How A Man Should Treat A Woman Poem? Best 173 Answer

A woman’s heart emerges with the dawn,

Like a lonely bird, gently swaying, so restless on,

It roams far over the towers and valleys of life

In the wake of these echoes, the heart calls home.

A woman’s heart falls back with the night

And in his distress enters a stranger’s cage,

And tries to forget that it dreamed of the stars

As it breaks, breaks, breaks on the protective bars.

introduction

The poem Woman to Man by Judith Wright describes a woman’s feelings from the time of her sexual encounter with her husband to the time of labor. She expresses her feelings as a wife and as the keeper of her future offspring in her belly.

stanza 1

The eyeless worker in the night

the selfless, formless seed that I hold

builds for his resurrection day —

quietly and quickly and low out of sight

foresees the unimagined light.

In the first stanza, the poet says that during the night she had a sexual encounter with her husband that was intended for pleasure and also had some consequences.

This sexual encounter between the couple resulted in the creation of something in their bodies that has no form and identity. She can’t see it, but its growth is deep and fast, which as a keeper she can predict. So it holds possibility.

stanza 2

There is no child with a child’s face;

this has no name to name it;

but you and I knew it well

This is our hunter and our hunt,

the third, lying in our embrace.

In the second stanza, the seed she carried after the sexual encounter takes shape. Wright says the creature is still formless and has no form either. Nevertheless, she and her husband know very well that they created it and that it will develop into a human being.

The poet regards the creature as both its hunter and its hunt. It is a hunter because it accompanied the sexual encounter between the couple, intended for pleasure and pleasure. On the other hand, it’s also their hunt, because people make sex for it. Poet says it will be the third in the family.

stanza 3

This is the strength your arm knows

the arch of flesh that is my breast,

the precise crystals of our eyes.

This is the wild tree of blood growing

the complicated and the folded rose.

In the third stanza, the poet explains the stage of his further development in her womb. According to Wright, the child will carry both the energy and strength of the man (his father) and the flesh of a woman (his mother) who will win him over at this stage.

He has become the star of his parents. Like a tree, it will grow into a man, and like the unfolding of a rose blossom, will develop the manner, manners, nature, and all other qualities of its parents.

stanza 4

This is the maker and the made;

This is the question and answer

The blind head thrusting into the darkness

the flash of light along the blade.

Oh hold me tight ’cause I’m scared

In the fourth stanza, Wright describes the final stage of the infant in her womb. According to her, the child she made (created) together with her husband will be another creator (like her) in the future.

It is both a creature that begs the question in their mind and the answer to their questions. It is an enlightened brain (without eyes) looking for the rays of light that are about to come into the world (along with the blade).

A blade is a tool that cuts something. Here is the dawn that has very sparse sunbeams, the blade that cuts day and night. So the child is in that stage (between the prenatal stage, which is dark, and the natal stage, which is light).

It scares the poet to go out into the world. I think it’s the contractions that scare her. Thus the poem begins in the middle of the night (when they have sexual encounters) and ends at dawn.

Some women feel that a “real man” doesn’t exist – that he’s impossible to find. Other women don’t want someone like him. On the other hand, some men think they are the definition of a “real man.” Other men feel that there is no such thing. One thing is true though: those men who think they are the definition of a “real man” and those who think they are not are both very often wrong.

If you want to know if you are a real man or in a relationship with a real man, watch the actions. A real man behaves so differently from the selfish frat boy types you see everywhere, you can’t tell the difference. He’s a gentleman – good for more than just the first few months. What’s important is that a real man does things so well when he’s in a relationship that you just have to love him and his style.

1. A real man loves and respects his woman just the way she is.

He may not always love her, but he loves her. Not just her body, possessions and status, but all of them! He is aware that as beautiful as her body is now, physical beauty is fading. That is why he focuses his love and attention on her true beauty, which is found in her sensitivity and personality. He treats her like a lady, with dignity and respect. He doesn’t mind cooking her favorite food, taking her out to eat and drink, and paying the bills. He also expects love and respect from her.

⌄ Scroll down to read more articles ⌄

⌄ Scroll down to read more articles ⌄

2. A real man gives himself completely to the relationship.

He doesn’t cheat. Loyal to his partner, he knows that relationships take hard work to stay strong and healthy. His affection for his wife is a full-time commitment. He nourishes and strengthens the relationship through continuous, honest communication and teamwork. When you’re with a real man, you know you can trust him. He will remain loyal no matter what and expects you to do the same.

3. A real man is physically and emotionally protective of his partner.

Not that a woman can’t protect and defend herself, but he’s still there for her. He protects her in a variety of ways, including financial security and comfort, making her feel like everything will be fine. He is ready to put in a good punch if needed to protect them from physical attackers. However, he thinks before he acts. He never moves until he is sure all the details and details are in order. His movements are calculated, deliberate and sure. Abuse of any kind is never an issue when you are with him. He is considerate and treats everyone kindly.

4. A real man fulfills his partner mentally and sexually.

He knows that most of the time in any relationship is spent doing non-physical, non-sexual things. He not only whispers to her how beautiful she is or how he will love her hotly and passionately in the evening when he comes home, he also engages her in meaningful discussions about life, plans the future with her and jokes moments together facilitate and revitalize. He displays an awareness, intelligence and sensitivity that make his actions not only timely but genuinely charming.

⌄ Scroll down to read more articles ⌄

⌄ Scroll down to read more articles ⌄

5. A real man takes the first initiative – he leads.

That’s because he wears the pants in the relationship. Of course, the pants are chosen by his wife, but he is still the leader. He steps forward and boldly addresses problems in the relationship. He doesn’t wait for the woman to solve problems. When unsure of how to solve a problem, he seeks help or advice. Some men play it safe and avoid taking the lead because they don’t want to be criticized but not a real man. A real man says, “I’ll take care of it,” and takes the initiative to solve the problem his way.

6. A real man steps up and makes the tough decisions.

He knows that real men matter and he makes decisions in the relationship. He does not leave every other decision to his partner. When making decisions, he seeks to understand their views (and those of other affected parties) and is flexible enough to incorporate those other views into his decisions. He doesn’t try to control people, but to improve their situation. If you hesitate to make decisions, you are probably self-conscious and afraid of making mistakes. Women don’t like indecisive, cowardly men.

7. A real man takes responsibility for his actions and decisions.

He doesn’t shift blame (especially his partner) or try to defend his mistakes. He simply admits when he makes a mistake, apologizes for it, learns from it, and works to correct it. Saying “I’m sorry” is no big deal to him. He knows saying that doesn’t make him any less manly. In fact, saying he’s sorry makes him more of a man because it shows he has the confidence, courage, and integrity to admit his mistakes and try to correct them.

⌄ Scroll down to continue reading the article ⌄ ⌄ Scroll down to continue reading the article ⌄

8. A real man speaks his mind—always.

He is not afraid or shy to say whatever is on his mind. He will fearlessly say no when he disagrees with something. He will debate with you about subjects he is not comfortable with without losing his calm. He will be direct and speak to you as equals, then allow you to draw your own conclusions or take any action you wish. That doesn’t mean he’s indifferent or treats women badly. He just doesn’t agree with her on everything. He knows that a “yes man” is not a man.

9. A real man stands up for the relationship.

Sometimes friends, family, and even complete strangers ask inappropriate questions or make inappropriate comments about your relationship, such as saying you’re not a “good couple.” In such cases, a real man stands up for himself and defends the legitimacy and integrity of his relationship. Even when he’s among his own kind, he speaks up and defends his relationship. This proves that he can express himself in the presence of others, protect his wife and behave like a grown man.

10. A real man pursues other passions that don’t involve his partner.

He has enough things to do in his life to keep him busy. This means that he is passionate about at least one other thing besides his relationship. The relationship doesn’t define him. He will give you your space and you must give him his. He is a confident, ambitious go-getter. He’s a real man!

⌄ Scroll down to continue reading the article ⌄ ⌄ Scroll down to continue reading the article ⌄

Featured image credit: Ed Ivanushkin via flickr.com

If faith is an important part of your daily life, it stands to reason that faith is also an important part of any romantic relationship you will have. Whether you are single, dating, or married, God has a plan for you and your future partner. Being able to lean on Christ throughout your relationship during times of stress, disagreement, or distance can be an important source of strength, no matter how long you have been with your partner. Pondering Bible verses about relationships can be just as beneficial as studying Bible verses about grief in times of loss or Bible verses about fear in times of stress.

Knowing where to find (and not having to look for) these verses about love and relationships can help you find an easy source of strength and comfort even during the most trying times in your relationship. Remember: no relationship, even a divine one, is perfect. Being able to place all of your trust, hope, and faith in Christ throughout your relationship can help you have a clearer vision of your future with your partner and as an individual. Here are 25 verses about relationships to comfort you during your Christ-centered relationship or marriage.

