Return Of The King Drinking Game? The 25 Correct Answer

A wise man once said that ogres are very similar to onions because they have layers. The internet has proved that movies have many layers too. This is especially true when we look at the Shrek drinking game!

I’m sure most people reading this have already seen the film. If not, you should check it out, because memes aside, it’s a good flick. Plus, you can turn Shrek into a fun drinking game, whether it’s your first watch or you’re repeating it with a few spins.

There’s quite a lot to learn about this game, so let’s start by figuring out what it’s all about, shall we?

What is the Shrek Movie Drinking Game?

Okay, for anyone unfamiliar with Shrek, let’s go through a bit of history first. The animated comedy was released in 2001 and produced by Dreamworks. At the time of release, Shrek stood out from many other animated family films.

The film is based on the book by William Steig which was published in 1990. It uses many of the same characters, but the plots diverge greatly. However, the book and the film have the same message.

The film actively mocked many of the tropes one would find in the animated Disney films of the era and used many pop culture references in its comedy. In fact, the film was added to the National Film Registry for preservation in 2020.

It was found to be “culturally, historically, or aesthetically significant,” earning it much praise. But how does it all tie into a drinking game? Well, over the past few years, Shrek and its sequel, Shrek 2, have become incredibly popular on the internet.

Shrek and other characters from the films are regularly used in various memes and there is a large amount of internet fandom for the series. The drinking game Shrek Movie was developed in these circles and spread over the internet.

In the Shrek Movie drinking game, you have to take a sip or a sip every time certain characters do or say something. If you miss a drink or pass you lose a point, but you gain a point if you drink.

At the end of the film, the points are added up and the player with the most wins. It’s a straightforward game and a great way to add a new twist to a movie night. Let’s see what you need to play Shrek Movie drinking game and take a closer look at the rules and gameplay.

What do you need to play?

To play the Shrek Movie drinking game, you need a copy of the film and lots of alcohol. You can use any drink, but Shrek is a 90 minute movie so we don’t recommend using anything too strong.

Finding Shrek on DVD should be pretty easy. If you are a big fan, you can even purchase the Ultimate Collection to watch all the movies. It is also available on several different streaming platforms and on-demand services. So now you know what you need. Let’s look at how to play the game.

Shrek Movie Drinking Game Rules and Gameplay

The goal of the game

The Shrek Movie drinking game can be played in a variety of ways. As you can surely see, the game is all about having fun, so don’t worry too much about the rules. This is not a Waterfalls or Asshole drinking game.

Well, that being said, you can play the game with points or not. When playing with points, the goal is to get the most points at the end of the movie to win. But if you’re not playing with points, then everyone’s goal is just to get to the end of the movie.

Both versions of the game are fun. It depends what matters. If you’re a more competitive group of people, then you might want to opt for a point game. But both can work; Below we will talk in more detail about how to play both versions.

Set up

So how do you build the Shrek Movie drinking game? Well, that’s pretty easy; All you have to do is place all the players. Make sure you have the beer (or drink of your choice) within reach. Then start the movie and get ready to play!

Play the Shrek Movie Drinking Game

The Shrek Movie drinking game is easy to play. You start the movie and then everyone has to drink after a certain action plays out. There is no ruleset for this, and you can also make your own rules.

If you want to add house rules, make sure to discuss them before playing in the group. Now to give you a first set of rules to follow, see the list below.

Drink every time:

Someone says “Shrek” or “Donkey” by name.

Someone says, “Swamp.”

Someone says “Orge”.

Every time Shrek farts, belches, or belches.

Take two drinks each time:

Every time you laugh for more than 5 seconds.

Every time a character sings.

Someone says, “Lord Farquad.”

score game

If you want to play the Shrek Movie drinking game with points then it follows the same basic rules as above. However, every time you drink something, you get a point; You can even add two points for the two drink category.

If you notice another player missing their drink and shouting it, that player loses a point. At the end of the game, the points are added up and compared. The player or players with the most points win!

This can be a fun way to add a competitive edge to the game, and it also adds a new element to the gameplay as players have to actively watch and monitor each other as they play. Of course, this gets harder the more drinks you have throughout the game.

Sure, it’s not Clue’s detective gameplay, but it’s still a fun extra challenge that can make playing Shrek Movie drinking game even more fun! If you’re new to this game (or drinking games in general), we don’t recommend a score game first. Save it for your second game.

Other game variants

You can use the standard Shrek Movie game rules to turn any movie into a drinking game! If you’re looking for a bigger challenge, you can try watching Shrek and his sequel back to back.

So this drinking game can become an endurance test! Don’t be afraid to get creative when making drinking rules. If you’re not a big drinker, you can always play with soft drinks or pause mid-movie.

This game offers many variations and you have the freedom to get creative. This is a great party game for groups of six or more players. It’s not the most complex game, but does it really matter? It’s sure to be fun if you’re just looking for some light-hearted entertainment.

The Shrek Movie Drinking Game – Simple, Lots of Fun!

The Shrek Movie Drinking Game is simple and fun! It’s everything you could want from a drinking game, and ideal when you’re not in the mood to play cards or bounce ping-pong balls. It’s not the most challenging game, but there’s plenty of room for creativity. But most importantly, fun is practically guaranteed!

Learn these standard King’s Cup rules for your next party.

Also known as the Ring of Fire, Circle of Death, and Waterfall, King’s Cup has been a classic drinking game for years, and with good reason.

It’s a great icebreaker for a group that doesn’t know each other well, but it’s just as fun for close-knit friends.

It gets those attending up to comfortable drinking levels and helps the group learn a little about each other’s wild sides.

Over the years, many of the rules and methods of playing King’s Cup have changed, but we’ll go through the classic way of playing.

These are the rules of the King’s Cup that most people will know and recognize, even if they’ve played a slightly different version before.

Plus, you can’t go wrong playing the traditional version – it always guarantees a fun time. But we also provide some alternative rules and variations if you want to mix things up.

Ready to get tipsy?

Also Read: 11 Best Drinking Game Apps for iPhone

How do I set up King’s Cup?

Setting up King’s Cup is pretty easy. As for the equipment, all you need is:

A deck of cards

A cup

alcohol

willing participants

To set up the game, evenly distribute a deck of cards face down around the cup.

All cards touch the cards on either side, creating a “chain” of cards.

Then any number of players can gather around the cup to play. This game works well with a larger group.

More classic drinking games to learn:

Basic King’s Cup Rules

The basic rules for any King’s Cup game, whether it’s known as Ring of Fire, Circle of Death, Waterfall, or just “Kings,” are essentially the same.

To play King’s Cup, players must take turns drawing cards and going clockwise around the circle.

Each card in the deck corresponds to a specific action, which we’ll go through in the next section.

Breaking the chain of cards requires you to chug the drink that’s in the king’s cup in the center – we’ll get to that a little later.

Since the alcohol in the king’s cup can be a very unpleasant mix, one of the main goals of the game is not to break the chain!

But even if you break the chain, the game doesn’t end.

The King’s Cup only ends when all the cards have been used up.

Now for the fun part – the King’s Cup rules of the cards (scroll down for full explanations and variations)

Ace = Waterfall

This is one of the universal King’s Cup rules. Picking up an ace equals a “waterfall.”

That starts with everyone chugging their drink — be it beer, wine, or spirits and mixers.

The person who drew the card is in full control of the round and can stop drinking at any time.

Once they have stopped drinking, the next person in clockwise order can choose when to stop, and so on. So you always have to wait for the person on your left to stop before you can stop.

As you can imagine, the last person to stop drinking can end up getting pretty pissed off! This rule also provides a great opportunity to poke fun at those who can’t handle chugging their alcohol.

Two = you

Two is pretty easy and is the classic “you”.

That means you can choose one person to have two drinks, or two people to have one drink each.

Three = I

Another simpler.

Three is “I,” meaning you have to chug two fingers of your own drink.

Four = whores

The four card involves the ladies by telling them that they are “whores” and they must all drink. Not one of my favorites among the traditional King’s Cup rules, so here’s a variation:

Alternative rule = give 2, take 2

If you get a 4, spend 2 drinks and take 2 drinks.

Five = Bust a jive

Here’s a joke. Five is “Bust a Jive,” meaning the person picking up the card must break a dance move. The next person then has to copy the dance move and add an extra twist to it. This goes on until someone messes up the dance and has to drink.

Drunk uncoordinated dancers, what’s not to love?

Six = tails

Six is ​​”tails” so all the boys in the game have to drink. Let’s offer an alternative version here again.

Alternative rule = thumbs down

If you get a 6, it’s thumbs down. That means you put your thumb on the table and the last person to do so drinks.

Seven = Heaven

That is, when the person who drew the card is ready, they must reach for the sky with both arms while the rest of the players follow suit.

The last one has to drink.

This is a great card for catching people who aren’t paying attention, especially if the picker doesn’t use the card right away.

Alternate Rule = Hell

Feeling a little less virtuous? You can also point to the floor and the last person to do it will drink.

Eight = mate

Eight is Mate. This means the player can choose anyone in the game to work with, meaning that if one of them drinks, they both have to.

It’s the perfect way to show your crush that you’re interested in them or just to try to hit on someone to get them drunk.

Nine = Bust a rhyme

Nine is “bust a rhyme” and depending on how creative the group is, this card can be a lot of fun.

The idea is that the player who took the card has to say a word and everyone goes around in a circle saying a word that rhymes with it.

For example, a super simple word would be “big” and other players might say “mall,” “wall,” or “call.”

This goes on until someone can’t think of a new word or until someone repeats a word. Then, as you guessed it, they must drink!

Alternate Rule: Truth or Dare

Some players like to add this into the mix instead. Challenge someone to truth or dare. If they refuse, they must drink.

Ten = categories

Here’s another creative card. Ten is “Category,” meaning the player who picked the card must choose a category. Then each player must choose something that fits into that category.

For example, the player who picked up the card can select “types of fruit” and the rest of the players must pick fruit such as a lemon or strawberry.

If you can’t think of anything or repeat it, you have to drink two fingers.

Jack = I never have

Jack is arguably one of the most exciting cards to choose as it lets you learn some of the players’ dirty secrets.

Jack represents the Never Have I Ever game and after the card is picked up, the group must play a round.

If you’re not aware of “Never have I ever”, the game begins with all five fingers held up.

Then the person who drew the card announces something they didn’t do. When you’ve made it, you need to put a finger down.

Then the next person will say something they didn’t do, and so on. The first person to get five fingers down has to chug two fingers of their drink.

The “Never have I ever” statements can be as racy or as tame as you like, but of course it’s more fun to choose something juicy.

It’s a great way to get to know people better, reach out to friends for their ridiculous stories, and dig deeper into people’s secrets.

Alternate Rule 1 = Boys drink

If the “Never have I ever” rule is too boring, you could also just get the guys to drink to it, especially if you’ve decided to do something different with Rule 6.

Alternative Rule 2 = Create a rule

They have to make a rule for the game (example below) and if someone breaks it, they drink.

queen

The Queen is the “Question Master” and whoever picks up the card takes on that role. This means that if one of the other players answers a question from the question master, he must drink.

It’s a great way to get creative and try to trick people without them realizing. For example, the Question Master may pose a question to a player and ask, “Are you on yet?”.

The question master remains question master until someone else picks up a queen, at which point he takes the crown.

Alternate Rule 1 = Girls drink

Instead of the traditional Rule 4, here’s a better way of saying all Queens are now allowed to drink.

Alternative rule 2 = queasy creation

If you draw a Red Queen, you can combine any three drinks from the table into one shot; then pick someone to take it.

King = Make a rule (and pour some liquor in the middle cup)

Finally we come to the king! The player who chooses a king has the power to set a rule for the game.

This can be anything game related and if it breaks the player has to drink.

If you get stuck, a popular rule is “no first names”.

That means anyone using someone else’s first name must drink.

As you can imagine, it’s easy to forget, especially when everyone’s a little tipsy.

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Another part of this rule is that anyone picking up a king must pour some of their drink into the king’s cup in the center.

The last person to pick up a king is the unlucky person who has to chug the remaining alcohol mix in the middle cup!

Usually a mix of three different types of alcohol, it’s not pleasant to drink, which makes it all the more fun to watch.

Ready to play King’s Cup?

While King’s Cup is a fairly complex game – especially when the players are drunk – it’s definitely one that isn’t boring and involves everyone.

After a round or two, it’s easy to remember the King’s Cup rules.

