Seeing Charcoal In A Dream? The 127 Detailed Answer

Come, let us build a city and a tower whose top reaches to heaven, and let us make a name, or else we shall be scattered over the whole earth.

(Esodo 11:4)

In the cultural representation of human claims to supremacy, whether material, moral or ideological, history shows a tendency towards the vertical dimension: e.g. monoliths, towers, bell towers, chimneys and in modern times to the present day the skyscrapers of large multinational corporations, all in their perceptible Transfiguration suggest an image of power.

In the industrial age, the chimney is undoubtedly an architectural dream, but it is also the unmistakable expression of the will to rule. Like the bell tower, a symbol of both spiritual and secular power in the Middle Ages, the chimney was the subject of a profound debate between two different but equally brave opponents: the enterprising bourgeoisie and the working class.

In this debate, which has been going on for more than a hundred years, this architectural element was only interpreted as a symbol at the end of the 19th century and recognized as a sign of power, particularly through its artistic representation.

Chimneys, beyond their painterly dimension, began to express strong social tensions and a new connotative meaning. The bourgeoisie, at the height of its economic, political, and cultural control, saw a new element in the chimney as a symbol of a “nobility of labor” that identified one’s social achievement against the other classes: the landed gentry, the military elite, and the clergy.

Picture 1 Picture 2 Picture 3

This icon of power culminates in brands, stock options and business communications. The chimney is enlarged, its plume of smoke obscuring the sky, strongly suggesting its productive power.

On letterheads and stamps, chimneys slowly took over from bell towers, castle towers, earlier symbols of power. Some examples of this are the Rossi D’Angera letterhead (image 1) and the Società Anonima Tensi brand (image 2). In the first case, the chimney contrasts with the tower of the castle, a symbol of longstanding military power; while in the second it contrasts with the tower of the Virgin Mary on the Milan Cathedral, symbol of ecclesiastical power. It is noteworthy to compare this image with a photograph taken at the beginning of the century showing the Cathedral and the Santa Radegonda power station (image 3), where it is impossible to miss how the chimney and the tallest spire of the Cathedral look challenge each other other. Many other images from this period reflect a similar challenge.

It is clear that among those that dominated the horizon for centuries, a new element of dominance is emerging: bell towers, belfries (e.g. numerous alarm bell towers in Belgium and in northern France). The towers of the castles were challenged aloft by the stubborn expression of an identity previously unrecognized.

picture 4

We cannot ignore the importance of this representation in business communications. Chimneys became the protagonists of both business medallions and advertising posters.

An example of this process is the cover of “Veni VD Vici” (Image 4), a unique publication edited by the Società Anonima Verzocchi, detailing the activities and history of the company through illustrations by famous artists of the time such as Mario Stroppa, Fortunato Depero, Marcello Dudovich, Pietro Marussig, Giovanni Greppi and Marcello Nizzoli. The images proclaimed the resilience and toughness of V&D firebricks, while the cover depicted chimneys – this image emphasized the product and alluded not only to the idea of ​​productivity, but also to the power of the company.

picture 5

It’s virtually impossible to find a single image that illustrates promotional communications. Numerous illustrations, brochures and posters show this trend. Many of these were created by famous artists such as Mario Stroppa. The depiction of the Pirelli della Bicocca plant (Fig. 5) on the cover of the Touring Club Italiano magazine of June 1912 is emblematic. Here Mario Stroppa depicted the chimney as the focal point from which the entrepreneurial soul of the company emerged, masterfully evoked by the smoke in the sky under the shape of the company.

If the company creates social advancement and stirs up established hierarchies, this is not only important for the entrepreneurs, but also for the working class emerging from the factory system. From the last decade of the 19th century, the working class countered with a completely opposite image of the chimney. Seen as a symbol of cohesion and conflict, the chimney increasingly appeared on numerous illustrations in socialist magazines, but also on many postcards, cyclostyles, caricatures and sometimes (in Russia and Poland) on state posters (Fig. 6).

Picture 6 Picture 7 Picture 8

There are many examples of these images in political magazines such as «Avanti!», as well as smaller illustrations and postcards. Political satire is an important element; If we want to have a complete perspective, we cannot ignore the relevance of the drawings by Giuseppe Scalarini (pic 9) or the illustrations by Asino or Simplicissimus (pic 10).

Picture 9 Picture 10 Picture 11

In the years of protest, the poster is certainly the most representative of the vast amount of material available. The strong image of the clenched fist from «Lotta continua» (Fig. 11) is a clear sign. Here the chimney transforms into a human arm and becomes the symbol of an unrelenting political and social struggle.

After years of conflict and struggle, the decay of ideologies led to a moment of reflection: the chimney became part of the collective imagination as a symbol of industrial society and its actors. The sensibility and vision of such great artists as Seurat (image 12), Rousseau, Boccioni (image 13), Sironi (image 14), Otto Dix and many others, less known but no less important, paved the way for the perception of a significant innovation the modern.

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The visual and tactile shock of the Industrial Revolution seems to have faded over time, and with it all the forces that made it unique. On the other hand, the spread of industrial archeology has led to the recovery of the material bases (images, posters and other printed sources) on which it is now possible to reconstruct the identity of this extraordinary period.

These shared values ​​have slowly spread among the population, creating a shared awareness of the tangible and intangible remnants of industrialization. Examples of this development are the Tate Modern Gallery in London or the logo of the British football club Motherwell. The first, a former thermoelectric power station built by Giles Gilbert Scott, is no longer a manufacturing center; It is currently a contemporary art museum where art, industry and collective memory come together, creating a meeting point for all communities in the shadow of its chimney.

picture 15

The second, more working-class, shows how the city’s chimneys have become such an important part of a community that they are featured on the logo of the local football team.

Today, chimneys are the last traces of the great “Cathedrals of Labour” of the past, preserving our historical memory of a complex time. Through this legacy, free from one-sided ideologies and feelings, it is possible to create a meeting place where we share the strong roots that the industrial age has passed down to the present day.

A symbol is a material emblem that represents and unfolds a spiritual reality. The Holy Spirit is represented in the Bible with a number of symbols that present a reality of truth about the Holy Spirit and shed light on both his nature and his mission. The symbols of the Holy Spirit are: dove, fire, oil, wind and water.

The Dove: This can be seen in the description of Christ’s baptism (Matthew 3:16; Mark 1:10; Luke 3:22; John 1:30-34). A dove symbolizes peace (Psalm 55:6; Song of Songs 2:12); purity (Song of Songs 5:2; 6:9); innocence (Matthew 10:16); and beauty (Psalm 68:13; Song of Solomon 1:15; 2:14).

The dove is used to reveal the gentle but powerful work of the Holy Spirit. A dove is a gentle creature that is easily scared away, no wonder Paul warns the church against grieving the Spirit of God (Eph. 4:30). Where His ministry is rejected, the Holy Spirit will not stay long. Through the gentle work of the Holy Spirit, God points out our mistakes and nudges us in the right direction.

Fire: Fire as a symbol of the Holy Spirit is indicated in the statements about the baptism of the Holy Spirit (Mt 3:11) and the tongues of fire at the coming of the Holy Spirit (Acts 2:3-4). Fire illuminates, warms, refines, purifies, and can transform matter from one form to another. The fire of the Holy Spirit is not about burning as some project because the Bible never tells us that the Holy Spirit is given to destroy us, but to help us.

Oil: In the Old Testament, priests were consecrated and ordained by having oil poured on their heads (Exod. 29:7 – see also Lev. 8). Even kings were anointed with oil when they took office. Oil was also used to keep the lamps burning in the sanctuary, and it was vital that they never go out (Exodus 27:20). So the Holy Spirit not only anoints and empowers for worship, but also enlightens and lubricates. The Holy Spirit enlightens and removes friction in our lives. Oil is also used to anoint the sick (Mark 6:13; James 5:14).

