Lunt Fontanne Theatre Best Seats? The 48 Correct Answer

How to choose the best orchestra seats

4 steps to finding the perfect location for a symphony concert

What are the best seats for an orchestral concert?

With over a thousand seats at Lincoln Center in Fort Collins, CO, and many venues with far more seats, the question “where are the best seats for an orchestral concert” is important. For anyone attending a symphony for the first time, the task of choosing the perfect symphony venue can be daunting:

What do these numbers mean?

Where does it sound best?

I can only afford the cheap seats. are they really bad

Is that the front row or the back row? (This actually happened to me once. I wanted to buy back row seats, only to find out when I went to the concert that my seats were in the front row!)

If you’ve ever had trouble deciphering the hieroglyphs on a seating chart, you’re not alone. Today we’re going to examine everything to consider to get the best orchestra seats.

You can also listen to this blog post on the Fort Collins Symphony Podcast:

Price

Price may be our first indicator of a seat’s quality, but it’s definitely not the last. In fact, it may be the least important factor in your seat purchase decisions. The first and most important lesson in choosing the best orchestra seats: Price is just one of many factors.

The most expensive seats in a hall can be the best or the worst seats for you. It all depends on the view, sound and experience you want.

The most expensive seats are usually in the middle of the hall. The audio tends to be a bit better there and visibility is pretty good. The cheapest seats are usually in the front and last rows or far away. There the sound tends to be a bit worse and the view more extreme.

It is important to know that most halls set their prices based on the popularity of the seats. Most people want to sit in the middle, fewer people want to sit on the sides, far forward, or far back. So seats in the middle are more expensive and seats on the sides, front and back are cheaper.

However, that assumes you want a standard view, sound, and experience at the symphony. So let’s examine these three factors and see what appeals to you.

outlook

The most important factor for many people is the view they have for the concert. While your seating affects the sound of the orchestra, the effect isn’t nearly as drastic as the different views you can get. The music fills the hall, but your eyes are glued to your head.

Front row view of an FCS rehearsal

with Boris Allakhverdyan

When a soloist plays with the orchestra, your seating choice has an even greater impact on what you can see and hear. I like to sit close to see every detail of the soloist’s performance. If you do this, you’ll also sit close together throughout the concert. For a piano soloist, if you sit slightly to the left you can see his hands dancing across the keys, while you sit slightly to the right to get a better look at his face and expression.

Because the orchestra is such a diverse group of instruments and the range of perspectives is so wide, it’s exciting to experiment with different ways of seeing them all. Try to sit in the last row, and then try to sit in the front row. It’s always a different experience to see and hear the full orchestra together in front of you than to sit right on the stage among the incredible musicians and see their fingers and their faces up close.

Next time you’re in the hall, take a few minutes before the concert to walk through the different areas. See which views you find more interesting than others.

sound

Sound is obviously an important factor in your best orchestral seats. After all, the orchestra is an audible organization. However, the sound of each hall in different places will be different, so it’s not easy to generalize. This is where the price comes into play.

View of the last row in an FCS rehearsal

with Igor Pikayzen

If you’re a sound junkie, the pricey seats usually offer a good mix of sound and views of the full orchestra. Better yet, find out where the sound booth is in the hall and sit near it. The technician or lights can be a slight distraction, but most halls will position their sound booths in the optimal listening area.

If you choose to zoom in on the front rows, some sounds of the orchestra will stand out more than others. Here the strings usually dominate because you are closer to them, and the woodwinds can be a little quieter. If you want a detailed view or really love stringed instruments, this balance is for you.

If you want the full view, if you sit further back, you may find that the brass and percussion are more prominent, or that the overall volume of the orchestra is slightly lower. You will also lose some detail as the sound mixes more, especially if the hall is particularly reverberant, but this is sometimes the best seat for big pieces with a full orchestra and choir.

Since every hall is different, this may require some experimentation. For most people, the sound differences in the hall are imperceptible unless you’re in the extreme extremes like the front or back rows. If sound quality is your primary concern, you should probably head to the middle of the hall.

your experience

The experience you want to have is the final indicator of where you should be sitting. Whether you are looking for a relaxing evening or want to fully immerse yourself in the experience of live orchestral music makes a big difference.