Once you get used to the game, you can adapt and change the rules to suit your group. Have fun!

Fictional dwarf in The Lord of the Rings

Fictional Character

Gimli is a fictional character in J.R.R. Tolkien’s Middle-earth, appearing as a member of the Fellowship of the Ring in The Lord of the Rings. A dwarf warrior, he is the son of Glóin, a member of Thorin’s company in Tolkien’s earlier book The Hobbit.

He is chosen to represent the Dwarf race as part of the Fellowship of the Ring. As such, he is one of the main characters of the novel. Over the course of the adventure, Gimli aids the Ring-bearer Frodo Baggins, participates in the War of the Ring, and becomes close friends with Legolas in an attempt to overcome an age-old dwarf-elf enmity.

The character was voiced by David Buck in Ralph Bakshi’s 1978 animated version of The Lord of the Rings. Gimli does not appear in Rankin/Bass’s 1980 animated version of The Return of the King. He is portrayed by Tomi Salmela in the 1993 Finnish miniseries Hobitit. In Peter Jackson’s film trilogy, Gimli is played by Welsh actor John Rhys-Davies.

Fictional biography[ edit ]

Gimli was born into the Ered Luin in the Third Age. His father was Glóin, a former companion of the hobbit Bilbo Baggins. Gimli wished to accompany his father in his quest to reclaim Erebor, but at the age of 62 he was deemed too young for Longbeards. Gimli was of the royal line, but not close to succession; He was the third cousin once removed from Dáin II Ironfoot. [T2][T3]

Gimli is first seen with Glóin at the Council of Elrond where they warned that the Dark Lord Sauron was looking for Bilbo and sought Elrond’s advice. They learned that Frodo Baggins was now the bearer of the One Ring. The council decided to destroy it by throwing it into Mount Doom. Frodo volunteered for the task; [T 4] Gimli was among those chosen to help him. [T 5] There was friction between Gimli and the Elf Legolas: their races harbored an old grudge against one another. [T6]

When society was forced to enter the ancient subterranean dwarven realm, the Mines of Moria, Gimli was initially delighted, hoping to find Balin there. [T 5] However, Moria was still inhabited by orcs, cave trolls, and a Balrog: Balin and his people had all been slain. The community found his tomb in the chamber of Mazarbul; Orcs attacked and they had to fight their way free. [T 7] The leader of the companions, the wizard Gandalf, died fighting the Balrog. [T 8] Aragorn led the others to Lothlórien, which was populated by elves hostile to the dwarves. Gimli refused to be blindfolded, risking a conflict, so Aragorn blindfolded the entire community.[T 9]

Gimli’s opinion of Elves changed when he met Galadriel, co-ruler of Lothlórien: her beauty, kindness and understanding so impressed Gimli that when given the opportunity to ask for anything he wanted, he replied that he could see and hear her, her gentle words were gift enough. When pressed, he admitted that he wanted a single strand of her golden hair as an heirloom of his house, but that he could not ask for such a gift. Galadriel was so moved by his bold but polite request that she gave him not one but three hairs of hers. [a] Gimli and Legolas became firm friends. [T11]

Society was divided at Amon Hen, for Boromir, son of the steward of Gondor, attempted to take the ring and use it against Sauron. Frodo fled and led the way, accompanied only by his gardener, Samwise Gamgee; society was scattered. [T 12] The other two hobbits, Merry Brandybuck and Pippin Took, were captured by a group of orcs. Boromir was mortally wounded defending her, and it fell to Gimli, Aragorn, and Legolas to place him on a funeral boat. They decided to go after Merry and Pippin. [T12]

After running many miles into the land of Rohan in a few days, they met Éomer, nephew of Rohan’s king Théoden, with a force of cavalry that had slain all the orcs. When Éomer spoke ill of the name Galadriel, Gimli reacted harshly; again Aragorn brought calm. [T 13] Gimli and the others continued their search for the hobbits and found a risen Gandalf in Fangorn Forest. [T 14] He led them to Rohan’s capital Edoras, where he called king Théoden to war Saruman. [T 15] Gimli proved his prowess in battle at the Battle of Helm’s Deep. He and Legolas entered an orc slaying contest (Gimli won with one; he killed 42 to Legolas’ 41). Gimli saved Éomer’s life by killing two orcs and driving off two others. [T 16] Later, Gimli’s vivid description of the glittering caves of Aglarond prompted Legolas to promise to visit the caves when the war was over. [T 17] After the battle, Gimli witnessed Gandalf throwing Saruman out of the order of wizards; he saw through Saruman’s lies with the words “The words of this sorcerer stand on her head”.[T 18]

Gimli accompanied Aragorn on the paths of the dead. At the Stone of Erech, Aragorn summoned the Dead of Dunharg, spirits sworn to fight for the King of Gondor. He sailed with Aragorn to fight in the Battle of the Pelennor Fields. [T 20] Gimli also fought in the final battle against Sauron, the Battle of the Morannon before the Black Gate. There he recognized Pippin Took’s feet under a fallen troll and saved his life. [bar 21][bar 22]

After the ring’s destruction, Gimli led many dwarves south to Aglarond and became the first lord of the Glittering Caverns. They built “great works” in Rohan and Gondor, replacing the ruined gate of Minas Tirith with one made of mithril and steel. [T 23] After Aragorn’s death, Gimli (then aged 262) sailed west with Legolas and became the first dwarf in the Undying Lands. [T24]

family tree[edit]

Durin’s Folk[T 2][b] Durin I Dwarves of Moria Durin II Durin III Durin IV Durin V Durin VI Náin I Thráin I Thorin I Glóin Óin Náin II Dáin I Borin Frór Thrór Grór Farin Thráin II Náin Fundin Gróin Dís

(female) Thorin II Oakenshield Dáin II Ironfoot Dwalin Balin Glóin Óin Ori, Dori, Nori Bifur, Bofur, Bombur Fili, Kili Thorin III Stonehelm Gimli Durin VII

Concept and creation[edit]

“Gimli son of Glóin”

The name Gimli first appeared in Tolkien’s works in The Tale of Tinúviel, the earliest version of the story of Beren and Lúthien Tinúviel found in the second volume of The Book of Lost Tales. Here the name belongs to an old elf, a prisoner along with Beren in the kitchens of Tevildo, Prince of the Cats (progenitor of Sauron). [T 25] During the writing of The Lord of the Rings, as in The Return of the Shadow, Gimli’s character was first named Frar, then Burin, and he was the son of Balin. [T 26]

The Tolkien scholar Tom Shippey writes that Tolkien has Gimli “exchange fierce proverbs” with Elrond. Shippey comments that dwarven prowess is evident in her veiled speech, as can be seen in King Dáin’s dogged replies to the Messengers of Mordor. He sees these examples united by “a delight in the contrast between passionate interiority and polite or rational expression; the weakness of the latter is an indication of the strength of the former.”[1]

Lilian Darvell writes in Mallorn, the journal of the Tolkien Society, that Gimli’s request for a gift of Galadriel’s hair is to be contrasted with Fëanor’s earlier request for the same gift. Galadriel refused Fëanor’s request, although according to Unfinished Tales he had done so three times. Darvell comments that given Galadriel’s ability to see into human hearts and the darkness she saw in Fëanor, she must have seen something better in Gimli than in “one of the greatest of the Noldor”.[2] Darvell notes that the gift of hair finds appeal in both English literature, such as Bernice and the Lock and The Rape of the Lock, and Norse legend. In the Njáls saga, Gunnarr’s bowstring snaps in a desperate struggle; He asks his wife Hallgerðr for two hairs as a replacement, but she refuses because he hit her once and he is killed. Darvell comments that Galadriel’s refusal does not kill Fëanor but leads to distancing, which may have caused him to refuse to send ships to rescue her from Numenor.

International relations scholars Abigail Ruane and Patrick James see Gimli as a prime example of “neoliberal institutionalists” as his “people are eager to seek gold and treasure”.[3] In their view, he and his dwarves also illustrate the interdependence of nations through their trade networks and allies; the diverse “relationships between dwarves, elves and men provide a foundation upon which to build and ally against Sauron, and illustrate how complex interdependence can reduce perceptions of uncertainty and create opportunities for cooperation rather than conflict.”[3 ] [4] Gimli, the only one of all dwarves, was immune to the dragon sickness caused by the spells bound around the dragon’s golden hoard.

The Tolkien scholar John Miller writes that the dwarves, like the elves, have withdrawn from history and become the subject of “a heightened aesthetic sensibility”,[5] exemplified by Gimli’s lyrical description of the glittering caves of Aglarond. Miller argues that Gimli’s account not only praises the caves’ beauty, but also “emphasizes their stillness, their abstraction from the history that marches by outside”. aesthetic, an immature or youthful appreciation compared to that of elves or humans.[5]

The philologist Susan Robbins writes in Žmogus ir žodis that Galadriel gives Gimli by saying “I tell you, Gimli son of Glóin, that your hands shall overflow with gold, but gold shall have no dominion over you”, Gimli alone of all Dwarves, immunity to dragon sickness. Robbins defines this as “confusion or bewilderment that makes one so greedy for… gold that one would rather starve than give up any of it,”[4] the fate that overwhelmed the dwarf Thorin Oakenshield and the human master in Lake-town hobbit. She notes that Tolkien explained that the dragonsickness, the effect of the spells placed on Smaug’s golden hoard, is derived from line 3052 of Beowulf: iúmonna gold galdre bewound, “the gold of men long ago entangled in enchantment “.[4 ]

Customizations[ edit ]

Gimli was voiced by David Buck in Ralph Bakshi’s 1978 animated version of The Lord of the Rings. Here he is drawn as almost as tall as the rest of the non-Hobbit members of the Fellowship.[6]

Gimli does not appear in Rankin/Bass’s 1980 animated version of The Return of the King. He is portrayed by Tomi Salmela in the 1993 Finnish miniseries Hobitit.[7]

In Peter Jackson’s film trilogy, Gimli is played by John Rhys-Davies, using his native Welsh accent.[8] Gimli’s more prosaic and outspoken style, in contrast to the more sophisticated Aragorn and Legolas, offers a softening comic relief, with much of the humor based on heightism,[9][10] along with his competitive if friendly feud with Legolas , where Gimli finds himself consistently surpassed.[11]

On stage, Gimli was portrayed by Elizabeth Harris in the Cincinnati stage productions The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) for Clear Stage Cincinnati. In Canada, Gimli was portrayed by Ross Williams in the 3-hour Toronto stage production of The Lord of the Rings, which opened in 2006. In The Lord of the Rings: The Musical, he was played by Sévan Stephan throughout the London run.

Classical composer Craig H. Russell’s 1995 Middle-earth has “Gimli the Dwarf” as its second movement; Russell describes it as “like a gruff Irish tune”. The piece was originally written for string ensemble and re-orchestrated for symphony orchestra.[15]

Notes [edit]

References[edit]

Primary [ edit ]

This list identifies the position of each element in Tolkien’s writings.

2001-2003 films directed by Peter Jackson

This article is about the film series released between 2001 and 2003. For more films based on The Lord of the Rings, see Middle-earth in Film

The Lord of the Rings is a series of three epic fantasy adventure films directed by Peter Jackson and based on the novel by J.R.R. Tolkien. The films are subtitled The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003). Produced and distributed by New Line Cinema in co-production with WingNut Films, the series is an international project between New Zealand and the United States. The films feature an ensemble cast that includes Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis and Sean Bean.

Set in the fictional world of Middle-earth, the films follow the hobbit Frodo Baggins as he and the companions embark on a quest to destroy the One Ring to ensure the destruction of its creator, the Dark Lord Sauron. The Fellowship eventually separates and Frodo continues the quest with his faithful companion Sam and the treacherous Gollum. Meanwhile, Aragorn, heir to the throne of Gondor, along with Legolas, Gimli, Boromir, Merry, Pippin and the wizard Gandalf join forces to rescue the Free Peoples of Middle-earth from the forces of Sauron and rally them in the War of the Ring to save Frodo to help by diverting Sauron’s attention.

The three films were shot simultaneously and entirely in Jackson’s native New Zealand from October 11, 1999 to December 22, 2000, with interim shots from 2001 to 2004. It was one of the largest and most ambitious film projects ever undertaken, with a budget of 281 million Dollar. The first film in the series premiered at the Odeon Leicester Square in London on December 10, 2001; the second film premiered on December 5, 2002 at the Ziegfeld Theater in New York City; The third film premiered on December 1, 2003 at the Embassy Theater in Wellington. An extended edition of each film was released on home video a year after its release in theaters.