Wind: Wind as a biblical symbol means life and activity. It represents the power, invisibility, immaterial nature, and sovereignty of the Holy Spirit. The Spirit’s work in regeneration is like the wind (John 3:8), and the coming of the Holy Spirit on the day of Pentecost was described in terms of a sudden “sound like the blowing of a violent wind” (Acts 2:1-4 ).

Water: Jesus likened the Spirit that those who believed in Him would receive to “streams of living water” (John 7:37-39). Whoever is filled with the Holy Spirit has this “living water” flowing from within him. This analogy of Spirit and water is also found in the Old Testament. (Isa. 44:3; Joel 2:28-29). The functions of the water of washing, cleansing and refreshing correspond to the work of the Holy Spirit.

Ven. dr Princewill Onyinyechukwu Ireoba is Rector of Ibru International Ecumenical Centre, Agbarha-Otor, Delta State.

Seeing fire in a dream is a terrifying experience and of course you want to know about its meaning in Islam. Here is the interpretation.

The light gave by fire

If someone sees how the fire emits light and this fire guides people in a dream, then such a person is a source of light for people. He will lead people to the right path through his wisdom and knowledge.

worship the fire

If you see yourself worshiping fire in a dream, this portends significant changes in life.

The heart of such a person is full of worldly desires.

Such a man will deviate from the Islamic teachings.

It also shows the wrong way.

It also implies wrongful acts such as adultery, theft, murder, lying and false promises.

Worshiping unlit fire indicates money is being made from illegal sources.

If in a dream an old man sees himself worshiping fire, this indicates that he will meet a person who cares less about taking revenge on an enemy.

The fire in a remote place

To see destructive fire with smoke in a dream in a remote place, such as a certain city or house, is a bad sign.

It suggests that depending on where the fire is seen, the person will face difficulties.

The fire in a populated place

Seeing fires in a populated area is an indication of the spread of diseases like smallpox and epidemics and deaths.

If the fire is followed by a destructive sound, accidents and fatalities are likely to occur at that location.

A fire in the market in a dream portends a loss of business.

If you see such a dream make sure you offer some sadaqah as soon as possible.

To see the angel of hell in a dream

Seeing the angel of hell in a dream is an indication of seeking guidance after falling into carelessness.

When the angel approaches you, it is a sign of restoring faith.

If the angel turns away, it means that the person will commit acts that lead to Hellfire.

Eat the fire in a dream

Eating a flameless fire in a dream means that the man will give the orphans their due rights.

Eating a burning fire means he will be asked what he has to give to the orphans.

In addition, he will be subject to worldly disrespect.

fire brigade in a dream

If in a dream you see yourself fighting a fire, this portends the settlement of a fight.

However, if someone is working on a fire that has been put out, it is likely that an old fight will be provoked.

Hellfire in a dream

Seeing yourself going to hell means having been involved in major sins.

Seeing yourself coming out of hellfire unharmed reflects worldly hardships.

As Hellfire approaches, worldly difficulties such as inevitable debts or losses may arise.

Disclaimer: The material used for the Interpretation of Dreams was taken from the Ibn Sirin book on Interpretation of Dreams. You can read the book here.

How do we know the meaning of black? Is it the mysterious dark of night that hides terrible nightmares? Is it the sharp demarcation of black writing on gleaming white paper that conveys meaning? Does the meaning of black lie in the dark attire worn by mourners at a funeral? Black is everywhere and its meaning permeates our cultures.

Meaning of Black: Explained

Black, like its opposite, is a specific color. It is the color of boundaries and authority. Although we have many negative associations with black, we also find it fascinating.

physical effects

Black absorbs all light, so it’s a low-energy color. Although black creates energy when contrasted—especially with white or yellow—black alone can be depressing and dampen the mood. Black lines on white paper are clear, unambiguous markings – with enormous communicative potential for conveying information.

Color meaning of black – sophistication, power, drama, elegance, formality and mystery. Click to tweet

Symbolism and meaning of black

Black represents evil, darkness, night and despair. It is the color used to convey certainty and authority and when used in contrast to white it is a symbol of the eternal struggle between day and night, good and evil and right and wrong.

positive associations

We consider black to be sophisticated and serious. It’s the color of choice for many formal wears, and the little black dress is a classic piece of clothing that’s timeless and always appropriate. Black is clear, definite. It’s not easily misunderstood, and in design it’s dramatic, helping to create a sense of security.

Black is clear, definite. It’s not easily misunderstood, and in design it’s dramatic, helping to create a sense of security. Click to tweet

negative associations

The sober shade of black is associated with mourning in much of the world. A black smudge on your record reveals wrongdoing, and we characterize bed people as black-hearted. Black is scary as it obscures rather than illuminates, and the protection of the night is a perfect bad behavior scenario. Too much black in design can be overwhelming and boring.

Black color appetizers

The black widow is the most venomous spider in North America, but only the females are dangerous. Black widow spiders produce the strongest silk of any spider species, and the bright red hourglass on the spider’s abdomen warns birds and other predators of the potent venom the spider produces. The Black Sea borders Ukraine, Romania, Bulgaria, Turkey, Georgia and Russia. Its waters are particularly calm and there are no tidal fluctuations. Although it used to be a more prolific source of fish and wildlife, the Black Sea is heavily polluted and rampant overfishing has contributed to a sharp decline in fish populations. Black holes are formed when large stars collapse, and they are so dense that gravity is inevitable even for light! Astronomers believe there is a supermassive black hole at the center of our Milky Way. Black bears are found only in North America, where they are the smallest of the three North American species. Black bears live in at least forty states in the US and their average lifespan is around ten years.

Read more about the color black

Quotes about the color black

More about the meaning of black

Black as signature color

A signature color is different than a favorite color, although for some people they are one and the same. It all depends on how you express yourself with a color and how consistently you wear it or surround yourself with the color that makes it your signature shade. Johnny Cash — This country music icon has been dubbed “the man in black.”

Roy Orbison – He was always spotted in black, but it was his black sunglasses that sparked the most speculation.

Kiss – American rock band Kiss – Paul Stanley, Gene Simmons, Peter Criss and Ace Frehley – Known for their black wigs, black clothes and painted faces.

Clint Black – With the surname Black, it makes sense that this country music singer would always be spotted wearing a black cowboy hat and black Wrangler jeans.

Coco Chanel – Until 1926, when this French fashion designer single-handedly transformed the ‘little black dress’ into a chic garment, a black dress was a dreary symbol of mourning. Chanel’s “simple but elegant case of black crepe de chine, with long narrow sleeves, worn with a necklace of white pearls” (as described by Justine Picardie in her biography Coco Chanel: The Legend and the Life) represented a seismic shift in fashion.

Steve Jobs – He didn’t wear all black, but a familiar uniform of a black turtleneck, blue jeans, and sneakers.

Karl Lagerfeld wears the same thing every day – black pantsuit, white shirt and tie – but adds different accessories.

Michael Kors once told the Seattle Times, “I wear the same thing every day. I always pack two black jackets, lots of black shirts, lots of white jeans. I’m feeling a bit fresh and glamorous and graphic.”