Sitting further back, to the side, or in a less populated part of the hall will make for a more relaxed experience. These locations are good for a date night or for new symphony goers as the intensity of the experience is lower. The physical distance between you and the stage, and between you and others in your section, makes it easier to relax and just have a good time. Also, the general mix of the hall tends to sound good in these spots. These seats are usually found in the lower and middle price segment of the hall.

On the other hand, sitting near the stage or other guests will make your evening more lively. These places are great if you want a more active experience or want to meet and interact with new people. Physical proximity to the orchestra means you can see every detail, and physical proximity to others makes it harder to get distracted. There’s a certain magic to being in the middle of a crowd during a concert (just make sure you don’t start a conversation until intermission!). These seats are located in the front rows and denser areas of the hall.

Now that you’ve determined the view, sound, and experience you’re looking for, there are just a few practical considerations to keep in mind when exploring the seating plan.

Section Density

Section density is important when talking about the experience you want at a symphony concert. This is simply the concentration of how many other people are sitting around you.

Popular sections always have a higher density. If you want to be in the thick of it, surrounded by others who are enjoying the concert as much as you are, head to the popular sections.

Otherwise, many people like a lower section density. As we said above, it’s easier to have a more private night when your area is almost empty, so lower-density seating is ideal for date nights and small groups of friends, or if you just want a bit of privacy. Unfortunately, this factor is difficult to control, but there are a few steps you can take to ensure it either way.

If you are looking for a lower section density, the extreme ends at the front, back or sides of the hall will usually contain fewer people. You can also speak to the box office about moving your seats on the day of the concert if you want to experiment with a new section. After visiting a few concerts, it becomes clear which areas of the hall are usually emptier than others. Then you can better plan according to your wishes.

To go or not to go

Once you know the general area you want to sit in, it’s time to decide on your gait preference. Most people like the extra space and freedom of an aisle. However, as there are fewer aisles, they are in greater demand and may incur additional costs in some halls. On the other hand, when you sit in the aisle, people have to step over you. You may have to keep getting up for people to step over you, so many people actually prefer the middle of a section where you can sit, stay and relax for a while.

Also consider whether you want to be close to the lobby or the restroom. It’s much easier to sneak into the restroom after the break or go to the bar when you’re in a hallway a few feet from the lobby.

Want the best seats? Talk to the cashier

After completing this article you will find yourself in an exclusive club. You’re one of the few people who understands that price is just one of many factors to consider when choosing your symphony concert seats. You now know how to choose your best orchestra seats! Now that you know the view, sound, and experience you want, the final step is to purchase your tickets.

If you have any questions or just want a second opinion, consider the Box Office your final concierge for the perfect experience. These nice people can help you choose the best seat at the best price. You know your hall better than anyone. Also, they usually have a feel for what other people are saying about different areas of the hall. They’re the ultimate “in” crowd, and they’re there to help.

With all these tools, you are now ready to choose your perfect symphony seats with confidence.

Jeremy D Cuebas,

FCS Assistant Conductor

If you liked this guide…

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Finally, let us know what you think of this blog post! Send us a message on our contact page.

Almost everyone has had to put up with seeing a blockbuster movie from the perspective of a milk mustache under the main character’s nose at some point. In the front row, the latecomers will be relegated, where those who have yet to go through the harassment of pre-orders and seat reservations must be relegated. There is no question that they are the worst seats in any home. So the existence of a worst must suggest its opposite: the ideal fit. The perfect focal point that maximizes your visual and sonic experience. Does it exist?

For a standard cinema with exit rows on the sides (as opposed to in the middle as some older cinemas have), the best location is as close to dead center as possible. “I’ve always felt that the obvious best place to sit in a movie theater is in the middle of the room, in the middle with the screen. That way your eyes are more centralized and don’t have to strain to focus on things to the left or right of the image on the screen,” says Joe Muto, chief presenter at Nitehawk Cinemas. You also don’t want too wide a vertical viewing angle, requiring you to look too far up or down to see the entire screen. That’s a big part of what makes front row seating so uncomfortable for most people.