The Lord of the Rings is widely regarded as one of the greatest and most influential film franchises ever made. It was a huge financial success and is one of the highest-grossing film franchises of all time, grossing $2.991 billion worldwide. Each film was critically acclaimed, with rave reviews for its innovative special effects, acting, set design, musical score and emotional depth, and won heavily, with the series winning 17 of its 30 Academy Award nominations. In 2021, The Fellowship of the Ring was selected by the Library of Congress for preservation in the United States National Film Registry because it is “culturally, historically, or aesthetically significant.”[1]

Movies [edit]

The Fellowship of the Ring[edit]

In the second age of Middle-earth, the lords of elves, dwarves, and men are given rings of power. Unbeknownst to them, the Dark Lord Sauron forges the One Ring on Mount Doom, infusing it with much of its power to rule the other rings so that it can conquer Middle-earth. A final alliance of Men and Elves fight Sauron’s forces in Mordor. Isildur of Gondor severes Sauron’s finger and the ring with it, defeating Sauron and reverting to ghost form. With Sauron’s first defeat, the Third Age of Middle-earth begins. The ring’s influence corrupts Isildur, who takes it for himself and is later killed by orcs. The ring was lost in a river for 2,500 years until found by Gollum, who has owned it for over four and a half centuries. The ring leaves Gollum and is subsequently found by a hobbit named Bilbo Baggins who is unaware of its history.

Sixty years later, Bilbo celebrates his 111th birthday in the Shire and reunites with his old friend, the wizard Gandalf the Grey. Bilbo leaves the Shire for one last adventure, leaving his inheritance, including the ring, to his nephew Frodo. Gandalf examines the ring, discovering its true nature and learning that Gollum was captured and tortured by Sauron’s orcs, revealing two words during his interrogation: “Shire” and “Baggins”. Gandalf returns and warns Frodo to leave the Shire. When Frodo departs with his friend, the gardener Samwise Gamgee, Gandalf rides to Isengard to meet with the wizard Saruman, but discovers his alliance with Sauron, who has dispatched his nine undead Nazgûl servants to find Frodo.

Frodo and Sam are joined by the other hobbits Merry and Pippin, and they escape the Nazgûl before arriving in Bree, where they are to meet Gandalf. However, Gandalf never arrives as he was captured by Saruman. The hobbits are then aided by a ranger named Strider, who promises to escort them to Rivendell; However, they are ambushed by the Nazgûl on Weathertop, and their leader, the Witch-king, stabs Frodo with a Morgul blade. Arwen, the lover of an Elf and a Strider, finds Strider and saves Frodo by summoning tides that wash away the Nazgûl. She takes him to Rivendell, where he is healed by the elves. Frodo meets with Gandalf, who fled Isengard on a great eagle. That night, Strider reunites with Arwen and they reaffirm their love for one another.

Faced with the threat of Sauron and Saruman, Arwen’s father Lord Elrond decides against keeping the ring in Rivendell. He holds a council of elves, men and dwarves, also attended by Frodo and Gandalf, which decides that the ring must be destroyed in the fires of Mount Doom. Frodo volunteers to take the Ring, accompanied by Gandalf, Sam, Merry, Pippin, Elf Legolas, Dwarf Gimli, Boromir of Gondor, and Strider – who is actually Aragorn, Isildur’s heir and the rightful King of Gondor. Bilbo, now living in Rivendell, gives Frodo his sword, Sting, and a mail shirt of mithril.

The Fellowship of the Ring make their way to the Gap of Rohan, only to find that Saruman’s spies are watching. They instead make their way across the mountain pass of Caradhras, but Saruman summons a storm that forces them to travel through the mines of Moria. After the dwarves of Moria are found dead, the company is attacked by orcs and a cave troll. They hold her back, but are confronted by Durin’s Bane: a Balrog that lives in the mines. As the others flee, Gandalf fends off the Balrog and throws him into a huge chasm, but the Balrog drags Gandalf with it into the darkness. The devastated Fellowship arrives in Lothlórien, ruled by the Elf Queen Galadriel, who privately informs Frodo that only he can complete the quest and that one of his friends in the Fellowship will attempt to take the ring. Meanwhile, in Isengard, Saruman raises an army of Uruk-hai to find and kill the Companions.

The Fellowship travels the river to Parth Galen. Frodo wanders off and is confronted by Boromir, who attempts to take the Ring as Lady Galadriel had prophesied. Uruk-hai scouts then ambush the companions; Their leader Lurtz mortally wounds Boromir when he fails to stop them from taking Merry and Pippin as prisoners. Aragorn arrives and kills Lurtz before comforting Boromir as he dies and promising to aid the people of Gondor in the conflict to come. Fearing that the Ring will corrupt his friends, Frodo decides to travel to Mordor alone, but allows Sam to come along, remembering his promise to Gandalf to take care of him. While Aragorn, Legolas and Gimli set out to rescue Merry and Pippin, Frodo and Sam make their way down the mountain pass from Emyn Muil and continue on to Mordor.

The Two Towers[ edit ]

Frodo Baggins and Samwise Gamgee awake from a dream in which Gandalf is fighting the Balrog in Moria and find themselves lost in the Emyn Muil near Mordor and discover that they are being pursued by Gollum, a former bearer of the One Ring . Frodo captures Gollum, takes pity on and allows him to guide them, reminding Sam that they will need Gollum’s help to infiltrate Mordor.

Aragorn, Legolas and Gimli pursue a group of Uruk-hai to rescue their companions Merry and Pippin entering the kingdom of Rohan. The Uruk-hai are ambushed by a group of Rohirrim, allowing the hobbits to flee to Fangorn Forest. Upon meeting Aragorn’s group, the Rohirrim leader, Éomer, explains that he and his men have been banished by Rohan’s king Théoden, who is under the control of Saruman and his servant Gríma Wormtongue. Éomer believes Merry and Pippin were killed during the raid, but leaves the group with two horses. While searching for the hobbits in Fangorn, Aragorn’s group encounters Gandalf, who after his battle with the Balrog has been resurrected as Gandalf the White to help save Middle-earth.

Gandalf leads the trio to Rohan’s capital Edoras, where Gandalf frees Théoden from Saruman’s control. Aragorn stops Théoden from executing Wormtongue, who flees. Learning of Saruman’s plans to destroy Rohan with his Uruk-hai army, Théoden evacuates his citizens to The Hornburg fortress in Helm’s Deep. Gandalf sets out to find Éomer and his followers, hoping they will fight for their restored king. Aragorn befriends Théoden’s niece, Éowyn, who falls in love with him. When the refugees traveling to Helm’s Deep are attacked by Saruman’s warg-riding orcs, Aragorn falls off a cliff and is presumed dead. He is found by his horse, Brego, and rides to Helm’s Deep, where he witnesses Saruman’s army marching towards the fortress.

In Rivendell, Arwen learns from her father Elrond that Aragorn will not return. He reminds her that if she stays in Middle-earth she will outlive Aragorn by thousands of years, and she reluctantly departs for Valinor. Elrond is contacted by Galadriel of Lothlórien, who convinces him that the elves should honor their alliance with the humans, and they dispatch an army of elves to Helm’s Deep.

In Fangorn, Merry and Pippin meet Treebeard, an Ent. They convince Treebeard that they are allies and are taken to an Ent Council, where the Ents decide not to take part in the coming war. Pippin asks Treebeard to take them towards Isengard, where they witness the deforestation caused by Saruman’s war effort. Enraged, Treebeard and the Ents storm Isengard and trap Saruman in his tower.

Aragorn arrives at Helm’s Deep, bringing word that Saruman’s army is near and Théoden must prepare for battle, though he is vastly outnumbered. The army of elves from Lothlórien arrive, as do Saruman’s army, and battle ensues. The Uruk-hai breach the outer wall with explosives and in the ensuing attack kill the Elven commander, Haldir. The defenders retreat to the fortress, where Aragorn convinces Théoden to face the Uruk-hai in a final attack. At dawn, with the defenders overwhelmed, Gandalf and Éomer arrive with the Rohirrim and turn the tide of battle. The surviving Uruk-hai flee to Fangorn Forest and are killed by the Ents. Gandalf warns that Sauron will take revenge.

Gollum leads Frodo and Sam through the Death Marshes to the Black Gate, but recommends they take a different route to Mordor. Frodo and Sam are captured by Rangers of Ithilien, led by Faramir, brother of the late Boromir. Frodo helps Faramir capture Gollum to save him from being killed by the Rangers. Faramir learns of the One Ring and takes his captives to Gondor to bring the Ring to his father Denethor. Passing through the besieged city of Osgiliath, Frodo attempts to explain the ring’s true nature to Faramir, and Sam explains that Boromir was driven insane by its power. A Nazgûl nearly captures Frodo, who falls under the Ring’s power, but Sam rescues him, reminding him that they are fighting for the good that remains in Middle-earth. Impressed by Frodo’s determination, Faramir releases her. Gollum decides to betray Frodo and reclaim the Ring by leading the group to “Her” when he arrives at Cirith Ungol.

The Return of the King[edit]

The hobbit Sméagol is fishing with his cousin Déagol, who discovers the One Ring in the river. Sméagol’s mind is ensnared by the ring, and he kills his cousin in return. Increasingly corrupted both physically and mentally, he retires to the Misty Mountains and becomes known as Gollum.

Centuries later, during the War of the Ring, Gandalf leads Aragorn, Legolas, Gimli, and King Théoden from Rohan to Isengard, where they reunite with Merry and Pippin. Gandalf retrieves Saruman’s palantír and the party returns to Edoras to celebrate their victory at Helm’s Deep. [a] Pippin looks into the palantír and sees Sauron and a burning tree. Gandalf deduces that the enemy is planning to attack Gondor’s capital, Minas Tirith; He rides there to warn Gondor’s steward Denethor. Pippin, who accompanies him, swears allegiance to Denethor, whose now deceased heir Boromir had saved his life;[b] at Gandalf’s direction, he triggers the lighting of the beacons, calling to Rohan for help.

Frodo, wearing the ring, and Sam continue their journey to Mordor, unaware that Gollum, now their guide, plans to betray them and take the ring for themselves. The trio witnesses the Witch-king of Angmar, lord of the nine Nazgûl, set out for Gondor with his army of Orcs. Gollum conspires to frame Sam for eating food supplies and coveting the Ring; Influenced by the Ring’s growing power, Frodo is tricked by the deception and orders Sam to go home. Gollum then tricks Frodo into venturing into the lair of the giant spider Shelob. Frodo narrowly escapes and confronts Gollum, who falls into a chasm after a scuffle. Shelob discovers, paralyzes and binds Frodo, but is wounded and driven off by a returning Sam, who, grieving Frodo’s apparent death, takes the ring. Sam realizes his mistake when a group of orcs capture Frodo, but manages to save Frodo while the orcs fight among themselves. Now in Mordor, the hobbits continue on their way to Mount Doom, their destination.

As King Théoden gathers his army, Elrond tells Aragorn that Arwen is dying for refusing to leave Middle-earth. Elrond gives Aragorn Andúril, reforged from the shards of King Elendil’s sword Narsil, and urges him to pledge himself to claim Gondor’s throne, to which he is heir. Along with Legolas and Gimli, Aragorn travels the paths of the dead, promising to free the spirits there from their curse should they come to Gondor’s aid. Meanwhile, Faramir, previously overpowered by the Witch-king and driven back to Minas Tirith, is severely wounded on a suicide charge; Denethor believes his son is dead and falls insane. Gandalf sets up the defenders but the huge Orc army breaks into the city. Denethor attempts to burn himself and Faramir on a pyre, but Pippin alerts Gandalf and they rescue Faramir. Denethor, set on fire and in agony, leaps to his death.

Théoden arrives and leads his army against the orcs. Despite initial successes against orcs in the ensuing battle, they are decimated by the olifant-riding Haradrim, and the Witch-king mortally wounds Théoden; However, his niece Éowyn kills the Witch-king with Merry’s help. Théoden dies in his niece’s arms. Aragorn then arrives with his army of the dead who overcome Sauron’s forces and win the battle. Their oath fulfilled, the dead are freed from their curse. Aragorn decides to march on Mordor to distract Sauron from Frodo, who is now extremely weak, and Sam. All of Sauron’s remaining forces march to meet Aragorn’s distraction, allowing the hobbits to reach Mount Doom. Gollum, having survived his earlier fall, attacks them, but Frodo still manages to enter the mountain. There he succumbs to the ring’s power and puts it on his finger, but Gollum manages to bite off his finger and regain it. They fight together and both fall off the ledge. Frodo manages to hang on and is pulled up by Sam, but Gollum falls and dies; the ring that fell with him disintegrates in the lava. Mount Doom erupts as Sauron meets his doom while Aragorn’s army emerges victorious while their enemies flee.