Companies and brands denoted by black

Mont-Blanc

Above

chanels

New York Times

Mercedes Benz

prada

Gillette

zara

Ralph Lauren Sony

Nike

Dolce & Gabbana

Cartier

World Wildlife Fund

Lancome

Honda

puma

Accenture

Black and our sense of taste

It’s not just emotions that make fragrances strong. It is also closely related to your memories. Smell also plays a big part in our ability to taste. When combined with color, these connections become even stronger. In 2014, Burger King introduced the black KURO Pearl and KURO Diamond burgers, which came complete with black bun, black cheese, and black sauce in Japan. America was intrigued, so Burger King offered the black burger as a special for Halloween. What was a hit in Japan didn’t go down well in America, probably because the color black is viewed in Western cultures as negative, death-like, and unsavory. But in Japan, black foods are much more common and not viewed negatively. Today, black pepper is added to almost every dish, making it hard to imagine that this spice was once used as currency and offered as a sacred offering to the gods. Unlike salt, which can be found or produced virtually anywhere in the world, black pepper is native only to Kerala, a province in southwestern India. As trade made pepper available, its popularity quickly spread throughout world cuisine. This is how typical spice mixtures such as garam masala in India, ras el hanout in Morocco, quatre epices in France and Cajun and jerk mixtures in America were created. – History.com The Story Of Pepper True Liquorice Candy contains an extract of the root of the licorice plant, Glycyrrhiza glabra. This licorice root has been used since ancient times to flavor and sweeten candies, teas, throat drops, medicines and other products. Today, many, but not all, black licorice candies are flavored with licorice extract. – The Hershey company

Color and our sense of smell: Black

It’s not just emotions that make fragrances strong. It is also closely related to your memories. Smell also plays a big part in our ability to taste. When combined with color, these connections become even stronger. Anise is often referred to as the scent of liquorice and is therefore often a favorite of liquorice lovers. Aromatherapy benefits include: uplifting, enhancing the senses and mild euphoria.

Licorice: mysterious, spicy-hot, almost louche – when it comes to fragrances, liquorice is notoriously polarizing. Blended into perfumes, it adds a “sexy, somber touch” to otherwise mundane scents. – Cristina Müller (Magazine Lucky Sept. 2006)

Binney & Smith Inc.’s ‘Licorice’ black Magic Scents colored pencils were originally so scented they smelled like black liquorice. After numerous reports of children “eating” the food-scented crayons, the company replaced the current ones with names and scents that weren’t considered as tasty. The fragrance for the color Black became “Leather Jacket”.

Black in the garden

Why Grow Black Flowers? Not just to have a talking point in your garden, although that’s what they’re good for. The best reason is that they have so many design applications. For example, black flowers are great for cooling down hot colors, like the fire engine red ‘Lucifer’ crocosmia or the bright orange Mexican sunflower. – Garden Gate Magazine The magic of black flowers has captured our attention for centuries. Black tulips and black roses seem to come from a fairy tale world. A pure black flower is the holy grail of plant breeders worldwide. Their unlikely and “unnatural” color evokes a strong sense of mystical expectation. – Association for flowers and plants

Creating a black garden needs thought. Is your goal formal or modern? Do you want to use black as accents and highlights or as the main color? Forget people who say black can’t be used alone and don’t argue about what black is or isn’t, just plant it. Use the different tones and hues to enhance the overall feel. Rest assured: this color is not gloomy. It’s modern, vibrant and sexy. It mixes so easily with other colors of the spectrum, especially green, chartreuse, gold and silver. — Karen Platt, gardening author, quilter, and photographer

Learn more about the meaning of colors

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Color Theory for Designers Part 1: The Importance of Color

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Quick Summary ↬ Let’s dive into color theory. We will discuss the meanings behind the different color families and give some examples of how these colors are used. Let’s dive into color theory. We will discuss the meanings behind the different color families and give some examples of how these colors are used.

There are few things in design that are more subjective—or important—than the use of color. A color that may evoke one reaction in one person may evoke the opposite reaction in another, due to culture, past association, or even just personal preference. Receive email updates on upcoming articles.

Color theory is a science and an art in itself, upon which some build entire careers, as a color consultant or sometimes as a brand consultant. Knowing how color affects the majority of people is an incredibly valuable skill for designers to master and offer to their clients.

However, there is a lot behind it. Something as simple as changing the exact hue or saturation of a color can create an entirely different feel. Cultural differences can amplify these effects, with a hue that’s cheerful and uplifting in one country becoming depressing in another.

This is the first part of a three part series on color theory. Here we will discuss the meanings behind the different color families and give some examples of how these colors are used (with a bit of analysis for each). In part 2 we will talk about how hue, chroma, value, saturation, tones, tints and shades affect the way we perceive color. And in Part 3, we’ll discuss how to create effective color palettes for your own designs.

More after the jump! Read more below ↓ Meet Touch Design for Mobile Interfaces, our brand new mobile design smashing book with proven, universal, human-centric guidelines. 400 pages packed with in-depth user research and guidelines you can apply right away. Shipping will begin in early January 2022. Skip to Table of Contents ↬

Warm colours

Warm colors include red, orange, and yellow, and variations of these three colors. These are the colors of fire, autumn leaves, and sunsets and sunrises, and are generally energizing, passionate, and positive.

Red and yellow are both primary colors, with orange falling in the middle (making it a secondary color), meaning that warm colors are all really warm and aren’t created by combining a warm color with a cool color. Use warm colors in your designs to reflect passion, happiness, enthusiasm and energy.

Red (Primary Color)

Red is a very hot color. It is associated with fire, violence and war. It is also associated with love and passion. In history, it has been associated with both the devil and cupid. Red can actually have a physical effect on people by increasing blood pressure and respiratory rate. It has also been shown to improve human metabolism.

Red can be associated with anger, but also with importance (think of the red carpet at award shows and celebrity events). Red also indicates danger (the reason traffic lights and signs are red and that warning signs are often red).

Outside the western world, red has different associations. In China, for example, red is the color of prosperity and good luck. It can also be used to attract good luck. In other Eastern cultures, red is worn by brides on their wedding days. In South Africa, on the other hand, red is the color of mourning. Red is also associated with communism.

Red has become the color associated with AIDS awareness in Africa due to the popularity of the [RED] campaign.

In design, red can be a strong accent color. It can have an overwhelming effect when used too often in designs, especially in its purest form. It is a great color when there is power or passion to be represented in the design. However, red can be very versatile, with lighter versions being more energetic and darker hues being more powerful and elegant.

examples

The bright red of the illustration on the home page of Nacache Design’s website gives the page a lot of energy and vibrancy.

The bright pink of the background on Ming Lab’s website is welcoming and passionate. (2010)

The muted red on Startup Lab’s website is energetic without being aggressive. (2010)

Bigsound Buzz’s website uses a monochromatic design of different shades and tones of red, which in this case creates a poppy retro vibe. (2010)

Build in Amsterdam’s website uses a bright red accent color that immediately draws attention to the center of the page. (2010)

orange (secondary color)

Orange is a very vibrant and energetic color. In its muted forms it can be associated with the earth and autumn. Because of its association with the changing seasons, orange can represent change and movement in general. Orange is also strongly associated with creativity.

Because orange is associated with the fruit of the same name, it can be associated with health and vitality. In designs, orange grabs attention without being as overwhelming as red. It is often seen as friendlier and more welcoming and less intrusive.

examples

Bitter Renter’s bright and bold homepage makes full use of the energy orange can bring to a design.

We Are Not Sisters’ dark orange, oversized typography makes an instant impression. (2010)

The subtle use of orange as an accent color in Christopher Kimball’s Milk Street shows that it can be used in more elegant and conservative designs. (2010)

Sbjct mixes a subtle peach color with a dark orange for a more monochromatic design that still has plenty of energy. (2010)

For the typography, Robin De Niro also uses a very light peachy background with two tones of orange in a much more subtle design.

yellow (primary color)

Yellow is often considered the brightest and most energizing of the warm colors. It is associated with luck and sunshine. However, yellow can also be associated with deceit and cowardice (calling someone yellow is calling them a coward).

Yellow is also associated with hope, as seen in some countries when families who have loved ones at war display yellow ribbons. Yellow is also associated with danger, although not as strongly as red.

In some countries, yellow has very different connotations. In Egypt, for example, yellow represents mourning. In Japan it represents courage and in India it is a color for merchants.

In your designs, bright yellow can bring a sense of happiness and happiness. Softer shades of yellow are often used as a gender-neutral color for babies (rather than blue or pink) and toddlers. Bright yellow also conveys a calmer feeling of happiness than bright yellow. Dark yellow and golden yellow can sometimes look aged and can be used in designs where a sense of permanence is desired.

examples

Kettle’s not-quite-real yellow is vibrant and vibrant without being overwhelming. (2010)

Deskpass uses a slightly darker yellow, giving it an eye-catching but slightly muted look. (2010)

Toyfight uses a light goldenrod background but otherwise keeps its design simple and straightforward.