The beauty of a woman

A woman’s beauty is not in the clothes she wears,

The figure she wears or the way she combs her hair.

A woman’s beauty must be seen in her eyes

Because that is the door to her heart, the place where love resides.

A woman’s beauty is not in a birthmark on her face,

But the true beauty of a woman is reflected in her soul.

It’s the care she lovingly gives,

The passion she shows

And the beauty of a woman

Over the years only grows.

The heart is the most important muscular organ in the body. It works around the clock, pumping blood through the network of blood vessels to different parts of the body. The normal adult heart weighs between 200 and 425 grams (7 to 15 ounces) and is about the size of your fist. By learning more about your heart and how it works, you can understand the different medical conditions that can affect your heart and take steps to prevent them.

The heart is located between the right and left lungs in the center of your chest. The heart’s function is to deliver oxygen and blood to all parts of the body. Oxygenated blood pumped by the heart reaches the body’s organs through the systemic arteries, while veins carry impure or deoxygenated blood back to the heart.

The heart has four muscular chambers, the top two chambers are called the right and left atria, and the bottom two chambers are called the right and left ventricles.

For a better understanding, the structures of the heart are discussed under two

External Anatomy and Internal Anatomy sections.

The outside view of the heart shows many structures. Each structure is associated with a specific function that is important for the normal functioning of the heart. Let’s learn more about these structures.

Pericardium: The pericardium is a fluid-filled sac that encloses the heart and the ends of its major blood vessels, including the aorta, vena cava, and pulmonary artery. The pericardium consists of three layers:

1. Outer fibrous sac – fibrous pericardium,

2. Middle layer – parietal pericardium

3. Inner layer – visceral pericardium

The space between the parietal and visceral layers is called the pericardial cavity and is filled with pericardial fluid. The pericardial fluid acts as a lubricant to allow normal heart movement in the chest and also acts as a shock absorber to protect the heart from trauma

arteries and veins

Aorta: The aorta, the largest blood vessel in the body, carries oxygen-rich blood from the left ventricle of the heart to various parts of the body.

Vena Cava: The superior vena cava and inferior vena cava are the two largest veins in the body. The superior vena cava returns deoxygenated blood from the upper part of the body to the right atrium. The inferior vena cava brings deoxygenated blood from the lower part of the body to the right atrium of the heart.

Pulmonary artery and pulmonary veins: The pulmonary artery transports the oxygen-poor blood from the right ventricle to the lungs for oxygenation. The oxygenated blood is then transported through the pulmonary veins to the left atrium.

Coronary Arteries and Coronary Veins: Coronary arteries arise from the ascending aorta and deliver oxygen-rich blood to the heart muscle. Coronary veins remove deoxygenated blood from the muscle tissue of the heart and drain it into the right atrium.

Anatomy of the inner heart

Muscle Chambers: The heart has four muscle chambers, the top two chambers are called the right and left atria, and the bottom two chambers are called the right and left ventricles.

The right atrium collects the deoxygenated blood from the vena cava and directs it to the right ventricle. This delivery is regulated by the tricuspid valve. The right ventricle delivers blood to the lungs for purification (oxygenation). This output is regulated by the pulmonary valve.

The left atrium collects the oxygenated

Blood from the lungs via the pulmonary veins and carries it to the left ventricle of the heart. This release is regulated by the mitral valve. The left ventricle then delivers the oxygenated blood to the aorta (main artery), from where it is pumped to the rest of the body. This output is regulated by the aortic valve.

Heart Valves: Heart valves are valve-like structures that allow blood to flow in one direction, preventing backflow of blood.

The heart has four valves:

Tricuspid valve: It is located between the right atrium and the right ventricle.

Mitral valve: It is located between the left atrium and the left ventricle.

Pulmonary valve: It is located between the right ventricle and the pulmonary artery.

Aortic valve: It is located between the left ventricle and the aorta.

circulatory system of the heart

The heart works as a pump to carry blood through a complex network of arteries, arterioles, and capillaries to every organ, tissue, and cell in your body. Blood returns to the heart through venules (small veins) and veins.

The circulatory system consists of two parts:

Pulmonary Circulation: During the pulmonary circulation, the pulmonary artery carries deoxygenated blood from the heart to the lungs for oxygenation and carries oxygenated blood back to the heart through the pulmonary veins.

Systemic Circulation: In the systemic circulation, the aorta carries oxygenated blood from the heart to all organs of the body through the systemic arteries and carries deoxygenated blood back to the heart via the systemic veins.

piping system.

The heart muscle consists of an electrical conduction system that causes the walls of the heart to contract. The system consists of two nodes (special line cells) and a series of line paths.

Sinus Node or SA Node: The SA node, also called the pacemaker of the heart, is located in the top wall of the right atrium. The SA node is responsible for setting the rate and rhythm of the heartbeat, causing the atria to contract when the electrical impulse is released. The signal is then conducted to the atrioventricular (AV) node.

Atrioventricular (AV) node: Located between the atria and ventricles, the AV node samples the signal and sends it down the conduction pathways (bundles of His) to provide electrical stimulus to the ventricles.

Bundle of His: This is a group of fibers located in the septum of the heart that carry electrical impulses from the AV node to the ventricles. It is divided into right and left thighs. These bundle branches are further divided into tiny filaments known as Purkinje fibers. These fibers connect directly to the cells in the walls of your heart’s left and right ventricles to maintain regular contraction.

A healthy heart is important for overall well-being. Certain medical conditions and lifestyle habits, such as smoking, obesity and a sedentary lifestyle, can put your heart at risk and affect how it works

functions and leads to complications. Heart disease is preventable, and the steps you take to reduce your risk of heart disease by making lifestyle changes will increase your chances of living a long and healthy life.

Book by Maya Angelou

A Woman’s Heart (1981) is an autobiography by American writer Maya Angelou. The book is the fourth in Angelou’s series of seven autobiographies. A Woman’s Heart chronicles events in Angelou’s life between 1957 and 1962, following her travels to California, New York City, Cairo and Ghana as she raises her teenage son, becomes a published author, becomes active in the civil rights movement and becomes romantic with a South African anti-apartheid fighter. One of the main themes of A Woman’s Heart is motherhood as Angelou continues to raise her son. The book ends with her son leaving college and Angelou looking forward to a new found independence and freedom.

Like Angelou’s previous volumes, the book has been described as autobiographical fiction, although most critics, as well as Angelou, have called it autobiography. Although most critics are more positive about Angelou’s first autobiography, I Know Why the Caged Bird Sings, The Heart of a Woman has received favorable reviews. It was selected as an Oprah’s Book Club selection in 1997.[1]

Critic Mary Jane Lupton says it has “a narrative structure unsurpassed in American autobiography” and that it is Angelou’s “most introspective” autobiography.[2] The title is taken from a poem by Harlem Renaissance poet Georgia Douglas Johnson that connects Angelou with other African American women writers. African-American literary critic Lyman B. Hagen states, “True to its ongoing themes of survival, self-awareness, and self-improvement, The Heart of a Woman moves its central characters to a point of rich personality.”[3] The book follows Angelou to several locations throughout the USA and Africa, but the most important journey she describes is “a journey into self.”[4]

background [edit]

A Woman’s Heart, published in 1981, is the fourth in Maya Angelou’s series of seven autobiographies. The success of her earlier autobiographies and the publication of three volumes of poetry had brought Angelou considerable fame by 1981. And Still I Rise, her third volume of poetry, was published in 1978 and fueled Angelou’s success as a writer. Her first volume of poetry, Just Give Me a Cool Drink of Water ‘fore I Diiie (1971), was nominated for a Pulitzer Prize.[2][Note 1]

Writer Julian Mayfield states that Angelou’s work set a precedent not only for other black women writers but for the autobiographical genre as a whole, writing their life stories.[7] It made her, as scholar Joanne Braxton has noted, “without a doubt…America’s most visible black autobiographer.”[8] Angelou was one of the first African American writers to speak publicly about her personal life and one of the first to use herself as a central character in her books. Writer Hilton Als calls her a pioneer of self-exposure, willing to honestly focus on the more negative aspects of her personality and her choices.[6] While Angelou was writing her second autobiography, Gather Together in My Name, she was concerned about how her readers would react to her disclosure that she had been a prostitute.[9] Her husband Paul Du Feu persuaded her to publish the book, encouraging her “to tell the truth as a writer” and “to be honest about it”.[9]

In 1957, the inaugural year of The Heart of a Woman, Angelou had appeared in an Off-Broadway revue that inspired her first film, Calypso Heat Wave, in which Angelou sang and performed her own compositions,[10] something in which she doesn’t mention the book. Also in 1957 her first album, Miss Calypso, was released, which was not mentioned in the book. it was reissued on CD in 1995.[10][11] According to Als, Angelou sang and played calypso music because it was popular at the time and not to develop as an artist.[6] As detailed in A Woman’s Heart, Angelou eventually gave up performing for a career as a writer and poet. According to Chuck Foster, who wrote the accompanying lyrics to Miss Calypso’s 1995 reissue, her calypso music career is “cut short”[12] and discarded in the book.[Note 3]

title[edit]

A woman’s heart emerges with the dawn,

Like a lonely bird, gently swaying, so restless on,

It wanders far over the towers and valleys of life

In the wake of these echoes, the heart calls home.