Gandalf saves the hobbits with the help of eagles and the surviving company are happily reunited in Minas Tirith. Aragorn is crowned King of Gondor and marries Arwen. The hobbits return home to the Shire where Sam marries Rosie Cotton. A few years later, Frodo, still suffering inside and out, leaves Middle-earth with his Uncle Bilbo, Gandalf and the Elves for the Undying Lands. He leaves Sam the Red Book of Westmark detailing their adventures. Sam returns to the Shire where he hugs Rosie and her children.

Cast and crew[edit]

The trilogy features an extensive cast including (alphabetically from left to right) Sean Astin, Sean Bean, Cate Blanchett, Orlando Bloom, Billy Boyd, Christopher Lee, Viggo Mortensen, Ian McKellen, Dominic Monaghan, John Rhys-Davies, Andy Serkis, Liv Tyler, Karl Urban, Hugo Weaving, and Elijah Wood.

casting [edit]

Jackson began abstract casting discussions while developing the scripts with Miramax.[2] Jackson, Walsh and Boyens put together a casting wish list that included Cate Blanchett for Galadriel and Ian Holm for Bilbo. Philippa Boyens wondered if Patrick Stewart was right for the role of Gandalf and drew a tape of him appearing opposite Ian McKellen, only to suggest the latter to Jackson.[4] McKellen became Jackson’s first choice for Gandalf.[5] Christopher Lee sent Jackson a photo of him in a wizard costume and wanted to play Gandalf, but Jackson decided Lee would be better than Saruman instead.

Miramax wanted a recognizable name for Gandalf and suggested Max von Sydow or Paul Scofield and even mentioned Morgan Freeman for wanting an American star. When New Line took over, they suggested Christopher Plummer or Sean Connery for the role (both declined)[8] and vetoed Richard Harris when his name came up. When von Sydow later asked about the role, his agent told him they were looking for an English actor.[9]

During casting, Jackson researched backup options for the various roles, including Lucy Lawless and Nicole Kidman for Galadriel; Anthony Hopkins or Sylvester McCoy (eventually recast as Radagast) for Bilbo; Paul Scofield, Jeremy Irons, Malcolm McDowell or Tim Curry for Saruman.[10] For Gandalf, they examined Tom Baker, Tom Wilkinson, Sam Neill, Bernard Hill (who was cast as Theoden instead)[4] and Peter O’Toole[11] and several older actors who auditioned for other roles such as Patrick McGoohan and Anthony Hopkins.

Miramax and Jackson discussed Sir Daniel Day-Lewis for Aragorn and began “imaginative internet speculation”[8] that Day-Lewis was approached for the role several times, although Jackson eventually inquired about him. Jackson cast Stuart Townsend, whom the studio felt was too young. After filming began, Jackson agreed and decided to recast the role. They approached Viggo Mortensen, but also spoke to Russell Crowe (who had previously auditioned for Boromir) as a backup choice.[12]

Patrick McGoohan, their first choice for Denethor, proved to be “pretty grumpy”[13] when they met and they looked at Donald Sutherland and John Rhys-Davies instead, eventually casting John Noble. Davies was recast as Gimli, replacing Billy Connolly (later cast as Dain), Robert Trebor and Timothy Spall. In conversations with Miramax, Liam Neeson’s name[2] came up for Boromir, but he declined. New Line suggested Nicolas Cage, but the filmmakers declined[8] and cast Sean Bean.

Cast[edit]

The following are the cast members who voiced or portrayed characters appearing in the extended version of the films.

crew [edit]

FOTRHe only worked on The Fellowship of the Ring. TTHer only worked on The Two Towers. ROTKHe is only credited as the editor of The Return of the King.

Development [edit]

Previous attempts[edit]

Previous attempts to film Tolkien’s works have been made by William Snyder, Peter Shaffer and John Boorman. These attempts resulted in some unproduced scripts, concept art and an animated short. Other filmmakers and producers who had an interest in adapting Tolkien are said to have included Walt Disney, Al Brodax, Forrest Ackerman, Denis O’Dell (who considered Richard Lester to direct but instead turned to David Lean, Stanley Kubrick and Michelangelo Antonioni turned) and Georg Lukas. The rights to adapt Tolkien’s works passed to several studios, briefly leased to Rembrandt Films before being sold permanently to United Artists. In 1976, UA gave the rights to The Lord of the Rings (and part of the rights to The Hobbit) to Fantasy Films.[17]

In 1977, an animated adaptation of The Hobbit was produced as a TV special by Rankin and Bass, and in 1978, Ralph Bakshi made an animated feature film based on the first half of The Lord of the Rings. Although the film was profitable, it did not make enough money to automatically justify the sequel that would conclude the story, and a falling out with producer Saul Zaentz caused Bakshi to abandon the project. Rankin/Bass then followed in 1980 with an animated television adaptation of The Return of the King. Several other Tolkien-esque fantasy films were being produced at the time, including Jim Henson and Frank Oz’s The Dark Crystal and Lucas’ Willow.[18]

At the time of Bakshi’s film release, a teenager, Peter Jackson, had not read the book but had “heard the name”[19] and watched the film: “I liked the opening part – it had some odd sequences like Hobbiton, a creepy encounter with the Black Rider on the road and some pretty good fight scenes – but then about halfway through the storytelling got very disjointed and confusing and I really didn’t understand what was going on. what it did was make me want to read the book—if only to find out what happened!” [20] Jackson bought a hardcover paperback edition. He later read The Hobbit and The Silmarillion and listened to the 1981 BBC radio adaptation. With the assumption that someone would one day adapt it into a live-action film, Jackson read some previous attempts to bring the play to the big screen.[21] He hadn’t seen the Rankin and Bass TV specials.[22][23]

Pitch to Miramax[ edit ]

In 1995, while completing post-production on The Frighteners, Jackson and Fran Walsh discussed making an original fantasy film, but couldn’t think of a scenario that wasn’t Tolkien-esque and ultimately decided to seek the film rights. They went to Miramax’s Harvey Weinstein, who got the rights from Saul Zaentz. Jackson knew that it would take several films to do justice to Tolkien,[24][25] but first envisioned a single trilogy: a film based on The Hobbit and, if that proved successful , two Lord of the Rings movies shot back-to-back. back.[21] Jackson began re-reading The Hobbit, looking at illustrations and commissioning concept art from the book, but the rights eventually proved out of reach, having been split between Zaentz and United Artists. Weinstein tried to buy the studio’s share of the rights, but was unsuccessful.

After The Hobbit was pushed to a later prequel, Jackson went on to make two or more[25] Lord of the Rings films: “We proposed the idea of ​​three films and Miramax didn’t really want to take that risk, but we agreed forward to two.”[24] He began writing the screenplays with Walsh and Stephen Sinclair, storyboarding with Christian Rivers, and discussing casting ideas with the Weinsteins. Meanwhile, Weta Digital began software development for the required digital effects[24] and WETA Workshop produced props and concept art. Sinclair later dropped out of the project, but Jackson felt some of his contributions survived in the finished scripts, particularly the middle film, The Two Towers, which he is credited with.

Move to new line[edit]

As the scripts began to take shape, it became clear that the budget required would exceed Miramax’s capabilities. The Weinsteins suggested reducing the project to a film.[24] Jackson inquired if it could be around four hours, but Miramax insisted on two hours and suggested major cuts to the story, which Jackson declined. Harvey Weinstein threatened to replace Jackson with screenwriter Hossein Amini and directors John Madden or Quentin Tarantino. Jackson felt this was an empty threat to get him to do a one-film version himself.

Harvey Weinstein eventually relented in taking the project to a turnaround, but the onerous conditions were to prevent the project from being picked up by another studio. Jackson got an audience with Robert Shaye, CEO of New Line, who accepted the project but asked that it be expanded into a trilogy. New Line had many promising reasons the trilogy would be successful, which prompted them to sign on. Final Cut rights were contractually shared between Jackson and Bob Shaye, but there was never any interference with Jackson’s editing.[28] Each film initially had a production budget of $60 million, but New Line accepted Jackson’s request for an increased budget after a 26-minute preview of The Fellowship of the Ring was presented at the 2001 Cannes Film Festival.

production [edit]

Jackson began storyboarding and screenwriting the series with Christian Rivers, Fran Walsh and Philippa Boyens in 1997 and commissioned his crew to begin designing Middle-earth at the same time. Jackson, Walsh, and Boyens didn’t write each film to be exactly like the book it was written in, instead writing a three-part adaptation with some sequences missing, some sequences created from scratch, and some sequences independent of any area in another have been postponed placement in the books. In order to make the story clearer to viewers, Jackson approaches the story in a more chronological manner than Tolkien’s complex weaving of storylines. During filming, the scripts continued to evolve, in part due to input from cast members who wanted to further explore their characters.[32]

Earlier versions of the script included additional characters such as Fatty Bolger, Glorfindel, Elladan, Elrohir, Erkenbrand, Imrahil, and Forlong.[33] At one point, Jackson even considered reintroducing Tom Bombadil in a cameo.[34] Gimli would swear during the films and Arwen would join the Fellowship in Rohan and share a nude scene with Aragorn in the pools of the Glittering Caverns.

Jackson hired longtime collaborator Richard Taylor to lead the Weta Workshop on five main design elements: armor, weapons, prosthetic makeup, creatures, and miniatures. At New Line’s request, animation supervisor Jim Rygiel replaced Weta Digital’s Mark Stetson. In November 1997, famed Tolkien illustrators Alan Lee and John Howe joined the project;[32] most of the images in the films are based on their various illustrations,[36] but Jackson also drew on the work of Ted Nasmith, who this later did turn down an offer to join Alan and John. Jackson wanted realistic designs in the style of historical epics rather than fantasy films and cited Braveheart as inspiration:[37][38][39][40][41]

“It might be clearer if I described it as a historical film. Something very different from Dark Crystal or Labyrinth. Imagine something like Braveheart but with a little bit of Legend’s visual magic. […] It should have the historical authority of Braveheart, rather than the meaningless fantasy mumbo-jumbo of Willow.[42]

Der Produktionsdesigner Grant Major wurde mit der Aufgabe betraut, die Entwürfe von Lee und Howe in Architektur umzusetzen und Modelle der Sets zu erstellen, während Dan Hennah als Art Director arbeitete, Drehorte suchte und den Bau der Sets organisierte. Ngila Dickson arbeitete mit Richard Taylor bei der Herstellung von Kostümen zusammen, während Peter King und Peter Owen Make-up und Haare entwarfen. Die meisten dieser Besatzungsmitglieder (und andere) kehrten zurück, um an „Der Hobbit“ zu arbeiten.[43]

Jackson und der Kameramann Andrew Lesnie erwogen, im Großformat wie 65-mm-Film[42][44] zu drehen und/oder die Filme mit 4K zu mastern, aber beides war unerschwinglich und auf neuseeländischem Boden nicht realisierbar.[45] [44] Sie entschieden sich, auf feinkörnigem Super-35-mm-Film zu drehen und die Filme einem strengen digitalen Grading zu unterziehen.