The central positioning is also good in terms of sound. “You have the best placement for surround sound, and your ears capture the full effect of all the speakers in the house working together,” says Muto. Sitting too close to one side isn’t as detrimental as it used to be, at least from a health perspective. Audio companies like THX are now looking to fine-tune speaker performance and placement so everyone in the room gets a more even sound. Still, you have to trust your ears and watch out for things like audible reflections, where noise can reverberate around the room from non-speaker surfaces and make dialogue sound muddy or difficult to understand.

A lot of this depends on factors beyond the seat, which can be frustrating if your theater isn’t too keen on improving or monitoring the customer experience. “Often, cinemas don’t update their projector lamps regularly, which causes the brightness of the image to decrease significantly over time,” says Muto. “It can absolutely spoil the viewing experience. Keeping projector lamps updated is crucial, especially in a very large auditorium. Especially for a mainstream or Hollywood movie.” In such a case, you’re not going to have the best experience no matter where you throw your popcorn.

However, when you consider IMAX, the variables are not exactly equal. “We have a patented design for our theater geometry,” explains Brian Bonnick, IMAX’s chief technical officer. “We start with a screen that goes wall-to-wall, floor-to-ceiling, rather than – in most cinemas – having a frame around it. The second step is that the seating deck is stadium style and much closer to the screen. So your field of view becomes much larger, from any seat in the theater.” Sitting in the front row, as opposed to the back row in a traditional theater, means your geometric relationship to the screen is entirely different. Bonnick describes the IMAX system as “sturdier” with less variation from seat to seat.

They extend that level of detail to the sound as well. “The loudspeakers are then designed where they are to be placed in the venue. This is done independently for each individual theater in the CAD,” says Bonnick. “So when the guys get on site, they’re given an X-Y-Z coordinate for each speaker where they want it to be hung. Once it’s mounted there we have a target little bigger than a hockey puck and it’s pinned somewhere else in the theater and we use a laser to aim each speaker at its individual target. And these targets are all calculated so that the sound distribution from each speaker hits every seat in the theater evenly.”

Yet even when he’s in an IMAX theater himself, Bonnick sticks to the “2/3 of the way from the screen, center” concept – although he admits it’s “more out of habit than anything.”

Do you have weird, mind-boggling questions constantly buzzing in your head? If you’ve ever wondered what the universe is made of, what would happen if you fell into a black hole, or why everyone can’t touch their toes, then you should definitely listen to and subscribe to Ask Us Anything, a podcast by the Editors of Popular Science. Ask Us Anything hits Apple, Anchor, Spotify, and wherever you listen to podcasts every Tuesday and Thursday. Each episode delves deep into a single question that we know you’ll want to stick with.

There is no difference between mezzanine 1 and mezzanine 2: an upper floor that acts as a mezzanine between two main floors of a building. The balcony 2A has the lowest height.

What is mezzanine seating? The theater has seating on the first balcony. As they tower over the orchestra seats, these seats have an open roof. Sublimits are placed on the first row of the balcony to avoid mezzanine areas.

What does mezzanine mean for concerts? You can join the mezzanine stock list. In a theater or symphony hall, mezzanine refers to the lowest possible balcony. For a good view of the stage, you can purchase mezzanine tickets during a concert. Mezzanine comes from the Latin word medianus, which means “in the middle”.

What is Mezzanine on Broadway? The Broadway Theater’s front mezzanine seating is divided into two larger central blocks and two smaller side aisles. This is the smallest area of ​​the venue. Between the rows of 6 there is an intermediate gear, which is divided into six gears.

Is it better to sit on the mezzanine or in the orchestra? Compared to the word “mezzanine”, the customer’s reaction to the term “balcony” may be less harsh. Tickets are sold on the basis of who doesn’t mind the nosebleed. Front mezzanine tickets can be as good as orchestra seats, sometimes even better. The Mezzanine is probably a better option for shows with a visual swing or complex choreography.