A woman’s heart falls back with the night

And in his distress enters a stranger’s cage,

And tries to forget that it dreamed of the stars

As it breaks, breaks, breaks on the protective bars.

-— “A Woman’s Heart”, by Georgia Douglas Johnson[13]

Angelou takes the title of her fourth autobiography from a poem by Harlem Renaissance writer Georgia Douglas Johnson. Critic Lyman B. Hagan notes that while the title is “less flashy or oblique than the titles of her previous books,” [14] it is appropriate since Johnson’s poem mentions a caged bird and makes a connection to Angelou’s first autobiography , whose title was taken from a poem by Paul Laurence Dunbar. The title hints at Angelou’s painful loneliness and reveals a spiritual dilemma present in her first volume.[15] Johnson’s use of the metaphor differs from Dunbar’s because her bird is a female whose isolation is sexual rather than racial. The caged bird could also refer to Angelou after her failed marriage,[16] but author Mary Jane Lupton says that “the Maya Angelou of A Woman’s Heart is too strong and self-determined to be caged.” . 17]

A Woman’s Heart marks the first time Angelou has identified with another African American writer. Her early literary influences were men, including James Weldon Johnson, Paul Laurence Dunbar and William Shakespeare. Angelou has stated that she has always admired writers like Anne Spencer, Jessie Fauset, Nella Larsen and Zora Neale Hurston. Her choice of title for this book is a recognition of her legacy as a black writer.[18]

Synopsis[edit]

The events described in A Woman’s Heart take place between 1957 and 1962, beginning shortly after the conclusion of Angelou’s earlier autobiography, Singin’ and Swingin’ and Gettin’ Merry Like Christmas. Angelou and her teenage son Guy have moved into a houseboat commune in Sausalito, California.[19] After a year, they move into a rented house near San Francisco. Singer Billie Holiday visits Angelou and her son there and Holiday sings Guy “Strange Fruit”, her famous song about black lynching. Holiday says to Angelou, “You’re going to be famous. But not for singing.”[20] In 1959, Angelou and Guy moved to New York City. The transition is difficult for Guy and Angelou must protect him from a gangster. No longer satisfied with performing in nightclubs, she devoted herself to acting, writing, political organization, and her son. Her boyfriend, the writer John Killens, invites her to join the Harlem Writers Guild. She meets other important African American artists and writers, including James Baldwin, who would become her mentor. She becomes a published author for the first time.

Angelou is becoming more politically active, taking part in protests by African Americans and Africans, including organizing a sit-in at the United Nations following the execution of Patrice Lumumba, the ousted Prime Minister of the Democratic Republic of the Congo. She meets Malcolm X and is struck by his good looks and attractiveness. After hearing a speech by Martin Luther King Jr., she and her boyfriend, activist Godfrey Cambridge, are inspired to host a successful fundraising event for King’s Southern Christian Leadership Conference (SCLC) called Cabaret For Freedom. King appoints her coordinator of the SCLC office in New York. She appears in Jean Genet’s play The Blacks with Roscoe Lee Brown, James Earl Jones and Cicely Tyson.

In 1961, Angelou met South African freedom fighter Vusumzi Make.[Note 4] Angelou and Make never married, but she and Guy moved to London and Cairo with Make, where she served as his political wife while he was in exile.[6] Their relationship is fraught with cultural clashes; he expects from her a submissive African wife and she longs for the freedom of a working woman. She learns that Make is too kind to other women and irresponsible with money, so she takes a job as deputy editor at the Arab Observer. Their relationship is investigated by their friend group, and Angelou and Make eventually break up. Angelou takes a job in Liberia and she and Guy travel to Accra where he has been accepted to attend college. Guy gets badly injured in a car accident so she starts working at the University of Ghana and stays there while he recovers. A Woman’s Heart ends with Guy going to college and Angelou remarking to himself, “Finally I can eat a whole breast of fried chicken by myself.”[22]

genre [edit]

All seven parts of her life story Angelou stand in the tradition of Afro-American autobiography. Beginning with I Know Why the Caged Bird Sings, Angelou challenges the usual structure of autobiography by criticizing, changing, and expanding the genre.[23] Angelou said in 1989 that she was the only serious writer who had chosen autobiography to express herself,[24] but she was not telling the story of one person, but that of the collective.[25] Scholar Selwyn R. Cudjoe writes that Angelou is representative of convention in African-American autobiography as a public gesture speaking for a whole group of people.[26] Her use of devices common in fictional writing, such as dialogue, characterization, and thematic development, has led some reviewers to categorize her books as autobiographical fiction.

All of Angelou’s autobiographies follow the standard autobiographical structure: written by a single author, arranged chronologically, and containing elements of character, technique, and subject.[28] In a 1983 interview with literary critic Claudia Tate, Angelou calls her books autobiographies[29] and later concedes that she follows the slave narrative tradition of “speaking in the first person singular, talking about the first person plural and always saying ‘I’ means ‘we'”.[7] Lupton compares A Woman’s Heart to other autobiographies and notes that for the first time in Angelou’s series she can present herself as a model for a successful life. But Angelous ” Woman’s Heart”[2] – her perspective as a woman concerned about her self-esteem and conflicts with her lovers and her son – makes her autobiography different.[2] Angelou’s feelings, as described in “A Woman’s Heart”, the Lupton Called Angelou’s “most introspective” book, determine the form of the book.[2]

Angelou acknowledges that all of her books contain fictional aspects that distinguish her work from more traditional “truthful” autobiographies.[30] Her approach conforms to the conventions of many African-American autobiographies written during the abolitionist era of America, when truth was often censored for purposes of self-protection.[31] Lyman B. Hagen places Angelou in the tradition of African-American autobiography, but insists that she created a unique interpretation of the autobiographical form.[32] In a 1998 interview with journalist George Plimpton, Angelou discussed her writing process and “the sometimes slippery notion of truth in nonfiction” and memoirs. When asked if she changed the truth to improve her story, she says, “Sometimes I make a diameter out of a composition of three or four people, because the essence in just one person isn’t strong enough to go over it write.”[33] Angelou has never admitted changing the facts of her stories. Hagen states, “One can assume that ‘the essence of the data’ is present in Angelou’s work”, and that Angelou uses aspects of novel writing to make her depictions of events and people more interesting. Angelou’s longtime editor Robert Loomis said that she could rewrite any of her books by rearranging the order of their facts to have a different effect on the reader.[34]

A Woman’s Heart is similar to Angelou’s earlier books in that it is told from the intimate point of view of a woman and a mother, but at this point it can relate to events that transpired in her earlier books. Angelou has become a serial autobiographer, something Lupton calls “a narrative structure unsurpassed in American autobiography.”[2] Angelou successfully draws on her earlier work and is able to build on the themes she has already explored;[35] for example, Angelou threatens the gang leader who threatened her son, a violent incident when viewed in light of Angelou’s rape in I know why the caged bird sings. Lupton calls Angelou’s violent behavior an “unconscious effort to rewrite her own history.”[35]

style [edit]

A woman’s heart. Angelou describes her impressions of Malcolm X (March 1964) in

It is only with The Heart of a Woman[36] that Angelou begins to create her own narrative, which is less dependent on the conventions of fiction than her earlier books. For example, there is less dialogue and less dramatic episodes.[3] A Woman’s Heart is more uplifting than its predecessors as Angelou resolves her conflict between her duties as a mother and her success as a performer.[3]

Angelou perfects the use of the vignette in A Woman’s Heart to introduce her acquaintances and close associates. Two of her most developed vignettes in this book are Billie Holiday and Malcolm X.[37] The vignettes of those she knew well, like Vusumzi Make, also show their interactions and relationships. Hagen writes that in the early 1980s Angelou valued monogamy, fidelity and devotion in their relationships, although “open words seemed almost required for a commercially successful book”[38].

