Are you looking for an answer to the topic “the girlfriend game short film“? We answer all your questions at the website Chewathai27.com/ppa in category: Aodaithanhmai.com.vn/ppa/blog. You will find the answer right below.
Table of Contents
The Girlfriend Game | An Erotic Thriller by Armen Antranikian
See some more details on the topic the girlfriend game short film here:
The Girlfriend Game (Short 2015) – IMDb
An erotic thriller about a twisted game a couple plays at bars, until one night. Play trailer0:45.
Source: www.imdb.com
Date Published: 9/28/2021
View: 2115
The Girlfriend Game – NOWNESS
The Girlfriend Game. Directed by Armen Antranikian. Director Armen Antranikian’s erotic thriller about one couple’s twisted game.
Source: www.nowness.com
Date Published: 11/26/2021
View: 7227
The Girlfriend Game (2015) on shortfil.ms
An erotic thriller about a twisted game a couple plays at bars, until one night, things get out of hand. The story takes us onto a nightmarish, …
Source: shortfil.ms
Date Published: 2/3/2022
View: 8816
Navigating the Twists & Turns of Armen Antranikian’s …
Based on a short story of the same name, Armen Antranikian’s film The Girlfriend Game, sees a couple’s cruel bait and switch titillation …
Source: directorsnotes.com
Date Published: 3/18/2021
View: 5481
Short Film: The Girlfriend Game – Yodoozy®
Short Film: The Girlfriend Game … What happens when a couple gets caught up in its own twisted games? Director Armen Antranikian brings to us …
Source: yodoozy.com
Date Published: 2/4/2022
View: 9980
The Girlfriend Game – 2015 – Champs-Elysées Film Festival
Competition: American Short Films The Girlfriend Game Armen Antranikian Drama, Thriller | USA | 2015 | 15 min. SYNOPSIS. An erotic thriller about a twisted …
Source: www.champselyseesfilmfestival.com
Date Published: 6/20/2021
View: 5074
Watch The Girlfriend Game | 123movies – Free Movies
The Girlfriend Game – An erotic thriller about a twisted game a couple plays at bars, until one night, things get out of hand. The story takes us onto a …
Source: freemovies.so
Date Published: 8/27/2021
View: 1680
The Girlfriend Game (Short 2015)
An erotic thriller about a twisted game that a couple plays in bars until one night things spiral out of control. The story takes us on a nightmarish psychosexual journey, and little by little the true… Read allAn erotic thriller about a twisted game that a couple plays in bars until one night things get out of control. The story takes us on a nightmarish, psychosexual journey, and gradually the true nature of their relationship comes to light. An erotic thriller about a twisted game that a couple plays in bars until one night things spiral out of control. The story takes us on a nightmarish psychosexual journey and gradually the true nature of their relationship comes to light.
The Girlfriend Game (2015)
An erotic thriller about a twisted game that a couple plays in bars until one night things spiral out of control. The story takes us on a nightmarish psychosexual journey and gradually the true nature of their relationship comes to light.
An erotic thriller about a twisted game that a couple plays in bars until one night things spiral out of control. The story takes us on a nightmarish psychosexual journey and gradually the true nature of their relationship comes to light.
Navigating the Twists & Turns of Armen Antranikian’s Psychosexual Short ‘The Girlfriend Game’
Based on the short story of the same name, Armen Antranikian’s film The Girlfriend Game follows a couple’s cruel roleplay, baited and charmed, spiraling into a dark place that threatens the stability of their relationship, which isn’t as liberal as they thought. Antranikian takes us through the twists and turns of the production on his psychosexual journey, explaining why movies and sex make the best (conceptual) bedfellows.
This may sound pretentious, but I tend to equate a good movie with sex. In the first act, you will be enchanted by the characters. Follow them, watch and wait. Then finally someone moves. The second act, like the prelude, was intended to captivate the audience. Focusing on the goal, building tension and pushing boundaries as it leads to climax. The resolution, one could say, is like lying in bed, after coitus, with a cigarette in your mouth. And since I have a crappy sex life, this stuff has become the focus of my filmmaking.
development
I met Sophie Kargman, the lead actress in the film, through a mutual friend. We worked together on a little short called Nail Polish while I was studying at the USC School of Cinematic Arts. We enjoyed working together, and when it came time to find a new project, she introduced me to Nick Antosca’s short story The Girlfriend Game (which was published by Wort Riot as part of Nick Antosca’s short story collection of the same name). Nick had written The Girlfriend Game many years ago while living in New York before moving to Los Angeles and embarking on a career as a television writer. Sophie knew him from college and they had previously tried to adapt the story into a short film, but it didn’t work.
When I first read the short story, I could see the film playing in front of me and knew immediately that I wanted to make a film out of it. I fell in love with the concept of how elegantly the story builds to a climax and how it takes a simple idea to the extreme. While the story felt self-contained, it also addressed many of the topics that have interested me for a while but haven’t had a chance to explore. I had previously made a few smaller short films that explored similar themes of alienation and modern relationships, but I had never fully engaged with the dark side of it all. This project became an opportunity to further explore issues such as jealousy and obsession and to show a different side of me.
There was an early draft of a script that we used as a stepping stone and developed into the later script. One of the challenges we faced was that the short story is set in New York, and translating the story to Los Angeles initially felt a bit forced. But as we continued to work on it, we realized that the film’s location in Los Angeles actually enhanced the story. There’s something inherently cinematic about losing touch with someone in a sprawling city like Los Angeles and pinning a dreamlike story to the Hollywood Hills, a place that has always felt a little mysterious and almost haunted to me. While it’s easy to set the rules of a game through first-person narration in a short story, we didn’t want to use voice-over too much in the film. I decided to treat the beginning of the film as a short two-minute prologue that feels like a Girlfriend Game commercial and presents it in a heightened form. Our goal was to convey the excitement of the game and immerse the audience as quickly as possible to allow for more replay at the end of the film.