What is a mezzanine seating area? Tiered seating has two main differences from a balcony: First, it’s lower and closer to the stage. Also, front mezzanine seats are usually on par with orchestra seats, while balcony seats are on the less expensive side.

Is the mezzanine the balcony? In a theater, the mezzanine is at the bottom of the stage, or you can sit in the front row if you don’t stand up.

Are mezzanine seats the best? There are several areas on the mezzanine that need to be addressed. Despite the fact that “balcony” is a perfunctory term, ticket buyers typically value front mezzanine seats, sometimes even more so.

What is the mezzanine section in a theater? There are two elevated sections above the orchestra. The mezzanine can be found in some smaller Broadway theaters. An orchestra seat can cost the same as a mezzanine seat if you view the production from the front row.

What does mezzanine style mean? The mezzanine or mezzanino is, strictly speaking, a mezzanine of a mezzanine below the second floor of the ceiling, or a space where the upper floor extends beyond the top floor of the building.

What does the name mezzanine mean? It comes from Italian mezzanino, which comes from Medianus; from the Latin mezzanine. The lower floors of a building are separated by an entrance in the side wall. The floor of a theater where devices like traps have to work.

Is orchestra or mezzanine better for Hamilton? An orchestra of mid-level musicians and a mezzanine of high-calibre musicians are equally popular. Those seats (105-109) in the middle of the rows (B to H) are great and direct. For orchestras there are CC, A and A rows on mezzanines and A rows on balconies and corners.

Is it better to sit on Broadway in the orchestra or mezzanine? Using the mezzanine offers a panoramic view and is often a good option for people who live on the first or second row. Be sure to have both a mezzanine and a balcony in the theater. On the other hand you can see more from the balcony.

Is it better to sit in the orchestra or mezzanine Hamilton? In relation to each of the three sections, the orchestra is in the best places. If you have a midrow seat (105-109) between rows B through H (between rows A and B) in the center aisles, you should have a good view of the stage without getting too close. Those who do not wish to be in close proximity to the stage can be seated on the raised front mezzanine.

Are orchestra or mezzanine seats better for Wicked? A few seats in rows A and F (minimum height) in mezzanine sections of the orchestra and the front rows of the front rows offer the best legroom. Also, corner seats tend to be tighter.

You’ve decided which show you want to see. Now it’s time to choose a seat in the theater hall. Deciding where to sit in the theater can be tricky – even for the most avid theatergoers, determining your seating from your balcony pews isn’t easy.

Where are the best seats in a West End theatre?

Book theater tickets for a London show? We are here to help. Discover the different areas of an auditorium and find the best seats for you.

What are stands?

What are premium seats?

What is the clothing circle?

what is the top circle

What is the gallery?

What does limited view mean?

What does pit space mean?

What does still view mean?

The seats in the stalls are on the ground floor of the theatre. Due to their proximity to the stage, the stalls seats can usually be considered some of the best seats in the auditorium. If you’re in the front rows of stalls seats, you might even be able to touch the stage and see the performers blink.

As with most West End theatres, there are numerous tiers of stalls seating to choose from. So if you want to be in the middle of the action or sit at the back, stalls seating offers ample opportunity to experience a West End show up close and personal. Seats in the back can sometimes be some of the cheapest seats for a performance, so you can definitely grab a bargain.

As their name suggests, premium seats are typically considered the best seats in the theater. Often they are not the seats closest to the stage. Typically, premium seats are located a few rows backstage in the middle of the row, allowing viewers to see the entire stage without missing a thing. Because it is the best available seating, Premium seating usually comes with a small additional cost. But it’s more than worth making sure you sit in the front seats and be the envy of all other theater-goers.

Called either Dress Circle or Royal Circle (depending on the theater), this refers to the second level or seating. If it is a two level theatre, the dress circle is the top level. Dress Circle Seating is a great option when you want to see every moment of a show from a higher plane, rather than being on the same eyeline as the stage. That way, you can still immerse yourself in the action without worrying about missing out on what’s happening.