Die Dreharbeiten für alle drei Filme wurden gleichzeitig an vielen Orten in Neuseelands Naturschutzgebieten und Nationalparks durchgeführt. Die Dreharbeiten fanden zwischen dem 11. Oktober 1999 und dem 22. Dezember 2000 statt. Von 2001 bis 2004 wurden jährlich Pick-up-Shootings durchgeführt.[46] Die Serie wurde an über 150 verschiedenen Orten gedreht, mit sieben verschiedenen Einheiten, die gedreht wurden, sowie auf Tonbühnen in Wellington und Queenstown. Fran Walsh, Barrie M. Osborne, Rick Porras und jeder andere verfügbare Regieassistent, Produzent oder Autor. Die Miniaturfotografie fand während des gesamten Zeitraums statt und umfasste über 1.000 Drehtage. [citation required]

Weta Digital entwickelte neue Technologien, um die bahnbrechenden digitalen Effekte zu ermöglichen, die für die Trilogie erforderlich sind, einschließlich der Entwicklung der MASSIVE-Software, um intelligente Menschenmengen für Kampfszenen zu erzeugen, und die Weiterentwicklung der Kunst der Bewegungserfassung, die bei zweibeinigen Kreaturen wie dem Höhlentroll eingesetzt wurde oder Gollum. Mit Jacksons zukünftigen Filmen wurde die Motion-Capture-Technologie so weit vorangetrieben, dass sie als „digitales Make-up“ bezeichnet wurde, obwohl später klargestellt wurde, dass sie während der Zeit von „Der Herr der Ringe“ immer noch ziemlich auf die CG-Animatoren angewiesen war. [48]

Jeder Film hatte den Vorteil eines ganzen Jahres Postproduktionszeit vor seiner jeweiligen Veröffentlichung im Dezember, die oft von Oktober bis November endete, und die Crew machte sich sofort an die Arbeit am nächsten Film. Jackson wollte ursprünglich alle drei Filme mit Jamie Selkirk schneiden, aber das erwies sich als zu viel Arbeit. Die nächste Idee war, dass John Gilbert, Michael Horton bzw. Selkirk die drei Filme gleichzeitig schneiden, aber nach einem Monat, der sich für Jackson als zu schwierig erwies,[49] und die Filme in aufeinanderfolgenden Jahren geschnitten wurden, obwohl Selkirk weiterhin handelte als “Supervising Editor” für die ersten beiden Einträge. Tägliche Anstürme dauerten oft bis zu vier Stunden, und als The Fellowship of the Ring veröffentlicht wurde, waren Montageschnitte der anderen beiden Filme (jeweils 4½ Stunden) bereits vorbereitet.[38][32] Insgesamt wurden 1.828 km (sechs Millionen Fuß) Film auf die verlängerte Laufzeit von 11 Stunden und 26 Minuten (686 Minuten) heruntergeschnitten.[47]

music [edit]

Howard Shore komponierte, orchestrierte, dirigierte und produzierte die Musik der Trilogie. Shore besuchte das Set 1999 und komponierte eine Version des Shire-Themas und des Frodos-Themas, bevor Jackson mit den Dreharbeiten begann.[50] Im August 2000 besuchte er das Set erneut und sah sich die Zusammenschnitte von The Fellowship of the Ring und The Return of the King an.[51] In die Musik hat Shore viele (85 bis 110) Leitmotive aufgenommen, um verschiedene Charaktere, Kulturen und Orte darzustellen – der größte Katalog von Leitmotiven in der Geschichte des Kinos, der zum Vergleich den der gesamten Star Wars-Filmreihe übertrifft. Zum Beispiel gibt es mehrere Leitmotive nur für die Hobbits und das Auenland. Obwohl beim ersten Film ein Teil der Partitur in Wellington aufgenommen wurde, wurde praktisch die gesamte Partitur der Trilogie in der Watford Town Hall aufgenommen und in den Abbey Road Studios gemischt. Jackson planned to advise the score for six weeks each year in London, though for The Two Towers he stayed for twelve.[52]

The score is primarily played by the London Philharmonic Orchestra, ranging from 93 to 120 players throughout the recording. London Voices, the London Oratory School Schola boy choir, and many artists such as Ben Del Maestro, Sheila Chandra, Enya, Renée Fleming, James Galway, Annie Lennox and Emilíana Torrini contributed. Even actors Billy Boyd, Viggo Mortensen, Liv Tyler, Miranda Otto (extended cuts only for the latter two) and Peter Jackson (for a single gong sound in the second film) contributed to the score. Fran Walsh and Philippa Boyens served as librettists, writing lyrics to various music and songs, which David Salo translated into Tolkien’s languages. The third film’s end song, “Into the West”, was a tribute to a young filmmaker Jackson and Walsh befriended named Cameron Duncan, who died of cancer in 2003.[53]

Shore composed a main theme for the Fellowship rather than many different character themes, and its strength and weaknesses in volume are depicted at different points in the series. On top of that, individual themes were composed to represent different cultures. Infamously, the amount of music Shore had to write every day for the third film increased dramatically to around seven minutes.[53] The music for the series has been voted best movie soundtrack of all time for the six years running, passing Schindler’s List (1993), Gladiator (2000), Star Wars (1977) and Out of Africa (1985), respectively.[54]

Soundtracks [ edit ]

Reception [edit]

box office [edit]

The trilogy’s online promotional trailer was first released on 27 April 2000, and set a new record for download hits, registering 1.7 million hits in the first 24 hours of its release.[55] The trailer used a selection from the soundtrack for Braveheart and The Shawshank Redemption among other cuts. In 2001, 24 minutes of footage from the series, primarily the Moria sequence, was shown at the 54th Cannes Film Festival, and was very well received.[56] The showing also included an area designed to look like Middle-earth.[47]

The Fellowship of the Ring was released on 19 December 2001. It grossed $47.2 million in its U.S. opening weekend and made over $897 million worldwide. A preview of The Two Towers was inserted just before the end credits near the end of the film’s theatrical run.[57] A promotional trailer was later released, containing music re-scored from the film Requiem for a Dream.[58] The Two Towers was released 18 December 2002. It grossed $62 million in its first U.S. weekend and out-grossed its predecessor with over $947 million worldwide. The promotional trailer for The Return of the King was debuted exclusively before the New Line Cinema film Secondhand Lions on 23 September 2003.[59] Released 17 December 2003, its first U.S. weekend gross was $72.6 million, and became the second film, after Titanic (1997), to gross over $1 billion worldwide.

Each film is linked to the “Box office” section of its article.

Critical and public response [ edit ]

The Lord of the Rings trilogy received widespread acclaim and is ranked among the greatest film trilogies ever made.[74] Kenneth Turan of the Los Angeles Times wrote that “the trilogy will not soon, if ever, find its equal”,[75] while Todd McCarthy of Variety described the films as “one of the most ambitious and phenomenally successful dream projects of all time”.[76] The Fellowship of the Ring was voted the greatest fantasy movie of all time in a reader’s poll conducted by American magazine Wired in 2012, while The Two Towers and The Return of the King placed fourth and third respectively.[77]

The series appears in the Dallas–Fort Worth Film Critics Association: Top 10 Films, Time’s All-Time 100 Movies, and James Berardinelli’s Top 100.[78] In 2007, USA Today named the series as the most important films of the past 25 years.[79] Entertainment Weekly put it on its end-of-the-decade, “best-of” list, saying, “Bringing a cherished book to the big screen? No sweat. Peter Jackson’s trilogy — or, as we like to call it, our preciousssss — exerted its irresistible pull, on advanced Elvish speakers and neophytes alike.”[80] Paste named it one of the 50 Best Movies of the Decade (2000–2009), ranking it at No. 4.[81] In another Time magazine list, the series ranks second in “Best Movies of the Decade”.[82] In addition, six characters and their respective actors made the list of ‘The 100 Greatest Movie Characters’, also compiled by Empire, with Viggo Mortensen’s portrayal of Aragorn ranking No. 15, Ian McKellen’s portrayal of Gandalf ranking No. 30, Ian Holm’s portrayal of Bilbo Baggins (shared with Martin Freeman for his portrayal of the same character in The Hobbit films) ranking No. 61, Andy Serkis’ portrayal of Gollum ranking No. 66, Sean Astin’s portrayal of Samwise Gamgee ranking No. 77, and Orlando Bloom’s portrayal of Legolas ranking No. 94.[83]

Each film is linked to the “Critical response” section of its article.

The Independent ranked the Lord of the Rings trilogy at No. 2 on its list of “10 greatest movie trilogies of all time”.[91]

Industry response [ edit ]

The series drew acclaim from within the industry, including from the film directors Steven Spielberg, James Cameron and George Lucas.[92][93] John Boorman, who once wrote a script for a Lord of the Rings film, said he was happy his own version was unmade[94] as Jackson’s film trilogy was “of such scope and magnitude that it can only be compared to the building of the great Gothic cathedrals.”[95] Forrest J. Ackerman, who once presented a film treatment to Tolkien, and appeared on Jackson’s Bad Taste said his pitch “could never have been given the grand treatment that Peter Jackson afforded it.”[96] Arthur Rankin said Jackson was making “marvellous films.”[97]

However, some filmmakers were more critical. Heinz Edelmann, who pitched the idea of an animated feature when United Artists considered shooting the films with the Beatles, thought it was “badly directed.”[98] Ralph Bakshi, who made an animated film based on the first half of the trilogy, didn’t watch the films, but was told[99] that Jackson’s film was derivative of his.[100] Ahead of the films’ release, he said he did not “understand it” but that he does “wish it to be a good movie.” Later, he begruged Saul Zaentz for not notifying him of the live-action film, and said that Jackson had his film to study and therefore had “a little easier time than I did.”[101] Afterwards, he grumbled that Jackson “didn’t understand”[102] Tolkien and created “special effects garbage” to sell toys,[103] as well as being derivative of his own film.[101] Bakshi further blamed Jackson for not acknowledging the influence that the animated film had on him, saying (falsely) that he denied having seen Bakshi’s film at all[101] until being forced to mention him, at which point (according to Bakshi) he mentioned Bakshi’s influence “only once” as “PR bolony.”[103] However, he did praise Jackson’s special effects[104] and, in 2015, even apologized for some of his remarks.[103] Bakshi’s animator Mike Ploog[105] and writer Peter Beagle both praised the live-action film.

Awards[edit]

The three films together were nominated for a total of 30 Academy Awards, of which they won 17, both records for any movie trilogy.[106] The Fellowship of the Ring earned 13 nominations, the most of any film at the 74th Academy Awards, winning four; The Two Towers won two awards from six nominations at the 75th Academy Awards; The Return of the King won in every category in which it was nominated at the 76th Academy Awards, setting the current Oscar record for the highest clean sweep, and its 11 Academy Awards wins ties the record held by Ben-Hur (1959) and Titanic (1997).[107] The Return of the King also became only the second sequel to win the Oscar for Best Picture after The Godfather Part II (1974).

Additionally, members of the production crew won the Academy Award for Technical Achievement for the rendering of skin textures on creatures on The Return of the King,[108] and Stephen Regelous won the Academy Award for Scientific and Engineering Award for the design and development of MASSIVE, “the autonomous agent animation system used for the battle sequences in The Lord of the Rings trilogy.”[109]

Each film in the series won the Hugo Award for Best Dramatic Presentation, the MTV Movie Award for Movie of the Year, and the Saturn Award for Best Fantasy Film. The first and third films also won the BAFTA Award for Best Film. The New York Film Critics Circle awarded The Return of the King its Best Picture Award at the 2003 Awards Ceremony, hosted by Andrew Johnston, chair of the organization at that time, who called it “a masterful piece of filmmaking.”[113]

Comparisons with the written work [ edit ]

Commentators have compared Jackson’s film trilogy with Tolkien’s written work, remarking that while both have been extremely successful commercially, they differ in many respects. Critics have admired Jackson’s ability to film the long and complex work at all; the beauty of the cinematography, sets and costumes; and the epic scale of his version of Tolkien’s story. They have however found the characters and the story greatly weakened by Jackson’s emphasis on action and violence at the expense of psychological depth; the loss of Tolkien’s emphasis on free will and individual responsibility; and the replacement of Frodo’s inner journey by an American monomyth with Aragorn as the hero.[114][115]

As for whether the film trilogy is faithful to the novel, opinions range from Verlyn Flieger’s feeling that a film adaptation is not even worth attempting,[115][116] Wayne G. Hammond’s opinion that the film sacrifices the book’s richness of characterization and narrative for violence, thrills and cheap humour,[117] or Christopher Tolkien’s view that Jackson’s interpretation is unacceptable,[118] to granting, with Jackson and Boyens, that the film version is inevitably different.[119] From that standpoint, critics such as Brian Rosebury and Tom Shippey have described the films as a partial success, giving some of the feeling and capturing some of the key themes of the novel.[120][121] Yvette Kisor considers that Jackson was unfaithful to many of Tolkien’s details, but succeeded in achieving something of the same impact and feelings of providence, eucatastrophe and interconnectedness. Dimitra Fimi suggests that Jackson was continuing Tolkien’s tradition of adapting folklore, incorporating both the fans’ views on that folklore and cinematic traditions such as the zombie in the film trilogy to produce its own modern folklore.[114][115]

Home Media[ edit ]