Milano Contract District’s website is simple and minimal, with the overall impact of the design relying on the bright yellow background.

Susa Ventures uses a goldenrod color as an accent color in their typography to great effect.

cold colors

Cool colors like green, blue, and purple are often more muted than warm colors. They are the colors of the night, of the water, of nature and usually have a calming, relaxing and somewhat reserved effect.

Blue is the only primary color within the cool spectrum, meaning the other colors are created by combining blue with a warm color (yellow for green and red for purple).

For this reason, green takes on some of the characteristics of yellow and purple some of the characteristics of red. Use cool colors in your designs to convey a sense of calm or professionalism.

Green (secondary color)

Green is a very down-to-earth color. It can represent new beginnings and growth. It also signifies renewal and abundance. Alternatively, green can also represent envy or jealousy and lack of experience.

Green shares many of the same calming qualities as blue, but it also contains some of yellow’s energy. In design, green can have a balancing and harmonizing effect and is very stable.

It is suitable for designs related to prosperity, stability, renewal and nature. Lighter green is more energizing and vibrant, while olive green is more representative of the natural world. Dark green is the most stable and representative of prosperity.

examples

The website for Memory is Our Homeland uses a teal hue energized by the yellow typography without being too garish.

The Rhythm of Food website uses a light kelly green that is ideal for a website that blends food and information.

Rich hunter green is a great accent color on an elegant restaurant website like Le Farfalle Osteria. (2010)

Anna Rosa Krau’s website has a soft sage green background that looks almost neutral for this portfolio.

HelloMind’s light green background is youthful and conveys a sense of growth (in line with their product for improving your brain function).

Bold and modern, Studio Farquhar’s lime green accents stand out with their minimalist layout.

Blue (Primary Color)

Blue is often associated with sadness in the English language. Blue is also commonly used to represent calm and responsibility. Light blue can be refreshing and friendly. Dark blue ones are stronger and more reliable. Blue is also associated with peace and has spiritual and religious connotations in many cultures and traditions (for example, the Virgin Mary is generally depicted in blue robes).

The meaning of blue depends heavily on the exact shade and hue. When it comes to design, the exact shade of blue you choose has a huge impact on how your designs are perceived. Light blue often has a relaxed and calming effect. Light blue can be stimulating and refreshing. Dark blue, like navy, is excellent for corporate locations or designs where strength and reliability are important.

examples

The light blue background of the website home page with the Future of Design survey results stands out and is then used as the accent color for the rest of the website. (2010)

Versett uses a light blue as the primary color on its website, along with a range of other light hues to differentiate different areas. (2010)

Deep Mind’s website uses different shades of blue for its background, giving it a trustworthy, authoritative feel. (2010)

Purple (secondary color)

In ancient times, the dyes used to create purple hues were extracted from snails and were very expensive, only royalty and the very wealthy could afford them.

Purple is a combination of red and blue, inheriting some attributes from both. It is also associated with creativity and imagination.

In Thailand, purple is the mourning color for widows. Darker purples are traditionally associated with wealth and nobility, while lighter purples (like lavender) are considered more romantic.

In design, dark shades of purple can convey a sense of wealth and luxury. Light shades of purple are softer and associated with spring and romance.

examples

The first project in Filippo Bello’s portfolio uses a purple color scheme that enhances the sense of creativity. (2010)

The website for the One Shared House documentary uses a vibrant shade of purple and accents of pink to convey a sense of energy, creativity and imagination.

On the content stack, purple red works well as an accent color against a neutral background, drawing attention to important page elements like buttons.

Purple is the perfect shade for a creative endeavor like KIKK Festival 2016.

neutrals

Neutral colors often serve as a background in design. They are often combined with lighter accent colors. However, they can also be used alone in designs and create very sophisticated layouts. The meanings and impressions of neutral colors are much more influenced by the colors surrounding them than warm and cool colors.

Black

Black is the strongest of the neutral colors. On the plus side, it is commonly associated with power, elegance, and formality. On the negative side, it can be associated with evil, death, and mystery. Black is the traditional color of mourning in many western countries. It is also associated with rebellion in some cultures and associated with Halloween and the occult.

Black, when not only used as an accent or for text, is often used in fancier designs, but also in very elegant designs. It can be either conservative or modern, traditional or bohemian, depending on what colors it is paired with. In design, black is often used for typography and other functional parts due to its neutrality. Black can make it easier to convey a sense of sophistication and mystery in a design.

examples

The faded black (technically dark gray, but close enough to black that it makes sense to classify it as such) of the DUA website works beautifully in such a minimalist design. (2010)

The black background of the Anonyme Hamburger Gesellschaft is a perfect canvas for the site’s amazing food photos. Anonymous Hamburger

Many of the images in Timothy Saccenti’s portfolio are dominated by black, which is also the color of the transparent menu, giving the entire site a quirky, modern feel. (2010)

Minimalist design with black as the accent color gives Heco’s website a super modern feel.

The black hue used here along with the animation gives it an edgy, almost spooky feel.

White

White is on the opposite end of the spectrum from black, but like black, it can pair well with almost any other color. White is often associated with purity, cleanliness and virtue. In the West, white is commonly worn by brides on their wedding day. It is also associated with the healthcare industry, specifically doctors, nurses, and dentists. White is associated with goodness, and angels are often depicted in white.

However, in much of the East, white is associated with death and mourning. In India, it is traditionally the only color widows are allowed to wear.

In design, white is generally considered a neutral background that gives a bigger voice to other colors in a design. However, it can help convey cleanliness and simplicity and is popular in minimalist designs. White in designs can also represent either winter or summer depending on the other design motifs and colors that surround it.

examples

Black & Wood uses white as both a background and accent color (e.g. in typography), giving the site a very clean feel. (2010)

The predominantly white background of Nuno Coelho Santos’ website adds to the modern aesthetic.

Skylark’s website used white typography to give the site a cleaner feel without going minimalist in the design itself. (2010)

Spent used white typography to give the site a modern yet soft look. (2010)

Dwell uses white as an accent color on its welcome page, a very unique but effective choice for something that includes a CTA. (2010)

Gray

Gray is a neutral color that generally falls on the cool end of the color spectrum. It can sometimes be seen as moody or depressing. In some designs, light shades of gray can be used in place of white, and dark shades of gray can be used in place of black.

Gray is generally conservative and formal, but it can also be modern. It is sometimes considered the color of mourning. It is often used in corporate designs where formality and professionalism are paramount. It can be a very sophisticated color. Pure grays are blacks, although other grays may contain blues or browns. In design, gray backgrounds are very common, as is gray typography.

examples

The Round website is very modern, with different shades of gray used to delineate different areas of the website. (2010)

The gray background on the office-only website is so subtle it appears almost white, giving the site a very modern look. (2010)

Gray is given a sophisticated yet down-to-earth feel on the Shinola website. (2010)

Gray is a perfect background color for a portfolio of illustrations. (2010)

Brown

Brown is associated with earth, wood and stone. It is a completely natural color and a warm neutral. Brown can be associated with dependability and dependability, with steadfastness and down-to-earthness. It can also be considered boring.

In design, brown is often used as a background color. It can also be seen in wood textures and sometimes in stone textures. It helps add a sense of warmth and health to designs. It is sometimes used in its darkest forms as a substitute for black, either in backgrounds or in typography.

examples

Trefecta uses warm brown as the accent color for buttons and CTAs, an unexpected choice given the modernity of the rest of the design. (2010)

The off-white background and brown typography of Yasuhiro Yokota’s portfolio website is warm and earthy, but still serves as a good backdrop for grayscale design work.