Many West End theaters have overhangs, which means that higher seating capacity can affect the view of those in the back rows of a section. If you book seats at the front of the Dress Circle, you may be as close to the stage as you are at the front of the stalls.

This style of seating, referred to as either an upper circle or a grand circle, refers to the third tier of seating in an auditorium. The seats in the upper circle are usually quite high, so you may not be able to see the actors’ facial expressions on stage. But each performer will be able to take their performance to the highest levels of theater. The upper circle seating is also not suitable for those suffering from vertigo, but it’s a perfect option if you’re looking for a cheaper theater ticket.

Designated as either gallery or balcony seating, these are the tallest seats around. There are only a few theaters with enough auditorium space for gallery seating, with the Harold Pinter Theater and Theater Royal Haymarket allowing for four tier seating. To reach the grandstand seats in a theater, you may have to climb additional stairs and sit on benches. There might not be comfy seats like the lower levels, but if you just want to be in the room, gallery seats are the way to go.

All seating levels in a theater may be marked as “Restricted View” on designated seats. Each West End theater has a different number of restricted seats, which are marked as such because there are obstacles that could affect the experience of watching a particular show, including overhangs, safety rails and pillars.

If there are different scenic designs in two productions at the same venue, there may be different seating with restricted views. Before you buy West End theater tickets you can see which restricted view seats are advertised. But don’t worry about sitting in a limited view seat as you can still see the stage and catch a great show.

Want to watch a show without sitting next to someone else? Would you like your own seat in an auditorium? You can if you book box seats. Also known as a box or loggia, box seats are great for small groups who want to stay together in the theater without sitting in a row. Box seating is probably a more expensive seating option, but it’s definitely worth it if you’re looking for less distraction around you.

With the vast majority of London theater tickets, each visitor has their own seat. But some theaters let patrons in to stand. For example, in Shakespeare’s Globe, audiences can stand and watch a Shakespeare play just as earthlings would have done centuries ago. General Admission tickets may not be protected, so pray it’s a sunny day. But a Shakespeare show at the Globe is a must in London.

From humble beginnings in Nutbush, Tennessee to her transformation into the global queen of rock ‘n’ roll, Tina Turner didn’t just break the rules, she rewrote them. TINA – THE TINA TURNER MUSICAL at the Aldwych Theater tells the untold story of a woman who dared to push the boundaries of her age, gender and race. Your voice is undeniable

Your fire is unstoppable

Her triumph is unlike any other Experience Tina Turner’s unique journey in the hit musical, played to critical raves and sold-out audiences around the world. Featuring legendary songs including “What’s Love Got To Do With It”, “Proud Mary”, “Private Dancer” and “River Deep – Mountain High”. TINA – THE TINA TURNER MUSICAL is written by Olivier Award-winning playwright Katori Hall and directed by internationally acclaimed Phyllida Lloyd. Presented in collaboration with Tina Turner. Book your TINA – THE TINA TURNER MUSICAL theater tickets at LOVEtheatre today!

What is Tina about?

This wonderfully powerful new musical unveils the incredible life story of a woman who has fought to be who she was born to defy her age, gender and race. Tina Turner is one of the world’s best-selling artists in history. Her live shows have been seen by millions and she boasts having sold more concert tickets than any other solo artist… ever!

She first made headlines in the ’60s alongside her then-husband Ike Turner, and rose to stardom by performing timeless hits like “River Deep-Mountain High,” “Proud Mary” and “A Fool in Love.” Her marriage to Ike was unpredictable and when it ended Tina found space to rebuild her life and after her big solo comeback in the ’80s she was firmly the superstar we know and love today.

ticket information

Tina: The Tina Turner Musical is available now for performances through January 15, 2023. Tickets start from £12.50 for performances Tuesday 7pm, Wednesday – Saturday 7.30pm, Thursday & Saturday 2.30pm and Sunday 3pm

