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SHOW CHOIR AUDITION ADVICE
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Show Choir 101 – A Beginner’s Perspective
Pros of Show Choir verses traditional Choir or Vocal Jazz … Start with a very general theme (bullying, high school drama, geeks and nerds, party,.
Source: www.omea.on.ca
Date Published: 10/8/2021
View: 8186
How To Create A Show Choir Show – FloVoice
Pulling themes from existing works is often a great starting point. Possibly the simplest way to put together a show is finding a collection of songs that you …
Source: www.flovoice.com
Date Published: 8/16/2021
View: 2194
Tips from an Arranger and Adjudicator: Five Steps to Creating …
Tips from an Arranger and Adjudicator: Five Steps to Creating an Awesome Show Choir · 1 – THINK OUTSIDE THE CIRCLE · 2 – PLAN EARLY · 3 – KNOW YOUR GROUP · 4 – KNOW …
Source: www.productionsmag.com
Date Published: 10/16/2022
View: 1986
SHOW CHOIR: STARTING, BRANDING AND SUCCEEDING …
SHOW CHOIR: STARTING, BRANDING AND. SUCCEEDING WITH IT. CHRISTOPHER PRATT AND RICHARD WOLF, GROSSE POINTE SOUTH HIGH SCHOOL, GROSSE POINTE FARMS, MI …
Source: www.msvma.org
Date Published: 10/10/2022
View: 694
How to Start a Choir! – Starling Arts
… starting a choir is a brilliant way to bring people together. … uncover and develop performance talent through their participation.
Source: www.starlingarts.com
Date Published: 4/19/2021
View: 1287
Show choir – Wikipedia
A show choir is a musical ensemble that combines choral singing with choreographed dance, … Open main menu … A show choir competing on stage.
Source: en.wikipedia.org
Date Published: 4/18/2022
View: 1361
Show Choir Music | Sheet music at JW Pepper
Show Choir Music … We Don’t Talk About Bruno SATB choral sheet music cover … set the tone in this upbeat song that works for concert or show choirs.
Source: www.jwpepper.com
Date Published: 12/24/2021
View: 8078
What is Show Choir? – StageRight Performance
As we continue to move forward, we expect to see even more schools offer this. If your school is decing on whether to start a show choir, …
Source: performance.stageright.com
Date Published: 4/5/2021
View: 9715
The Art of Competitive Show Choir Paperback – Amazon.com
Thinking about starting a competitive show choir? Hoping to infuse new energy into your current program with fresh eas? Wondering what all the hype is …
Source: www.amazon.com
Date Published: 5/6/2021
View: 6786
Show Choir Starting Up – Pelladium
AcaPella has a new head coach, Samatha Robilliard, but most people in show choir call her Robi. She previously worked at Johnston High School. “ …
Source: pelladium.com
Date Published: 4/5/2022
View: 6357
How To Create A Show Choir Show
By Sam Bianco
Each year show choir directors are responsible for creating shows for their choirs. This important task can decide a show choir season before it even begins. There’s no one right way to go about this, and the beauty of it is the freedom to be creative, but here’s a general guide to show design.
Always keep the level of the choir in mind
Many great ideas have failed because a choir (or conductor) is unable to perform specific material. If you have a newer or smaller group, use a looser theme that collects just great music that is playable and fun for the choir and audience. Heavier material is often more difficult to present credibly.
You can find inspiration almost everywhere
One of the best ways to get inspiration is to look at other show choir shows, especially those from another area of the country. Check out the choirs competing in the national championship competitions for inspiration. Movies, TV, theater and books are also great places to find inspiration, even if you’re not building an entire show around a specific story (e.g., “Star Wars,” the show choir show). Pulling out themes from existing works is often a good place to start. Probably the easiest way to put together a show is to find a collection of songs that you really like and piece them together in a way that either tells a story or follows a logical sequence. The songs you choose must tell the story of your subject matter, so your story may change depending on the music you choose.
Choosing the music is the most important part
If you can write your own arrangements or have an arranger, you can choose almost anything. If not, you’ll need to find songs previously arranged for show choir (choir and pit band), which will be limiting. I recommend contacting show choir arrangers (just search “show choir arranger” on google) to get their pre-arranged music catalogs and inquire about prices to create new arrangements for you.