Off & On Barber Shop uses various brown elements for most of its website, giving it a vintage feel. (2010)

Umbert Cessari’s website uses different shades of brown as accent colors throughout, giving it an earthy vibe. (2010)

Green Rebel’s website uses brown for much of their typography and graphics, as well as some of the textures, giving it an organic feel. (2010)

Beige and light brown

Beige is somewhat unique on the color spectrum as it can take on cool or warm tones depending on the surrounding colors. It has the warmth of brown and the coolness of white and, like brown, is sometimes perceived as dull. It is a conservative color in most cases and is usually reserved for backgrounds. It can also symbolize piety.

Beige in design is commonly used in backgrounds and is often seen in backgrounds with a paper texture. It takes on the properties of the surrounding colors, which means that it itself has little impact on the final impression a design makes when used with other colors.

examples

People Map’s website uses a more golden brown tone that gives the website an upscale feel, especially when combined with the website’s typography.

Plane Site’s warm beige background color has a modern feel without appearing minimalist. (2010)

La Pierre Qui Tourne’s website uses a variety of brown tones for their primary color palette, along with some great bright colors for a very fun design.

Mile Inn’s website combines modern typography with a beige and black color palette for a website that feels retro and hip. (2010)

The brown accent color used on this page is totally unexpected and gives it a mid-century modern look.

cream and ivory

Ivory and cream are sophisticated colors with some warmth from brown and lots of coolness from white. They are generally quiet and can often evoke a sense of history. Ivory is a calm color with some of the purity associated with white, although slightly warmer.

In design, ivory can bring elegance and tranquility to a place. It can take on an earthy quality when paired with earthy colors like peach or brown. It can also be used to lighten darker colors without using the stark contrast of white.

examples

The almost imperceptible ivory background of Stefanie Bruckler’s portfolio page is a welcome change from the typical neutral gray and gives it a timeless look. (2010)

Rich cream feels like a very modern and even edgy accent color when used with a black background.

Cream is an unexpected background color for a tech-focused website, but gives it a warm, human touch.

Considering how weird The Lobster movie is, the website’s use of a pale cream background is an unexpectedly muted choice that feels very modern. (2010)

Sweet Magnolia Gelato’s rich cream background is a perfect neutral for a warm and inviting design.

Shortly

While the information contained here may seem a little overwhelming, color theory is more about the feeling that a particular hue evokes than anything else. But here’s a quick guide to the general meaning of the colors discussed above:

Red: passion, love, anger

Passion, Love, Anger Orange: Energy, Happiness, Vitality

Energy, Happiness, Vitality Yellow: Happiness, Hope, Deceit

Happiness, hope, deceit Green: new beginnings, abundance, nature

New beginning, abundance, natural blue: calm, responsibility, sadness

Calm, Responsible, Sadness Purple: Creativity, Royalty, Wealth

Creativity, Royalty, Wealth Black: Mystery, Elegance, Evil

Mystery, Elegance, Evil Grey: Moody, Conservative, Formal

Moody, conservative, formal White: Purity, cleanliness, virtue

Purity, cleanliness, virtue Brown: naturalness, wholesomeness, reliability

Nature, Wholesomeness, Reliability Tan or Beige: Conservative, Pious, Boring

Conservative, Piety, Dull Cream or Ivory: Calm, elegant, puristic

The whole series

More resources

(lu, il)

Biblical symbolism of the color black in dreams, what that means in practice, with real dream examples.

Have you ever wondered what the color black means as a dream symbol?

In this article, I take inspiration from the Bible to explore the potential spiritual meaning of dreams.

We’ll delve into the mystery of its symbolism in positive and negative contexts, including some real dream examples!

I approach dream interpretation from a biblical perspective. My belief is that our dreams can come from God and are best understood in the context of an ongoing relationship with Him.

The symbolic nature of dreams

Firstly, if you just came across this post and are new to dream interpretation, it is worth noting that dreams are symbolic in nature. You may find it helpful to Understand Your Dreams: A Biblical Introduction to Dream Language and my 3-Step Dream Interpretation Method to give you a foundation.

Second, remember that dreams are personal, so the meanings I suggest may not apply to your specific dream. But please feel free to use my ideas as a springboard to start thinking and praying about dreams for yourself. Don’t take my ideas as gospel, let them help you think metaphorically.

Introduction to the color black

Black is a wonderful color. In decoration it is the darkest color in the palette – due to its complete absorption of light. It exudes elegance and sophistication. Over the centuries it has had many different cultural associations.

The color black is sometimes negatively contextualized in films and media (think of the Black Riders in The Lord of the Rings, for example). However, the color often appears in my dreams in a positive context. That’s what I want to focus on.

As with any dream symbol, black can have both positive and negative meanings in dreams. The context, feeling, and atmosphere of a dream give us clues that help us decide whether to interpret it positively or negatively.

Positive meaning of black: mystery

Most commonly, when the context is positive, the color black in dreams represents mystery in the biblical sense of the word. This is how God uses it most often in my dreams – and I love it!

Our modern conception of mysteries suggests something unknown that cannot be understood or explained. It’s “black” because you can’t see it. However, that doesn’t adequately describe what we’re talking about.

Mystery has a deeper meaning in the Bible. It feels like something secret and hidden, but it also carries the hope that God has hidden it for us to find. It tells us that there is something to seek and to discover. It carries the excitement of a treasure hunt!

The secret is black because you cannot see it now, but it holds a promise that you will see and understand in due course.

Examples of mysteries in the Bible

Here are some examples from the Bible that illustrate this:

Daniel 2:47, NASB The king answered Daniel and said, “Surely your God is the God of gods and Lord of kings and a revealer of mysteries, since you were able to reveal this mystery.”

The king answered Daniel and said: “Surely your God is the God of gods and Lord of kings and a revealer of mysteries, since you were able to reveal these things.” Mark 4:11, NASB And He (Jesus) said to them: “You have been given the mystery of the kingdom of God.

And He (Jesus) said to them: “The kingdom of God has been given to you. Colossians 1:26, NASB…the mystery that was hidden ages and generations past, but has now been revealed to His saints.

..that which was hidden ages and generations past, but has now been revealed to His saints. 1 Corinthians 15:51, NASB Behold, I tell you a secret. ..

Behold, I tell you a.. Revelation 17:7, NASB And the angel said to me: “Why do you wonder? I’ll tell you the secret…”

In each of these examples we can see that something was not initially understood but was revealed at the right time! There is a feeling of understanding something that was not understood before. How exciting!

Real dream examples: Black as a mystery

I’ve included some examples from my own dreams in hindsight in the table below so you can see how this works in practice:

DREAM INTERPRETATION EXPLANATION I was walking through a forest looking for a black bear, and then I suddenly spotted one on the path right in front of me. This dream was given to me at a time when I was seeking God for something and wanted to give up. The dream told me not to give up because the answer would be right in front of me when the time came. Our family recently vacationed in the US in the mountains and I was dying to see a black bear! So I knew this was a positive dream symbol for me. A scene at the end of a long dream – I was taken to a hotel and given a nice new black skirt to replace my old one. I would get a new role that I couldn’t imagine at the time of dreaming. It would be revealed in due course, so I could be patient and hold on to that hope. Clothing in dreams often represents what we are called to do and whether we are equipped for that task. The black skirt was positive because it carried the hope of something beautiful and new. I got a necklace that consisted of alternating dark pink and black beads. God encouraged me that as my relationship with Him deepened, new insights and understandings would come to me. Pink can be about our relationship with God. The deep color suggested that deeper intimacy would come with revealing secrets.

More positive meanings of black

Here are a few other positive uses of black I’ve found in the Bible:

Song of Songs 5:11, NIV says: “His head is of purest gold; his hair is wavy and jet black.” Black hair in this quote is a symbol of youth, attractiveness and vitality. There are no gray hairs here!

Psalm 97:2, NIV says of God, “Clouds and dense darkness surround him,” so sometimes darkness can be positive and represent God’s presence. For example, a black cloud in a dream could be God.