Duration

2 hours 45 minutes including intermission

Cast & Creatives

Aisha Jawando (Tina Turner), Elesha Paul Moses (Tina Turner), Caleb Roberts (Ike Turner), Paula Kay (Zelma Bullock), Charis Alexandra (Alline), George Jennings (Roger/Ensemble), Irene Myrtle Forrester (Gran Georgeanna ( GG)), Kelly Hampson (Rhonda Graam), Gregory Haney (Richard/Ensemble), Cordell Mosteller (Raymond/Ensemble), Chris Graham (Phil Spector/Terry Briten/Exec), Joseph Richardson (Erwin Bach/Ensemble), Megan Armstrong (Nurse/Toni/Waitress), Vanessa Dumatey (Ensemble), Thomas Sutcliffe (Carpenter/Martyn Ware), Turrell Barrett-Wallace (Ronnie), Joey James (Ensemble), Karis Anderson (Ikette/Ensemble), Marie Finlayson (Ikette/ Ensemble), Natorii Illidge (Ikette/Ensemble), Lauren Allan (Swing), Richard Appiah-Sarpong (Swing), Joshua Da Costa (Swing), Miles Anthony Daley (Swing), Livvy Evans (Swing/Assistant Dance Captain), Amber Sylvia Evans (Swing), Imogen Rose Hart (Swing), Jaz Robinson (Swing), Brad Veitch (Swing), Saran Webb (Swing), Samuel J Weir (Swing).

Tina Turner, Katori Hall (Book), Frank Ketelaar & Kees Prins (Book), Phyllida Lloyd (Director), Anthony Van Laast (Choreographer), Mark Thompson (Set & Costume Design), Nicholas Skillbeck, Bruno Poet, Nevin Steinberg, Ethan Popp , Jeff Sugg, Campbell Young Associates, Pippa Ailion CDG and Natalie Gallacher CDG, Kate Waters, Ola Ince, Simone Mistry-Palmer, Jennifer Tang, Jack Galloway, Max Narula, Tony Gayle, Mogzi Bromley-Morgans, Toby Higgins, Stage Entertainment , Joop Van Der Ende, Tai Pelman, The Nederlander Organization, Tina Turner & Erwin Bach, Mark Rubenstein Ltd, Sacha Milroy, Rebecca Austin, Shaun Corcoran, Luke Chambers, Katie Balmforth, Georgia Stanley-Hirst, Adam Moore, Laura Smith.

soundtrack

River Deep – Mountain High What does love have to do with it? Don’t turn around I can’t stand the rain The Hunter Be tender to me Baby Open arms Matchbox It’ll be alright Finale: Nutbush City Limits/Proud Mary

*Note: Not recommended for younger children. Contains strong language and themes for adults. The performance begins punctually at the booked start time.

Continue reading

PERFORMANCE TIMES MON 7 PM, WED – SAT 7:30 PM

Matinees THU & SAT 2:30 PM AND SUN 3:00 PM

Running time: 2 hours 45 minutes (incl. break)

RUSH TICKETS

A limited number of £25 rush tickets are available for each performance from 10am on the TodayTix app.

Please note that Tina Turner will not appear in this production. The Producers cannot guarantee the appearance of any particular artist at a performance as this is subject to a variety of factors including illness, holidays or events beyond the Producers control. No refunds or exchanges will be offered if an artist is unable to perform at a performance. Photo, video and sound recordings of any kind are strictly prohibited during the performance.

Recommended age 14+. Please note that this performance contains flashing lights, loud music, gunfire, haze, and scenes of violence and domestic violence.

Venue Access Access to the Lunt-Fontanne Theater is step-free from the street level to the lobby and orchestra at 205 West 46th Street.

Five wheelchair spaces are located in the orchestra’s G, W, and Z rows, and guests can book up to three companion seats at a time. A further 12 transfer seats are located at various points in the orchestra, with the one closest to the stage being in row D.

Three transfer seats are available on the front mezzanine. This area is one level higher than the orchestra and is only accessible by stairs.

There are no elevators or escalators at this venue.

Customer Service Representatives from the theater can meet guests in the lobby and escort them to their seats, although it’s advisable to bring an escort if possible.

