How To Draw Antlers? The 13 New Answer

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How do you draw an elk?

How to Draw Deer Antlers

Kids Youtube – Learn Letter A Antlers Drawing

Kids Youtube – Learn Letter A Antlers Drawing

Kids Youtube – Learn Letter A Antlers Drawing

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How to Draw Antlers Step by Step

In this tutorial we will draw antlers – a beautiful element from the natural world. We’ll start with a pencil sketch and design the typical structure of a deer antler from scratch. Then we create an illusion of texture and complete our drawing with ink liners.

But first, let’s talk about the difference between horns and antlers. It’s always useful to learn more about the object you want to draw!

Antlers are grown as an extension of the animal’s skull and are a single structure. They are generally found only in males of the Cervidae family, which includes all species of deer, elk, and elk. Antlers are grown every spring and shed every winter.

Horns, on the other hand, are two-part structures. They are found in members of the Bovidae family, which includes species as diverse as cows, sheep, goats, and even antelope and gazelle. Both males and females can have horns, and the size and shape of the horns vary from species to species.

With rare exceptions, horns are never branched and never shed. In many species, horns never stop growing throughout an animal’s life.

what will you need

To complete this project you will need the following equipment:

a graphite pencil (I recommend using an HB or B type)

An eraser

an ink liner number 0.05

an ink liner number 0.1

an ink liner number 0.2

a sheet of drawing paper

1. How to draw antlers with a graphite pencil

Step 1

I outline the edge of the skull just for reference and then add a core line.

Each antler grows from a point of attachment to the skull called the peduncle. I mark the bases of the antlers with oval shapes.

step 2

I draw the frame of the horns. We’ll start with simple fork structures and add more elements later.

Antlers often have a slight asymmetry and atypical prongs, so don’t strive for absolute perfection.

I also recommend drawing both antlers at the same time, because if you only draw one and then digitally copy and mirror it, your artwork won’t look natural.

step 3

I draw the outlines of the longest parts of the antlers, also called the main stems or antler stalks.

step 4

I draw the short transition parts; They connect the branches to the antler stalks.

As you can see in the picture I add the oval shapes to these parts as if we were looking at the antlers in a cross section. Thinking about the shapes this way will make the drawing more realistic.

I draw the branch growing out of the main beam.

step 5

I add two shorter branches to the antler stalks; we agree that they are not the same.

step 6

I draw the curved branches facing the viewer.

To emphasize the direction of these branches, I add a border between their sides. Now the front branches look more believable.

step 7

I draw the short branches in the lower part of the antlers. Another name for these elements is the eyebrow prongs.

step 8

I refine the contours of the antlers and make the lines smoother. Now you can add some new prongs or creative features if you wish.

It’s time to erase the unnecessary pencil lines.

step 9

Let’s add some texture to the bottom part of the antlers (it’s called the ridge or crown). The crown has a characteristic pattern resembling a series of outgrowths.

step 10

I draw long graphite lines marking the texture of the main beam and branches. The texture is much smoother here than on the crown part.

2. How to draw antlers with ink liners

Step 1

I outline the main contours of the antlers with the 0.2 ink liner.

step 2

With the 0.1 ink liner I add the lines to create a texture. See the image below for an example of this hatching.

step 3

I add some shadows to the texture by applying groups of short horizontal hatches. Our goal here is to make the contours of the texture visible.

step 4

Using the 0.05 liner, I add contour hatching to the sides of the main beam and knots. The drawing looks more three-dimensional!

step 5

With the 0.1 liner, I increase the contrast in my drawing by adding more short hatches and dots to the core shadows.

Your drawing is ready

Congratulations! You have created a beautiful work of art; I hope you enjoyed both the process and the result.

I wish you every success in drawing with graphite pencils and ink. Have fun capturing the unique charm of the wonderful animal and natural world!

How to Draw Horns and Antlers

Horns are unbranched. They typically grow in symmetrical pairs. Usually horns have a curved or spiral shape with ridges.

