Manchester Opera House Best Seats? The 127 Detailed Answer

Because opera singers perform without the aid of a microphone, the seating position in the theater can radically affect how well you can hear what’s going on. Generally, the best seats in the house are right in the middle of the stalls, which is a theatrical term for the floor-to-ceiling seats. These seats tend to have the best acoustics while still giving you a great view of the action. However, many theatergoers prefer different seats because of their view or legroom. While it can be tempting to find the best possible seat, most theaters are designed to give you a good view of what’s happening on stage, regardless of where you sit. So don’t skip a show just because you can. t get the perfect seats!

The best seat in the opera house

You bought your plane tickets. Hotel reservations are made. Your itinerary is set. And it includes a night at the theater. The last thing you want is a theater ticket for a seat that doesn’t allow you to see the stage.

Restricted view seats are uncommon in modern, cutting-edge theaters such as the National Theater in London or the Opera Bastille in Paris. However, older, historic theaters like Milan’s La Scala often have a handful of seats from which, surprisingly, you don’t have a view of the stage.

Poor sightlines are usually caused by architectural elements such as the angle of the seating to the stage or a beam or wall that are part of the building’s design and engineering.

In other cases, these cumbersome seats, like the boxes, were not built for watching the action on stage, but for people-watching. In the distant past, only the richest and wealthiest people sat in the box seats. In this way, everyone in the theater could see the rich and see their status in society.

Where are the best places?

Each seat offers a different view of the stage and therefore very different experiences. Of course, close to the stage, you see every expression and hear every word and sound. But the proximity to the stage makes it more difficult to get the full sense of the staging, such as patterns created by the corps de ballet moving like a school of fish. Still, seats too far back or higher may make you squint to see the cast.

In general, the best seats in the house are in the middle orchestra and right in the middle of the house. The right and left orchestra areas usually have good seats to see the action on the sides of the stage, provided the seats are reasonably close together.

In addition, the first few rows in the middle mezzanine, lower balcony or dress circle have a good view of the entire stage. Remember, the further back you sit, the higher you sit.

At the Teatro la Fenice in Venice, seats in the upper galleries and in each box where individual seats are not reserved may have obstructed views. The sight lines in the Teatro dell’Opera in Rome in the side boxes and upper gallery may also have obstructed the sight lines.

How do I get a good seat?

When purchasing tickets, choose seats in or as close to the center orchestra as possible. When buying box seats, make sure that you are sitting in the first row.

Theaters often sell restricted-view seats at a reduced price. If you’re purchasing a discounted ticket, call the box office to find out if your seat has good sightlines. Obstructed view seats may not be worth the savings.

If you cringe at the thought of spending more than $100 on a ticket, you might be risking getting the cheaper seats with partially obstructed views. Sometimes you get what you pay for. Other times when the music is good and the theater is nice you get so much more.

See also: Seating plans for various theaters

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I think there is a big misconception at work here, which is that you can just pick the best spots and then book. That is not true. The vast majority of seats (including the best in each price category) sell out as soon as they go on sale.

Availability is limited for the remainder of the current season. As mentioned, your bet is bet on the ROH site which shows individual seat views for unsold seats. If you can’t find a seat you like on the website, it’s worth calling the box office as some seats are sometimes held for phone reservations, for reasons that will be explained to you if/when you call.

I suggest you see what is available then come back and ask for specific seats/areas.

Co-founded by Sir Howard Panter and Rosemary Squire OBE in 1992, Ambassador Theater Group Ltd (ATG) is the world’s leading live theater group with 45 venues in the UK, US and Australia. ATG is also one of the most prolific and internationally recognized award-winning theater producers in the world with co-productions in the UK, New York, North America, Europe, Asia and Australia. ATG is the market leader in theater ticket sales with ATG Tickets, LOVETheatre and Group Line.