A wheelchair-accessible unisex toilet is available without steps on the orchestra level of the building. Other toilets one floor below and one above on the mezzanine are not wheelchair accessible.

A cloakroom is available in winter. However, bags and luggage cannot be accepted.

How to Book For those requiring special assistance or wishing to book wheelchair space, it is important to book in advance and advise the theater of any special requirements.

For more information, ticket bookings and assistance, please call 212-757-8646 or email [email protected].

Accessibility area Orchestra The orchestra is completely step-free for all visitors and can be accessed directly from the entrance and foyer.

There are five designated wheelchair spaces in G15, W15, Z3, Z4 and Z113. A companion seat can be purchased with each. An additional 12 aisle transfer seats with folding armrests are located in rows D, F, G, R, T and Z. Front Mezzanine Accessible only by stairs, the front mezzanine is located one level above the orchestra. Once in the section, each row can have two more steps up or down. The entrance is behind row E.

Three-speed transfer seats with folding armrests are available in E19, E20 and E114. These pitches have fewer steps than the rest of the section, although guests with limited mobility should exercise caution when booking.

Please note that the front mezzanine is not wheelchair accessible. Rear Mezzanine Accessible only by stairs, the rear mezzanine is located one level above the orchestra. Once in the section, you may need to go up or down two more steps per row to reach your seat. The entrance is in front of row A.

There are no aisle changing seats and due to the number of steps to and within the section, the rear mezzanine level may not be suitable for guests with limited mobility.

Please note that the rear mezzanine is not wheelchair accessible.

Tina: The Tina Turner Musical is only up until August 14th at the Lunt-Fontanne Theater on Broadway, so shake a tail feather and get your tickets now to experience the uplifting story of the Queen of Rock and Roll . Get Tina: The Tina Turner Musical tickets now.

The Tina musical became a critical success and box office hit when it officially opened its world premiere at London’s Aldwych Theater on April 17, 2018, after previewing on March 21. Since then, loyal fans and theatergoers alike have flocked from all over the world to see Tina’s story being told on the West End stage and to hear all of her iconic hits from her early days with the Ike & Tina Turner revue to their Relive your solo career as a global superstar. Now, New York audiences get the chance to experience this incredible tale of a woman and a warrior who defies the odds and breaks free to stand on her own two feet as one of the music industry’s true icons.

Featuring perhaps some of the greatest pop and rock ‘n’ roll songs ever written, from “River Deep Mountain High” and “Proud Mary” to “Private Dancer” and “What’s Love Got to Do With It?” , one could argue that Tina is simply “the best” that the jukebox musical has to offer on Broadway!

Adrienne Warren, previously a Tony Award nominee on This Side of the Pond for her role in 2016’s Shuffle Along opposite Audra McDonald, reprises her critically acclaimed and Olivier-nominated performance in the title role from the West End production . Adrienne’s take on Tina has cemented her status as the stage’s true rising star and with the blessing of Tina Turner herself, who has also worked closely with book author Katori Hall and director Phyllida Lloyd since the show’s conception, Adrienne could not have a greater cachet.

Explore the “Nutbush City Limits” on the Great White Way and secure your tickets to the Broadway Phenomenon Tina: The Tina Turner Musical today!

(Photos by Manuel Harlan)

This article was co-authored by wikiHow staff. Our trained team of editors and researchers validate articles for accuracy and completeness. wikiHow’s content management team carefully oversees our editorial team’s work to ensure that every article is backed by trusted research and meets our high quality standards. This article has been viewed 133,836 times.

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The best concert seats for you depend on what you want to get out of the experience. For example, balcony seats tend to be the cheapest, but are also furthest from the stage, while floor seats are more expensive and closer, but may mean your view is blocked by someone taller than you. You should also be careful to avoid rows under balcony overhangs, which deaden sound, and instead consider upper-level seats, as sound travels upwards. Explore your options by viewing an online venue seating map or by searching for top seat reviews. For more tips on how to check for seat upgrades, read on!

orchestra department

Considered the best tickets in the house, these seats are located on the main level of the theater and offer the seats closest to the stage. The orchestra is usually divided into 3 sections with a left and a right aisle (although this can vary from theater to theatre). Seat numbers on the side panels are divided into 2-digit even and odd numbers, and a 3-digit seat number starting at number 101 is used in the center panel.