Negative meaning of black: darkness

I think we sometimes use the word “black” when we actually mean “darkness”. For example, we use it to describe stormy conditions (like in black clouds) or to refer to night time. This is certainly true in the Bible, and correlates with the idea of ​​the absence of light rather than color itself. Consider the following verses:

1 Kings 18:45, NASB After a while the sky turned black with clouds and wind, and there was a heavy shower

In a little while the sky grew with clouds and wind, and there was a heavy shower Proverbs 7:9, YLT In the twilight—evening of the day, In the darkness of the night and darkness.

In the twilight – in the evening of the day, In the darkness of night and night. Jeremiah 4:28, YLT The land mourns over it, and the heavens above are black.

From the dream perspective, black can also be used to represent something that is not of God. As we have just seen, this has more to do with a lack of light or a lack of God’s presence. This could be the case when we find ourselves acting independently of God, or it could be from the “enemy” in Christian language. This could be a black object, or the dream is set in a dark place or at night.

More on this topic… The importance of background color and atmosphere in dreams

Black is also sometimes used in the Bible to represent things like famines or difficult times (e.g. the black horse in Revelation 6).

True dream examples: Black as darkness

Here are some other examples from my own dreams where the context or atmosphere of the dream indicated to me that the color black was being used in a negative context.

Note, however, that the interpretation was still positive and God used the dreams to give me courage and hope. It’s really important!

DREAM INTERPRETATION EXPLANATION In the dream I was wearing a dark or black costume in a shady place. The whole dream was dark. I did something I shouldn’t have done because it was my idea, not God’s. The dream gave me the opportunity to change direction. The place felt “dodgy,” suggesting that this was negative context and that God was not in what I was doing. In late 2019 I dreamed I saw a huge black cloud rising in the air behind Windsor Castle, then coming towards us. A great fight ensued and I had to stop what I was doing to escape. This indicated that difficult times were ahead in the UK and that this would have an impact on my work. This proved prophetic for COVID-19 affecting the UK. Windsor Castle represented England to me. Here the black cloud is a negative context. This dream later encouraged me because I could see that God knew all along what was to come. A few years ago I dreamed that a church leader rushed in and told me a storm was going to pass, then I saw it pass. It was pitch black. This dream warned me that our church would be going through a difficult time, but it would pass. Black is used here

means darkness, which in turn indicates difficult or stormy times. But it gave me courage to know that we would get through this.

Conclusion

In a positive context, black usually represents mystery (something good that needs to be discovered or understood in due course). In a negative sense, it symbolizes difficult times in general.

Here are a few final thoughts:

The color black in a dream could represent a number of things. The ideas above should give you a good starting point.

I believe that only God can tell us what it means in a specific dream, so you could try asking Him!

Consider the atmosphere and context of the dream to see if the color is being used in a positive or negative sense.

In addition to the biblical meanings I have shared, keep in mind that it may mean something personal or cultural to you that is not mentioned here.

Of course, dreams are an excellent way for God to reveal heavenly secrets to us. And now that you understand the biblical meaning of black, you can seek these treasures in your dreams!

If this article helped you interpret a dream, please leave a comment below!

I hope you found this article helpful. If you want to know more, subscribe to my emails below for regular dream interpretation tips.

The purpose of this blog is to provide solid biblical foundations for interpreting dreams, changing mindsets in the church, and encouraging others to take their own dream journey with God. I am first and foremost an author and Bible teacher – who loves dreams, and I hope you will be inspired to learn to interpret your own dreams.

It is not currently my goal to routinely engage in dream interpretation or offer training other than through blog posting. You can read my most recent position on dream interpretation here: Dream Interpretation Inquiries.

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Ventilation for hot gases or smoke

Not to be confused with cooling tower

A vertical chimney erected on top of the mechanical penthouse of a high-rise apartment building in Ontario, Canada to exhaust combustion products from the building’s water heater.

Chimneys in Manchester, England c. 1858 watercolor by William Wyld

Vantaa, Finland A chimney at the old fire station near the Vernissa cultural center in Tikkurila

The world’s tallest chimney of the GRES-2 power plant in Ekibastuz, Kazakhstan is 419.7 m (1,377 ft) high.

A chimney is an architectural ventilation structure made of masonry, clay, or metal that isolates hot toxic exhaust gases or smoke produced by a boiler, furnace, furnace, incinerator, or fireplace from human living quarters. Chimneys are usually vertical or as close to vertical as possible to ensure gases flow smoothly and draw air into the combustion, known as the chimney or chimney effect. The space inside a chimney is called a chimney. Smokestacks border large industrial refineries, fossil fuel incinerators, or parts of buildings, steam locomotives, and ships.

In the United States, the term smokestack industry refers to the environmental impact of the burning of fossil fuels by industrial society, including the electrical industry in its earliest history. The term chimney (colloquially chimney) is also used when referring to locomotive or ship chimneys, and the term chimney can also be used.

The height of a chimney affects its ability to transfer smoke gases to the outside environment via the chimney effect. In addition, the spread of pollutants at higher altitudes can reduce their impact on the immediate environment. Spreading pollutants over a larger area can reduce their concentration and make it easier to meet legal limits.

history [edit]

A smoke hood in the Netherlands. Image: Agency for Cultural Heritage of the Netherlands

Chimneys in London, England seen from the tower of Westminster Roman Catholic Cathedral

Seagull sitting on a hot gas cooling fireplace at The World of Glass, St Helens, UK.

The use of industrial chimneys dates back to the Romans, who drew smoke from their bakeries using pipes embedded in the walls. However, domestic fireplaces first appeared in large dwellings in northern Europe in the 12th century. The earliest surviving example of an English chimney is in the keep of Conisbrough Castle in Yorkshire, which dates to 1185 AD.[3] However, they did not become common in homes until the 16th and 17th centuries.[4] Smoke hoods were an early method of collecting the smoke in a chimney (see image). Another step in the development of fireplaces was the use of built-in ovens, which allowed households to bake at home. Industrial chimneys became common in the late 18th century.

Chimneys in ordinary dwellings were first built of wood and plaster or clay. Since then, chimneys have traditionally been built of brick or stone, in both small and large buildings. Early chimneys were built of plain bricks. Later chimneys were built by placing the bricks around tile liners. To control downdrafts, vent caps (often referred to as chimney pots) of a variety of designs are sometimes fitted to the top of chimneys.

In the 18th and 19th centuries, the methods used to extract lead from the ore produced large amounts of toxic fumes. Long, almost horizontal chimneys were built in the north of England, often more than 2 miles (3 km) long, usually terminating in a short vertical chimney in a secluded location where the fumes would do less damage. Deposits of lead and silver formed on the inside of these long chimneys, and workers were regularly sent along the chimneys to scrape off this valuable deposit.[5]

construction [edit]

A section of a large late Georgian style four storey house showing the advantage of using a mechanical sweeper over climbing boys

Due to the limited ability to take transverse loads with brick, chimneys in houses were often built in a “stack”, with a chimney on each floor of the house sharing a single chimney, often with such a stack at the front and back of the house . Today’s central heating systems have made chimney placement less critical, and the use of non-structural gas vent tubes allows a flue gas duct to be installed around obstructions and through walls.

In fact, most modern high-efficiency heaters do not require a chimney. Such equipment is generally installed near an outside wall and a non-combustible wall sleeve allows a vent pipe to be run directly through the outside wall.

On a pitched roof, where a chimney penetrates a roof, flashing is used to seal the joints. The sloping piece is called the skirt, the sides are given stepped sheets and a grille is used to drain water around the top of the chimney under the sheet.

Industrial chimneys are commonly referred to as flue stacks and are generally external structures as opposed to those built into the wall of a building. They are generally located adjacent to a steam-generating boiler or industrial furnace, and the gases are supplied to them through ducts. Today, the use of reinforced concrete has almost entirely replaced brick as a structural component in the construction of industrial chimneys. Refractory bricks are often used as liners, especially when the type of fuel being burned produces acidic fumes. Modern industrial chimneys sometimes consist of a concrete windshield with multiple flues inside.