All ATG venues operate an internal registration system for disabled guests. Guests must provide proof of disability upon registration and the Access Card will be accepted if required

Access for wheelchair users The box office of our venue is located in the foyer of the opera house. There are 2 wheelchair spaces at the Opera House on row B of the circuit (B1 and B4), one has an attendant seat next to it and one has an attendant seat directly behind. The rooms are accessible from the street. There is a barrier-free toilet directly in front of the entrance on Vorder Kreisstraße. There is no elevator in the opera house and there are a total of 27 steps from the foyer to the stalls. There are at least 78 steps up to the gallery, which is very high and steep with uneven steps.

Access to Toilets There is an accessible toilet just outside the street level entrance in the front circle.

Assistance dogs Guide dogs and hearing dogs are welcome in the Opera House and can stay with you while you are in the theatre. If you would like to bring your guide or hearing dog to the theater, please let the box office know when booking your tickets and a seat next to the aisle will be reserved for you. Alternatively, an employee will take care of your dog during the performance. We can also provide drinking water for your dog.

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leader of the royal circle

The Royal Circle curves around the stage in a horseshoe shape and is divided by two aisles into three seating blocks, forming a large central section and two side blocks. This section doesn’t feel too far from the stage, with a good rake offering clear sight lines.

For the best unobstructed views, see rows A-C. Seats in the Royal Circle offer better value for money than comparable seats in the Stalls.

Side blocks vary in price due to the curvature of the balcony which limits the view for seating at the ends of the rows depending on production. Seats 1-2 and 30-31 in Row A have limited views but offer good value for money. These seats offer a side view and should only be selected if they are discounted.

bars

The Royal Circle Bar is on the same level as the seating, with limited seating.

toilets

Men’s and women’s restrooms are available on this level.

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Visiting the theater may be slightly different than usual, so we’ve provided the information below to answer any questions you may have before visiting. Our front of house team is available during your visit to help you with any questions you may have on the day.

Do I have to wear a face covering?

Face coverings are no longer required when visiting, and it is an individual choice to wear one in the theater.

What happens if a performance is postponed or cancelled?

Our box office team will contact you directly and you will have the choice of a full refund or an exchange of your tickets for another performance.

How close will I be to other people in the auditorium?

All of our performances sell out at full capacity, so bookers are seated next to another group.

Can I book tickets in person at the theater?

Yes, you can find the opening hours of the ticket office here.

Can I pick up my ticket at the box office?

Yes, tickets are ready for collection. However, we recommend using digital tickets whenever possible and these tickets can be viewed on a digital device (e.g. smartphone) or printed out at home. Alternatively, we can mail you printed tickets for which a postage fee will apply. Please call our cashier if you need further assistance.

Do you offer spaces for wheelchair users?

Yes. Wheelchair spaces are available at every performance. Please contact our box office to book on 020 7359 4404.

How does your ventilation work?

We have reconfigured our air conditioning system to draw in 100% fresh air from outside. None of the air is recycled or recirculated.

How often is the theater cleaned?

The theater is cleaned regularly throughout the day and deep cleaned after each performance.

What should I do if I test positive for COVID-19?

If you or anyone in your group tests positive, do not travel to the theater. Please contact our box office team and we will try to change the dates of your tickets or issue a voucher.

What happens if I have to isolate myself and can no longer attend my performance?

Please do not visit the Almeida if you or anyone in your household are showing any symptoms of COVID-19 – please visit the NHS website. Please contact our box office team as soon as possible and we will try to change the dates of your tickets or issue a voucher.

Who do I have to contact if I have tested positive for the corona virus within 5 days of going to the theater?

Please contact This email address is being protected from spambots. You need JavaScript enabled to view it. as soon as possible if you get a positive test.

Are latecomers allowed?

It’s not always possible to admit latecomers, so please allow enough time to get to the theater.

Do you have a cloakroom?

Unfortunately, we have no cloakroom or bag storage and large bags cannot be taken into the auditorium.

Can I use a hearing aid?