We didn’t have to look far to cast the film’s lead actor. Sophie was dating Jeff Ward at the time, who we then cast as Ben. Their off-screen relationship added an odd realism to the process, but also heightened tension. The rest of the cast, including Ryan Eggold (The Blacklist), Sarah Roemer (Disturbia), and Spencer Treat Clark (Mystic River), are all friends of theirs.
Goals
This project came at a perfect time for me as I was looking for a way to break out of the film school bubble. I needed a project to build a team that I was genuinely looking forward to working with long term. It also gave me the experience of working with a writer, which I personally found to be much more liberating than working on a script I wrote myself. One of my goals was to explore ways of working with existing material but conveying my point of view within this limited framework. It’s amazing how much you can put into a story without writing it. When I’m writing and directing at the same time, I often try to protect the words in the script and make sure the ideas I originally had end up on screen. I’ve found that by working with a writer, my role as a director is much more about enhancing the story through sounds and visuals, allowing me to focus solely on the filmmaking process. It creates a different kind of emphasis, one that allows one to invest mental energy in every detail of the process.
influences
Stanley Kubrick’s Eyes Wide Shut is a film that has always fascinated me, Party because it holds a lot of secrets, but also one of the few films that explores themes of jealousy and modern relationships in a truly cinematic way. Another influence is Hitchcock’s work, some of which, like Vertigo, has a very dreamlike quality, or Rear Window, which is about voyerism. Another film that inspired me is David Lynch’s Muholland Drive. It’s just interesting how he portrays the Hollywood Hills as a haunting place, almost like it’s an alternate reality. I also learned a bit from Roman Polanski’s work, particularly Repulsion, the film where I think he plays most with subjectivity and allows the audience to get inside the character’s mind.
Approach
One thing that influenced a lot of my creative decisions was this idea to create a portrait of a couple addicted to a game. I approached it as an objective perspective on people hurting each other to get closer and more intimate. In contrast, I wanted parts of the film, especially the climax, to feel as subjective as possible – like we were in the protagonist’s perspective. As I explored this idea, I discovered an evolution in the film – that in the beginning we experience the couple as basically separate entities, as seen in the bedroom scene, and gradually move into his point of view and allow ourselves to feel the story so inwardly to experience as possible. I also thought a lot about how time unfolds throughout the film and it felt natural for the film to feel fragmented and limited until we get to the scene in the house. I wanted this part to play out as if it was recorded in real time, almost like a sporting event, so the audience could be as immersed as possible. Looking back, I feel like every creative decision we made was somehow centered around the climax of the film, from the color scheme to the use of music and sound design.
production
We had a few pre-shoot rehearsals where Jeff, Sophie and I explored the scenes together and ironed out some hiccups before going on set, which was essential as we had to shoot the film in three days relatively quickly. Christian Sprenger, the cameraman, and I spent a lot of time planning the shots and angles, through extensive shortlists and floorplans. This process saved us a lot of time on the shoot because we knew exactly what we were looking for. Christine Melton, who co-produced the film with Alejandro De Leon, was involved in every step of the process and helped gather many resources. The production itself was a creative endeavor as we had very limited resources for a relatively ambitious short film that was mainly shot at night and included extras, multiple locations and driving scenes. Shooting a small film in LA is a real challenge as everyone is used to the fact that productions have significant resources, including the city itself, and location owners expect high fees. We searched Airbnb for locations up to the last minute and I have to say we were really lucky to find these amazing locations as so much of this film is defined by the environments in which it is set.
Post-production
While development and production only took two months, post-production was by far the most tedious part at around six months. Granted, it was partly because people couldn’t afford to work on it full-time, but I also made time for it because I love that part of the process. Finally, you have the opportunity to really take care of every detail and ensure that every decision regarding editing, sound design and music is taken into account. Noah Kistler, who I went to film school with, edited the film. He has a background in editing movie trailers, which is something I always liked about this film, as I’ve always wanted the film to feel a bit more fragmented and edgy than traditional narrative films. Benton Corder was responsible for the sound design and through a lot of back and forth we found elegant ways to achieve some of the goals I wanted through the means of the sound, like switching between an objective and a subjective view of a world too create that feels rich, immersive, and sometimes elevated.
When I was looking for a composer I approached Daniel Hart, through his agent, who had seen the film and really liked it. Daniel is the composer of the score for David Lowery’s Ain’t Them Bodies Saints, one of the best scores I’ve heard in a long time. However, what really drew me to work with him is the music of his band Dark Rooms, which is very close to what I had in mind for the short film. Daniel lives in Dallas which meant most of our communication was via Skype. We talked a lot about music that inspired us and I shared with him my references for the film, including music related to the Brooklyn label Tri Angle Records, especially Holy Other and Forest Swords music. One of the challenges we faced was creating music that can serve as both source music and score music, allowing a track to gracefully transition from non-diegetic to diegetic music. I liked the idea of the music occasionally taking over a scene and making us feel like we were watching some kind of music video. While Daniel had to create many snippets of tracks to use in the film, he ended up creating entire songs and even a few other tracks that weren’t supposed to be in the film. We released the entire album which is also called The Girlfriend Game. Here is the full soundtrack:
Related searches to the girlfriend game short film
Information related to the topic the girlfriend game short film
Here are the search results of the thread the girlfriend game short film from Bing. You can read more if you want.
You have just come across an article on the topic the girlfriend game short film. If you found this article useful, please share it. Thank you very much.