The 300 m (980 ft) tall steam plant stack at the ‘Secunda CTL’ synthetic fuel plant in Secunda, South Africa consists of a 26 m (85 ft) diameter windscreen and four concrete chimneys with a diameter of 4, 6 m lined with refractory bricks built on cantilever rings spaced 10 meters apart. The reinforced concrete can be poured with conventional formwork or slipform. The height is to ensure that the pollutants are spread over a larger area to meet regulatory or other safety requirements.

Residential chimney liners[ edit ]

A chimney with two clay bricks

A fireplace insert is a secondary barrier in a chimney that protects the brickwork from the acidic products of combustion, helps prevent smoke gas from entering the home, and reduces the size of an oversized fireplace. Since the 1950s, building codes in many locations have required newly built chimneys to have a smoke lining. Chimneys built without a liner can usually be fitted with a liner, but the type of liner must match the type of appliance that it serves. Chimney liners can be clay or concrete tile, metal, or concrete poured in place.

Clay brick chimney liners are widely used in the United States, although they are the only liner not to meet Underwriters Laboratories 1777 approval, and they often have problems such as cracked tiles and improper installation. Clay bricks are typically about 2 feet long, come in a variety of sizes and shapes, and are installed when the chimney is rebuilt. A refractory cement is used between each tile.

Metal liners can be stainless steel, aluminum, or galvanized iron, and can be flexible or rigid tubing. Stainless steel is produced in different types and thicknesses. Type 304 is used with firewood, wood pellets and non-condensing oil appliances, Types 316 and 321 with coal and Type AL 29-4C is used with high efficiency gas condensing appliances. Stainless steel liners must be capped and insulated when used on solid fuel appliances, but carefully follow manufacturer’s instructions.[7] Aluminum and galvanized steel chimneys are known as Class A and B chimneys. Class A are either insulated double wall stainless steel tubing or triple wall air insulated tubing, often known by the generic trade name Metalbestos. Class B is uninsulated double wall tubing, often referred to as a B vent, used only for venting non-condensing gas appliances. These can have an inner layer of aluminum and an outer layer of galvanized steel.

Concrete liners are like clay liners but are made of a refractory cement and are more durable than the clay liners.

Cast-in-place liners are made by pouring special concrete into the existing chimney using a mold. These liners are very durable, will work with any heater and can strengthen a weak chimney, but they are irreversible.

Chimney pots, caps and attachments [ edit ]

Rows of chimneys in an English town, 2013.

A chimney attachment is placed on the chimney to lengthen the chimney inexpensively and to improve the chimney draft. A chimney with more than one pot indicates that multiple chimneys on different floors share the chimney.

A hood is placed on the chimney to prevent birds and other animals from nesting in the chimney. They often have a rain cover to prevent rain or snow from entering the chimney. A metal wire mesh is often used as a spark arrestor to prevent burning debris from rising up the chimney and onto the roof. Although the masonry inside the chimney can absorb a lot of moisture, which later evaporates, rainwater can collect at the base of the chimney. Sometimes drain holes are made at the bottom of the chimney to drain collected water.

Spanish conquistador style downwind hood found on many homes along the windswept Oregon coast.

A chimney cowl, or downwind cap, is a helmet-shaped chimney cap that rotates to align with the wind and prevent smoke backing and spiraling down the chimney.

An H-style hood

An H-style cap is a chimney cowl made up of chimney tubes in the shape of the letter H. It is an ancient method of regulating airflow in situations where prevailing winds or turbulence are causing downwash and backpuffing. Although the H cap has a distinct advantage over most other downdraft caps, it fell out of favor because of its bulky design. It is primarily used in the Navy but is regaining popularity due to its energy saving functionality. The H cap stabilizes the airflow instead of increasing it. Other downdraft caps are based on the Venturi effect and solve downdraft problems by constantly increasing lift, resulting in much higher fuel consumption.

A chimney damper is a metal panel that can be positioned to close off the chimney when not in use and prevent outside air from entering the interior, and can be opened to allow hot gases to escape if there is a fire burns. A top hatch or cap-hatch is a metal spring door attached to the top of the chimney with a long metal chain that allows the hatch to be opened and closed from the chimney. A throat damper is a metal plate at the base of the chimney, just above the firebox, that can be opened and closed with a lever, gear, or chain to seal the chimney from the chimney. The benefit of a top damper is the tight, weatherproof seal it provides when closed, preventing cold outside air from flowing down the chimney into the living space – a quality rarely matched by the metal-to-metal seal can a throat damper. In addition, as the neck attenuator is exposed to the intense heat of the fire directly below, the metal tends to deform over time, further degrading the integrity of the neck attenuator. The advantage of a throat valve, however, is that it seals the living space from the air mass in the chimney, which is generally very cold, particularly for chimneys that are mounted on an outside wall of the house. In practice, it is possible to use both a top muffler and a throat muffler to get the benefits of both. The two top damper designs currently on the market are the Lyemance (pivoting door) and Lock Top (translation door).

In the late Middle Ages in Western Europe, the design of stepped gables emerged to allow maintenance access to the top of the chimney, particularly on tall structures such as castles and grand mansions.

Chimney draft or draft[ edit ]

The chimney effect in chimneys: the gauges represent the absolute air pressure and the air flow is shown with light gray arrows. The dial gauges move clockwise as the pressure increases.

When coal, oil, natural gas, wood, or other fuels are burned in a stove, furnace, fireplace, boiler, or industrial furnace, the resulting hot combustion product gases are called flue gases. These gases are generally vented to the outside air through chimneys or industrial flue gas stacks (sometimes called chimneys).

The combustion exhaust gases in the chimneys or chimneys are much hotter than the surrounding outside air and are therefore less dense than the surrounding air. As a result, the bottom of the vertical column of hot flue gas has a lower pressure than the pressure at the bottom of a corresponding outdoor air column. This higher pressure outside the chimney is the driving force that moves the required combustion air into the combustion zone and also moves the flue gas up and out of the chimney. This movement or flow of combustion air and flue gas is referred to as “natural draft”, “natural ventilation”, “chimney effect” or “chimney effect”. The higher the stack, the more draft or draft there is. There can be cases of diminishing returns: if a chimney is too high in relation to the heat emitted from the chimney, the flue gases can cool before reaching the top of the chimney. This condition can result in a bad draft, and in the case of wood burning appliances, cooling the gases prior to emission can cause creosote to condense near the top of the chimney. The creosote can restrict the escape of fumes and pose a fire hazard.

Designing chimneys and chimneys to provide the right amount of natural airflow involves a number of design factors, many of which require iterative trial and error methods.

As a “first guess” the following equation can be used to estimate the natural draft/draft flow, assuming that the molecular mass (i.e. molecular weight) of the flue gas and the outside air are equal and that the frictional pressure is equal and heat losses are negligible:

Q = C A 2 g H T i − T e T e {\displaystyle Q=C\,A\,{\sqrt {2\,g\,H\,{\frac {T_{i} -T_{e}} {T_{e}}}}}}

Q = chimney draft/draft volume flow, m 3 /s

= chimney draft/chimney draft speed, m /s A = cross-sectional area of ​​the chimney, m 2 (at constant cross-section)

= cross-sectional area of ​​the chimney, m (assuming it has a constant cross-section) C = outflow coefficient (usually assumed to be between 0.65 and 0.70)

= discharge coefficient (usually assumed to be between 0.65 and 0.70) g = acceleration due to gravity, 9.807 m/s 2

= gravitational acceleration, 9.807 m/s H = chimney height, m

= height of the chimney, m T i = mean temperature in the chimney, K

= mean temperature in the chimney, K T e = outside air temperature, K.