When it comes to music selection, show choir shows generally follow a simple five-song formula:
1. Accelerator
Lots of dancing and big vocals that build your story.
2. Mid-tempo piece
Changes the pace but still advances the story.
3. Ballad
Stop and sing beautifully. This is usually the most vocally difficult piece.
4. Costume Swap Piece
Usually there is one soloist or small group while everyone else changes costumes, or a piece showing one gender and then the other to accommodate the change.
5. Fast approaching
Lots of dancing and great singing bring the story to a close.
There are obviously many variations for show building and the sky is the limit, but this is an easy base to start with. Find music you like that you think fits well with your theme and put it together using this formula for a first draft of a show. Give yourself some time to think about it, and then revise it. When I create a new show, I revise it several times (having discarded some themes in the process).
In which sections will soloists perform?
Once the music has been chosen and it fits the theme, you need to determine which sections of the music will include soloists and which sections will be reserved for the full choir. This choice determines both the feel of that section and what the judges can evaluate at any given time. A solo-heavy show might be a big hit with the crowd, but if the choir isn’t involved enough in the music, it can hurt your choir when it comes time to judge. Finding a balance between your most talented singers and your choir as a whole is important.
Costumes are a crucial visual element
Once you’ve decided on a theme and songs, it’s time to take care of the visual aspects of the show choir. I like to start with costumes. There are many different considerations that must be made in costuming.
-How many costumes will each actor have?
-Is there enough time for the costume change, if necessary?
-What should the color scheme of the show be?
-Are there any styles of music in your show that are associated with certain styles of clothing? (For example, it would be a little out of place to play punk rock music while wearing prom dresses.)
– Will the costumes look good on any body type?
– Does this costume match the feel of the show?
-Will this costume “read” well from the stage?
-What is your budget for costumes?
Many companies have specialized in costumes for show choirs in every price range. If you’re lucky enough to know someone who can make costumes, that’s even better!
Have you considered sets/props/risers?
An underestimated aspect of show design in show choir is the sets, props and risers. The traditional riser setup consists of four rows of four platforms that get taller as they go backstage.
Recently, show choirs have had their up-and-coming choirs help tell the show’s visual story. Many different combinations and formations are available depending on the risers used. Don’t be afraid to experiment. Many show choirs also have backdrops or set pieces that enhance the visuals of the show. These should fit your theme and help tell your story without distracting from the performance of the choir and band.
Performance should always come first! When sets and props improve your performance, remember to consider their cost and the mobility of the pieces. Most shows only allow 30 minutes for setup, performance, and teardown, so anything you use in your show needs to be mobile enough not to incur time penalties. I recommend starting small to see what you can do before biting off more than you can chew!
Most importantly, the show is fun to teach, perform, and watch. Pass your ideas on to people you trust and respect. If you love your creation, chances are others will too!
Tips from an Arranger and Adjudicator: Five Steps to Creating an Awesome Show Choir – Productions Magazine
Tips from an arranger and judge: Five steps to creating a great show choir
Arranger and judge Jeff Bowen offers helpful tips for all aspiring show choir directors to develop an outstanding program.
1 – THINK OUTSIDE THE CIRCLE
Years ago, a respected friend would draw a circle on paper when planning something. Then he wrote the ideas outside of the circle in the margin of the page. After seeing this several times, I finally asked, “Why are you posting the ideas so far out, away from the circle?” His answer was simple. “I use a circle instead of a box.” Genius!
The concept for him was literal. The ideas that came out were huge and grandiose – things I knew he couldn’t actually do. But as he had planned, the outer ideas were revised and marked with the new ideas written closer to the circle. When the circle was full, his plan was complete.
2 – PLAN EARLY
When it comes time to assemble all the hundreds of pieces for your competitive show, you all know you have to start early. Some directors need those few weeks after school to wind down and think about their shows, but you might want to at least get some of the big ideas down on paper — those huge ideas on the edge of the paper, written down and started before school is out. Do not hesitate to contact the companies you use at this point to at least get timetables and prices.