Horns, on the other hand, are found in members of the Bovidae family. It includes cows, sheep, goats and also antelope, gazelle and even water buffalo. Horns can appear on both males and females, depending on the species.

Since antlers have such a complex branched structure, it’s good to know the basic terminology as it will help us when drawing the structures. Here are some features worth remembering…

See the image below for three examples of antlers. (1 – Red Deer; 2 – Whitetail Deer; 3 – Elk Antlers.)

In most cases, the antlers are only present a few months before the annual shedding. Such structures usually appear in males. (Reindeer are an exception – the females have antlers too.)

Antlers are found exclusively on members of the Cervidae family. It includes species of deer and moose. Antlers are paired and branched and are made entirely of bone.

In colloquial language, the words “horn” and “antler” are often used interchangeably. Sometimes they refer to any type of head extension, even those of certain lizards, birds, and insects. However, there is a distinct difference between horns and antlers.

The final section of our tutorial is a fully hands-on texture study. We draw antlers with colored pencils using a reference photo.

In this drawing lesson, I’ll show you the principles of realistically drawing horns and antlers. My goal is to show you that even the most whimsical shape can be broken down into simple, easy-to-draw components. We’ll explore a method to turn a complex task into a sequence of steps where each action can simply be repeated.

Some animals are unimaginable without horns or antlers on their heads. These structures exist in a variety of forms with complex textures. No wonder drawing antlers can be a real challenge!

Learn how to use colored pencils like a pro. Learn a variety of techniques and explore different topics through concise and “easy to understand” modules.

In addition, there are some special functions. For example, a moose with large antlers has better hearing than one without.

Antlers are often used in fights against other males during the mating season. They also serve to impress and attract females – antlers are a prime indicator of health and genetic quality. They also provide some protection from predators.

Both antlers and horns serve very similar purposes. Their main function is to establish social hierarchy, dominance, and territory.

Below is a comparison of antlers and horns in early and developed stages.

There is no keratin covering in antlers like there is in real horns.

The antlers are made of bone. They are covered with something called velvet – a layer of skin that supplies the developing antlers with oxygen, blood and nutrients. When the structures reach their full size, the velvet falls off.

Antlers grow from stalks — two bony structures on the animal’s head. Stalks support the antlers as they grow.

The nucleus is covered with a layer of epidermis. Keratin (found in the epidermis) thickens and forms the protective surface of the horn.

As previously mentioned, horns have a bony core. It is fused to the skull with connective tissue.

Normally, animals only have one set of horns. However, some breeds of sheep possess multiple sets of such structures. (For example, the Navajo churro sheep – see image below.)

Pronghorn antelopes are the exception among the horned species. They have branched, erect horns with a sheath that is shed each year.

The size and shape of the horns vary from species to species. Below are some examples of horns. (Tag: a – markhor; b – saiga; c – mouflon; d – Valais black-necked goat; e – giant eland.)

Another difference is that unlike antlers, horns are a permanent feature. In many species, they grow continuously throughout an animal’s life.

These structures have a bony core surrounded by a keratin sheath.

Please note that I will use the word “horns” in most cases, but these methods can be applied to antlers as well.

Sometimes the horn-like structures look so complex that we feel overwhelmed. This part of the tutorial contains a collection of tips to help you analyze such forms.

Each process of drawing horns or antlers can be broken down into the same steps that we followed in the previous paragraph.

Note that texture affects the appearance of the main contours of the antlers, making them somewhat irregular.

We can shade the darker areas – this will add some volume to the drawing. Also, it’s time to add structural details. ( Point 4 .)

The framework is complete and now we can refine the contours. It can mean expanding or narrowing certain parts and making the lines smoother or more curved. For example, I widened the lower part of the antlers where the ridge is.

I also mark the bases of the tines with ellipses. Smaller elements can outgrow tines – they are added last. (See point 3 in the picture below.)

Now it’s time to add the secondary outgrowths – the tines.