Yes, you can pick up a hearing aid at the kiosk at the end of the bar. These devices are thoroughly cleaned before and after use.

Can I order a drink at the bar?

Yes. There will be bar service to purchase refreshments to take into the auditorium.

can I pay cash?

Yes, we accept cash and card payments. We encourage audiences to pay contactless whenever possible.

Can I buy a program?

Yes, we sell our usual programs for productions.

Where are the nearest bike racks?

There are bike racks along Upper Street. Unfortunately, we do not have parking spaces for bicycles in the theatre.

If you have any further questions please contact the Box Office on 020 7359 4404 or This email address is being protected from spambots. You need JavaScript enabled to view it. .

(First published Wednesday October 27, 1993)

Welcome to the city’s most exclusive club: Series A box seats at the San Francisco Opera.

For years there has been an aura of excitement around Serie A box seats, but much of it is intangible – the glamor makes each performance feel like an opening night. It’s another opportunity to see and be seen and meet people you might even get to know.

These friendships could be important, because the crème de la crème climbs to the mezzanine.

Then there are the more tangible aspects: A little late for the curtain? Don’t worry, an usher will quietly let you into your box. And if you want to go a little earlier, you can sneak out and nobody gets the wiser. You can’t do that in the middle of a row on the orchestra seats.

Although the boxes have faded somewhat – being spruced up during the Opera House’s 1995 renovation – box owners still have the luxury of getting up for a nice stretch during these lengthy scenes. And women have plenty of room to flex in their oh-so-expensive couture ball gowns.

As you might be able to tell, the people sitting in the boxes on A-nights are the powerful, the social arbiters, the wealthy. In recent years they must have been very rich.

NOT ALL OPENINGS

While Series A box holders get tickets for opening night, the other operas they attend are not premieres. (In many other US cities with major league operas, the “A” equivalent is a series of opening performances.) Despite this quirk, they pay more for their box seats. The same nine operas in a different series — with a box seat — cost $4,215 less.

“Tuesday nights aren’t good value,” said one Serie A box owner, adding, “There may come a time when you decide it’s just not worth it.” Maybe. But this particular box owner plans to hold on to his Series A seats – it’s the night all his friends leave, another of those intangible attractions.

So how much does it cost?

First, there’s the admission fee: a major donation or proof of past – and future – financial support.

“There is no set amount,” said Opera board member Al Wilsey. “If a position opens up in Serie A, box seats will be saved and the opportunity to buy them will be given to the opera’s largest and most committed supporters financially.”

During the spendy ’80s, there was a near-glutton frenzy, with people dying to buy into Serie A box seats for any amount. But as the ’90s approached and the money began to dry up, vacancies began to open up in the Series A boxes.

THESE DONATIONS

A story circulated at the Opera House is about a millionaire who, when told the initial donation had to be $250,000, turned down the “opportunity” with two box seats.

“I really want to be in the boxes, but not that much,” she told a friend at the time, who said she ended up getting in for about $100,000.

There are a few box owners who paid around $100,000 in the 80’s; One woman deducted her donation from her visa to earn airline mileage points – she flew for a long time. But those days are gone, and these big donors are sitting next to others who — it’s said — only paid $20,000, maybe less.

It’s like flying on an airplane: no one pays the same price, but everyone gets the same ride.

After the “donation,” the subscriber then pays $1,585 for a season ticket, plus — “the wording on this is very important,” said Opera executive vice chairman Thomas Tilton — the required minimum contribution (RMC) of $4,500 per seat. Full Season: $6,085.

Box owner Matilda Kunin calls the RMC “the opera tenth,” and opera fan Ransom Cook calls it “the nudge.” In the past seven years, the boost has gone from $2,500 to $4,500 and season tickets from $699.50 to $1,585 as the cost of running the Opera Company has skyrocketed.

In the beginning, it wasn’t that complicated or costly: no nudge, just a suggestion that the opera would be remembered posthumously, or that an occasional contribution would suffice for a particular need.