The first two films were released on two-disc standard edition DVDs containing previews of the following film. The success of the theatrical cuts brought about four-disc extended editions, with new editing, added special effects and music.[122] Jackson came up with the idea of an extended cut for LaserDisc and DVD formats while in preproduction.[42] He could insert some of the violence that he thought he would have to trim to get a PG-13 rating for the theatre, and he could tailor the pacing to the demands of the small screen, which he said were “completely different”.[123] He observed that the extended cuts will be “ultimately seen as the more definitive versions of the films”.[124][a]

The extended cuts of the films and the supplemental special features (labelled “appendices” in homage to the books) were spread over two discs each,[b] and a limited collector’s edition was also released featuring sculpted bookends. The Fellowship of the Ring was released on 12 November 2002, containing 30 minutes of extra footage.[c] The Two Towers, released on 18 November 2003, contains 46 minutes of extra footage.[d] The Return of the King was released on 14 December 2004, with 52 minutes more footage.[e] The extended cuts have also played at cinemas, most notably the first two for a 16 December 2003 marathon screening (dubbed “Trilogy Tuesday”) culminating in a screening of the third film.[f] In 2006, both versions of each film were released together in a limited edition, which includes a new feature-length documentary for each film (but not the extras from the previous releases).[126]

Warner Bros. released the trilogy’s theatrical versions on Blu-ray in a boxed set on 6 April 2010.[127] An extended edition Blu-ray box set was released on 28 June 2011.[128] Each film’s extended Blu-ray version is identical to the extended DVD version, including the appendices.[125] In 2014, Blu-ray steelbook editions of the five-disc extended editions were released. The first, The Fellowship of the Ring, was released on 24 March 2014.[129] The discs are identical to those found in the previous five-disc Blu-ray set.[130] The Blu-ray releases were criticized for colour timing issues which degraded the look of the films.[131]

The Lord of the Rings trilogy was released in Ultra HD Blu-ray in 2020, featuring both the theatrical and extended editions of the films.[132] The films, along with those of The Hobbit trilogy, were remastered to give all six films a more consistent colour treatment.[133] Jackson explained that visual effects shots were improved for this release by “[removing] and [painting] out any imperfections,” but that they had not been “[upgraded] or [enhanced]”.[134] An audio remastering was made as well, with the films receiving a new Dolby Atmos mix.[131] A 31-disc collector’s set including both versions of all six films in 4K and Blu-ray formats, was released in 2021 for the 20-year anniversary of the first film;[135] this, however, does not include the appendices.[136]

As of 2017 , The Lord of the Rings films had a home media revenue of more than $2.4 billion.[137]

Each film is linked to the “Home media” section of its article.

Vermächtnis [Bearbeiten]

The release of the films saw a surge of interest in The Lord of the Rings and Tolkien’s other works, vastly increasing his impact on popular culture.[144] The success of the films spawned numerous video games and many other kinds of merchandise.

The Hobbit Trilogy [ edit ]

From 2012 to 2014 Peter Jackson and his studio Wingnut Films made The Hobbit Trilogy consisting of the films The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug and The Hobbit: The Battle of the Five Armies. The trilogy works as a prequel to the Lord of the Rings films.

Reunion [ edit ]

On 31 May 2020, through his YouTube channel, actor Josh Gad aired a virtual cast reunion via Zoom as the fourth episode of the web series Reunited Apart, a charity fundraising effort during the COVID-19 pandemic, with The Lord of the Rings reunion supporting Share Our Strength’s campaign called “No Kid Hungry”. A large part of the original cast participated, including Sean Astin, Sean Bean, Orlando Bloom, Billy Boyd, Ian McKellen, Dominic Monaghan, Viggo Mortensen, Miranda Otto, John Rhys-Davies, Andy Serkis, Liv Tyler, Karl Urban and Elijah Wood. In addition to the cast, director Peter Jackson, screenwriter Philippa Boyens and composer Howard Shore were also present. Furthermore, filmmaker Taika Waititi and castmate Bernard Hill also made an appearance.[145][146][147] On 2 June 2020, Josh Gad announced that the charity had raised over $100,000.[148]

Effects on the film industry and tourism [ edit ]

As a result of the series’ success, Peter Jackson has become a major figure in the film industry in the mould of Steven Spielberg and George Lucas, in the process befriending some industry heavyweights like Bryan Singer and Frank Darabont. Jackson has since founded his own film production company, Wingnut Films, as well as Wingnut Interactive, a video game company. He was also finally given a chance to remake King Kong in 2005. The film was a critical and box office success, although not as successful as the Lord of the Rings series. Jackson has been called a “favourite son” of New Zealand.[149] In 2004, Howard Shore toured with The Lord of the Rings Symphony, playing two hours of the score. Along with the Harry Potter films, the series has renewed interest in the fantasy film genre. Tourism in New Zealand is up, possibly due to its exposure in the series,[150] with the country’s tourism industry waking up to an audience’s familiarity.[151]

In 2002 the Museum of New Zealand Te Papa Tongarewa in Wellington created a travelling exhibition of the film trilogy, The Lord of the Rings Motion Picture Trilogy: The Exhibition.[152] It visited cities around the world including Boston, London, Sydney, Singapore and Houston.[153]

Legal disputes [ edit ]

The Lord of the Rings left a legacy of court cases over profits from the trilogy. Sixteen cast members (Noel Appleby, Jed Brophy, Mark Ferguson, Ray Henwood, Bruce Hopkins, William Johnson, Nathaniel Lees, Sarah McLeod, Ian Mune, Paul Norell, Craig Parker, Robert Pollock, Martyn Sanderson, Peter Tait and Stephen Ure) sued over the lack of revenue from merchandise bearing their appearance. The case was resolved out of court in 2008. The settlement came too late for Appleby, who died of cancer in 2007.[154] Saul Zaentz also filed a lawsuit in 2004 claiming he had not been paid all of his royalties.[17]

The next year, Jackson himself sued the studio over profits from the first film, slowing development of the Hobbit prequels until late 2007.[155] The Tolkien Trust filed a lawsuit in February 2008, for violating Tolkien’s original deal over the rights that they would earn 7.5% of the gross from any films based on his works.[156] The Trust sought compensation of $150 million.[157] A judge denied them this option, but allowed them to win compensation from the act of the studio ignoring the contract itself.[158] On 8 September 2009, the dispute was settled.[159]

video games[edit]

Numerous video games were released to supplement the film series. They include: The Two Towers, The Return of the King, The Third Age, The Third Age (GBA), Tactics, The Battle for Middle-earth, The Battle for Middle-earth II, The Battle for Middle-earth II: The Rise of the Witch-king, Conquest, Aragorn’s Quest, War in the North, Lego The Lord of the Rings, Guardians of Middle-earth, Middle-earth: Shadow of Mordor, Middle-earth: Shadow of War and pinball.[160]

Notes [edit]

^ The Lord of the Rings fan-club members” who contributed to the project.[125] The extended editions also feature longer credit sequences listing the names of “fan-club members” who contributed to the project. ^ The folding cases are decorated with drawn concept art behind each DVD and an in-sleeve map of the Fellowship’s travels during the film; a folding booklet includes map-style guides to the appendices. ^ The case features an Alan Lee painting of the Fellowship entering Moria, with the Moria Gate depicted on the back of the outer sleeve. An Argonath -styled bookend was included with the collector’s edition. ^ The case features a Lee painting of Gandalf the White’s entrance. The collector’s edition includes a Sméagol statue, with a crueller-looking statue of his Gollum persona available to order for a limited time. ^ The case exhibits a Lee painting of the Grey Havens. A model of Minas Tirith is included with the collector’s edition, with Minas Morgul available by order for a limited time. ^ Attendees were given a limited-edition keepsake from Sideshow Collectibles containing a random frame of film from each of the three movies.

References[edit]

Sources cited [ edit ]

I love playing Kings Cup with a group of friends. It’s a great way to be silly and have fun at the end of a long week.

Learn all about the Kings drinking game, also known as the Kings Cup. Michael Morales, CC BY-SA 3.0, via Wikipedia

It’s rare that I find something on Wikipedia that isn’t well explained, but the rules of drinking games are so nebulous and controversial that an authoritative article can’t possibly make sense. Other websites are similarly confused about the rules of the drinking game Kings Cup (aka Kings), and it’s a complex game, so I thought I’d write down the rules, ideas, and common variations of Kings Cup that I know.

The most important thing is to decide on a ruleset and stick to it, and make sure everyone knows which set you’re using beforehand.

King’s drinking game rules

This would probably be better described as “my house rules”, but they are a working variant that won’t cause anyone to throw up or refuse to play, making them the best variant. Most people will be familiar with these Kings Cup rules, even if they used a different version before. It’s a common set of rules and my favorite after six years of playing.

First everyone sits around a table. Preferably in low chairs or on the floor. A “punishment” drink is placed in the center. It doesn’t matter what it is – just something that could be chugged by the loser. I do NOT use the variant where you add things to this mug – no point in ending up throwing someone up on the carpet. Chug is hard enough.

Place a deck of cards face down around the punishment drink. All cards must touch the cards on both sides. This is “the chain” of cards.

You can play now.

Someone turns over a card and from there walks clockwise around the circle, people turning over cards and carrying out the associated instructions.

When you “break” the chain of cards, you have to chug the drink in the middle. This does not end the game, just using up all the cards ends the game.

Card Rules for Kings

2. “You” – Point to someone, say “You”, that person needs to drink.

3. “I” – The person who drew this card must drink

4. “Floor” – Everyone must pat on the floor. If you’re already on the ground, you’ll need to double-tap. The last one has to drink.

5. “Boys” – All men drink

6. “Chicks” – All women drink

7. “Sky” – Reach for the stars. The last one has to drink.

8. “Buddy” – Choose a “Buddy” who now has to drink whenever you drink. This is unilateral, you don’t have to drink if they drink. It can be concatenated, e.g. B. If Bob is my buddy and I’m Sally’s buddy, if Sally drinks then I drink then Bob drinks.

9. “Rhyme” – Go around in a circle and rhyme a word. The person who drew chooses the word. No silver, orange, purple or other silly stuff. Only long hesitation or failure is the loser and has to drink.

10. “Categories” – The person who drew chooses a category and then everyone has to name something in it. Example:

“States, Maine.” “Florida!” “Texas” “California!” “Uhhhh…..” <<< This person needs to drink. Jack. "Never have I" - Everyone holds up three fingers. The person who drew says, "I've never _____________," and everyone who did puts a finger down. Then the next person says, "I've never _________." The first person to lose all their fingers has to drink. You are allowed to say something you actually did and if you wish to put a finger down when it is your turn. Queen. "Questions" - There are two versions of this worth picking up. The first is more like "Rhyme". The person who drew the card asks a question and the next person has to answer it with a question. E.g.: "Are you a woman?" - "Why do you ask something like that?" - "Who asked you that?" - "Who asked me what?" The first person who hesitates or does not ask a question has to drink. Queens Version 2: This is more like "Never have I." The person who drew the card must answer a question from each person in the circle. If they don't answer one, they must drink and their turn is over. If they answer each question, everyone else has to drink in a circle. King. "Create new rule" - your rule can override an existing rule. I'll go over a few ideas on that below. ace "Waterfall" - The person who drew the ace starts drinking, then the person after them, then the next person, and so on, until everyone in the circle drinks. Then the first person stops, then the second, third, and so on. The point is, you can't stop drinking before the person in front of you. Common new rules for king cards The little man: There's a man standing on your drink. You must remove it before drinking and replace or drink again afterwards. No first names: Whoever uses a name must drink. Every sentence must be a joke for your mother - gets old fast. Every time someone touches their nose, everyone else has to do the same. The last person to notice and touch their nose has to drink. The person who asks the most PC or least difficult question has never had to drink or Queens question. © 2012 Teal Paradise BernardLichaa on May 20, 2020: If you have an Android I recommend you download this app: https://play.google.com/store/apps/details?id=com.... It's the King's Cup game, very easy to use and offers a variety of truth and dare questions, never-I-never questions and much more Conor Beard on July 09, 2018: Well, I don't know what to say, but I'm going to do something now, I'm sorry Ainsley Beard on July 7, 2018: I think it's ok Alex on June 11, 2015: This is stupid. Play with Mohnish... he has better rules, bro Flippa on July 26, 2013: I see no point in calling this the King's Cup unless you mix people's drinks in the empty cup in the middle. Hence the name. If you draw a king, pour a third of your drink into it. Without that, most people I know call this game Circle of Death. Ryan Rafferty on April 7, 2013: I love this game! Nice hub, like you said Wikipedia can be a little vague at times when it comes to drinking games because there are so many rulesets and how they can be so diverse, nice hub!