For the only time in this series, Angelou describes her son’s accident both at the end of this book and at the beginning of her next book, All God’s Children Need Traveling Shoes, a technique that centralizes the two books and creates a strong, emotional connection between them, repeating Angelou’s pattern of ending each book on a positive note.[39][40][41] In this book, Angelou ends with hope for the future as her son gains his independence and she looks forward to hers. Hagen writes, “True to the ongoing themes of survival, sense of self, and ongoing education, The Heart of a Woman moves its central characters to a point of full personality.”[42]

Themes [edit]

race [edit]

Race, like the rest of the series, is a central theme in The Heart of a Woman. The book begins with Angelou and Guy living in an experimental white commune, trying to partake in the new openness between blacks and whites. She is not entirely happy with the arrangement; Angelou never names her roommates, although “naming” has been an important theme in her books so far. Most of the time, Angelou gets along well with white people, but she occasionally encounters prejudice, such as when she needs help from white friends to rent a house in a segregated neighborhood.[43] Hagen calls Angelou’s descriptions of whites and hopes for eventual equality in this book “optimistic.”[44] Angelou continues her denunciation of the white power structure and her protest against racial injustice.[45]

Angelou becomes more politicized and develops a new sense of black identity.[46] Even Angelou’s decision to leave show business is political.[47] She sees herself as a social and cultural historian of her time and the civil rights and black literature movements of the late 1950s and early 1960s.[38][48] Increasingly drawn to the causes of black militants in the US and Africa to the point of forming a relationship with a significant militant, she becomes more involved in activism. During this time, she becomes an active political protester, but she doesn’t see herself that way. She focuses on herself and shows in autobiographical form how the civil rights movement influenced her. According to Hagen, Angelou’s contributions to civil rights as a fundraiser and SCLC organizer were successful and “eminently effective.”[49]

trip [edit]

Travel is a common theme throughout American autobiography; McPherson writes that it is something of a national myth for Americans as a people.[50] This also applies to the Afro-American autobiography, which has its roots in the slave narrative.[50] A Woman’s Heart has three main locations – the San Francisco Bay Area, New York and Egypt – and two side locations – London and Accra.[51]

Like all of Angelou’s books, the structure of A Woman’s Heart is based on a journey. Angelou emphasizes the theme of movement by opening her book with a spiritual (“The ole ark’s a-moverin'”) that McPherson calls “the theme song of the United States in 1957”.[46] This spiritual, which contains a reference to Noah’s Ark, presents Angelou as a kind of Noah and demonstrates her spirituality. Angelou mentions the 1951 novel On the Road by Allen Ginsberg and Jack Kerouac, thus connecting her own journey and uncertainty about the future with the journeys of literary characters.[52] Although Angelou travels to Africa for a relationship, she makes a connection to the continent. Lupton says, “Africa is where they grow.”[53] Angelou’s time in Africa makes her more aware of her African roots as she searches for her ancestral past.[53] Although Angelou travels to many places in the book, the most important journey she describes is “a journey into self”.[4]

writing [edit]

A woman’s heart: “You’re going to be famous. But not for singing.” Billie Holiday, 1949. Holiday tells Angelou, “You’re going to be famous. But not for singing.”

Angelou’s main role in Singin’ and Swingin’ and Gettin’ Merry Like Christmas was a stage performer, but in The Heart of a Woman she changes from someone using the language of others – the songs and dances of the African, Caribbean and African-American oral tradition —to a writer. Angelou makes this decision for political reasons as she becomes more involved in the civil rights movement and so she can take care of her son.[36] For the first time in Angelou’s autobiographies she begins to see herself as a writer and talks about her literary development.[54] Angelou begins to identify with other black women writers for the first time in The Heart of a Woman. She has been influenced by several writers since childhood, but this is the first time she mentions female writers. Up to this point she has identified with male writers; her new affiliation with women writers is due to her emerging feminism.[18]

Angelou’s self-image as an artist changed after meeting Billie Holiday. Up until this point, Angelou’s career had been more about fame than art; As explained, “It wasn’t about developing their artistry”.[6] Als also says that Angelou’s busy career, rather than revealing her ambition, “shows a woman who is only moderately talented and constantly fails to understand who she is”.[6] Angelou, despite the failings of her youth, needed the approval and acceptance of others, and notes that Holiday was able to perceive this. Holiday tells her, “You’re going to be famous. But not for singing.”[6][55]

Angelou had begun writing sketches, songs and short stories and shows her work to her friend John Killens, who invites her to New York City to develop her writing skills. She joins the Harlem Writers Guild and receives feedback from other African American writers such as Killens, Rosa Guy, and Caribbean writer Paule Marshall, who would eventually make significant contributions to African American literature. Dedicated to improving her craft, Angelou forces herself to understand the technical aspects of writing. Lupton writes, “In this volume, readers can indeed envision the pre-eminent artist-turned-Mayan Angelou of the 1990s.”[56]

motherhood [edit]

Motherhood, a theme in Angelou’s autobiographies, becomes more complex in The Heart of a Woman.[56] Though Guy struggles with the developmentally appropriate process of his teenage separation from his mother, they remain close.[57] Many years of experience as a mother and her success as an author, actress and activist enable Angelou to behave in a more competent and mature manner professionally and as a mother. Her confidence becomes an essential part of her personality. Her previous conflict between her work and personal life has been resolved, and she is fulfilling the promise she made to Guy at the end of her previous autobiography that they would never be separated again. Lupton writes that Angelou resolves this conflict by subordinating her needs to those of her child.[3]

Lupton also writes that motherhood is important in Angelou’s books, as is “the motif of the responsible mother”.[40] Angelou’s commitment to looking after her son is evident in her confrontation with the street gang leader who threatened Guy. In what Lupton considers the most dramatic episode of the book, Angelou has become a powerful mother.[40][58] No longer wracked with self-doubt, Angelou is now a strong and aggressive black mom. Angelou has become what Joanne Braxton calls the “outraged mother,”[40] representing the strength and devotion of the black mother found in all slave narratives.[40] Lupton also writes that Angelou has become a reincarnation of her grandmother, a central character in Caged Bird.[54]

At the end of A Woman’s Heart, Angelou is alone; For example, after Guy recovers from the car accident, he leaves her to attend college. The last word in the book is the negative “I,” a word meaning Angelou’s newfound freedom and independence. Angelou has truly become herself and is no longer defined as someone’s wife or mother.[59] Scholar Wallis Tinnie calls this moment one of “illusory transcendence” and “a scene of hope and accomplishment.”[15] For the first time in many years, Angelou will be able to eat a chicken breast on her own, something greatly appreciated in her books. Lupton calls this thought “perfectly formed”.[60] Tinnie explains that The Heart of a Woman’s “lonely suffering” stems from the poem that inspired the book’s title.[15]

Critical reception and sales[ edit ]

Maya Angelou recites her poem “On the Pulse of Morning” at the inauguration of President Bill Clinton in 1993

Critics gave The Heart of a Woman positive reviews and praised its professional qualities. The American Library Association’s Choice magazine says that although Caged Bird was the best of Angelou’s autobiographies, “every book since then was well worth reading and pondering”.[62] Janet B. Blundell writes that the book is “lively, insightful, and worth reading” but also found it “too chatty and anecdotal.”[63] Hagen responded to this criticism by stating that all of Angelou’s books consist of episodes linked by theme and character. Sheree Crute, writing for Ms., appreciated the episodic nature of Angelou’s writing and praised her “wonderfully unaffected storytelling skills.”[64] Cudjoe called it “the most political segment of Angelou’s autobiographical testimony”.[65]

In 1993, Angelou recited her poem “On the Pulse of Morning” at the inauguration of President Bill Clinton; The following week, sales of her works, including The Heart of a Woman, rose 300–600 percent. Bantam Books printed 400,000 copies of their books to meet demand. Random House, which published Angelou’s hardcover books and poem later that year, reported that they sold more of their books in January 1993 than they did all of 1992, an increase of 1,200 percent.[66] In 1997, Angelou’s friend Oprah Winfrey named The Heart of a Woman as a selection at her book club, making it a bestseller and increasing its total circulation to over a million copies sixteen years after its publication.

Notes [edit]

quotes[edit]

Works Cited[ edit ]

A man who is more popular and relaxed with women than men, typically one who is physically attractive; a ladies man, a gallant.

Poem introduction:

Woman to Man is a poem from the collection of the same name, which is the second collection of poems by Judith Wright, published in 1949. The collection consists of 44 poems. It won the Grace Leven Prize for Poetry in 1949. This poem is told from the perspective of a woman who describes the effect of having a sexual encounter with her husband up to the point of labor. She expresses her feelings as a wife and as the keeper of her future offspring in her belly. This poem begins in the middle of the night (when they have a sexual encounter) and ends at dawn with hopes for the embryo to develop into a newborn baby to see the world.

POEM

The eyeless worker in the night

the selfless, formless seed I hold

builds for his resurrection day –

quietly and quickly and low out of sight

foresees the unimagined light.

This is not a child with a child’s face;

This has no name to name it:

but you and I knew it well

This is our hunter and our hunt,

the third, lying in our embrace.