Then I add the outer contours of the main beams. (Point 2.) If using a reference, assess how thick or thin the stems are – compare their width to the animal’s head or other body parts.

I often use a guideline that intersects the top center of the skull. It allows me to check the symmetry of the antlers. However, such natural structures tend to look somewhat dissimilar in comparison, so symmetry is relative.

Then I mark the direction of each stem with long core lines. They reflect slight turns inherent in antlers. (In the picture below, point 1.)

First I mark the base of each antler with an ellipse. It helps create a space that this element occupies on the head surface.

The shape of the main bar of real antlers can be stylized into an elongated cone. The tines are smaller cones attached to the main shape.

Our first task is to simplify the topic as much as possible. Try to visualize the inner structure of the antler as if it were made of glass or some other transparent material.

Now I’ll show you a sequence of steps that you can apply to any drawing process. We’re going to use it to draw deer antlers.

Now that we’re familiar with antlers and horns, let’s look at a simplified way to draw them.

The males of the Bovidae family also use their horns in fights during the breeding season. In species where females also carry horns, they are usually smaller and serve more as a defensive tool.

Reindeer use their antlers to clear snow and eat plants that hide underneath. It is interesting to know that female reindeer keep their antlers during the winter months. They are only shed in the spring, after the calves are born. Most likely, the antlers are retained because of their important role in the feeding process.

Learn how to draw three different birds with three different brands of colored pencils on three different surfaces.

Think of the form as a set of shapes

Try to think of the horns as a combination of flat shapes or planes. You can do it just in your mind – or draw a simple scheme on a piece of paper. The goal is to create a visual distinction between the parts or sides of a horn.

Notice where different levels change direction. A specific part of the horn can move forward, backward, or turn sideways. Observe these bends and turn them into stylized shapes.

Imagine that the shape of the antlers is transparent

With curved or spiral horns, it can be helpful to visualize the internal structure. Imagine that the object is made of glass. Look for repeating patterns or imaginary relief lines.

Below is an illustration of this concept. The green line follows the curve. It envelops the entire form – from top to bottom. This line is broken on the back of the horn.

“Chopping” the shape

When drawing ribbed horns, try simplifying the shape so that it looks chopped. This flattens and straightens curved areas. This trick makes the layers (or facets) clearly readable.

Observe the direction of each aircraft in space and its visibility to an onlooker.

Also pay attention to the areas near the edges of the horn. Chances are you can trace an imaginary line that follows the contours of the form. In the image below, such lines are marked with blue and green colors.

Draw horns and antlers in perspective

It is necessary to remember that horns, like any other object, comply with the principles of perspective. However, we don’t need to create a strict technical design that includes a horizon line, vanishing points, and guides.

See also: linear perspective

The best way to understand this concept is by observing live animals with horns. (Alternatively, use reference photos.) You’ll notice what these head extensions look like from different perspectives, resulting in foreshortening.

Adding color to the drawing with colored pencils

It’s time to sharpen our pencils – we’re ready to draw with crayons! Let’s consolidate our newfound drawing knowledge.

It is important to set a goal for your drawing practice. What is your desired outcome – a detailed scientific illustration, a quick, loose sketch, or a study of a fragment of texture? The purpose determines the effort and time that should be invested.

My goal is to observe the subject and learn something new about its structure and texture. Such valuable insights can be used in a more complex and elaborate work of art. I want to finish this drawing within a few hours, so it probably won’t be perfectly detailed. My result will not be an exact copy of the reference.

The painting material for this drawing exercise

For this project I use Faber-Castell Polychromos colored pencils. You can find the swatches in the image below.

Please note that it is possible to complete this drawing with fewer pencils. An absolute minimum is three shades of gray (light, medium, and dark) and one brown. Of course, an extremely limited palette does not allow for subtle shades of color, but you can still draw and learn by doing.

See also: How to draw a seashell with a limited palette using colored pencils

I draw on an A4 sheet of thick drawing paper with a subtle texture.