30 new rules to transform your King’s Cup gameplay

vice

On a scale of one to drunk, everyone knows that King’s Cup is the highest ranking drinking game there is when it comes to getting people high. But after playing the game about three million times, we found a way to keep the game interesting. Here are our 30 new rules to take your drinking game from zero to shitface in no time.

1. Choo Choo Train: Every time you laugh, you have to move your arms back and forth. This inevitably gets other people laughing at how ridiculous it looks, and soon everyone is waving their arms, leading to even more laughter.

2. Every time you target someone (like in a two-you situation), you must touch the person’s chin, look dreamily into their eyes, and politely ask them to drink.

3. If you touch your phone during the game, the rule creator is allowed to send any text message to any contact on your phone.

4. You must always refer to yourself in the majestic plural. (We’re going to the bathroom. We need a refill. We think Rooster’s ideas suck.)

5. The Forehead Master: This is a similar rule to the thumb master, but you use your forehead instead of your thumb. The last person to touch the table with their forehead must drink. After a few drinks, people bang their heads and concussions occur.

6. T-Rex Arms: Whenever you go out drinking, you need to lock your elbows at your sides so you have T-Rex arms.

7. Everyone needs to speak in Christian Bale’s Batman voice.

8. The Get Down Mr. President: When the Rule Maker puts his/her finger to his/her ear (as if listening to a Secret Service listener), everyone must follow suit. Then everyone jumps up and yells, “Get down, Mr. President!” at the last person to do so and the gang grabs them to the ground.

9. Everyone must start their sentences with “hashtag” and end with “dot.com”.

10. You have to end each sentence with a wrong chapter and verse like it’s a Bible quote: “Dude, get your own damn beer. Ballsaks 4:13.”

11. You have to talk dirty to your beer and swear at it before you drink it.

12. Every time someone needs to drink, they have to bend down and kiss their arms, to which everyone has to reply, “NICE BICEPS!”

13. Every time you start speaking you have to start with “Back when I was a pedophile…”.

14. Everyone needs to talk like Foghorn Leghorn.

15. If you draw a queen, you must eat it.

16. Every time someone draws a number card, they have to name a famous Asian. Not as easy as you think.

17. For Game of Thrones fans… The Hodor Rule: If someone uses a swear word, they become Hodor. From that point on, they can only say “Hodor” until someone else swears and becomes the new Hodor. They can also choose to fulfill their Hodor role by having another player of their choice piggyback around the table.

18. When you look at your phone, you have to get up and sing the chorus to Miley Cyrus’ “Wrecking Ball.”

19. If you laugh, you must stop drinking forever and only use heroin.

20. Everyone needs to talk like a 70-year-old smoker from Bensonhurst, Brooklyn.

21. If you spill your drink, you must become centipedes with the people on either side of you.

22. Every time you draw a king, you have to post a picture of Patrick Swayze on Instagram. Otherwise, this is punishable by death.

23. When someone laughs, everyone has to laugh too, but do it like a little Japanese anime schoolgirl. If you burst out laughing on a regular basis, your next upchuck will be made up of King’s Cup slime considerably.

24. The Paraplegic: Everyone drinks, but everyone has been left paralyzed from the waist down in a horrific accident. You can drink all the alcohol you want, but you can’t use your arms.

25. The Mama Bird: You can choose someone to be Mama Bird, the person on her right. You put a sip of alcohol in your mouth without swallowing it and pass it to your chosen person either via a cup or by mouth. Then everyone gets bird flu.

26. When someone says the words “drunk” or “stuck,” they have to take off their pants…in less than three seconds.

27. The Basic Bitch: If you’re wearing flip flops, a baseball cap, cargo shorts, a North Face, Uggs, or a CU shirt, you have to come up with three reasons why you love fall.

28. When you draw a queen, you can choose someone to make out with… but you both have to meow the whole time or you’ll lose your move.

29. If someone draws an ace and a waterfall goes down, the first person to finish their drink must wear pizza for shoes.

30. You can always choose one of the rules to apply to someone, provided you’ve sat in silence for at least 20 minutes, wrapped in toilet paper like an alcohol mummy.

The live-action remake of Dr. Seuss’ How the Grinch Stole Christmas was filmed 17 years ago and has been a classic ever since. While it’s technically a children’s film, one of the few perks of getting older is that you can still enjoy classics from your childhood, but with a little twist.

Even though the Grinch doesn’t follow Whoville’s rules, you should still follow those rules, even if you have to trade water every once in a while. So, get yourself a holiday drink, press play and get ready to take a few sips.

Take 1 drink if:

… Words “Whoville” and “Christmas” are repeated.

… the Grinch is talking to himself.

… the Grinch has a creepy smile.

Have 2 drinks if:

… someone is referring to fear and the Grinch.

… the Grinch is talking to Max.

… the Grinch has flashbacks from his childhood.

Have 3 drinks if:

… the Whos reference “The Book of Who”.

… the song “You’re a Mean One, Mr. Grinch” sounds.

… Cindy Lou’s dad explains the true meaning of Christmas.

Have 4 drinks if:

… the Grinch says, “Hate, hate, hate. Hate, hate, hate. Hate twice. Absolutely loathe!”

… the Grinch can’t decide what to wear to whobilation.

… the mayor kisses Max on the behind.

… the Grinch’s little heart grows three sizes.

… the Grinch saves Cindy Lou from falling off a mountain.

Finish your drink if:

… the Grinch steals Christmas.

Next time you’re heading out for a night out with some friends or need a way to get ready for a Christmas party, try getting tipsy with the Grinch. You will not regret it. Have a safe Christmas everyone.

Your heart will keep going, but your liver may not.

Drink for every ominous premonition. Drink every time class creates a sticky situation. Drink every time Rose says “Jack” or Jack says “Rose.” Drink every time someone speaks with a heavy accent. Chug for the propeller type.

If you dare, drink for every dead person you see.

ONE OF THE DONKEY questions has been answered. The economy is growing by 49 million and 51 percent. You can watch Shrek’s animated films 617,776 times over a given period of time.

How many times does Shrek say donkey in Shrek 2? ONE OF THE DONKEY questions has been answered. The economy is growing by 49 million and 51 percent. You can watch Shrek’s animated films 617,776 times over a given period of time.

How many times does Shrek say donkey? As stated in DONKEY 1,000,000,000,000,000,000,511,587,000 776 times by Shrek.

What does Shrek always say about donkeys? I’m done with you, ogre.A. Uh, donkey. My name is Mary and so am I. There you are! Wll, guess what? !Here it is my turn!! !

What is the last name of the donkey in Shrek? “Donkey” was the title in Shrek, so I don’t know if that’s what it’s called. at the first animated version of the popular video game of the same name while sitting on the couch. “That’s Eddie Murphy!” he said.

Who speaks donkey in Shrek? The final part of this successful franchise will conclude the title character “Donkey” with Eddie Murphy voicing Donkey. Murphy holds the number one title most days, but it’s Mike Myers who ranks second most often.

What does Shrek say about the donkey? Donkey, why are you following me? :..Please tell me why, donkey. The donkey replies: “Because I’m alone! I’m sure there isn’t anyone around who could help me either!” He points out that his problems are mostly resolved and that there will be no one to replace him. However, one must always have friends.

Does Shrek call donkey a donkey? It was donkey and Shrek fighting until Shrek called the animal donkey. He is a male donkey, and the word is somewhat of an insult to a person.

What does Shrek say to Donkey about his swamp? Donkey: It’ll be a dragon fight when Farquaad reclaims your swamp, which you only left after stuffing it with freaks.

Does donkey say parfait in Shrek? The people you will all like are all ELSE? “You say to one person, ‘I want some parfait,’ and they say, ‘Damn yeah, I don’t like parfait,’ while the others laugh. It has to be said that the patties are delicious! !

Did Shrek name Donkey? A donkey named Donkey, voiced by Eddie Murphy in Shrek, shares the same name as the film. According to the animated series, there doesn’t seem to be a specific name or title for Donkey in Shrek. The theater where I originally saw the first Shrek movie has a donkey with a name (or someone named Donkey, by the way). “That’s Eddie Murphy!” he said.

What does the donkey say in Shrek? / If it wasn’t for someone’s help or my problems I wouldn’t be here / There’s no one ahead of me! Having friends is what I don’t need to have friends at all.

How many times is the word donkey said in Shrek? Follow DONKEY on his Instagram account and see how many times he has posted 1,099,511,627,776 words.

Kings Cards during a game of Kings Alternative Names King’s Cup

donuts

circle of death

ring of fire

Four Kings Type Drinking Players 2+ Age range Varies by jurisdiction Cards 52 Deck 1 deck of standard playing cards Play clockwise or counterclockwise Card rank (highest first) A K Q J 10 9 8 7 6 5 4 3 2 Playing time 20 to 40 minutes

Kings (also known as King’s Cup, Donut, Circle of Death or Ring of Fire) is a drinking game that uses playing cards. The player must drink and spend drinks based on cards drawn. Each map has a rule that is set before the game begins. Often groups establish house rules with their own variations of rules.

Equipment [ edit ]

1 deck of cards

2 or more players

Alcoholic beverages — typically wine, beer, or mixed drinks — or soft drinks

A large mug used as the king’s mug, or (in the Ring of Fire version of the game) an unopened beer can

Setup and general rules[ edit ]

In this game, a deck of cards is shuffled and dealt out in a circle around either an empty mug or a full drink of your choice. Each card value is assigned an action that must be carried out by the respective player after it has been drawn. Players then take turns drawing cards and participating in the appropriate activity.

This game is very open ending and all cards can mean any mini game, the rules and card assignments are usually confirmed at the beginning of the game. Depending on the house rules, the game ends either when the last rule card has been drawn or when the king’s cup has been used up. For variations where cards are placed on the king’s cup, if the cards fall down, the game is over and the player responsible for knocking them off must use up the king’s cup.

It is also common for players to invent and agree on a set of rules each time the game is played. Some common mappings for card values ​​are:

Card Drawn Title Instructions Ace Waterfall To play a Waterfall, all players start drinking their drink at the same time. Neither player can stop drinking until the player to their left stops. (In some versions, the person drawing the card says “waterfall sucks,” and each person takes a sip to represent the “waterfall.” This is due to safety concerns in drinking games.) 2 Two for You / Two You’re The One Player who drew the card dispenses two drinks, either both to the same person or one or two different people. 3 Three for me / Three is me The player who drew the card drinks.[1] 4 Four is Whores All women playing have a drink. (In some versions this is written under the number 6) Hit the Floor / Floor The last person to touch the floor with their hands must drink. (In some versions this is one hand, in other versions it is both hands) 5 Thumb Master If you put your thumb on the table, everyone must follow and the last one must drink. You are the thumb master until someone else picks a five. Five is Guys All playing men have a drink. (In some versions this is under the number 6) 6 Six is ​​dicks All playing men take a sip. (In some versions this is written under the number 5) Six is ​​Chick All playing women take a sip. (In some versions this is written under the number 4) 7 Heaven / 7th Heaven The last person to raise their hand must drink. 8 Mate The player who drew the card chooses another player to drink at the same time as them for the rest of the game. 9 Rhyme / Nine is Rhyme The player who drew the card says a word, while players going clockwise each say a word that rhymes with the original. The first person who can’t think of an unused rhyming word has to drink. 10 Categories The player who drew the card chooses a category, with players going clockwise naming the things that fall into the category. The first person who can’t think of anything that hasn’t been said has to drink. Jack Make a Rule You can make any rule that everyone has to obey, like that you can only drink with your left hand. Everyone (including you) must obey this rule throughout the game and if you disobey you must drink. Social Everyone needs a drink. I’ve never ___ Starting with the player who drew the card, everyone walks around in a circle and says, “I’ve never ___.” Whoever performed the action must drink. Queen Questions The player who drew the card starts by asking someone a question. That player then asks someone else a question. The first player who doesn’t ask a question must drink. The player who drew the card becomes the question master. Whenever they ask a question, other players must also respond with questions or otherwise drink. This continues until another queen is drawn, at which point that player becomes the question master. King King’s Cup (+ Rules) When each of the first 3 Kings is drawn, the person who drew the card pours some of their drink into the King’s Cup in the center of the table. When the 4th king is drawn, the person who drew the 4th king must drink the contents of the king’s cup. In some variations, the first three people to choose a king card can also set a rule that must be followed until the next king is chosen. Some general rules include Buffalo (must always use left hand), Thumbs (player puts their thumb on the table in silence, last person following the suit drinks), Drink Drank Drunk (nobody can use any version of the word “drink ‘), Im Bett (everyone must say ‘im bed’ after each sentence), and Teeth (players are not allowed to show their teeth when laughing).

ring of fire [edit]

In the Ring of Fire version of the game, a can of beer (or other alcoholic beverage) is placed in the center of the ring of cards.[2] Players “discard” cards by sliding them under the Beer tab. The player who pops the beer bar must drink the entire can. This signals the end of the round and another can is placed in the middle to continue the game.