This is the strength your arm knows

the arch of flesh that is my breast,

the precise crystals of our eyes.

This is the wild tree of blood growing

the intricate and folded rose.

This is the maker and the made;

this is the question and answer;

The blind head thrusting into the darkness

the flash of light along the blade.

Oh hold me tight ’cause I’m scared

POEM SUMMARY:

The narrator is a newly pregnant woman. The poem begins in the dark. She says the physical intimacy she and her husband used to have created a seed within her that will soon grow into a human being. She says this undeveloped piece of organism in her body is still, mobile, deeper, invisible (since it is in her womb) and sees the future (the days in the light).

In the second stanza, she describes the baby as one that is about to develop rather than a full-fledged one, and has no name to call. But she already knew that this is her expectation of their sexual encounter, to soon become the third person in the family.

The third stanza is a description of the baby’s growth. Soon the baby will develop by holding his father’s strength and his mother’s flesh (like a mother is the one who feeds the baby with her breasts). It would be her important person in this whole world that would grow like a tree under her bloodline.

In the last stanza, the woman says that the baby they made will soon be a creator in the future. She is the source of the emerging question and will be the answer to it in the future. The baby is now developing in the dark who will soon come out through a blade cut to see the dawn in the world. Now the woman asks her husband to hold her because she is afraid of going into labour. The poem ends at dawn.

Analysis of the poem “A Far Cry from Africa” ​​by Derek Walcott

Andrew is very interested in all aspects of poetry and writes extensively on the subject. His poetry is published online and in print.

Derek Walcott

Summary of “A Far Cry from Africa”.

A Far Cry from Africa focuses on the racial and cultural tensions arising from the colonial occupation of this continent and the resulting dilemma for the narrator, Walcott himself, a black poet writing in English.

Derek Walcott, a Nobel Prize winner, teacher, playwright, poet and artist, was born on the island of St. Lucia in the British West Indies.

Growing up, he became aware of his multiracial heritage – he had both white and black grandparents – and this theme of separated roots became a rich source of material for some of his poetry.

Published in 1962, A Far Cry from Africa examines the history of a particular uprising in British-occupied Kenya in the 1950s. Certain members of the local Kikuyu tribe, known as Mau Mau fighters, fought violently for eight years against settlers who viewed them as illegal invaders on their lands.

In the first two stanzas of the poem, the narrator tackles the thorny issue of the colonial takeover and its gory aftermath, before finally asking himself the uncomfortable question: How can I brave such carnage and stay cool?

He is caught between his love of the English language, which he uses to express himself poetically, and ancestral blood ties to his African family, oppressed by the very people whose native tongue he must survive as a poet.

The title is somewhat ambiguous. Does the author say that because he lives on Santa Lucia, an island far from Africa, his cry has to travel a long journey to reach the African shores?

Or is he ironic? The term far away means that something is very different than expected. Did the author have this ideal image of Africa and its deep culture only to be disappointed by the current reality of the situation there?

“A Faraway Cry from Africa”

A wind ruffles the yellow-brown fur

From Africa. Kikuyu, fast as flies,

Batten on the blood streams of the steppes.

Corpses are scattered across a paradise.

Only the worm, colonel of the carrion, cries:

“Don’t waste pity on these separated dead!”

Justify statistics and record scholars

The High Points of Colonial Politics.

What’s this for the white kid that got hacked in bed?

For savages, expendable like Jews?

Thrashed by thugs, the long rushes break

In a white dust of ibises, their cries

On the move since the dawn of civilisation

From the parched river or the beast-infested plain.

Animal to animal violence is read

As a law of nature, but righteous man

Seeks his divinity by inflicting pain.

Insane like these worried beasts, his wars

Dance to the tightened skeleton of a drum

Although he still calls courage that native fear

Of the white peace made by the dead.

Brutal necessity wipes his hands again

On the napkin of a dirty thing, again

A waste of our sympathy, as with Spain,

The gorilla wrestles with the superman.

I who am poisoned with the blood of both

Where should I turn divided down to the vein?

I who cursed

The drunken officer of British rule, how do you choose

Between this Africa and the English language I love?

Both betray or give back what they give?

How can I face such carnage and stay cool?

How can I turn away from Africa and live?

Stanza by Stanza analysis

‘A Far Cry from Africa’ is a powerful poem that articulates one person’s divided perspective on the issue of the British colonial takeover of Kenya, East Africa, and its horrific consequences for the local population and the poet himself.

stanza 1

The first stanza is an overview of the situation taking place in the present tense. It begins with a very visual, film-like opening – the wind ruffles the fur of Africa – a country, a continent, compared to an animal.

Perhaps these are the winds of change coming to upset a once content country.

The Kikuyu tribe are then seen as flies beating on the bloodstreams (to be beating means to eat at the expense of others or to feed greedily) and the blood is on the steppes (grasslands with trees and shrubs).

Corpses are strewn across this beautiful landscape, which is seen as paradise, an irony not lost on the narrator. The personified worm-turned-military has a cruel message for the world – what use is compassion for the already dead?

The civil service underpins their policy with numbers. Scientists point out the relevant facts and figures. But what do these mean when you look at the human cost? Where is the humanity in all of this?

The reference to the Jews reflects the atrocities committed by the Nazis during World War II.

stanza 2

The first four lines of the next stanza paint a detailed picture of a typical hunt (of big game) carried out by colonists and settlers. Beaters use sticks and shout as they comb through the undergrowth (the rushes) and herd the animals outside, where they are shot.

An iconic wading bird with a distinctive reputation, the ibis has been a part of the African landscape since humans first used tools. Is that an ironic use of the word civilization (civilization in the US)?

Lines 15–21 seem to reinforce this idea that evolution in the animal kingdom determines who wins and who loses by a sheer force of violence.

But man uses the excuse of following a god or becoming a god by causing pain to other humans (and animals). It is emphasized that the male of the species is responsible for war and pain and war and peace.

Note the use of a particular language – the taut cadaver – the native fear – drawn together by the dead.

stanza 3

The first four lines of the final stanza juxtapose historical references with a visual here and now, embodied in Gorilla and Superman.

The personification of brutal necessity as she wipes her hands on a napkin is an interesting narrative device. Napkins are usually white, but the cause is dirty, that of colonial settlement alongside injustice.

By repeating what the worm screams in the first stanza—a waste of our sympathy—the speaker lends extra weight to the idea of ​​a meaningless death. Compassion cannot change circumstances. By using our, does the speaker mean the compassion of the world or of Africans or blacks?

And what does Spain have to do with colonial Kenya? Well, it seems that the violent struggle is not just limited to the African continent. It can also happen in Europe, as in the Spanish Civil War (1936-1939) fought between democratic republicans and fascists.

In line 26, the speaker declares a personal involvement for the first time and admits that he is divided with both camps because of his blood relationship. The use of the word poisoned suggests to the reader that the speaker is not too happy with his situation, which he considers poisoned.

He wants to side with the oppressed, but cannot accept that the language of the oppressors is the same as the one he uses to speak, write and live. The dramatic language increases the tension:

brutal…filthy…wrestles…poisoned…cursed…drunk…betrayed…slaughter.

A number of heartbreaking questions are unanswered or unanswerable.

The bloody conflicts, death, submission, cruelty, and drive for domination reflect the speaker’s dilemma. He feels alien and yet part of the African heritage; he has a love for the language of the British, which is the cause of much strife in the tribal lands.

Perhaps the ultimate irony is that by writing and publishing such a poem and ending with the question of leaving Africa, the speaker is somehow providing his own answer.

rhyme and rhythm

“A Far Cry from Africa” ​​is a poem with 3 stanzas, the first stanza contains 10 lines, the second 11 lines and the third 12 lines. It is not a true free verse poem because it has a sort of rhyme scheme that can best be described as erratic.

rhyme

There is no set regular rhyme scheme in this poem, but there are certain lines that have complete rhymes and others that have oblique rhymes.

So for example:

Verse 1:

Complete rhymes include pelt/veldt and flies/cries and dead/bed.

weird rhymes include fly/paradise and seize/jews.

Complete rhymes tend to hold lines together and create harmony, while off-key rhymes don’t quite fit and suggest tension.

Verse 2 also has a full rhyme: plain/pain and dread/dead.

Verse 3 continues in full rhyme: again/Spain/Vein.

The full rhymes are not regular, they are not part of any set scheme. But these lines, sometimes close together or further apart, end in complete rhyme when read, giving a fleeting, almost deceptive impression of a regular rhyming poem.

So in the first stanza you have pelt/veldt and flies/cries. In the second level/pain and horror/dead and in the third again/Spain and vein.