The opera house and its Golden Horseshoe, with 192 box seats, opened in 1932, and the list of box owners read like an honorary roll of the city’s social and community leaders: Zellerbach, Stern, Cameron, Pope, Miller, Hellman, Henderson, Fleishhacker, Crocker, Donohoe, Ehrman, Bradley, Koshland, Sloss, Giannini, King, and Hale.

There are still members of some of these families in the crates today, but others have left as the bill has increased. Crates are no longer passed from one generation to the next; Everyone gets hit for the nudge and other contributions. If they can’t pay, they’re out.

“One woman was pretty upset about it,” said an Opera board member, “but we had to do it.”

There are some who disagree with the no-pay-no-play policy and think the old guard should have stayed.

“Ten years ago, the opera did the worst it could do by kicking out the big families. You sold tickets to the wrong people. People buy tickets to meet up with the right people, so who will be left in a few years?” asked a box keeper, her blood boiling blue.

Tilton said: “The old guard may be gone, but there are new people. Times change. A younger group is coming along and we need to include them.”

There’s new blood in the boxes, and there’s a mix of the best of families, as well as Forbes 400 millionaires and professionals. One of the old guard said: “So far it’s working, but the board has a very difficult job.

Ticket sales used to make up the largest part of the opera budget, today ticket sales only make up about 50 percent of the budget; the rest must come from foundations, corporations and individuals.

“We don’t have the support of corporations like Chicago, but we do have some wonderful and loyal individuals who support opera,” Tilton said.

“I see those who sit in the Serie A boxes as true patrons of the opera,” said opera director Lotfi Mansouri. And these patrons pay to keep the music going.

Seating area in a theater

The Theaterloge, see For the Renoir painting, see La Loge

In this 1896 lithograph showing people watching Vitascope film, the curtains to the left of the screen mark the top and sides of a box in which several people are sketched; The curtains could be closed for privacy if the people renting the box wanted

In a theatre, a box, box[1] or opera box is a small, separate seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event.

The interior of the Palais Garnier, an opera house, showing the stage and auditorium, the latter including the attic seats and the opera boxes above

Boxes are usually placed immediately in front of, to the sides of, and above the stage level. They are separate rooms with an open viewing area, typically accommodating five or fewer people.[2] Normally all seats in a Lodge are occupied by members of a single group of people. A state or royal box is sometimes made available to dignitaries.

In halls without box seating, the box may refer to a separate area at the front of the balcony.

Sports venues such as stadiums and racecourses also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is restricted to royal families or other notables. In other countries, sports venues have luxury boxes, also called skyboxes, which are accessible to anyone who can afford tickets, sometimes purchased from companies.

See also[edit]

References[edit]

Seating area in a theater

The Theaterloge, see For the Renoir painting, see La Loge

In this 1896 lithograph showing people watching Vitascope film, the curtains to the left of the screen mark the top and sides of a box in which several people are sketched; The curtains could be closed for privacy if the people renting the box wanted

In a theatre, a box, box[1] or opera box is a small, separate seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event.

The interior of the Palais Garnier, an opera house, showing the stage and auditorium, the latter including the attic seats and the opera boxes above

Boxes are usually placed immediately in front of, to the sides of, and above the stage level. They are separate rooms with an open viewing area, typically accommodating five or fewer people.[2] Normally all seats in a Lodge are occupied by members of a single group of people. A state or royal box is sometimes made available to dignitaries.

In halls without box seating, the box may refer to a separate area at the front of the balcony.

Sports venues such as stadiums and racecourses also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is restricted to royal families or other notables. In other countries, sports venues have luxury boxes, also called skyboxes, which are accessible to anyone who can afford tickets, sometimes purchased from companies.

See also[edit]

References[edit]

Q: How do I get my tickets?

A: Prior to arriving at the Aretha Franklin Amphitheater, we ask guests to print their tickets at home. Tickets can also be added to Apple Wallet or Google Pay accounts by following the instructions in your ticket confirmation email.