For example, in early April this year I started writing and arranging music for the 2017 competitive season. Even if that’s super early for you, at least it gets the ball rolling and can relieve the pressure when school starts again or even later in the year.
3 – KNOW YOUR GROUP
In the world of show choir competitions, there have been some incredible ideas that have come to fruition and worked very well. Nothing feels better than genuine cheers from your peers and the judges when your group waves and dances off the stage at the end of their show and you know it worked. Everything about it worked!
As a judge, I’ve seen that for years. There were groups that used mainstream popular music, few props and decent but simple costumes, but the audience and judges went nuts. So what was the key? What worked so well? Cooperation! When the director “knows” his or her group and what they are capable of, that’s when the magic happens.
Embrace the group you have. Some directors scour YouTube and check out other groups to find the magical piece of the puzzle that made this show work. Always remember – this show worked for YOU. Try to adapt your show to your group and not the other way around. If you have a show choir that is having some issues, then address them. It’s great to challenge them to the next level, but only if you only go up one level (and not to the edge of the paper). If you can do that, climb back up.
When it comes to the basics – how they sound and how they look – always think of your singers first. If you get a difficult custom arrangement, be prepared to rework some parts for it. The same goes for the choreography and what they wear. Also, take a moment to step back to see and hear your group from afar. Get them in the auditorium or at the gym if you can. Clean up the vocals and really imagine their moves and look. See it in your head.
4 – KNOW YOURSELF
This is perhaps the most important aspect of All-Self Consciousness. Know yourself. We’ve heard them all. In my life I’ve slolam water-skied, hiked mountains, swum two oceans, ridden dozens of world-class roller coasters, been abroad and zip-line sailed. I just learned to ski a year and a half ago and tackled a blue hill on my first day. But please don’t ever ask me to do bookkeeping – it scares me!
Dig deep and really search for the soul. They may have in mind the most perfect show ever made – EVER (even the utmost idea on the site). Know in your heart that you can cause your students to produce what you see and hear in your head, even if it is on a much smaller scale (or within the circle).
5 – STAY ABOVE
After almost three decades in the show choir industry, it is amazing to see how many details show choir conductors have to take care of. From an outsider’s perspective, it looks impossible.
Never be afraid to ask for help. Parents and professionals can provide amazing help. Keep an open mind and an open heart and remember this is a human experience. Growth and change go hand in hand. Just always do your best and stay up to date with your show. And it will be the best!
How to Start a Choir! — STARLING ARTS
The first thing you need to do is decide what you want your choir to look like. Will the choir be a non-audit, inclusive group or would you like to audition and compete with your singers? Make these decisions early on as they will influence your approach to member sourcing, repertoire selection and sharing your ethos with your members and supporters.
At Starling Arts, we believe that singing is a great way to bring people together and that a strong community ethos coupled with a goal of hosting quality events is at the heart of what we do. We strive to create fun, supported opportunities, and we love that so many of our members become lifelong friends and discover and develop accomplishment talents through their participation.
music
Will your group have a special musical focus? For many conductors, this focus comes from their existing interests or music experience. Choose a repertoire that’s close to your heart so your enthusiasm is contagious when you share it with others! While each of our choirs has their own specialty, our Starling Arts-operated choirs tend to sing a range of pop, rock, jazz and musical theater songs, and we make every effort to employ performance techniques to ensure our singers – and our audience – having as much fun as possible.
Choose a name
In all of these decisions, choose a name that reflects the type of choral community you are trying to create. You can be clever with a pun-like play on musical terms (like The Treble Makers or Sons of Pitches) or include the genre or location in your name (like The London Jazz Choir or The Finchley Singers).
Read how we chose the name Starling Arts for our singing community!
Find your home
You need a place to practice. Find a venue that fits the size and needs of your choir. If you are teaching from a piano, you should check if there is one available that you can use (or if you can bring your own keyboard). Important considerations are transportation, cost, room availability, sound transmission from other samples or rooms, and access. Does the venue have an elevator? can you use a kitchen Where are the nearest toilets? What is the maximum capacity? Once you’ve found your dream location, make sure you formalize an agreement with the location to ensure you’ve secured the space. Tip: You may be able to secure a discount on the room rental for repeat bookings.
Recruit your members
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