Likewise, the oblique or near-rhymes occur randomly and create dissonance.

rhythm

While the dominant meter (meter in British English) is the iambic pentameter, many lines are far from steady and familiarly iambic. They chop and change, change into stress, like below:

A wind / is ruff / ling the taw / ny pelt (9 syllables, 3 iambus, 1 anapaest)

From Africa. /kiku/yu, fast/like flies, (10 syllables, 3 iambus, pyrrhus, trochaeus)

Batten / on / the blood / streams of / the veldt. (10 syllables, trochaeus, 4 iambus)

Line length is more or less constant, balanced on the 10 syllables, expanding here and there to twelve or shrinking, as in line 28, to just four, giving a heavy emphasis to the line I cursed.

Literary and poetic means used

Alliteration: the same consonant sounds in words that are close together

Batten on the streams of blood. Colonel of the Carrion yells: Seize scholars Betray them both…

Assonance: similar-sounding vowels

worm/colonel white child white/ibis/screams teeming with animals

Repetition: Certain words are repeated throughout the poem to reinforce meaning

waste….screams…beast….knows…again…

Enjambment: It should be noted that enjambment occurs throughout the poem and allows some flow between certain lines, particularly in the first four lines of the second stanza.

Sources

www.poetryfoundation.org

The Poetry Handbook, John Lennard, OUP, 2005

Stay Alive, Bloodaxe, Nel Astley, 2002

To the best of the author’s knowledge, this content is correct and truthful and does not replace formal and individual advice from a qualified professional.

© 2018 Andrew Spacey

“I can sleep with her, marry her, take care of her, but love — that’s different,” said Tony, a married man in his late 40s. “Boys don’t like to talk about love. They don’t know what to say. Of course boys feel love. But they express it differently.”

Why don’t most men just come out and tell us how they feel? In my years as a therapist I have learned that love can make men feel vulnerable, childlike and unable to do what is expected of them, especially those who believe they are in a world of… dogs work. Still, men love, and different types of men express their love differently. In fact, love means different things to a man at different times in his life. This means that a woman must pay attention to who her man is and what love means to him. If you’re frustrated waiting to hear those three magic words, check out what your man may already be saying — in a different way:

1. Just say “I love you.”

In fact, for some men, saying those three words is a big step. Because it means much more than just expressing a feeling. For some it feels like a life commitment, for others it is fraught with danger.

“When I say I love you,” Steve said, “I feel like I’m taking my life into my hands and giving it to her. It is frightening. I really need to trust her and know that she’s not going to throw my love away to actually say the words to her.” In this case, the fear of rejection comes to the fore. Rejection is tremendously painful for most men, and “I Saying love you” can be an invitation to get hurt. Most men need to feel very secure in the relationship and in the woman’s feelings for him before he dares say those words.

For others, saying “I love you” means “I’m offering a commitment. I will be here to do things for you.” For many men, love is expressed in action, so those words are a promise of what is to come. Just by saying those words, they feel like they agree to be there, to give and support her. If they don’t, they will feel like a heel.

When some men say “I love you,” it means “I’m not leaving” or “I will always be faithful.” This can be very scary for some men. They feel that the words themselves are a promise and if the promise is broken they will suffer too. Men don’t want to break their promises to you. Most want to be able to come through and give you what they want. In the end, all they want is to make you feel good about them — and make you feel good about yourself, too.

2. Offer tokens of affection

There are many different types of gifts a man can give. The obvious ones include those wrapped in packets, candy, flowers, and special notes. But there are others that a woman may or may not be aware of. For example, for some men, giving you their time is a gift. Spending more time with you and less time with family and friends is her way of saying she loves you. They choose to be with you.

Some other men choose other gifts. Whether your partner stands up for you during a difficult time, visits your family with you, does small chores for you, attends important events with you, puts you first in their thoughts, or plans trips, dates, or trips, the message is the same . He loves you. If this sounds like your man, remember that like many men, he may not agree with expressing his feelings directly, so these behaviors are signs that he cares deeply. The trick to understanding a guy like this is realizing two things: these actions are generated out of love, and he expects you to know that.

3. PDA – Physical displays of affection

Affection can mean anything from holding hands to making love. In fact, some men find it easiest to express their feelings through lovemaking. That’s because after intimacy, they feel like they loved you, and they often feel loved too. The physical contact breaks down barriers and gives them a feeling of closeness that is not so easily achieved in other ways.

This can be a complex area as sex can mean so many different things to different people. Most women need affection and foreplay, as well as sex, because it makes them feel loved. Some women even request to hear words of love during this time. So when a man is open, generous, and loving toward a woman, that’s often his way of expressing love. For him, love means satisfying her needs and having his needs met as well.

Still other men use sexuality to avoid or cover up areas in the relationship that might be difficult. They feel that if the sex is good, everything else will fall into place. If sex is hesitant or non-existent, it is usually an indicator that something is missing emotionally or that there is conflict in the relationship. Sex is a sensitive barometer of what is going on in all aspects of one’s life.

4. We introduce you to his family

Another way to say “I love you” is to bring you home to meet family and close, meaningful friends. This is often an indicator that the man has deeper feelings for you. Not only does it say he’s proud of you, but he also wants to connect you with the people who mean the most to him. He wants you to take care of them and they want you to take care of them too. This is a sure sign that intimacy and love are increasing for him and that you are becoming an important part of his life. Some women complain a lot about not having met the family and being kept separate and separate. If this persists in a relationship for too long, it can be a sign that the depth of his feelings for you and his commitment is missing.

Some men break up relationships. You have someone to date, someone to have sex with, someone else for the kind of love that leads to marriage. By being aware of the people in his life that he introduces you to and includes you with, you can get a good idea of ​​how he is doing in this area. Does he want you in all parts of his life or is this a limited relationship? Love at its deepest involves sharing all parts of ourselves with others.

It’s helpful to keep a small journal of your relationship. So many deeds and acts of love go unnoticed and unfelt because we either get used to them or are too busy to stop and take notice—or stop and say thank you. Take a few minutes each night to write down what you received and what you gave that day. Write it down. Be precise. List everything, like phone calls, kind words, a surprise visit, etc. You’ll be amazed when you look back and realize how much your partner gives you. Plus, it will help you find new ways to give back to him.

A version of this story originally appeared on iVillage.

The trick to a happy relationship is seeing each other as completely equal.

Now, before you all talk about how you treat everyone equally, especially your lover, let me say this: bullsh*t.

People don’t see all people as the same – in fact, we almost never see anyone else as the same.

The only time we really do that is when we love that person. When we don’t love someone, we are basically saying that he or she is not our equal and deserves our love.

It is difficult to see other people as fully equal as we are egocentric beings living a reality from a single perspective, a single angle.

As far as we’re concerned, we’re really the only people in the world that matter.

Unless we’re in love. When we’re in love, the most magical thing happens: we find someone we think might be even more important than ourselves.

Ladies, this is the only kind of man for you. If he doesn’t see you as his own, he won’t be able to treat you the way you deserve to be treated.

How do you know he treats you the way you deserve to be treated?

1. He pays attention to you from the moment you wake up.

He turns around, gives you a hug or a kiss on the forehead. Or just drop his heavy arm over you and moan to show his disdain for the sunrise forcing him to wake from his dreams.

Whatever his morning routine may be, it’s all about him realizing that you’re lying with him.

2. It nourishes not only your body but also your mind.

He might invite you to dinner; he could do it for you. A man in love lives to satisfy his woman – and that goes through her stomach as well as through her passions and her soul.

He will buy you chocolates as well as books because he knows that enriching you is his favorite hobby and that it makes you both better.

3. He loves to surprise you.

Maybe he’ll buy you little gifts. Maybe he’ll pick you some flowers. Maybe he’ll clean your apartment while you’re at work or running errands. Maybe he’ll book you a trip around the world or just pack you a surprise picnic. When a man wants to surprise you, he understands the importance of keeping the excitement alive in a relationship.

4. He hangs out with you because he wants to, not because he feels obligated to.

You don’t have to beg him to hang out with you, to see you, to spend time with you. In fact, he often needs to restrain himself from seeing you too often, from seeming overly eager.

He feels the urge to spend almost every waking moment with you, but he knows better. He gives you the space you need and takes away the space he needs, but he never fails to be there for you.

5. When he makes plans, you’re a part of them.

As far as he’s concerned, you’re the plan. The life you two will build together is the planning he needs. When the time comes, you do everything else together.

6. He consults you before making big decisions.

In a relationship, it is important to share decision-making. If the man you are with treats you well, he will include you not only because he knows you want to be included, but because he values ​​your opinion and contribution.

7. He doesn’t lie to you because he has nothing to lie about.

Not all men are scumbags. Not all men will lie to you, cheat on you, and break your heart. Some, most certainly will. But not him. He refuses to treat you like every other ass in your life has treated you. He will not lie to you and he will never have a reason to.

How can he be so sure? Because it’s a choice, and it’s a choice he’s already made.

