In 2014, Combs received an honorary doctorate from Howard University, where he delivered the opening address for the 146th Inaugural Ceremony. In his speech, Combs acknowledged that his experiences as a Howard student had a positive impact on his life.[150] In 2016, Combs donated $1 million to Howard University to establish the Sean Combs Scholarship Fund to help students unable to pay their tuition.

In 2022, during his acceptance speech for the BET Lifetime Achievement Award, Combs announced that he would be donating $1 million each to Howard University and Jackson State University.

Wardrobe style [ edit ]

Combs describes his wardrobe style as “boastful, timeless, diverse.”[153] On September 2, 2007, Combs hosted its ninth annual “White Party” where guests are restricted to an all-white dress code. The White Party, also held in St. Tropez, took place at his home in East Hampton, New York. Combs stated, “This party is up there with the top three I’ve thrown. It’s a legendary status party. It’s hard to throw a party that lives up to its legend.”

Religious beliefs[edit]

Combs was raised Catholic and was an altar boy as a boy.[155] In 2008 he told The Daily Telegraph that he did not belong to any particular religious denomination. He said: “I just follow right and wrong so I could pray in a synagogue, mosque or church. I believe there is only one God.”[155]

On July 3, 2020, Combs invited his Twitter followers to view a three-hour YouTube video posted by Louis Farrakhan.[156] In the video, Farrakhan made several anti-Semitic comments and repeatedly used the phrase “Synagogue of Satan.”[157] The video was removed from YouTube for violating the hate speech policy.[158]

In response to comedian Nick Cannon’s July 14, 2020 firing from ViacomCBS for expressing anti-Semitic views,[159] Combs tweeted that Cannon should “come home to RevoltTv,” saying, “We stand behind you and love you and what you have done for the culture.”[160]

Discography[ edit ]

studio albums

Awards and nominations[edit]

Year Nomination / Work Award Result 2008 “Roc Boys (And the Winner Is)…” Nomination for Title of the Year Sean Combs Hustler of the Year Won 2009 Nominated 2010 “All I Do Is Win (Remix)” Nominated for the Reese’s Perfect Combo Award “Hello Good Morning (Remix)” Nominated Best Club Banger Nominated Sean Combs Hustler of the Year Nominated 2011 Nominated 2012 “Same Damn Time (Remix)” Sweet 16: Best Featured Verse Nominated 2013 Nominated Sean Combs Hustler of the Year Nominated 2017 Nominated

Year Nomination / Work Award Result 2018 Can’t Stop, Won’t Stop: A Bad Boy Story Best Music Documentary Nominated

Other awards[edit]

In 2021, Combs was among the first inductees into the Black Music and Entertainment Walk of Fame.[172]

In June 2022, Combs received the BET Lifetime Achievement Award.[173]

Filmography [ edit ]

Tours [ edit ]

No Way Out Tour (1997–1998) [174] [175]

Forever Tour (2000)[176]

References[edit]

Sources[edit]