Also, have a graphite pencil, a soft eraser, and a sharpener handy.

Also see: 9 Must-Have Crayon Accessories

The reference photos used for this drawing

Our theme is deer antlers. Feel free to use this image to join in!

And here are some close-up texture fragments. Note that each area of ​​an antler has specific structural characteristics.

The ridge is rough and has a distinctive relief. The antler stalk has a rough surface with long shallow furrows. The top of the main beam and the upper prongs have a smoother, more uniform texture.

Create a sketch of the antlers

Let’s sketch the antlers. At this stage the drawing is rough and approximate. It’s like a “box” for our object.

I present the skull as a series of shapes. Form 1 is the side facing away from the viewer. Form 2 represents the upper plane and form 3 the lower part of the bony area. The upper projection is marked in green.

I also add the rough edges of the nearer antlers and its tines.

In this case, I don’t use many guides, such as B. A core line and various ellipses marking the base of the prongs. These deer antlers have a simple structure.

Keep the graphite marks as light as possible and please note that I have intensified the lines in my sketch for your convenience. Heavy marks can be difficult to erase.

Now I refine the contours of the subject and remove unnecessary lines. Take the time to study the reference and note important details. Transfer them to your drawing.

In this step I will add the second antler.

Aside from the contour line, I don’t add the details of the antler structure. However, if this helps you study the subject, please mark some ridges and bumps.

When the underdrawing is complete, smooth out the graphite marks with an eraser.

A quick note on working with textures

Before we move on to colored pencils, let’s make a brief digression.

Some materials pose a greater challenge to the artist. The surface of horns or antlers can be seen as such an example. This texture has so much detail!

Here is one of the tricks that can help you get the essence of this material. Take a picture of your subject and switch it to a black and white version. If you remove the colors, the relief of the surface will be much more visible. The values ​​will also be clearly legible.

It can also be a good idea to start by examining the texture. Focus on one fragment at a time and you will find that complexity is just an illusion.

And the last piece of advice – make sure you spend enough time observing the texture. It might bring you unexpected insights!

Draw the antlers with colored pencils

Let’s start with a color base.

I cover the bony part with Cold Gray I. Some areas of the skull appear to have a cool undertone. A subtle contrast in color temperature makes the drawing more vivid.

See also: Warm vs. Cool Grays

I cover the lighter areas of the antlers with Warm Gray II.

I add nougat to the darker parts of the antlers. The antlers that are further away from the viewer get more uniform coverage as they are meant to remain in the background. Too much detail of texture will push it forward visually.

Warm Gray II and Nougat uses may overlap.

I make sure I spend enough time observing my model. If I notice a specific detail, I transfer it to my drawing. However, we don’t need to make a hand-drawn copy of the theme. It is more important to convey the perceived feel of the texture.

I apply light pressure to the pins. My fingers create a back and forth motion also known as directional lines.

See also: Colored Pencil Techniques: A Practical Guide

Using Warm Gray III, I work on the mid tones of the skull.

Then I use Warm Gray V to emphasize the shadowed areas. The applications of these two shades of gray can overlap – this creates a smooth value transition.

I am carefully monitoring my reference and still looking for valuable details. These nuances will make our drawing more believable.

I add walnut brown to the antlers. The coverage is slightly irregular. It has gaps that match the overall look of the texture. I make furrows with longer lines. The marks repeat the direction of the indentations.

I accentuate the ridge and the main jet with an additional layer of pigment.

In my reference photo, the more distant antlers have a lower value, so I darken them as well.

I increase the contrast with Payne’s Grey. This pencil has a nice cool undertone that is great for creating shadows.

When working on the antlers, be sure to apply light pressure. Also, avoid obscuring the prominent details of the texture.

I use Walnut Brown to reinforce the umbra of the bone. The pressure is very light. The inclusion of this hue will unify the artwork in terms of color.

Notice that we usually see less detail in the highlighted and the shaded areas. Let the cover there slightly unify.