8. He tells you you’re beautiful when you’re feeling your worst.

I would tell him that, you are always beautiful – which may very well be the case – but when you look like hell you look like hell. It happens to the best of us. But, you know what? He refuses to tell you that you look like hell because he doesn’t want you to think of yourself as anything but beautiful.

9. He tells you about his day and asks you about yours.

He wants to know about your life because he feels that in some ways, by knowing your day, he becomes a bigger part of your life. He’ll be happy to tell you about his day, tell you interesting stories or some problems he’s been dealing with. He wants to share with you and wants you to share with him.

10. The only time he makes you cry is with happiness.

There shouldn’t be anything in the world that breaks his heart than seeing you cry – really cry. He hates the thought of you feeling hurt and will even go so far as to share your pain. It’s not like he’s trying, although if given the chance he’d switch seats in one instance; he just can’t help it. It hurts when you hurt. It’s out of his control.

11. He tells you he loves you, but he doesn’t have to because you already know it.

This is where most men – and to be fair, women too – make a big mistake. When you love someone, it’s less important that you love that person than that you make him or her feel loved.

People seem to have it backwards. They are under the illusion that the way they feel about themselves is the best definition of love.

On the contrary, love is defined by actions – not emotions or theories. If he doesn’t know how to make you feel loved and is doing his best, he is selfish and self-centered. how can this be love

12. He will give you the larger half.

It’s the little things. It’s those little moments when he thinks of you before he thinks of himself. It gives you the bigger half of the sandwich, the bigger half of the bed, the bigger half of the closet, the bigger half of his heart, the bigger half of his life.

Humans are naturally self-centered – they will always think of themselves and most of the time they will think of themselves first. It’s not something that can be helped.

Pay attention to these little acts of selflessness, because they are quite literally a testament to his love for you.

13. He makes you feel safe.

He may not be the tallest, the fittest, the fastest, the strongest guy alive, but when push comes to shove, he will sacrifice himself to save you rather than allow you to be abused, hurt or hurt by another are molested.

In your heart you have a feeling that he would risk his life to save yours when it came down to it. And although you would never ask him to shove him out of the way while he protects you from the incoming bullet, you feel comfortable knowing that he is the luckiest girl alive.

14. He keeps his promises.

He might not make many of them – if only to lessen the likelihood of having to break them – but when he makes a promise, he always keeps it. He knows you trust and believe in him – he doesn’t want to let you down. He just wants you to be happy.

15. He makes you feel like a woman.

Maybe you are his best friend. You may be his partner, his confidant, his advisor, his significant other, but first and foremost you are a woman – his wife. And he wants you to feel like a woman. He treats you with respect. He makes you feel sexy. He makes you feel loved.

He makes you feel like he wants you—every part of you—because he wants it.

Follow Paul Hudson on Twitter and Facebook for more of his thoughts and stories.

Marketers of all media never resist the opportunity to use the holiday season as an excuse to treat the woman you love like royalty. Luxury goods and services of all brands and purposes are promoted as the best sign of devotion, but it misses the mark in this regard. After all, love is a year-round act of devotion, and no occasion is too small or insignificant not to show the woman in your life how much you respect, admire, and just plain adore her.

No two women are the same, and for all media and consumer claims, only you can truly know the way to her heart. Why not appreciate the honor? At a time when women are still struggling to have their voices heard, mind and body valued, and equal needs met, no one but you can prove that such a thing is not only possible, but deserved.

A woman’s love is truly incomparable, and what you give is sure to be repaid tenfold. Understanding what makes your goddess tick may not be easy right away, but once you earn the key to her heart and trust her, you will be the happiest man alive.

Women were born to adore the men they love, but never forget that it works both ways. To be fully appreciated, happiness must be shared. Every season is the time to show the lady in your life what she means to you through travel, adventure, sensuality, intellectual and creative pursuits and simple everyday pampering.

Best of all, treating them well can be a shared treat, and one worth savoring year-round, if not forever. Discover below how to treat a woman with the 18 best ways to keep her with you.

1. Give her direction.

But don’t control them; you don’t own them. When it comes to deciding where to eat or what activity to do, don’t keep second-guessing yourself. If she wants to be indecisive, fine, but as a man, you need to be sure of your words and actions at all times. Lead with confidence, not with constant self-doubt.

When entering a restaurant, let them enter first. Give her a gentle push from behind and lead her to the door. When ordering food, always let them order first! You have to wait for your food to arrive before you eat. A woman always eats first.

2. Treat her like a gentleman.

Have manners when out in public. In private, that can be a different story. At home, things like elbows on the dining table don’t matter at all. Be chivalrous and open the car door for her.

Pull out your seat and slide it back in when you sit down at a dining table. Walk on the outside of the sidewalk when walking down the street with her. While these things sound incredibly simple, they’re super easy to forget!

See more about – 50 Rules of a Gentleman – Man’s Greatest Burden

3. Avoid losing your temper around them.

Be patient with her. Arguments happen and many say they’re just a part of relationship building. A gentleman must control his temper and not act like a child. However, you must be able to manage your emotions, which doesn’t mean you can’t express more emotional ones. Deep insults and outbursts of anger in adults are unacceptable.

When dealing with stress, it’s one thing to confide in a woman, it’s another to make your problems her problems. Don’t make her stressed just because you’re stressed.

4. Be her man, not her doormat.

Be ready to say no. Show her the same level of respect. If she says no, you respect her opinion and decision. If you say no, you should give her the opportunity to respect your choices and opinions as well.

When it comes to new women in your life, don’t immediately make them a priority. Give yourself time to slowly invite them into your life. Don’t ask her to jump straight into your life and spend as much time with you as you want.

5. Surprise and challenge them.

Let them guess what’s next. The best relationship is like a roller coaster ride. Sure, it has its ups and downs, but there are plenty of unexpected twists and turns that make the ride fun.

Take them to new places, try new things together and don’t be afraid to be adventurous in the bedroom. No matter how embarrassing or awesome your end experiences are, accepting risks together leads to more trust in each other. Even the little moments count.

Gifts like flowers, cards, tickets/excursions and so on work wonders when given randomly. Give them when they are the most unexpected. Valentine’s Day, birthdays and holidays are no surprises, they are literally already planned. Do not exaggerate!

Even after you have a girlfriend or wife, keep entertaining them. Tell her random jokes, play hard to get her from time to time, and keep things interesting. For example, when she does her makeup in the morning: walk in unannounced, wrap your arms around her body behind her and rest your chin on her head. Wait there while she melts away inside.

When it comes to teasing her, just remember that being an idiot and humiliating her in public is one thing. It’s another to casually embarrass each other while jokingly laughing about it. Know the limits and respect them.

6. Compliment her wisely.

Your compliments will only go so far as to become just ordinary phrases. Use them sparingly and at the right moments. For one, you will be less clingy and for another, every time you give a compliment, there will be some meaning behind it. Remember to show her some appreciation for what she does.

7. Consider their needs for a moment.

Believe it or not, but leaving the toilet seat up can be enough to piss some women off madly. In fact, there are numerous instances where these events are the cause of a divorce!

However, I’m sure it was more or less a combination of things. The point is, take a moment from time to time to get a better idea of ​​what you can do to improve the relationship.

Maybe you’re doing something that irritates her, but it’s so small that you don’t notice it at first. As men, we often see things like letting a toilet seat on as so easy, carefree, and incredibly idiotic that we even complain about it, but guess what, women notice, and some really care!

This can extend to other examples including shaving the groin, changing from boxers to briefs, helping bring in the groceries, taking out the trash, stopping throwing clothes on the floor, putting dirty dishes in the sink and not on the countertop, replacing the empty toilet paper roll, etc. All without being asked to change!

Sometimes you need to mention these things to find out if their problem is there or not. Talking is the key.

8. Protect her.

Don’t be a wimp! Stand up for them when it’s the right thing to do. You should never allow others to disparage you when it is unjustified. However, that doesn’t mean you should be a macho who starts arguments about anything and everyone you disagree with. Not every woman is an angel.

If you don’t agree with her and you know she’s dead wrong, wait until you’re private to talk about it later. Never expose them in public and then sit down.

9. Have goals and invite them to be a part of them.

The same goes for your hobbies. While she may not like all of your interests, goals, and hobbies, there’s a good chance some of them will keep the relationship interesting and fun.

Learning a new skill together as a couple can be a rewarding experience. In a different light, encourage them to pursue their own goals. Be supportive no matter how difficult the ending dream may be.

Be her biggest fan. Push her to be passionate and delight in the excitement in her eyes.

When it comes to your own goals, you need to be able to take care of them. Give more than you take. Don’t be a lazy bum who expects to be serviced hand and foot while bringing absolutely nothing to the relationship.