Where:

Combining two flows into the stack: A t + A f < A where A t = 7.1 in2 is the minimum required flow area from the water heater tank and A f = 19.6 in2 is the minimum flow area from a central heating system stove. draft [ edit ] Gas fired appliances must have an exhaust hood to cool combustion products entering the chimney and to prevent updrafts or downdrafts.[8][9][10] Maintenance and problems[edit] A characteristic problem of chimneys is that when used with wood as fuel, they develop deposits of creosote on the walls of the structure. Deposits of this substance can interfere with airflow and, more importantly, they are flammable and can cause dangerous chimney fires if the deposits ignite in the chimney. Heaters that burn natural gas drastically reduce the amount of creosote deposits because natural gas burns much cleaner and more efficiently than traditional solid fuels. While in most cases annual cleaning of a gas chimney is not required, that does not mean that other parts of the chimney cannot deteriorate. Separated or loose chimney connections caused by corrosion over time can pose serious hazards to occupants as carbon monoxide enters the home.[11] Therefore, it is recommended - and even required in some countries - that chimneys be inspected annually and cleaned regularly to prevent these problems. The workers who take on this task are called chimney sweeps or steeplejacks. This work was formerly largely done by child labor and as such can be found in Victorian literature. In the Middle Ages, a crow-stepped gable design was developed in some parts of Europe, partly to allow access to chimneys without the use of ladders. Brick (brick) chimneys have also proven particularly vulnerable to crumbling in an earthquake. State housing authorities in earthquake-prone cities such as San Francisco, Los Angeles, and San Diego are now recommending that new homes be built with stud chimneys around a metal flue. Bracing or strapping old brick chimneys has not proven very effective in preventing damage or injury from earthquakes. It is now possible to purchase "faux brick" facades to cover these modern chimney structures. Other possible problems are: "Brick spalling", in which moisture penetrates the brick and then freezes, cracking and flaking the brick and loosening mortar seals. shifting foundations that can compromise the integrity of the chimney masonry Nesting or infestation by unwanted animals such as squirrels, raccoons or chimney sweeps Chimney leaking Design issues that may allow smoking inside the building [12] Problems with the chimney or heater can result in undesirable chimney deterioration or compromise Dual-use chimneys[edit] Some very tall chimneys are used to support antennas from cell phone services and low power FM/TV transmitters. If these antennas are located near the chimney outlet, special attention must be paid to possible corrosion problems. In some cases, the chimneys of power plants are also used as pylons. However, this design, used in several power plants in the former Soviet Union, is not very common due to corrosion problems of conductors. The Dům Dětí a Mládeže v Modřanech in Prague, Czech Republic is equipped with a viewing platform. The chimney of the Pei Tou incinerator supports a revolving restaurant. Cooling tower used as an industrial chimney[ edit ] Some power plants equipped with sulfur dioxide and nitrogen oxide removal systems have the option of using the cooling tower as a chimney. Such cooling towers can be seen in Germany at the Staudinger Großkrotzenburg power plant and at the Rostock power plant. In power plants not equipped for sulfur dioxide removal, such use of cooling towers could lead to serious corrosion problems that are not easy to prevent. See also[edit]

William Blake’s The Chimney Sweeper (page 946) employs symbolism and irony to convey the poem’s theme. The poem focuses on the lives of chimney sweeps; it implies that the boys work long, arduous hours in poor conditions, but are promised just, glorious conditions in the afterlife. The line “And my father sold me when my tongue could barely weep” “Weep! ‘cry! ‘cry!’ is an example of verbal irony; while the narrator wants to say that he was too young to pronounce the word “sweep”, the reader could interpret the meaning of the line to mean that the narrator was so young when he did was dealing with the death of his mother that he could hardly understand sadness. Tom Dacre’s hair serves as a conventional symbol; his head is described as “curving like the back of a lamb”. The lamb is typically associated with innocence and purity; the Shaving his head seems to symbolize the loss of these things through the chimney sweep’s hard work.

Tom’s dream is said to be a glimpse into the afterlife of chimney sweeps; The black coffins are a traditional symbol of death, and the black comes from chimney soot. It is very likely that the term was chosen because a chimney is dark and confining on the inside, much like a coffin. The poem itself has a symbolic meaning: the chimney sweeps symbolize life and its toils, while the soot symbolizes sin. That is why the poem emphasizes black and soot against white and cleanliness (“in soot I sleep”, “soot cannot spoil your white hair”, “black coffins”, “bright key”, “shine in the sun”, “naked”. and white”, “rose in the dark”). Blake uses the conventional symbolism of white to represent heavenly purity. It seems that the angel in the poem is cosmic irony; Although the afterlife is supposed to be happy, that in no way improves the current life of sweepers.

One of the attributes of God that underpins His omnipotence is that HE IS A CONSUMPTING FIRE. JEHOVAH GOD is the STRONG and MIGHTY LORD. He is POWERFUL IN SIZE and ACTION. A songwriter in the Nigerian Yoruba language calls God “ALAGBADA INA” – “The One Clothed WITH FIRE.” He WEARS FIRE as CLOTHING.” God is not a weakling. He is a strong FIREPOWER. When God goes out, one of the elements accompanying His records is “burning fire of the Holy Spirit.” Psalm 97:3 “A FIRE GOES AHEAD OF HIM AND BURNS HIS ENEMIES AROUND.”

No demon can walk in heaven in God’s presence without being consumed by the fire emanating from the throne and presence of Almighty God. Fire is inherently flammable and has many positive and negative effects. The negative effect of fire is that it is destructive; Destruction of valuables and property, while the positive effect of fire is that it helps in the production chain, cooking and heat energy generation, etc. One of the remarkable attributes of God in Scripture is that HE is THE GOD who answers prayer with fire. When God responds with fire, there is quick reaction, speed and action, and positive consequences and results. There is what the Bible calls the “FIRE OF THE LORD.” This fire of the Lord is a unique divine fire found nowhere else. It is holy pure fire from the LORD. This fire of the Lord cannot be quenched with water. It is not a natural fire that can be extinguished with natural fire extinguishers.

The fire of the Lord is very intense in both the physical and spiritual realms. It is important to note that the “FIRE OF THE LORD” as it fell consumed burnt offerings, wood, stones, dust and ashes, and lapped up the water from the ditch (1Kings 18:38). Nothing can stand in the way of the fire of the LORD as it has the tremendous capacity to consume STONE, WATER, solids and liquids. As the fire of the Lord falls, every stubborn problem is consumed, swallowed up by the intense heat of the fire of the Lord. No problem, no sickness, no sickness in your life can withstand the fire of the Lord. Bible scholars recently found that God’s breath is filled with fire, and when God breathed into the first man, Adam, he received the breath of life and fire.

So Adam could do so many things with positive results through the fire of the Lord on his life. The hour has come when the fire of the Lord will be unleashed against forces that oppose your progress. It’s time to ignite the fire of the Lord against the demon of procrastination in your life. Psalm 21:8-9 “Your hand will find all your enemies; your rights will be found by those who hate you; You will make them a FIRE FURNACE in the time of your wrath; the LORD will devour them in his anger, and the fire will devour them.” Arise and command “the FIRE of the LORD” to consume and destroy the works of darkness in your life. Command the fire of the Lord – the fire of the Holy Spirit – to destroy every power of darkness that works against your progress. 1 Samuel 2:10 “THE OPPOSERS OF THE LORD will be broken into pieces; he will thunder upon them from heaven; The LORD will judge the ends of the earth; and he will give strength to his king and exalt the horn of his anointed.” JESUS ​​promised to baptize us with the Holy Spirit and with fire.

Our baptism in the Holy Spirit must accompany our baptism in the fire of the Lord. The early church received the baptism of the Holy Spirit with forked tongues of fire and they performed feats and performed signs and wonders. Acts 2:3 “And there appeared to them folded tongues as of fire, and they sat on every one of them.” Ask the Lord to baptize you with the fresh fire of the Holy Spirit, your prayer life will never be the same. Summon the fire of the LORD. Let the fire of the Lord over every area of ​​your life – the enemy will always be defeated. The fire of the LORD destroys all your unrepentant enemies. You will gain speed, momentum and acceleration through the fire of the Lord.

Lucky Numbers Dream Guide

What did you dream about last night? What did you see and what happened in these dreams? Turn your dreams into lucky numbers to enter this week’s draws, they might help you get lucky!

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