If a player creates a gap in the card circle by drawing a card, he must drink his own drink.[2]

Variations and other rules[ edit ]

Like almost all other drinking games, Kings has endless variations of rules, and individual drinking groups usually have their own card effects. There will be similar rules, but there will most likely always be some that some players have never encountered before. Some games state that playing a specific card allows that player to create a new rule that applies to the rest of the game.

A major variation in the US, UK, Ireland, Australia, New Zealand, South Africa or Canada is for the contents of the King’s Cup to be drunk by the player who breaks the circle of cards (known in the UK as the Ring of Fire). .

A popular variant in Australia is the Smoko or Toilet card, replacing Give Two Take Two. In this version, a player must have a Smoko card to leave the table to smoke or use the restroom. A player can have multiple copies of the card and they can be traded, typically under conditions like: the recipient must refill drinks as needed, crawl for the rest of the game, speak in a funny voice, etc.

When drinking from beer bottles, the litter can be placed on top of the beer, with two corners of each card hanging over the edge. If this continues, it will start to resemble a mushroom. Similar to the game of Jenga, when the mushroom collapses, the person who last played or attempted to play their card must drink the entire bottle. If all cards are successfully discarded without the mushroom collapsing, the last person to discard drinks the bottle and the others finish their drink.

In Belgium the game is known as Circle of Destruction or Hardcore Kings. In the beginning, a pint is placed in the center of the circle and everyone has to pour in some of their drink, from now on this drink is called the “witch’s brew”.

Card Drawn Title Instructions Ace Safe Everyone drinks but you. 2 Who A game of Spin the Bottle is played. 3 Do you wanna fight me? An arm wrestling is played with the player sitting on the opposite side of the circle from the loser drinking. A slap contest can also be played. 4 We are whores Everyone has to take off a piece of clothing as quickly as possible, the last one has to drink. 5 My Life You have to take a sip of every player’s drink. 6 …tynine The player who last had sex drinks, on the second drawing of this card the player who last had sex drinks, and so on… 7 So Close to Heaven Perform a body shot in the abdomen with your left button Neighbors. 8 Buddy For the rest of the game, choose a person who drinks when you drink and vice versa to be your buddy. If one of the buddies draws another 8 card, they choose another player and now all three have to drink. You can also merge two connected pairs this way. If all players in the game mate, all ties are broken. 9 Time to shine You have to do 20 push-ups, if you can’t do it, you have to drink the amount of sips that you were missing in 20. 10 Witch You must drink down the witch’s brew. Then the beer is refilled. Jack The Jack Entertains You must perform a believable and serious belly dance, because every minute you manage to do that you get to choose another player who had to down their drink. Queen Mixer Each player must submit their drink and you can allocate it to other players. King Rewind Time You can use your rewind power once to make someone do their job again.

See also[edit]

From beer pong to flip cup, parties are often stacked with drinking games. Whether you’re playing with just your best friend or 10 of your closest friends, King’s Cup is a great option because the rules are so simple. King’s Cup includes the drinks in your hand (usually beer) and a deck of cards. Each card is associated with an action or mini-game leading to a fun competition. Bonus: To help you get ready for your next party, here are the King’s Cup rules. All you need is a deck of cards and a drink of your choice. There are many variations so feel free to make it your own.

#Spoontip: Drinking games are fun, but be responsible. Spoon does not encourage underage drinking. Take care!

What you need:

Before you can drink you must have the necessary components to play King’s Cup. You need a deck of cards, the King’s Cup – also known as a large cup for the center of the table – and 1-2 drinks per person. (Of course, this can be water or any beverage of your choice. Alcohol isn’t necessary, but if you do opt for booze, make sure your drink isn’t too strong because, trust me, you’re going to drink a lot of it. )

How to set this:

Place your large container or mug in the center of a table and spread the cards evenly around it. Once everyone has their own drink to sip on, you’re good to go.

Illustration by Cailey Tervo.

How to play King’s Cup:

Each player takes turns choosing a card from the scattered cards in the middle of the table. Each card is followed by an action, e.g. B. the three cards are “me” and the eight are “dude”. The action that comes with each card is different, so feel free to make it your own. Here are the most common meanings of the King’s Cup cards:

Ace – Waterfall: Once someone has picked an ace, everyone must start chugging their drink. The person who took the card can stop whenever they want; This gives the person the right to stop drinking at any time. When that person stops drinking, the person to their right can stop. This goes on until everyone stops drinking.

Two – You: The person who gives two points to another person and that person drinks.

Three – Me: If you choose a three, you drink.

Four – “whores”: “whores” isn’t the word I would choose, but if anyone picks a four, all the ladies drink.

Five – Never Have I Ever: When someone picks a five, each player raises 3-5 fingers. The person who picked the five begins by saying something they have never done before. When you’re done, put a finger down. The first person to put all their fingers down loses and drinks.

Six – “Dicks”: Another subpar choice of words in the pursuit of a good rhyme. Six means all the boys have a drink.

Seven – Heaven: If a seven is selected, each player must raise their hand to “heaven,” i.e., the sky. H. point to the sky. The last player drinks. This is a great time to ask forgiveness for this game.

Eight – Partner: This is not the kind of “partner” you want. The person who picks an eight picks another player to partner with. If one of the buddies drinks, the other one has to too. This rule stays in place until someone picks another eight.

Nine – Rhyme: This card will feel a bit like a game you played at summer camp as a kid. Don’t get cocky – it’s a little harder when you’re a few drinks deep. Whoever chooses nine says a word. The person on the right must say a word that rhymes with it; this goes on until someone can’t think of a rhyme anymore. This person needs a drink.

Ten – Categories: The person who picks a ten must come up with a category (breakfast dishes, countries, colors, etc.) and the person to their right must say something in the category. If someone can’t think of anything in this category, they’re drinking.

Jack – Make a rule: it might not rhyme, but this card is still fun. Whoever draws the jack comes up with a rule (you can only drink with your left hand, no first names, etc.) and whoever breaks the rule drinks during the game.

Queen – Questions: The person who chooses a queen asks everyone in the game a question. That person must answer the question with another question (What time is it? Is it around midnight?). This goes on until someone doesn’t answer with a question and they (you guessed it) drink.

King — King’s Cup: Finally the game’s namesake. When the first three kings are drawn, that player pours some of their drink into the king’s cup. Whoever draws the fourth and final king drinks the contents of the cup. (yum!)

Keep playing until you run out of cards, or shuffle and play again.

Variants of the King’s Cup:

In other variations, you can place an unopened beer can in the center of the table. Throughout the game you slide the discarded cards under the flap and when the pressure opens the can you have to swallow. Also, if you are looking for a cleaner language. Six can be “chicks” for women, five are “boys” and four are “Never have I been”. If you don’t like one of the rules, change it!

Don’t have a deck of cards? Find an online card game like this one.

If you’re far from your friends or having a Zoom happy hour, have one person draw the card from a deck and swap out the King’s Cup for the game of your choice.

Now that you know the King’s Cup rules you’re ready for your next party! Again, drinking games can be really fun, but remember to be smart and safe while drinking. Cheers.

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Below is the most comprehensive list I can think of for kings. Combine to suit your group. Unless otherwise noted, the regular format for all of these is either “the last person to make these drinks” or “the first person to screw up these drinks”. First are the rules that rhyme/alliterate, then there are various rules that can apply anywhere.

We also accept no responsibility for the consequences of these rules. Choose and use at your own risk.

ace

Place. They announce a location, e.g. B. “Places for ___”. People walk in circles and name a place ___. Usually antireq with “categories”.

Face. Everyone must touch someone else’s face.

race. When drawn, everyone must run to a (preselected) location and back.

Usually Ace is Waterfall or “Never have I been”.

2

You. Point to someone. they drink.

Double. Point to two people. they drink.

TRUE. ask someone a question You must either answer truthfully or drink.

3

Me. You drink.

Joy. Start singing a song. When most people join in, the others have to drink. If no one joins in, you drink.

4

More. After a countdown, everyone points to who they think needs more drinks. Whoever gets the most votes drinks. If there is a tie, both drink.

before Everyone has to put everything in their mouths that normally does not go into their mouths. Caution.

Floor. Everyone has to put their hand on the floor. The slowest drinks. Hard Mode: Everyone lays their whole body flat on the floor.

herbivores. Vegans and vegetarians drink.

5

Journey. The person “vrooms” and steers their bike to the next person, who must then either “vroom” and steer towards the next person, or “ERR” [screech] to change direction to the previous person. First person to screw up drinks.

jive Perform a simple pose/dance move. The next person makes yours and then adds theirs. The next person makes yours, then the other person’s, and then adds their own. The next person….etc.

People. Starting with you, everyone names a guy they hate until they can’t think of one.

People. Male humans drink.

Give me five. Everyone put their hands together. The last two people [or one person] to place both palms against the palms of another person must drink.

6

Chick. women drink.

Fix. Describe a problem you have and the other people take a few seconds to describe how they would solve it. The best [funniest] solution is not drinking, everyone else is.

trix Everyone gets a chance to show off one weird thing their body can do. If not, drink. If you do, drink too.

7

Heaven. Everyone immediately raise their hand as quickly as possible.

Eleven. “7-11.” Head to the corner shop for refreshments. Or refill your drinks.

8th

Date (polyamorous). The first person to draw 8 is “ready to shuffle” and drinks. Each additional 8 drawn joins the relationship; Whenever an 8 is drawn, everyone in the relationship is drinking.

Date (Kismesis). Pick someone to be your date. If you would drink, you can make her drink instead. If they would drink, they can make you drink instead.

Date (regular). Pick someone to be your date. If you would drink, they drink too. And vice versa. This continues until the next 8 is drawn.

Late. The last person to arrive at the house/place/circle drinks.

9

Rhyme. say a word The person after you has to say a word that rhymes, and then the next person, and so on. The first person who can’t think of a rhyme drinks.

Yes, there isn’t much for 9, usually it’s just a rhyme or one of the following.

10

Pen. There are n-1 pegs in the middle, where n is the number of people playing. Last person to get drinks.

Pen. The person on your left tells you what to draw. Everyone else has to guess what it is. Anyone whose first guess is wrong drinks, unless everyone is wrong – then you drink.

Traditionally there are 10 categories as listed below.

Jack

Snack. Everyone takes turns listing someone they think is a snack. First person not to drink.

Clap. You have to hit yourself somewhere on your body. He who laughs drinks. You only have to announce after the stroke that you have drawn a jack. You drink when no one is laughing.

jacuzzi. Everyone says something they like about the person who drew the card. The person who drew the card drinks in their honor.

Traditionally, Jack is “master of thumb” or equivalent. Listed below.

queen

question master. I hate this one but it’s here to complete it. If you ask someone a question and they actually give you an answer, they have to drink.

Question Master II. Same as above, except people are allowed to answer your questions by saying “____” first. (The phrase can be whatever your group decides to use before the game.)

Extinguish. Drink some water you wild animal.

queen of dance Identical to 5’s Jive listed above.

royalty. They must be referred to by royal nicknames such as “Her Majesty” and “w/e”. Anyone who doesn’t, you CAN judge them to drink if you want. Hard Mode: You must use the royal “we” when referring to yourself.

king

Rule. Invent a new rule that applies for the rest of the game or until the next king is moved (if it overrides your rule).

Long live! Everyone else raises a glass and cheers in your honor, saying, “Long live the king!” They drink to your name.

King’s Cup. The OG. There is a cup in the middle. Every time a king is drawn, pour some of your drink into this mug. If the last king is drawn, that person must drink the entire cup. I personally think that’s pretty gross, but now you know why it’s called the King’s Cup.

King’s Cup II. In the middle of the table is a particularly expensive or good drink in 4/3/2/1 servings (remove kings from your deck to combine them). Drawing a king means you can drink that bonus drink.

– If you wish, you can also pay royalties as listed above.