10. Listen, but don’t persuade them.

Especially when you meet for the first time. Conversations should be fun and playful, not boring and tedious as you dish out your entire life story at once. Easy conversation and an excellent listener are all that is required.

While you’re in a relationship, you’re sure to listen to a woman talk about anything and everything for what seems like hours without end. While it’s not always comfortable, pay attention long enough to make sure you’re showing genuine interest.

Give her a chance to get advice from you if she’s having trouble, or relieve stress by taking things off her chest. Eventually, you will build more trust as she shares more personal stories, thoughts, etc. with you.

Pick up and repeat certain words and phrases during a conversation. It’s a great way to show that you’re actually listening and paying attention.

11. Be physical.

I’m not talking about hitting a woman, I’m talking about touching a woman. They can often communicate more through touch than words. Touch shows some level of alpha-ness and guts, but you have to consider her comfort level.

In reality, women want to be seduced, although society would say that seduction is in bad character. It all comes down to the direction-giving mentioned above, you need to heed and guide their signals. Remember that touch is incredibly memorable over the course of a relationship.

12. Respect their parents too.

Use your manners; Show some respect in the way you speak. Never speak negatively about her parents in private, even if she’s angry or hates them. She can say whatever she wants about her, you can’t!

Learn more about – How to Impress Your Partner’s Parents

13. Keep your word.

If you say you’re going to meet her somewhere at five o’clock, then be there at five o’clock. I don’t care if you have diarrhea or if you don’t feel well. The only reason you should never show up after giving your word is if you’re either dead or in a coma!

The only thing worse than being late is not showing up at all. Communication is key when factors beyond your control get in the way.

14. Put down your phone.

When you talk to her, give her your full, undivided attention. Texting and phone calls should be reserved for your private time, not your time together!

One of the worst things a man can be is to pull out his phone during a nice dinner and completely ignore his girlfriend or date. It’s incredibly rude.

15. Don’t embarrass her for the mistakes she makes.

Avoid holding grudges or belittling her. We all make mistakes in life; There’s no reason to ridicule someone for doing them over and over again. You must know how to forgive and forget and be able to do so sincerely.

On the contrary, if you make mistakes, own up to them. While lying and hiding are often easier, the truth eventually catches up. Honesty gives you the chance to grow, change and improve for the better. Understand that any kind of public mockery is often ten times worse and ten times more memorable.

16. Don’t talk negatively about your ex in front of her.

Women notice the way you talk about your ex and the last thing they want is for it to be talked about in the same way. If you’re willing to talk negatively about your ex then what’s to say you won’t talk negatively about her should she ever become your future ex?

Do not do it! Show some respect for every woman you date, including the ones you absolutely despise. Surely there are a few positives or areas for improvement that you’ve discovered in almost every relationship you’ve ever been in.

In reality, relationships are great ways to grow as better men and learn from our past. We certainly learn a lot about ourselves in the process.

See more about – Dealing with your girlfriend and her ex-boyfriends

17. It’s not always just about being romantic.

If she’s had a busy or stressful day, then step up and run the dishwasher once in a blue moon. Dinner, chocolate, and flowers will only get you so far.

You drop a capsule into the container and press a single button. It’s not that hard, but it shows that you’re willing to put in the effort and still care. Consider putting away the clean plates or cutlery, emptying the sink, cooking your dinner, and so on. It doesn’t have to be done every day, but these small actions can make a big difference.

See more – 8 Ways to Keep the Romance Alive in Your Relationship

18. Always buy her the right gift.

If you agree not to buy each other gifts for a specific holiday or occasion, buy one anyway! Trust me.

When giving gifts to a woman, you don’t have to max out your credit card, but you must never give her junk! It’s far better to make a gift yourself than to give one that’s cheesy, meaningless, or literally garbage. There’s an old saying I like: “More bedrooms doesn’t equal more sex!”

You don’t have to buy her a million dollar house to get love in return. The same applies to gifts. They don’t always have to be expensive, just sensible and well-intentioned.

How does a gentleman treat his lady?

Being in love is a wonderful feeling, love gives you strength, courage and makes you optimistic, love is not a day, you cannot love someone just by looking at their physical appearance. Love takes place between two souls. Therefore, love grows with people. Love takes time because it’s not just about physical appearance, but also about natural behavior and understanding. Many relationships don’t last long because understanding between them begins to waver, dominant behavior invades their relationship, and one partner begins to dominate another. Love will not work until both partners understand each other, both partners need to compromise and at some point make sacrifices, need to find understanding and common ground. So today I am going to share some points that show how a gentleman treats his lady.

Get a free audiobook about relationships from Audible

Often boys in a relationship are immature, they behave immaturely, they want girls to listen to them, they start to dominate and behave very protectively and possessively, being innocently possessive is good, but being overly possessive and overprotective , ruins the relationship, many boys can’t handle girls who have the ability to hold their own and get along in this well established modern world. Therefore, boys need to act little adult when they are in a relationship with a girl who knows how to take care of herself and who knows how to be independent.

Our society has changed compared to before, today’s women know the importance of independence, they have their own will and they know how to take care of themselves, earlier women didn’t have so much freedom so they were more dependent on men , and hence men were equally more protective towards their wives but nowadays societal norms have changed hence men are confused about how to behave in a relationship and what is expected of them in dating or in the relationship.

Men should behave like a gentleman, men should treat his woman like a lady, gentleman always respect his lady and always try to understand her and always listen to her and her opinions and advice, gentleman behave like a man who is mature and positive is personality and knows how to behave. He handles every situation wisely and never respects or makes fun of his girl, even jokingly.

Let’s start with “How does a gentleman treat his lady?”

1. A gentleman always supports her

Gentleman always supports her, A gentleman has never forced her or tried to dominate her, A gentleman always encourages her for her ambition and her dreams, Gentleman understands that women are as strong as she is and you will never have a problem behind her partner to stand when there support is needed, Gentleman will never discourage you and will never betray your confidence and will never stop you from living the life you want to live.

Read more: 6 easy ways to show your love

2. Gentleman always shows respect and love

Gentleman never takes them for granted nor a lady, a couple who is genuine for each other never takes each other for granted no matter how many years they have been together, they never ignore each other and they never fail to show how much they love each other love each other because they understand that showing affection and caring will always strengthen their bond and relationship, they behave as both friends and partners because they understand that friendship is also important in a relationship.

Read more: Assumptions can ruin relationships

3. The gentleman never stops her from pursuing her dream and goals

Gentlemen always support and encourage her, he himself has passion and goals, and he understands the meaning of dreams, he knows that achievement brings happiness, and he always wants his girlfriend to be happy. Therefore, he always encourages her for her dreams and passion and he himself always stays focused on his dreams and goals because success is important in every aspect of our life and gentlemen know that very well, so he handles his relationship and works properly.

Read more: How to deal with an overpossessive partner?

4. Gentleman respects their privacy

The gentleman knows that alone time is also very important, and having some personal time doesn’t mean their love isn’t what it used to be. Instead, personal time adds intensity to love, so the gentleman never forces her lady to be with him all the time, he knows the brain needs time to relax, so they both give each other some personal space .

Read more: How can Indian youth influence our society?

5. Gentleman always stay honest

Gentleman knows how honesty and loyalty play a very important role in every relationship, so they never give her a reason so that she gets stressed and doubts about him. Gentleman always remains loyal and honest to his lady, in this way his lady or girl will start to respect him more and will always trust you.

Read more: 6 ways to deal with criticism

6. Gentleman makes a plan

The gentleman doesn’t always ask the lady to make plans for a date, instead they plan a date or a surprise themselves, many women love it when a man makes a plan for them when a man plans a date.

Read more: How to make your loved ones feel special

7. Gentleman gives freedom

The gentleman never stops his girly freedom because he knows that excessive possessiveness can ruin his relationship, so he never cut off her wings instead he let her spread her wings, he always wants to make her happy, so he understands what all things make her happy, he never force her, he always values ​​her views and opinions and always respects her decision and he knows giving freedom will bring more love between them.

Read more: How to Forgive and Let Go

8. Gentleman always speak respectfully

A gentleman never misbehaves or speaks badly to his lady, he never makes fun of her, he always respects her and always speaks to her politely, he behaves humble and very nice to her because he knows that women are very sensitive are, so they should be treated like a princess. Therefore, the gentleman always protects and cares for them.

Read more: How to break a habit: 5 easy steps

Everyone in this world needs loving support and care, so men and women both need to understand that they need to trust each other if they want their relationship to work smoothly, that they need to understand each other and that they should be loyal and honest to each other and should understand that everyone has their own life, and so freedom is as important as love, so there is nothing wrong with having freedom, so understand each other and have a beautiful life journey.

These are the 8 tips “How does a gentleman treat his lady?”. I hope you like it.

Many Thanks.