“Premium” orchestra seats compared to standard orchestra seats

In the orchestra section, you’ll often find “premium seating,” which Broadway producers consider to be the best seats. These seats can cost up to twice as much as other orchestra seats, but are said to offer the very best view of the stage. Standard orchestra seats are also fantastic and will be the second highest price point in the house. Be careful when booking orchestra seats, however, as you may find standard price orchestra seats literally next to premium seats – for a lot less money and with essentially the same sightlines to the stage.

Seats further back in the orchestra section have a further price drop from the front of the section (there can sometimes be two or three lower price levels all the way back). They may be called “Rear Orchestra” in some houses, but most likely they’re just called “Orchestra” with a lower price tag.

Orchestra seats with limited or obstructed views

Conversely, seats at the extreme sides of the orchestra section may have a restricted view of the stage, but are often greatly reduced. (You might not be able to see the action on the extreme sides of the stage – but for most shows where the action is center stage, it might not matter!) Any time you are seated without a 100% clear view at stage purchase stage it should be specified as “Obstruction View” (or “Restricted View”) during the online booking process; it should also be printed on the ticket. (Check out our seat review links below!)

Once you’re closer than half the alphabet downstairs, the stage is above eye level. If you’re going to a performance that takes up the entire stage, you may find it difficult to see everything from the pit, and you’ll end up looking up, especially while seated. A singer, usually positioned in the center of the front of the stage, is easy to spot, but again, you’ll be looking up at all times. I saw a comedian from row D in the middle and it was comfortable. Check out the pictures of the venue for possible sightlines. There are many pictures on the web.

There are few better seats in a theater than the front rows of the Dress Circle. Especially when the show involves dancing, these seats are among the best seats.

Are front row seats on Broadway any good? Unless you sit far from the stage and orchestra pit, the front row seats are not very good. It’s common to find your ears blasted by the music and your neck stiff when you look up. Rows 6 to 7 are ideal.

Which seats are the best in a theater? A premium seat is typically considered the theater’s best seating option. You may not be directly in front of the stage in most cases. Premium seating typically consists of a few rows backstage in the middle of the row, giving spectators ample opportunity to watch the entire show.

Is the first row good? If you have front row tickets, they may not be the best of the best. Generally, a large venue such as a stadium or arena will have a less desirable front row because of greater stage heights and greater distances between performers and audience.

Is front seat in theater good? In my opinion, the front row seats are the most uncomfortable when you stare up at an awkward angle with your partner for hours. We sincerely hope that the well-wishers will be happy to attract the attention of the happiest passengers. They are very close to the stereo, which creates an annoying sound imbalance.

Is Front Row good at the movies? In theaters with unreasonably narrow front rows, the second row may work best when the seating is appropriate and there are not many people in the theater. The problem can be that if you’re in the second row and latecomers come in, they might jump in front of you, but not in the front row.

Is Front Row good on Broadway? There’s a lot of fuss about these seats because they not only give viewers close proximity to the action, but also give viewers a chance to follow the shows, especially if they’re seated at the very back of the theater row. The ideal view is to sit in part of this theater like a stall.

What’s the best seat in a Broadway theater? Broadway tickets usually include balcony seats furthest from the action. This is usually a nice seat in a theater with a balcony and no mezzanine. The better seats in cinemas with two tiers are usually on the mezzanine level.

Where should I sit for a Broadway show? There’s no better place for musicals than the back row of the orchestra section or the front row of the mezzanine (at least in the middle). Mezzanines have railings at the front which can generally make it difficult for children or small adults in the front rows to enter.

Is Front Row good on Broadway? Most of the major Broadway stages have fairly low front rows. It’s never good to have a front row seat unless you’re close to the stage and the orchestra pit. It’s normal to experience pounding in your ears and a stiff neck when you’re listening to the music when you see the stage. In the perfect row I would recommend the 6th or 7th row.