Also decide which area you want to focus on. Something similar happens when we take a picture. We focus on a specific area while other parts of the image get a little blurry. They’re fuzzy and the details aren’t as sharp there.

I will emphasize the central part of the main ray, which is closer to the viewer. This area needs more elaboration.

I cover the upper areas of the skull with Ivory. I use the tip of the pencil to move the pigment found on the paper to make the cover shinier. This tint creates a slight change in color temperature. It conveys the soft touch of light.

I apply this color to the antlers and accentuate the lighter areas.

The tines have a smoother texture and Ivory can be used to express this trait. I put increased pressure to polish these areas.

I add Raw Umber to the ridge and bone part. Interesting color nuances are created that make the drawing more lively.

At this stage I pay less attention to the model. Instead, I’m starting to treat my drawing as an art object in its own right. I prioritize its visual credibility over consistency with the reference.

I alternate between Walnut Brown and Payne’s Gray to increase contrast and deepen shadows. I cover the antlers, leaving the most noticeable details untouched. The darker areas of the skull also get an extra layer of shading.

When we’re working on a structured object, it can be tempting to create all sorts of details. At the same time, the main shape needs to be evaluated – does it look three-dimensional? Are the umbras dark enough to create a sense of volume?

I mute all areas that still seem plain and expressionless. The texture in the darker areas becomes a bit smoother. I remove excessive roughness including the paper stains visible through the applications.

Additional color nuances and structural details can be created with nougat.

I use Sky Blue with light pressure to create a nice cool accent on the top tines. We can also add this color to the side of the skull that is away from the viewer.

I recommend pausing before you call this piece of art finished. Come back with fresh eyes and chances are you’ll find something that needs a finishing touch.

Here are close-ups of hand-drawn textures. This includes the bony part, the antler shaft and the tines.

I create a drop shadow using Payne’s Gray and Walnut Brown. I work with long lines and hold a pencil at an angle so its body makes the marks.

I layer the applications on top of each other. The drop shadow should be dark enough to make the antlers stand out. Let its edges be blurred.

The darkest areas of the drop shadow are near the points where the object touches the supporting surface.

Draw antlers and horns – conclusion

Congratulations – we’re at the end of this lesson! Time flies when you are focused and having fun. We made a wonderful texture study and hopefully gained some insights and new insights.

Thank you for accompanying me on this journey. I wish you lots of inspiration for your future projects!

How to Draw Deer Antlers

In this lesson I want to show you how to draw deer antlers. I promise this lesson will be fun and not difficult at all.

Now you will learn how to draw deer antlers. The deer is a large animal with a graceful body, thin legs, a long neck and a relatively small head. The true adornment of the red deer are large antlers that have a specific shape.

The antlers have a main part and small processes of different sizes, while the number of lateral processes is at least three. Every year the deer sheds its antlers, this happens at the beginning of spring. Old antlers fall off and new ones appear in their place.

There are no absolutely identical deer antlers in nature, so any lines are allowed in this lesson. The main thing is to remember the sequence of steps and try to correctly depict the outer contour. The location and size of the processes may differ slightly from the sample.

materials

pencil

paper

eraser

painting supplies

Time needed: 25 minutes. How to Draw Deer Antlers Draw the main outline of the antlers. Draw two smooth lines in the same position as in the example. Add the top processes. Depict the prickly extensions on each side. Depict the large shoots. Add the processes of different shapes on each side. Outline the lower shoots. Depict below two small processes that are symmetrical. Draw shoots located in the center. Using smooth lines, draw two long processes in the middle part. add texture. Draw thin, jagged lines to show the uneven surface of the antler. Dye the antlers. You need a dark gray color.

Excellent! Now you know how to draw deer antlers easily and quickly. Feel free to use the skills you’ve gained if you want to draw a deer.

For your convenience, I have prepared a PDF file in advance, in which you will find a condensed version of the lesson and additional useful content. So you can return to class at any time, even if you don’t have access to the internet.

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