Q: Where do I park?

A: Secure and convenient parking is available at the corner of Atwater and Chene for $20.

Q: When should I arrive?

A: Doors open at 6pm. We recommend our guests to arrive as early as possible to avoid crowds and long queues.

Q: Which entrance should I use?

A: Guests should enter the amphitheater grounds using the marquee entrance on Atwater and Chene. You can follow the winding path to the guarded entrance.

Q: Do I have to wear a mask?

A: For everyone’s safety, face coverings are required at performances, regardless of vaccination status. The safety of guests, performers and staff is Michigan Opera Theater (MOT)’s highest priority for performances and working conditions. BLUE is proudly presented in the Aretha, an open-air facility conducive to airflow and ventilation.

Q: Will we sit right next to each other?

A: Guests are placed in every other row with two free seats between parties.

Q: I need mobility assistance. Do I have to climb stairs?

A: For our guests who require wheelchair access, the integrated seating can be accessed via the wheelchair ramp to the right of where you entered. If at any time you require assistance please contact an usher who will be more than happy to assist you.

Q: Can I bring a blanket or seat cushion?

A: Blankets and seat cushions are more than welcome. Here you can purchase a special edition MOT seat cushion before the show. They can be picked up at Aretha on the day of the performance. MOT seat cushions will also be available for purchase at each performance.

Q: Can I bring food?

A: Outside eating is prohibited at Aretha. However, snacks, drinks and fully stocked bars are available throughout the venue. Bartenders are available throughout the venue to take your order from your seat. Aretha accepts cash and all major credit cards.

Q: Where are the toilets?

A: Restrooms are located on the east side of the venue. There are restrooms on the amphitheater level and on the ground floor where guests entered.

Public transport to Manchester Opera House

Wondering how to get to Manchester Opera House, United Kingdom? Moovit helps you find the best way to get to Manchester Opera House. With step-by-step instructions from the next stop.

Moovit offers free maps and live directions to help you navigate your city. View schedules, routes, timetables, and find out how long does it take to get to Manchester Opera House in real time.

Looking for the nearest stop or station to Manchester Opera House? Check out this list of stops closest to your destination: Bridge Street (Stop Ww); spinning fields; John Ryland’s Library (Wh stop); St. James Square; Museum (Wp stop); St. Peter’s Square (Manchester Metrolink); Deansgate-Castlefield (Manchester Metrolink); Salford Central.

You can get to Manchester Opera House by Bus, Light Rail or Train. These lines and routes stop nearby – Bus: 101, 197, 201, 255, 36, 84 Train: NORTHERN Light Rail: BLUE LINE, NAVY LINE, PINK LINE

Want to see if there’s another route that will get you there sooner? Moovit helps you find alternative routes or times. Get directions from and directions to Manchester Opera House easily from the Moovit App or Website.

We make riding to Manchester Opera House easy, which is why over 930 million users, including users in Manchester, trust Moovit as the best app for public transit. You don’t need to download a single bus or train app, Moovit is your all-in-one public transit app that helps you find the best available bus or train time.

Find bus, tram and train prices, costs and fares to Manchester Opera House in the Moovit App.

Broadway seating charts

Seating plans come from a variety of sources, including the theaters themselves or the producers of individual shows.

Theater seating charts can vary from production to production, so small changes may not always be updated in the following seating charts.

– “Orchestra” is the lowest seating area of ​​the theater and usually closest to the stage. This section is commonly referred to in the UK as ‘Stalls’.

– “Mezzanine” is usually the next row of seats above the orchestra. This section is commonly known in the UK as the ‘Circle’ (either ‘Dress Circle’ or ‘Royal Circle’).

If a Broadway theater has another higher tier above the mezzanine, this is usually referred to as the “balcony” and usually offers the cheapest seats. In the UK, this section is usually called the “Upper Circle” or “Grand Circle”.